Browse by Goldsmiths authors: Adeyemi, Sola
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Number of items: 19.
Article
Adeyemi, Sola.
2021.
Aspects of Intercultural Performance Aesthetics in Femi Òsófisán’s Drama.
African Performance Review, 11(2),
pp. 7-27.
ISSN 1750-4848
[Article]
Adeyemi, Sola.
2018.
Review of Iyunolu Osagie, "African Modernity and the Philosophy of Culture in the Works of Femi Euba".
African Theatre 17: Contemporary Dance,
pp. 223-225.
[Article]
Adeyemi, Sola.
2018.
I write as a pan-African: A Conversation with Oladipo Agboluaje.
African Performance Review, 10(1),
pp. 8-30.
ISSN 1750-4848
[Article]
Adeyemi, Sola.
2017.
Many Colours of an African Performative Ritual.
Alarinjo: Oye Journal of Theatre and Media Arts, 1(2),
pp. 16-30.
ISSN 2636-7238
[Article]
Adeyemi, Sola.
2017.
Mitlerin Sahnelenmesi, Cagdsligin Rituellesmesil: Performing Myths, Ritualising Modernity.
HECE Ozel Sayi:34 – Africa: Beyond 500 Years of Colonialism and Conflicts 246/247/248, 246,
pp. 647-657.
ISSN 1301-210X
[Article]
Adeyemi, Sola.
2013.
Colonial Alienation and the Ideology of Resistance: Femi Osofisan's Tegonni (An African Antigone).
African Performance Review, 7(2),
pp. 18-34.
ISSN 1750-4848
[Article]
Adeyemi, Sola and Olasope, Olakunbi.
2011.
Fracturing the Insularity of the Global State: War and Conflict in Moira Buffini's Welcome to Thebes.
Lagos Notes and Records, 17,
pp. 99-110.
ISSN 0075-7640
[Article]
Adeyemi, Sola.
2007.
Agony, Antigone and the Dialectics of Resistance in African Performance.
African Performance Review,
pp. 25-37.
ISSN 1750-4848
[Article]
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