Items Authored/Edited by Redhead, L
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Number of items: 62.
Redhead, L.
2024.
54 stops, grésillement, alphabet des rauschens: collaboration and/as performance autoethnography.
Deutschlandfunk Kultur.
[Other]
Kanga, Zubin; Dyer, Mark; Rowley, Caitlin; Packham, Jonathan; Benjamin, Mira; Climent, Ricardo; Gioti, Artemi-Maria; Gorton, David; Hayden, Sam; Howard, Emily; Hunt, Edmund; Laidlow, Robert; McLaughlin, Scott; Nickel, Luke and Redhead, L.
2024.
Technology and Contemporary Classical Music: Methodologies in Practice-Based Research.
Project Report.
National Centre for Research Methods, Southampton.
[Report]
Redhead, L.
2024.
Listening Intertextually in Beat Furrer's Music Theatre Works.
Tempo, 78(307),
pp. 51-61.
ISSN 0040-2982
[Article]
Attah, Tom; Cavett, Esther; Dueck, Byron; Miller, Sue and Redhead, L.
2024.
Teaching music theory in UK higher education today: contexts and commentaries.
Music Education Research, 26(1),
pp. 71-81.
ISSN 1461-3808
[Article]
Redhead, L.
2023.
'The Practice of Practice Research'.
In: Public Research Seminar: Dr Lauren Redhead - The Practice of Practice Research. Royal Birmingham Conservatoire, United Kingdom 21 February 2023.
[Conference or Workshop Item]
Redhead, L.
2023.
‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’.
Contemporary Music Review, 42(3),
pp. 339-350.
ISSN 0749-4467
[Article]
Redhead, L.
2022.
Music Composition and Epistemic Injustice.
Tempo, 76(302),
pp. 32-41.
ISSN 0040-2982
[Article]
Redhead, L.
2022.
'Using Collaborative Event Ethnography to Explore Embodied Approaches to Performing Experimental Music'.
In: Performance Studies Network Conference 2022. University of Surrey, United Kingdom 30 June - 3 July 2022.
[Conference or Workshop Item]
Redhead, L.
2022.
‘Nothing Really Changes’: Material Processes in and as Time in hearmleoþ—gieddunga.
In: Michelle Phillips and Matthew Sergeant, eds.
Music and Time: Psychology, Philosophy, Practice.
Woodbridge, Suffolk: Boydell & Brewer.
ISBN 9781783277087
[Book Section]
Redhead, L.
2022.
Iterative Processes: Notating, Composing, and Performing as Journey Forms.
Contemporary Music Review, 41(2-3),
pp. 266-280.
ISSN 0749-4467
[Article]
Redhead, L.
2022.
hearmleoþ-gieddunga (research portfolio).
pan y rosas discos, Orpheus Instituut, Boydell & Brewer.
[Other]
Redhead, L.
2022.
the whale: Creative Textual Practices.
INMM Darmstadt, Buxton Fringe Festival.
[Other]
Redhead, L.
2021.
Performing ‘the radicality of unknowing who we are becoming’.
[Film/Video]
Redhead, L.
2021.
'Practice Research: Accessibility and Reproducibility
Enhancing searchability: archiving practice research'.
In: Enhancing searchability: archiving practice research. Online workshop, United Kingdom 15 November 2021.
[Conference or Workshop Item]
Redhead, L.
2020.
Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant.
Contemporary Music Review, 39(5),
pp. 564-579.
ISSN 0749-4467
[Article]
Redhead, L.
2020.
hearmleoþ-gieddunga: temporal and material layeredness.
ECHO, 1,
ISSN 1424-3644
[Article]
Redhead, L.
2020.
Language as a Material Process.
Contemporary Music Review, 39(3),
ISSN 0749-4467
[Article]
Redhead, L and Zaldua, Alistair.
2020.
vox humana.
In: "vox humana", Ideas of Noise Festival, United Kingdom, February 2020.
[Performance]
Redhead, L.
2019.
Chris Newman’s Song to God (1994) for Solo Organ: Blurred Repetition, Visual Communication, and Embodied Information.
Context, 45,
pp. 19-30.
[Article]
Redhead, L.
2019.
The Medium is Now the Material: The ‘Folklore’ of Chris Newman and Michael Finnissy.
In: I Pace and N McBride, eds.
Critical Perspectives on the Music of Michael Finnissy: Bright Futures, Dark Pasts.
Routledge.
ISBN 9781138491977
[Book Section]
Glover, R and Redhead, L.
2018.
Collaborative and Distributed Processing in Contemporary Music-Making: Overview.
In: L Redhead and R Glover, eds.
Collaborative and Distributed Processes in Contemporary Music-Making.
Newcastle: Cambridge Scholars, pp. 1-9.
ISBN 978-1-5275-1398-3
[Book Section]
Redhead, L.
2018.
A Common Method? Distributed Creativity in Composition and/as Practice Research.
In: L Redhead and R Glover, eds.
Collaborative and Distributed Processes in Contemporary Music-Making.
Newcastle: Cambridge Scholars, pp. 27-44.
ISBN 978-1-5275-1398-3
[Book Section]
Redhead, L.
2018.
The Avant Garde as Exform.
Tempo, 72(286),
pp. 7-16.
ISSN 0040-2982
[Article]
Redhead, L.
2018.
ijereja and entoptic landscape: Music as an Iterative Process.
pan y rosas discos.
[Other]
Redhead, L; Zaldua, Alistair; Gisby, S and Stone, S.
2017.
Performing Temporal Processes.
New Sound International Journal of Music, 50,
pp. 113-127.
ISSN 0354-818X
[Article]
Redhead, L.
2017.
entoptic landscape and ijereja: music as an iterative process.
New Sound International Journal of Music, 49,
pp. 97-113.
ISSN 0354-818X
[Article]
Hawes, V and Redhead, L.
2016.
Introduction.
In: V Hawes and L Redhead, eds.
Music and/as Process.
Newcastle: Cambridge Scholars, pp. 1-8.
ISBN 978-1-4438-9491-3
[Book Section]
Redhead, L.
2016.
Notation as Process:
Interpretation of Open Scores
and the ‘Journey Form’.
In: V Hawes and L Redhead, eds.
Music and/as Process.
Newcastle: Cambridge Scholars, pp. 116-134.
ISBN 978-1-4438-9491-3
[Book Section]
Redhead, L and Zaldua, Alistair.
2016.
'The Organ as Live Interface'.
In: International Conference on Live Interfaces. University of Sussex 29 June - 3 July 2016.
[Conference or Workshop Item]
Redhead, L.
2015.
The Beautiful and the Political.
Contemporary Music Review, 34(2-3),
pp. 247-255.
ISSN 0749-4467
[Article]
Armstrong, R and Redhead, L.
2015.
/’(h)weTH: VOICE - BREATH - BODY - FORM/S.
New Sound International Journal of Music, 46,
pp. 155-167.
ISSN 0354-818X
[Article]
Redhead, L.
2015.
'New Music' as Patriarchal Category.
In: C Haworth and L Colton, eds.
Gender, Age and Musical Creativity.
London: Routledge, pp. 171-184.
[Book Section]
ap Sion, Pwyll and Redhead, L.
2014.
Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries.
Contemporary Music Review, 34(2),
pp. 125-127.
ISSN 0749-4467
[Article]
Redhead, L.
2014.
Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello.
Contemporary Music Review, 33(2),
pp. 148-166.
ISSN 0749-4467
[Article]