Bell, Marcus. 2025. Cruel Futurity in Euripides’ "Bacchae". In: Connie A Bloomfield-Gadelha and Edith Hall, eds. Time, Tense and Genre in Ancient Greek Literature. Oxford: Oxford University Press. [Book Section] (Forthcoming)

Bell, Marcus. 2025. Dance, Tragedy and the Dying Act: Pina Bausch’s "Rite of Spring". In: Cécile Dudouyt; Sofia Frade and Justine McConnell, eds. Reshaping Reception: Archiving and Performing Antiquity. [Book Section] (Forthcoming)

Bell, Marcus. 2025. Queer Ruins at the End of the World: Gisèle Vienne’s "Crowd". In: Ezra Baudou and Anne-Violaine Houcke, eds. Ruin and Ruination: Staging Antiquities in Contemporary Cinema and Theatre. Oxford: Oxford University Press. [Book Section] (Forthcoming)

Bell, Marcus. 2024. "I’ve been looking for things that last”. Contemporary Theatre Review, ISSN 1048-6801 [Article] (Forthcoming)

Bell, Marcus. 2024. “May amnesia never kiss us on the mouth”: An Aesthetics of Fracture. Contemporary Theatre Review, 35(2), ISSN 1048-6801 [Article] (Forthcoming)

Bell, Marcus. 2024. ‘Dance against the void’: Derek Jarman, dance, queer classical receptions. Classical Receptions Journal, 16(2), pp. 178-193. ISSN 1759-5134 [Article]

Bell, Marcus. 2023. Encountering Absence: Queer Traces, Ghosts, and Performance Otherwise. In: Ella Haselswerdt; Sara H. Lindheim and Kirk Ormand, eds. The Routledge Handbook of Classics and Queer Theory. Abingdon: Routledge, pp. 138-152. ISBN 9781032026794 [Book Section]

Bell, Marcus. 2022. Bell, M. (2022) Review of Gianvittorio-Ungar, L. and K. Schlapbach (eds.) Choreonarratives: dancing stories in Greek and Roman antiquity and beyond. Bryn Mawr Classical Review, ISSN 1055-7660 [Article]

Bell, Marcus. 2021. INFERNO: Catastrophically Queer. Agôn. Revue des arts de la scène, 9, ISSN 1961-8581 [Article]