Zhang, Qian and Negus, Keith. 2024. From cultural intermediaries to platform adaptors: the transformation of music planning and artist acquisition in the Chinese music industry. New Media & Society, ISSN 1461-4448 [Article] (In Press)

Negus, Keith. 2024. Perspectives on cultural economy: personal, institutional, historical. Journal of Cultural Economy, 17(5), pp. 694-699. ISSN 1753-0350 [Article]

Negus, Keith. 2023. Book Review: Made in Hong Kong: Studies in Popular Music. Global Media and China, ISSN 2059-4364 [Article] (In Press)

Negus, Keith and Astor, Pete. 2022. Authenticity, empathy, and the creative imagination. Rock Music Studies, 9(2), pp. 157-173. ISSN 1940-1159 [Article]

Negus, Keith and Sledmere, Adrian. 2022. Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! Popular Music, 41(2), pp. 131-151. ISSN 0261-1430 [Article]

Negus, Keith and Shin, Hyunjoon. 2021. Eurasian entanglements: notes towards a planetary perspective of popular music histories. Popular Music, 40(1), 158 -164. ISSN 0261-1430 [Article]

Zhang, Qian and Negus, Keith. 2021. Stages, platforms, streams: the economies and industries of live music after digitalization. Popular Music and Society, 44(5), pp. 539-557. ISSN 0300-7766 [Article]

Zhang, Qian and Negus, Keith. 2020. East Asian pop music idol production and the emergence of data fandom in China. International Journal of Cultural Studies, 23(4), pp. 493-511. ISSN 1367-8779 [Article]

Negus, Keith. 2019. Nation-states, transnational corporations and cosmopolitans in the global popular music economy. Global Media and China, 4(4), pp. 403-418. ISSN 2059-4364 [Article]

Negus, Keith. 2019. From creator to data: the post-record music industry and the digital conglomerates. Media, Culture and Society, 41(3), pp. 367-384. ISSN 0163-4437 [Article]

Negus, Keith; Street, John and Behr, Adam. 2018. Copy rights: The politics of copying and creativity. Political Studies, 66(1), pp. 63-80. ISSN 0032-3217 [Article]

Negus, Keith. 2018. Musicians on Television at the BBC, 1936-1972. Discussion Paper, [Article]

Negus, Keith; Street,, John and Behr, Adam. 2017. Copying, copyright and originality; imitation, transformation and popular musicians. European Journal of Cultural Studies, 20(4), pp. 363-380. ISSN 1367-5494 [Article]

Negus, Keith; Behr, Adam and Street, John. 2017. The sampling continuum: musical aesthetics and ethics in the age of digital production. Journal for Cultural Research, 21(3), pp. 223-240. ISSN 1479-7585 [Article]

Negus, Keith and Street, John. 2016. The Mediations of Music and Alcohol. Popular Music, 35(02), pp. 161-165. ISSN 0261-1430 [Article]

Negus, Keith and Street, John. 2016. Introduction: the mediations of music and alcohol. Popular Music, 35(2), pp. 161-165. ISSN 0261-1430 [Article]

Negus, Keith. 2015. The South Korean Music Industry: A Literature Review. CREATe Working Paper Series, [Article]

Negus, Keith and Astor, Pete. 2015. Songwriters and song lyrics: architecture, ambiguity and repetition. Popular Music, 34(2), pp. 226-244. ISSN 0261-1430 [Article]

Negus, Keith. 2015. Digital divisions and the changing cultures of the music industries (or, the ironies of the artefact and invisibility). Journal of Business Anthropology, 4(1), pp. 151-157. [Article]

Negus, Keith. 2014. Recordings, Rights and Risks: Intermediaries and the Changing Music Industries. Civilisations: Revue Internationale D’Anthropologie et de Sciences Humaines, 13, pp. 113-136. ISSN 2032-0442 [Article]

Negus, Keith. 2012. Narrative Time and the Popular Song. Popular Music and Society, 35(4), pp. 483-500. ISSN 0300-7766 [Article]

Negus, Keith. 2012. Narrative, Interpretation and the Popular Song. Musical Quarterly, 95(2-3), pp. 368-395. ISSN 1741-8399 [Article]

Negus, Keith. 2011. Authorship and the Popular Song. Music and Letters, 92(4), pp. 607-629. ISSN 0027-4224 [Article]

Negus, Keith. 2010. Bob Dylan's Phonographic Imagination. Popular Music, 29(2), pp. 213-228. ISSN 0261-1430 [Article]

Negus, Keith. 2007. Living, Breathing Songs: Singing Along With Bob Dylan. Oral Tradition, 22(1), pp. 71-83. ISSN 0883-5365 [Article]

Negus, Keith. 2006. Musicians on Television: Visible, Audible and Ignored. Journal of the Royal Musical Association, 131(2), pp. 310-330. ISSN 02690403 [Article]

Negus, Keith. 2005. Elvis Costello at 50. Popular Music, 24(3), pp. 453-457. ISSN 0261-1430 [Article]

Negus, Keith. 2002. Belonging and detachment - musical experience and the limits of identity. Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30(1-2), pp. 133-145. ISSN 00484571 [Article]

Negus, Keith. 2002. The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. Cultural Studies, 16(4), pp. 501-515. ISSN 09502386 [Article]

Negus, Keith. 1998. Cultural production and the corporation: musical genres and the strategic management of creativity in the US recording industry. Media, Culture and Society, 20(3), pp. 359-379. ISSN 0163-4437 [Article]

Negus, Keith. 2011. Producing Pop: Culture and Conflict in the Popular Music Industry. London: Edward Arnold. ISBN 0340575123 [Book]

Negus, Keith. 2008. Bob Dylan. London: Equinox London. ISBN 13 978 1 904768 25 8 [Book]

Pickering, M. and Negus, Keith. 2004. Creativity, Communication & Cultural Value. Sage. ISBN 0761970754 [Book]

Negus, Keith. 1999. Music Genres and Corporate Cultures. London: Routledge. ISBN 0-415-17399-X [Book]

Negus, Keith; Du Gay, Paul; Hall, Stuart; Janes, Linda and Mackay, Hugh. 1997. Doing Cultural Studies: The Story of the Sony Walkman. London: Sage. ISBN 0-7619-5402-3 [Book]

Zheng, Zhou and Negus, Keith. 2023. Creating an Oriental Fantasy: Transnational Game Production and New Nationalism in Honor of Kings. In: Kimi Kärki, ed. Popular Music Climates. Turku, Finland: Turku: International Insitute of Popular Culture,, pp. 105-110. ISBN 9789512994274 [Book Section]

Chen, Yuting and Negus, Keith. 2023. Guochao music and new Chinese identities: Gender, generation, and nation. In: Kimi Kärki, ed. Popular Music Climates. Turku, Finland: Turku: International Insitute of Popular Culture, pp. 18-23. ISBN 9789512994274 [Book Section]

Negus, Keith. 2021. The Singles: A Playlist for Framing Dylan's Recording Art. In: Sean Latham, ed. The World of Bob Dylan. Cambridge: Cambridge University Press, pp. 46-57. ISBN 9781108499514 [Book Section]

Negus, Keith. 2017. The gendered narratives of nobodies and somebodies in the popular music economy. In: Stan Hawkins, ed. Routledge Research Companion to Popular Music and Gender. UK/ USA: Taylor Francis/ Routledge, pp. 152-165. ISBN 978-1-472-45683-0 [Book Section]

Negus, Keith. 2015. Philip Tagg and the semiotic dialogues of the popular song. In: Audrone Daubariene and Dario Martinelli, eds. The Role of Humanities in Contemporary Society: Semiotics, Culture, Technologies. Kaunas, Lithuania: Kaunas University of Technology, pp. 125-132. ISBN 978-609-02-1139-7 [Book Section]

Negus, Keith. 2014. ‘Numérisation et proliferation d’intermédiares: le cas de la musique’. In: Jeanpierre Laurent and Olivier Roueff, eds. La culture et ses intermediaries, Dans les arts, le numérique et les industries creative. Paris: Editions des Archives Contemporaines, pp. 189-200. ISBN 9782813000972 [Book Section]

Negus, Keith and Astor, Pete. 2014. More Than a Performance: Song Lyrics and the Practices of Songwriting. In: Lee Marshall and Dave Laing, eds. Popular Music Matters, Essays In Honour of Simon Frith. Farnham, Surrey: Ashgate, pp. 195-208. ISBN 9781472421791 [Book Section]

Negus, Keith. 2010. The symbolic and material presence of music in Buffy the Vampire Slayer. In: Paul Attinello; Janet Halfyard and Vanessa Knights, eds. Music, Sound, and Silence in Buffy the Vampire Slayer. Farnham: Ashgate, xv-xviii. ISBN 978-0-7546-6041-5 [Book Section]

Negus, Keith and Pickering, Michael. 2002. Creativity, Communication and Musical Experience. In: Keith Negus and David Hesmondhalgh, eds. Popular Music Studies. London: Arnold, pp. 178-190. ISBN 0 340 76248 9 [Book Section]

Negus, Keith. 1996. Globalization and the Music of the Public Spheres. In: Sandra Braman and Annabelle Sreberny-Mohammadi, eds. Globalisation, Communication and Transnational Civil Society. Cresskill, New Jersey: Hampton Press, pp. 179-195. ISBN 1-57273-020-X [Book Section]

Negus, Keith. 2005. 'When the artist meets the audience: amour, anxiety and ambivalence'. In: 13th Biennial IASPM Conference, Making Music, Making Meaning. Università La Sapienza, Rome, Italy, Italy 25-30 July 2005. [Conference or Workshop Item]