Saadawi, Ghalya. 2022. Critical Incision: Hypochondria, Autotheory, and the Health-Illness Dialectic. philoSOPHIA, 12(1-2), pp. 57-83. ISSN 2155-0891 [Article]

Saadawi, Ghalya. 2022. Matthew Fuller and Eyal Weizman, Investigative Aesthetics: Conflict and Commons in the Politics of Truth, reviewed by Ghalya Saadawi. Journal of Visual Culture, 21(1), pp. 238-246. ISSN 1470-4129 [Article]

Saadawi, Ghalya. 2021. Hypochondriacal with the World. The Derivative, [Article]

Saadawi, Ghalya. 2020. A Book Review in the Form of a Polemic Chad Elias's Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon and the Old New World Order. ARTMargins, 9(3), pp. 69-86. ISSN 2162-2574 [Article]

Saadawi, Ghalya. 2018. On the Private in Private Higher Education, and Pedagogical Interventions in the Context of the American University of Beirut. Cinema Journal Teaching Dossier, 5(1), [Article]

Saadawi, Ghalya. 2012. Not, not Contemporary: The Eye of the Storm. Third Text, 26(4), pp. 379-382. ISSN 0952-8822 [Article]

Saadawi, Ghalya. 2025. Between October and November. London: Fitzcarraldo Editions. [Book] (Forthcoming)

Saadawi, Ghalya. 2024. The Structure of Desire in Ghassan Salhab's "The River" (2022). In: Marwa Arsanios; Leon Filter and Leire Vergara, eds. A Cut Through the Screen: Struggles’ Reverberations in Cinema. Berlin: Archive Books and Dutch Art Institute. [Book Section] (Forthcoming)

Saadawi, Ghalya and Abu Hamdan, Lawrence. 2024. Air Pressure: A conversation between Lawrence Abu Hamdan and Ghalya Saadawi. In: Riccardo Badano; Tomas Percival and Susan Schuppli, eds. Militant Media. Berlin: Spector Books. ISBN 9783959056878 [Book Section]

Saadawi, Ghalya. 2022. Tactics of Alienation. In: Beate Söntgen and Julia Voss, eds. Why Art Criticism? A Reader. Berlin: Hatje Cantz, pp. 309-310. ISBN 9783775750745 [Book Section]

Saadawi, Ghalya. 2022. Vapid Virtues, Real Stakes: Diagnosis for Left Art Protocols. In: Bassam El Baroni, ed. Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art. Berlin: Sternberg Press and Edith-Russ-Haus für Medienkunst, pp. 71-92. ISBN 9783956796005 [Book Section]

Saadawi, Ghalya. 2015. "It makes her blind she said”: Love, Exhaustion and the Roadblock. In: Denise Robinson, ed. Through the Roadblocks: Realities in Raw Motion. Limassol, Cyprus: NeMe, pp. 145-152. ISBN 9789963969531 [Book Section]

Saadawi, Ghalya. 2019. Rethinking the Witness: Art After the Lebanese Wars. Doctoral thesis, Goldsmiths, University of London [Thesis]