Karantonis, Pamela. 2015. ‘Punk’s dead, Michael’: Artifice, independence and authenticity in Leigh Bowery’s self-fashioned post-punk performative. Punk & Post Punk, 4(2-3), pp. 205-222. ISSN 2044-1983 [Article]

Karantonis, Pamela. 2008. Staged Photography and the Performance of Autofacture: Cross-Genre Impersonation in Cindy Sherman’s Self-Portraits. The International Journal of the Arts in Society: Annual Review, 3(2), pp. 37-44. ISSN 1833-1866 [Article]

Karantonis, Pamela. 2024. A Bran Nue Dae? Decolonising the Musical Theatre Curriculum. In: Robert J. Gordon and Olaf Jubin, eds. The Oxford Handbook of the Global Stage Musical. Oxford: Oxford University Press, pp. 863-892. ISBN 9780190909734 [Book Section]

Karantonis, Pamela. 2021. Remediating the female voice in extremis(m): The Human Voice (1966) in The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions. In: Serena Facci and Michela Garda, eds. The Female Voice in the Twentieth Century Material, Symbolic and Aesthetic Dimensions. (7) Abingdon: Routledge, pp. 172-192. ISBN 9780367418557 [Book Section]

Karantonis, Pamela. 2015. "Transcribing Vocality: Voice at the Border of Music After Modernism". In: Ben MacPherson; Amanda Smallbone and Konstantinos Thomaidis, eds. Voice Studies: Critical Approaches to Process, Performance and Experience. Abingdon, United Kingdom: Routledge, pp. 162-176. ISBN 978-1-13880-9352 [Book Section]

Karantonis, Pamela; Placanica, Francesca; Sivuoja-Kauppala, Anne and Verstraete, Pieter, eds. 2014. Cathy Berberian: Pioneer of Contemporary Vocality. Farnham, United Kingdom: Ashgate Publishing (Routledge). ISBN 9781409469834 [Edited Book]