Browse by Goldsmiths authors: Saadawi, Ghalya
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Number of items: 13.
Saadawi, Ghalya.
2024.
The Structure of Desire in Ghassan Salhab's "The River" (2022).
In: Marwa Arsanios; Leon Filter and Leire Vergara, eds.
A Cut Through the Screen: Struggles’ Reverberations in Cinema.
Berlin: Archive Books and Dutch Art Institute.
[Book Section]
(Forthcoming)
Saadawi, Ghalya and Abu Hamdan, Lawrence.
2024.
Air Pressure: A conversation between Lawrence Abu Hamdan and Ghalya Saadawi.
In: Riccardo Badano; Tomas Percival and Susan Schuppli, eds.
Militant Media.
Berlin: Spector Books.
ISBN 9783959056878
[Book Section]
Saadawi, Ghalya.
2022.
Vapid Virtues, Real Stakes: Diagnosis for Left Art Protocols.
In: Bassam El Baroni, ed.
Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art.
Berlin: Sternberg Press and Edith-Russ-Haus für Medienkunst, pp. 71-92.
ISBN 9783956796005
[Book Section]
Saadawi, Ghalya.
2020.
A Book Review in the Form of a Polemic Chad Elias's Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon and the Old New World Order.
ARTMargins, 9(3),
pp. 69-86.
ISSN 2162-2574
[Article]
Saadawi, Ghalya.
2019.
Rethinking the Witness: Art After the Lebanese Wars.
Doctoral thesis, Goldsmiths, University of London
[Thesis]