Schuppli, Susan. 2024. Moving Ice. [Film/Video]

Saadawi, Ghalya and Abu Hamdan, Lawrence. 2024. Air Pressure: A conversation between Lawrence Abu Hamdan and Ghalya Saadawi. In: Riccardo Badano; Tomas Percival and Susan Schuppli, eds. Militant Media. Berlin: Spector Books. ISBN 9783959056878 [Book Section]

Schuppli, Susan. 2024. Cryoception. Journal of Environmental Media, 5(1), pp. 127-133. ISSN 2632-2463 [Article]

Eshun, Kodwo. 2024. On the Implications of Black Studies for Counter-Forensics and Counter-Forensics for Black Studies. In: Ricardo Badano; Tomas Percival and Susan Schuppli, eds. Militant Media. Leipzig: Spector Books, pp. 23-38. ISBN 9783959056878 [Book Section]

Schuppli, Susan. 2023. Listening to Ice. [Film/Video] (Forthcoming)

Schuppli, Susan. 2022. Gondwana. [Film/Video]

Schuppli, Susan. 2022. ICE RECORDS: Sonic explorations of the climate records captured in ice sheets and glaciers. [Audio]

Schuppli, Susan. 2022. Singing Ice: Ladakhi folk songs about mountains, glaciers, rivers, and steams. [Artist's Book]

Schuppli, Susan. 2022. COLD RIGHTS. [Film/Video]

Schuppli, Susan. 2022. Community Satellite Station. [Audio]

Schuppli, Susan. 2021. Cold Cases. [Film/Video]

Schuppli, Susan. September - October 2021 initial period of fieldwork HEAR: Himalayan Experiments in Acoustic Research. [Project]

Schuppli, Susan. 2021. LEARNING FROM ICE: NOT PLANET EARTH. [Film/Video]

Schuppli, Susan. 2021. Research Reflections & Recordings. [Film/Video]

Schuppli, Susan. 2021-22 COLD POLITICS. [Project]

Schuppli, Susan. 2020. LEARNING FROM ICE: Svalbard Arctic Archipelago. [Film/Video]

Schuppli, Susan. 2020. Material Witness: Media, Forensics, Evidence. Cambridge, MA: The MIT Press. ISBN 9780262043571 [Book]

Schuppli, Susan. 2019. LEARNING FROM ICE: Ice Cores. [Film/Video]

Schuppli, Susan. 2019. Disaster Film. [Art Object]

Schuppli, Susan. 2019. Arguments: Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY. In: Richard K. Sherwin and Danielle Celermajer, eds. A Cultural History of Law in the Modern Age. London: Bloomsbury Academic, pp. 99-128. ISBN 9781474212854 [Book Section]

Schuppli, Susan. 2018. Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY. In: Danielle Celermajer and Richard Sherwin, eds. A Cultural History of Law in the Modern Age. London: Bloomsbury Publishing. ISBN 9781474212854 [Book Section]

Schuppli, Susan. 2018. A short history of eavesdropping. [Broadcast]

Schuppli, Susan. 2018. Stretching the Truth. In: "Stretching the Truth", Ian Potter Museum of Art, Australia, 28 July 2018. [Performance]

Schuppli, Susan. 2018. Eavesdropping. In: "Eavesdropping", Melbourne, Australia, 24 July – 20 Oct 2018. [Show/Exhibition]

Schuppli, Susan. 2018. External Assessor. [Professional Activity]

Schuppli, Susan. 2018. Nature Represents Itself. [Film/Video]

Schuppli, Susan. 2018. 'Shapes of Decay: A Discussion about Art and Ecology'. In: Shapes of Decay: A Discussion about Art and Ecology. Tate Modern, United Kingdom 24 APRIL 2018. [Conference or Workshop Item]

Schuppli, Susan. 2018. 'Unpacking the Processes of Artistic Knowledge'. In: Unpacking the Processes of Artistic Knowledge. Amsterdam, Netherlands 24.02.2018. [Conference or Workshop Item]

Schuppli, Susan. 2018. 'Evidence in 74 million million million tons'. In: Evidence in 74 million million million tons. New York, United States April 29, 2018. [Conference or Workshop Item]

Schuppli, Susan. 2018. Space of Flows. In: "Space of Flows", Krakow, Poland, 24.05.2018 – 24.06.2018. [Show/Exhibition]

Schuppli, Susan. 2017. Ex-Ante. In: "Ex-Ante", Auckland, New Zealand, 27 October – 22 December 2017. [Show/Exhibition]

Schuppli, Susan. 2017. Unnatural Media. [Audio]

Schuppli, Susan. 2017. The Images of War. In: "The Images of War", Stockholm, Sweden, 20 September 2017 – 14 January 2018. [Show/Exhibition]

Schuppli, Susan. 2017. Moscow Biennale. In: "Clouds ⇄ Forests", Moscow, Russian Federation, 19 September 2017 – 18 January 2018. [Show/Exhibition]

Schuppli, Susan. 2017. Ural Industrial Biennial. In: "New Literacy", Ural, Russian Federation, 14.09 - 12.11.2017. [Show/Exhibition]

Schuppli, Susan. 2017. Computing the Law / Searching for Justice. In: Boris Buden,; Maria Hlavajova and Simon Sheikh, eds. Former West Art and the Contemporary after 1989. MIT Press: MIT Press. ISBN 9780262533836 [Book Section]

Schuppli, Susan. 2017. Atmospheric Feedback Loops. [Film/Video]

Schuppli, Susan. 2017. Material Truths. In: "Material Truths", Site Gallery, Sheffield, United Kingdom. [Show/Exhibition]

Schuppli, Susan. 2017. Le subterfuge des écrans / The Subterfuge of Screens. [Exhibition Catalogue]

Schuppli, Susan. 2017. Consultant to the V&A. [Professional Activity]

Schuppli, Susan. 2017. Resolution is not the Point. In: "London Art Fair", London, United Kingdom. [Show/Exhibition]

Schuppli, Susan. 2016. Forensic Architecture. In: "Reporting from the Front", Venice, Italy, May 25 – November 27 2016. [Show/Exhibition]

Schuppli, Susan. 2016. The Sun Placed in the Abyss. In: "The Sun Placed in the Abyss", Columbus, Ohio, United States, October 7, 2016 to January 8, 2017. [Show/Exhibition]

Carpenter, Ele; Mabb, David; Crowe, Nick; Craighead, Alison; Schuppli, Susan and Weir, Andy. 2016. Perpetual Uncertainty, exhibition. In: "Perpetual Uncertainty", Bildmuseet, Sweden, 2 October 2016 - 16 April 2017. [Show/Exhibition]

Schuppli, Susan. 2016. Trace Evidence. [Film/Video]

Schuppli, Susan. 2016. Delay Decay. [Art Object]

Carpenter, Ele; Mabb, David; Craighead, Alison; Crowe, Nick; Schuppli, Susan; Takeuchi, Kota and Kobayashi, Erika. 2016. Material Nuclear Culture, Exhibition. In: "Material Nuclear Culture", KARST Gallery, United Kingdom, 17 June - 13 August 2016. [Show/Exhibition]

Schuppli, Susan. 2016. Sound of Sand. [Audio]

Schuppli, Susan. 2016. Dirty Pictures. In: Mirna Belina, ed. Living Earth: Field Notes from the Dark Ecology Project 2014-2016. Amsterdam: Sonic Acts Press, pp. 190-208. ISBN 978-90-823216-2-3 [Book Section]

Schuppli, Susan. 2015. Allegory of the Cave Painting. In: "Allegory of the Cave Painting", Extra City, Belgium, Sept 20 - Dec 7 2015. [Show/Exhibition]

Schuppli, Susan. 2015. Material Witness. [Film/Video]

Schuppli, Susan. 2015. Uneasy Listening. [Art Object]

Schuppli, Susan. 2015. Tape 342: A timeline of testimony. [Art Object]

Schuppli, Susan. 2015. Law and Disorder. In: Christoph Cox; Jenny Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin: Sternberg Press, pp. 137-143. ISBN 9783956791260 [Book Section]

Schuppli, Susan. 2015. 10th Shanghai Biennale. In: "The Social Factory", Shanghai, China, November 23 2014 – March 31 2015. [Show/Exhibition]

Schuppli, Susan. 2015. “Radical Contact Prints”. In: , ed. Camera Atomica. London: Black Dog Publishing London UK, pp. 277-291. ISBN 978-1908966483 [Book Section]

Schuppli, Susan. 2015. “Slick Images: The Photogenic Surface of Disaster.”. In: , ed. Extra City. Antwerp: Extra City. [Book Section]

Schuppli, Susan. 2015. “War Dialling: Image Transmissions from Saigon.”. In: , ed. Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge: Cambridge Scholars Publishing, pp. 144-158. ISBN 978-1443854429 [Book Section]

Schuppli, Susan. 2014. Evidence on Trial. [Art Object]

Schuppli, Susan. 2014. Hlysnan: On the Notion & Politics of Listening. In: "Hlysnan: On the Notion & Politics of Listening", Casino Luxembourg, Luxembourg, May 17 – September 7 2014. [Show/Exhibition]

Schuppli, Susan. 2014. Animism. In: "Animism", Ilmin Museum of Art, Seoul, Korea, Republic of, 6 Dec 2013 - 16 Mar 2014. [Show/Exhibition]

Schuppli, Susan; Sfard, Michael and Hameed, Ayesha. 2014. 'Anarchists against the Law'. In: Forensis: the Architecture of Public Truth. Haus der Kulturen der Welt, Berlin, Germany 15-16 March 2014. [Conference or Workshop Item]

Schuppli, Susan. 2014. Can the Sun Lie?. [Film/Video]

Schuppli, Susan. 2014. Can the Sun Lie? In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 56-64. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2014. Entering Evidence: Cross-Examining the Court Records of the ICTY. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 279-314. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2014. Uneasy Listening. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 381-392. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2014. “Deadly Algorithms: Can Legal Codes hold Software accountable for Code that Kills?”. Radical Philosophy(187), pp. 2-8. ISSN 0300-211X [Article]

Schuppli, Susan. 2014. Forensics / Tape 342. In: Malzacher Florian, ed. Truth is Concrete: A Handbook for Artistic Strategies in Real Politics Ed. Florian Malzacher. Berlin: Sternberg Press, pp. 221-223. ISBN 978-3943365849 [Book Section]

Schuppli, Susan. 2013-22 GEO-MEDIA. [Project]

Schuppli, Susan. 2013. “Half Truths”. Mute, [Article]

Schuppli, Susan. 2013. “Atmospheric Correction.”. In: , ed. On the Verge of Photography: Imaging Beyond Representation. Birmingham: Birmingham Article Press, pp. 16-32. [Book Section]

Schuppli, Susan. 2013. “The Most Dangerous Film in the World (Reprint).”. In: , ed. Materialities. Gdańsk: Wyspa Progress Foundation / Wyspa Institute of Art, pp. 241-272. [Book Section]

Schuppli, Susan. 2013. “Probative Pictures: Image Proofs in Errol Morris’s Standard Operating Procedure.”. CV93(91), pp. 20-28. [Article]

Schuppli, Susan. 2013. “Public Service Announcements: Art for the Coming Community.”. In: , ed. Service Media. Chicago: Green Lantern Press, pp. 115-122. ISBN 978-1450742160 [Book Section]

Schuppli, Susan. 2013. “Walk-Back Technology: Dusting for Fingerprints and Tracking Digital Footprints.”. Photographies, 6(1), pp. 159-167. ISSN 1754-0763 [Article]

Schuppli, Susan and Kraemer, Steffen. 2012. The Architecture of Conflict. In: "The Architecture of Conflict", Praque, Czech Republic, 28 February – 21 April 2018. [Show/Exhibition]

Schuppli, Susan. 2012. Atmosfärisk Korrigering. Glänta, 4(12), pp. 12-21. [Article]

Schuppli, Susan. 2012. “Impure Matter: A Forensics of WTC Dust.”. In: , ed. Savage Objects. Portugal: Imprensa Nacional Casa da Moeda, pp. 120-140. ISBN 9789722720717 [Book Section]

Schuppli, Susan. 2012. Material Malfeasance: Trace Evidence of Violence in Three Image-Acts. Photoworks, 17, pp. 28-33. [Article]

Schuppli, Susan. 2012. A memorial in exile in London’s Olympics: orbits of responsibility. Open Democracy, [Article]

Schuppli, Susan. 2011. Tape 342: That Dangerous Supplement. In: , ed. Cabinet No. 43: Forensics. Cabinet, pp. 86-89. ISBN 978-1932698428 [Book Section]

Schuppli, Susan; Weizman, Eyal and Tavares, Paulo. 2010. Forensic Architecture. In: Adrian Lahoud and Charles Rice, eds. Post-Traumatic Urbanism: Architectural Design. John Wiley & Sons, pp. 58-63. ISBN 978-0470744987 [Book Section]

Schuppli, Susan. 2010. “Improvised Explosive Designs: The Film-Set as Military Set-Up.”. Borderlands, 9(2), pp. 1-18. [Article]

Schuppli, Susan. 2010. The Most Dangerous Film in the World. In: Frederik Le Roy; Nele Wynants and Dominiek Hoens Vanderbeeken, eds. Tickle Your Catastrophe. Ghent: Ghent University, the KASK (Ghent Royal Academy of Fine Arts) and Vooruit, pp. 130-145. ISBN 978-9038217222 [Book Section]

Schuppli, Susan. 2009. Entangled Matters: Analogue Futures & Political Pasts. Doctoral thesis, Goldsmiths, University of London [Thesis]

Schuppli, Susan. 2009. Reading Radiological Film. In: Karl Lyden, ed. Site / Documentary narratives & non-fictional narrativity in film and art 28. [Book Section]

Schuppli, Susan. 2008. Curse of the Mummy: Oral Affliction or Archival Aphasia. Memory Studies, 2(2), pp. 167-186. ISSN 1750-6980 [Article]

Schuppli, Susan. 2008. Of Moths and Machines. Cosmos and History : the Journal of Natural and Social Philosophy, 4(1-2), pp. 286-306. ISSN 1832-9101 [Article]

Schuppli, Susan. 2007. Fallet Med De Förlorade 18-½ Minuterna. SITE 18.19, [Article]

Schuppli, Susan, ed. 2004. Guest Editor. “Exposé 67: Special Issue on Expo 67, Blackflash, 22(2). [Edited Journal]

Schuppli, Susan. 2004. “Picturing Place: Photography and the Geographical Imagination (Book Review).”. The Canadian Geographer, 48(4), pp. 505-506. [Article]