Items Authored/Edited by Matsumoto, Naomi
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Number of items: 49.
Article
Matsumoto, Naomi.
2024.
Representing Insanity and the Crisis of Identity through Henry Purcell's 'Bess of Bedlam'.
Swiss Journal of Musicology, 40,
pp. 11-40.
ISSN 0259-3165
[Article]
Matsumoto, Naomi.
2023.
"Madama Butterfly": Prospettive occidentali e giapponesi a confronto.
Commentari dell'Ateneo di Brescia,
ISSN 1594-8218
[Article]
(Forthcoming)
Matsumoto, Naomi.
2021.
Madam Butterfly and the Forging of Japanese Identity.
History Today, 71(3),
pp. 28-37.
ISSN 0018-2753
[Article]
Matsumoto, Naomi.
2019.
The Mad Scene: Portrayals of Insanity in Opera.
Japanese Journal of Clinical Psychiatry, 48(3),
ISSN 0300-032X
[Article]
Matsumoto, Naomi.
2016.
"Ghost Writing”: an Exploration of Presence and Absence in Lucia di Lammermoor (1835)’.
Word and Music Studies, 15,
pp. 63-84.
ISSN 1566-0958
[Article]
Matsumoto, Naomi.
2015.
Book Review: James Kennaway (ed.), Music and the Nerves, 1700–1900 (Basingstoke: Palgrave Macmillan, 2014),.
Medical History, LIX(2),
pp. 333-335.
ISSN 0025-7273
[Article]
Matsumoto, Naomi.
2014.
Il plagio vs "una piacevole reminiscenza al nostro orecchio". The Siege of Rochelle (1835) di Michael Balfe e il "lavoro culturale" della critica estetica.
Estetica Studi e Ricerche, iv(1),
pp. 83-100.
ISSN 2039-6635
[Article]
Matsumoto, Naomi.
2011.
Pio Enea degli Obizzi and the Opera Torneo Genre – Towards an Understanding of the Commercialisation of Early Italian Opera’.
The Journal of the Musicological Society of Japan, lvii(1),
pp. 56-68.
ISSN 00302597
[Article]
Book
Canova-Green, Marie-Claude and Matsumoto, Naomi.
2024.
Christophe Ballard/Michel Richard de Lalande Ballet de La Jeunesse.
Paris: Classiques Garnier.
[Book]
(Forthcoming)
Matsumoto, Naomi.
2023.
Music Historiography: How and why music history has been written.
Tokyo: Yamaha Music Entertainment Holdings, Inc..
ISBN 9784636101164
[Book]
Matsumoto, Naomi.
2022.
Critical Edition of Anonymous, Lo Spedale.
Middleton, Wisconsin, United States: A-R Editions.
ISBN 9781987208146
[Book]
Book Section
Matsumoto, Naomi.
2025.
Dreaming of Wagner: Opera in Japan, Gluck and the Aspiration for 'National Theatre'.
In: Clair Rowden and Paulo M Kuhl, eds.
Opera in Transnational Contexts: Circulating Identities and Cultures.
Routledge.
[Book Section]
(Forthcoming)
Canova-Green, Marie-Claude and Matsumoto, Naomi.
2024.
Exoticism or Eclecticism? Carnival at Court and the Mascarade du Roy de la Chine.
In: Marie-Claude Canova-Green, ed.
Spectacular Orientalism in Early Modern Europe.
Turnhout, Belgium: Brepols.
ISBN 9782503610566
[Book Section]
(In Press)
Matsumoto, Naomi.
2023.
Realising Arianna: the Problematic Accompaniments of Claudio Monteverdi's Lamento d'Arianna.
In: Marcello Mazzetti, ed.
Basso Continuo in Italy: Sources, Pedagogy and Performance.
Turnhout, Belgium: Brepols, pp. 3-29.
ISBN 9782503608501
[Book Section]
Matsumoto, Naomi.
2023.
Representational Conventions and Varieties of Operatic Madness: The Gap between Dramaturgy and Diagnosis.
In: Lorenzo Lorusso; Michele Augusto Riva and Vittorio Alessandro Sironi, eds.
Effects of Opera Music from Brain to Body: A Matter of Wellbeing.
Cham, Switzerland: Springer, pp. 125-129.
ISBN 9783031347689
[Book Section]
Matsumoto, Naomi.
2022.
Notice sur l'établissement de la musique.
In: Marie-Claude Canova-Green and Suzanne Jones, eds.
Raymond Poisson: Théâtre complet.
Paris: Classique Garnier, pp. 53-60.
ISBN 9782406125198
[Book Section]
Matsumoto, Naomi.
2018.
Pio Enea Obizzi: Power and Authorship.
In: R Rasch, ed.
Music and Power in the Baroque Era.
6
Turnhout: Brepols, pp. 275-298.
ISBN 9782503580715
[Book Section]
Matsumoto, Naomi.
2018.
L'opera dei pupi, Torneo, and Early Opera: Shared Traditions and Intangible Experiences.
In: Barley Norton and Naomi Matsumoto, eds.
Music as Heritage: Historical and Ethnographic Perspectives.
Routledge-Taylor and Francis.
ISBN 9781138228047
[Book Section]
Matsumoto, Naomi.
2017.
Giovanni Vittorio Rosi's Musical Theatre: Opera, Operetta and the Westernisation of Modern Japan.
In: Michela Niccolai and Clair Rowden, eds.
Musical Theatre in Europe 1830-1945.
Turnout: Brepols, pp. 351-385.
ISBN 9782503577661
[Book Section]
Matsumoto, Naomi.
2015.
Charles Marshall’s “Dioramic” Scenery: Staging Verdi in Victorian London.
In: , ed.
Staging Verdi and Wagner.
Turnhout: Brepols, pp. 53-80.
ISBN 9782503564821
[Book Section]
Matsumoto, Naomi.
2014.
Michael Costa at the Haymarket: the Establishment of the Modern Role of 'The Director of Music'.
In: Roberto Illiano and Michela Niccolai, eds.
Orchestral Conducting in the Nineteenth Century.
Turnhout: Brepols, pp. 25-60.
ISBN 9782503552477
[Book Section]
Matsumoto, Naomi.
2014.
Nature in Music, Music in Nature: Imitation, Quotation and Representation.
In: Naomi Matsumoto and Kazuto Yamamoto, eds.
SHIZENGAKU: the Search for a Coming Aesthetic.
Kyoto, Japan: Nakanishiya, pp. 124-133.
ISBN 9784779507915
[Book Section]
Drever, John L..
2014.
SHIZENGAKU [BIWA/BIWAKO]: SONIC COMPLEMENT, COUNTERPOINT OR INTERPENETRATION?
In: Kazuto Yamamoto and Naomi Matsumoto, eds.
SHIZENGAKU: the Search for a Coming Aestethetic.
Kyoto: Nakanishiya, pp. 52-61.
ISBN 978-4-7795-0791-5
[Book Section]
Pryer, Anthony J..
2013.
'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration.
In: Kazuto Yamamoto and Naomi Matsumoto, eds.
Shizengaku: A Search for the Coming Aesthetic.
Kyoto: Nakanishiya, pp. 6-26.
ISBN 978-4-7795-0791-5
[Book Section]
Matsumoto, Naomi.
2011.
Manacled Freedom: 19th-Century Vocal Improvisation and the Flute-Accompanied Cadenza in Donizetti’s Lucia di Lammermoor.
In: Rudolf Rasch, ed.
Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries.
Turnhout: Brepols, pp. 295-316.
ISBN 978-2503542447
[Book Section]
Conference or Workshop Item
Edited Book
Norton, Barley and Matsumoto, Naomi, eds.
2019.
Music as Heritage: Historical and Ethnographic Perspectives.
Abingdon: Routledge.
ISBN 9781138228047
[Edited Book]
Matsumoto, Naomi, ed.
2015.
Staging Verdi and Wagner.
Turnhout: Brepols.
ISBN 9782503564821
[Edited Book]
Film/Video
Matsumoto, Naomi.
2017.
Goldsmiths Research Questions: How does opera represent madness?.
[Film/Video]
Project
Thesis
Matsumoto, Naomi.
2005.
The operatic mad scene: its origins and early development up to c.1700.
Doctoral thesis, Goldsmiths, University of London
[Thesis]