Karantonis, Pamela. 2024. A Bran Nue Dae? Decolonising the Musical Theatre Curriculum. In: Robert J. Gordon and Olaf Jubin, eds. The Oxford Handbook of the Global Stage Musical. Oxford: Oxford University Press, pp. 863-892. ISBN 9780190909734 [Book Section]

Gordon, Robert J. and Jubin, Olaf, eds. 2024. The Oxford Handbook of the Global Stage Musical. Oxford: Oxford University Press. ISBN 9780190909734 [Edited Book]

Shannon, Richard. 2024. Paving the Way: Cameron Mackintosh and the Development and Impact of the Global Musical. In: Robert J. Gordon and Olaf Jubin, eds. The Oxford Handbook of the Global Stage Musical. Oxford: Oxford University Press, pp. 217-244. ISBN 9780190909734 [Book Section]

Gordon, Robert J.. 2024. That Special Relationship: Dolores Gray, Mary Martin, and Elaine Stritch on the Postwar London Stage. In: Robert J. Gordon and Olaf Jubin, eds. The Oxford Handbook of the Global Stage Musical. Oxford: Oxford University Press, pp. 371-402. ISBN 9780190909734 [Book Section]

Gordon, Robert J.. 2018. All That Jazz: the difficult journey of Chicago from stage to screen. In: George Rodosthenous, ed. Twenty-First Century Musicals: From Stage to Screen. London: Routledge, pp. 34-52. ISBN 9781138648890 [Book Section]

Gordon, Robert J. and Jubin, Olaf, eds. 2017. The Oxford Handbook of the British Musical. New York: Oxford University Press. ISBN 9780199988747 [Edited Book]

Gordon, Robert J.; Jubin, Olaf and Taylor, Millie. 2016. British Musical Theatre since 1950. London: Bloomsbury Academic. ISBN 9781472584366 [Book]

Gordon, Robert J.. 2016. ‘Kept Alive by Amateurs: White Horse Inn in Britain’. In: Nils Grosch and Carolin Stahrenberg, eds. Im Weissen Rössel: neue kulturgeschichtliche perspectiven 1930-2015. 19 Munster; New York: Waxman, pp. 179-194. ISBN 9783830933557 [Book Section]

Gordon, Robert J. and Jubin, Olaf, eds. 2015. Telling the Tale: Adaptation as Interpretation, Studies in Musical Theatre, 9(1). 1750-3159 [Edited Journal]

Gordon, Robert J., ed. 2014. The Oxford Handbook of Sondheim Studies. Oxford: Oxford University Press. ISBN 9780195391374 [Edited Book]

Gordon, Robert J.; Jackuliak, Ján and Formánková, Anna Marie. 2013. Dance Marathon at Steel Pier. In: "Theatre World Brno", Brno, Czech Republic. [Performance]

Gordon, Robert J.. 2012. Fugard, Kani, Ntshona's The Island: Antigone as South African Drama. Comparative Drama, 46(3), pp. 379-399. ISSN 0010-4078 [Article]

Gordon, Robert J.. 2012. Harold Pinter: The Theatre of Power. Ann Arbor, Michigan: University of Michigan Press. ISBN 978-0-472-07124-1 [Book]

Gordon, Robert J.. 2011. Pinter: In Other Rooms. In: "Pinter: In Other Rooms", University of Maribor, Slovenia, September - December, 2011. [Performance]

Gordon, Robert J. and Peimer, David. 2011. Shylock’s Ghosts: The Afterlife of Shakepeare’s Jew. In: "9th World Shakespeare Congress", Jewish Museum, Prague, Czech Republic. [Performance]

Gordon, Robert J.. 2009. Iago and the Swart Gevaar: The Problems and Pleasures of a (Post)colonial Othello. In: Graham Bradshaw; Tom Bishop and Laurence Wright, eds. South African Shakespeare in the Twentieth Century. 9 Farham, Surrey, and Burlington, VT: Ashgate, pp. 131-151. ISBN 9780754669166 [Book Section]

Gordon, Robert J.. 2007. Guilty secrets and cultural blind spots: Miller's plays in South Africa. In: Enoch Brater, ed. Arthur Miller's Global Theater. Ann Arbor: University of Michigan Press, pp. 66-76. ISBN 9780472115938 [Book Section]

Gordon, Robert J.. 2006. The Purpose of Playing: Modern Acting Theories in Perspective. University of Michigan Press. ISBN 9780472068876 [Book]

Gordon, Robert J.. 2003. Family Voices: Pirandello and Pinter. Pirandello Studies, 23, pp. 22-34. ISSN 14719363 [Article]

Gordon, Robert J.. 2002. Le città invisibili. In: "Le città invisibili", 30 sites in Rapallo, 8/23/2002 - 8/27/2002. [Performance]