Browse by Goldsmiths authors: Adeyemi, Sola

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Adeyemi, Sola. 2020. Aspects of Intercultural Performance Aesthetics in Femi Òsófisán’s Drama. African Performance Review, 11(2), ISSN 1750-4848 [Article] (Forthcoming)

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Adeyemi, Sola. 2018. Review of Iyunolu Osagie, "African Modernity and the Philosophy of Culture in the Works of Femi Euba". African Theatre 17: Contemporary Dance, pp. 223-225. [Article]

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Adeyemi, Sola. 2018. I write as a pan-African: A Conversation with Oladipo Agboluaje. African Performance Review, 10(1), pp. 8-30. ISSN 1750-4848 [Article]

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Adeyemi, Sola. 2017. Many Colours of an African Performative Ritual. Alarinjo: Oye Journal of Theatre and Media Arts, 1(2), pp. 16-30. ISSN 2636-7238 [Article]

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Adeyemi, Sola. 2017. Mitlerin Sahnelenmesi, Cagdsligin Rituellesmesil: Performing Myths, Ritualising Modernity. HECE Ozel Sayi:34 – Africa: Beyond 500 Years of Colonialism and Conflicts 246/247/248, 246, pp. 647-657. ISSN 1301-210X [Article]

Adeyemi, Sola. 2014. Working with Wole Soyinka [Tunji Oyelana in conversation with Sola Adeyemi],. African Theatre 13: Ngugi wa Thiong'o and Wole Soyinka(13), pp. 17-23. [Article]

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Adeyemi, Sola. 2013. Colonial Alienation and the Ideology of Resistance: Femi Osofisan's Tegonni (An African Antigone). African Performance Review, 7(2), pp. 18-34. ISSN 1750-4848 [Article]

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Adeyemi, Sola and Olasope, Olakunbi. 2011. Fracturing the Insularity of the Global State: War and Conflict in Moira Buffini's Welcome to Thebes. Lagos Notes and Records, 17, pp. 99-110. ISSN 0075-7640 [Article]

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Adeyemi, Sola. 2007. Agony, Antigone and the Dialectics of Resistance in African Performance. African Performance Review, pp. 25-37. ISSN 1750-4848 [Article]

Adeyemi, Sola. 2004. Making Colours, Remaking Life: Subversion in the Writing of Femi Osofisan. Africa e Mediterraneo: Cultura e Società, 46, pp. 69-73. ISSN 1121-8495 [Article]

Book

Book Section

Adeyemi, Sola. 2021. Representing and Re-presenting Others in Yorùbá Performance. In: Tiziana Morosetti and Osita Okagbue, eds. The Palgrave Handbook of Theatre and Race. Cham, Switzerland: Palgrave Macmillan, pp. 425-442. ISBN 9783030439569 [Book Section]

Adeyemi, Sola. 2017. Performing Arts. In: Toyin Falola and Akintunde Akinyemi, eds. Culture and Customs of the Yoruba. Austin, Texas: Pan-African University Press, pp. 249-258. ISBN 9781943533183 [Book Section]

Adeyemi, Sola. 2013. Itàn Ogìnìntìn, the winter's tale: Shakespeare meets Yoruba gods. In: Jane Plastow and Martin Banham, eds. African Theatre 12: Shakespeare in & out of Africa. Woodbridge: Boydell & Brewer, pp. 48-60. ISBN 9781847010803 [Book Section]

Adeyemi, Sola. 2013. Interpreting the Interpreters: The Narratives of the Postcolony in Wole Soyinka's The Interpreters. In: Bernth Lindfors and Geoffrey Davis, eds. African Literatures and Beyond. Brill, pp. 29-38. ISBN 9789042037380 [Book Section]

Adeyemi, Sola. 2013. When Drama Comes A-Calling: Re-assessing Femi Osofisan’s Dramatic Ideology. In: Kene Igweonu and Osita Okagbue, eds. Performative Inter-Actions in African Theatre 3: Making Space, Rethinking Drama & Theatre in Africa. Newcastle, UK: Cambridge Scholars Publishing, pp. 144-157. ISBN 9781443856119 [Book Section]

Adeyemi, Sola. 2011. Language and Accessibility in Femi Osofisan’s Drama. In: Sola Adeyemi and Duro Oni, eds. Developments in the Theory and Practice of Contemporary Nigerian Drama and Theatre: A Festschrift in Honour of Dapo Adelugba. Rochester, UK: Alpha Crownes Publishers, pp. 187-202. ISBN 9780956683700 [Book Section]

Adeyemi, Sola. 2002. The Dictating Currents and the Questioning of Tyranny in Africa: An Intertextual Study of Fémi Osófisan's Yungba-Yungba and the Dance Contest. In: Sue Kossew and Dianne Schwerdt, eds. Re-Imagining Africa: New Critical Perspectives (Horizons in Post-Colonial Studies). New York: Nova Science, pp. 43-56. ISBN 9781590331002 [Book Section]

Edited Book

This list was generated on Mon Oct 25 05:00:02 2021 BST.