Cubitt, Sean. 2021. Data/Anecdote. In: John Parham, ed. The Cambridge Companion to Literature and the Anthropocene. Cambridge: Cambridge University Press, pp. 54-68. ISBN 9781108724197 [Book Section]

Cubitt, Sean. 2020. Limen, portal, network subjectivities. Parallax, 26(1), pp. 9-19. ISSN 1353-4645 [Article]

Cubitt, Sean. 2020. Imaging global communications: An ecocritique. Journal of Environmental Media, 1(1), pp. 101-115. ISSN 2632-2463 [Article]

Cubitt, Sean. 2019. Ecocritique. Media+Environment, 1(1), ISSN 2640-9747 [Article]

Cubitt, Sean. 2019. Ecocritique as Transnational Commons. Transnational Screens, 10(1), pp. 1-11. ISSN 2578-5273 [Article]

Cubitt, Sean. 2019. NASA’s Voyager Fly-by Animations. In: Miriam Harris; Lilly Husbands and Paul Taberham, eds. Experimental Animation: From Analogue to Digital. London: Routledge, pp. 246-258. ISBN 9781138702967 [Book Section]

Cubitt, Sean. 2019. Mediations of Xinjiang: For an aesthetic politics. Journal of Asia-Pacific Pop Culture, 4(1), pp. 5-25. ISSN 2380-7679 [Article]

Cubitt, Sean. 2018. Connectivity, Legibility and the Mass Image. In: Pepita Hesselberth; Janna Hoowen; Esther Peeren and Ruby de Vois, eds. Legibility in the Age of Signs and Machines. 33 Leiden and Boston: Brill Rodopi, pp. 166-179. ISBN 978-90-04-37548-2 [Book Section]

Cubitt, Sean. 2018. Analogon: Of a World Already Animated. In: Vicky Smith and Nicky Hamlyn, eds. Experimental and Expanded Animation: New Perspectives and Practices. Basingstoke: BFI/Palgrave, pp. 103-118. ISBN 978-3-319-73872-7 [Book Section]

Cubitt, Sean. 2018. Sichtbare Zeit. In: Ute Höll; Irina Kaldrack; Cyrill Miksch; Esther Stutz and Emanuel Welinder, eds. Oberflächen un Interfaces: Ästhetik un Politik filmischer Bilder. Basel: Wilhelm Fink, pp. 163-176. ISBN 978-3-7705-6137-7 [Book Section]

Cubitt, Sean. 2018. Untimely Ripped (against the mass image). Ubiquity: The Journal of Pervasive Media, 5(1), pp. 13-23. ISSN 2045-6271 [Article]

Cubitt, Sean; Candela, Emily; Dicker, Barnaby; Drew, Benedict and Leslie, Esther. 2018. Liquid Crystals: A Roundtable. Journal of Visual Culture, 17(1), pp. 22-67. ISSN 14704129 [Article]

Cubitt, Sean. 2017. A Short History of Hate. George Orwell Studies, 2(1), ISSN 2399-1267 [Article]

Cubitt, Sean. 2017. The Uncertainty of the Mass Image: Logistics and Behaviours. Digital Creativity, 28(4), pp. 265-278. ISSN 1462-6268 [Article]

Cubitt, Sean. 2017. Liquidity. Cultural Politics, 13(3), pp. 281-283. ISSN 1743-2197 [Article]

Cubitt, Sean. 2017. Rango, Ethics and Animation. Animation: An interdisciplinary journal, 12(3), pp. 306-317. ISSN 1746-8477 [Article]

Cubitt, Sean. 2017. Digital Cinemas. In: Rob Stone; Paul Cooke; Stephanie Dennison and Alex Marlow-Mann, eds. The Routledge Companion to World Cinema. London/New York: Routledge, pp. 436-444. ISBN 978-1-138-91880-1 [Book Section]

Cubitt, Sean. 2017. What Is a Journal for? Media Theory, 1(1), pp. 187-191. [Article]

Cubitt, Sean. 2017. Aesthetics and Anaesthetics: Eudaimonism and Melancholia in the Archive. In: Oliver Grau; Wendy Coones and Viola Rühse, eds. Museum and Archive on the Move Changing Cultural Institutions in the Digital Era. Berlin: de Gruyter, pp. 173-183. ISBN 978-3-11-052051-4 [Book Section]

Cubitt, Sean. 2017. Temporalities of the Glitch: Déjà Vu. In: Martine Beugnet; Allan Cameron and Arild Feltveit, eds. Indefinite Visions: Cinema and the Attractions of Uncertainty. Edinburgh: Edinburgh University Press, pp. 299-315. ISBN 9781474407120 [Book Section]

Cubitt, Sean and Bishop, Ryan. 2017. Anti-Humanist Narratives: Greed and Source Code. Screen, 58(1), pp. 1-17. ISSN 0036-9543 [Article]

Cubitt, Sean. 2017. Glitch. Cultural Politics, 13(1), pp. 19-33. ISSN 1743-2197 [Article]

Cubitt, Sean. 2017. Carbon Bonds: Coal Economics and Aesthetics. In: Nick Holm and Sy Taffel, eds. Ecological Entanglements in the Anthopocene. 4 Lanham MD: Lexington Books, pp. 3-16. ISBN 800-462-6420 [Book Section]

Cubitt, Sean. 2017. The Ethics of Repair: Re-animating the Archive. In: Pepita Hesselberth and Maria Poulaki, eds. Compact Cinematics: The Moving Image in the Age of Bit-Sized Media. London: Bloomsbury, pp. 57-63. ISBN 978-1-5013-2226-6 [Book Section]

Cubitt, Sean. 2017. Three Geomedia. Ctrl-Z, 7, ISSN 2200-8616 [Article]

Cubitt, Sean. 2016. Finite Media: Environmental Implications of Digital Technologies. Durham, NC: Duke University Press. ISBN 9780822362920 [Book]

Cubitt, Sean. 2016. The Birth of Wonder in the Database Economy. In: Helen Grace; Amy Chan Kit-Sze and Wong Kin Yuen, eds. Technovisuality: Cultural Re-Enchantment and the Experience of Technology. London: I. B. Tauris, pp. 95-109. ISBN 9781784530341 [Book Section]

Cubitt, Sean. 2016. Defining the Public in Piccadilly Circus. In: Nikos Papastergiadis, ed. Ambient Screens and Transnational Public Spaces. Hong Kong: Hong Kong University Press. ISBN 9789888208920 [Book Section]

Cubitt, Sean. 2016. Film, Landscape and Political Aesthetics: Deseret. Screen, 57(1), pp. 21-34. ISSN 0036-9543 [Article]

Cubitt, Sean. 2016. Digital Aesthetics. In: Christiane Paul, ed. A Companion to Digital Art. Chichester, West Sussex; Malden, MA: Wiley-Blackwell, pp. 265-280. ISBN 978-1-118-47520-1 [Book Section]

Cubitt, Sean. 2016. Ecologies of Fabrication. In: Nicole Starosielski and Janet Walker, eds. Sustainable Media. New York, NY: Routledge, pp. 163-179. ISBN 9781138014060 [Book Section]

Rust, Stephen; Monani, Salma and Cubitt, Sean, eds. 2016. Ecomedia: Key Issues. Routledge. ISBN 9781138781559 [Edited Book]

Cubitt, Sean. 2016. Ecopolitics of Cinema. In: Yannis Tzioumakis and Claire Molloy, eds. The Routledge Companion to Cinema and Politics. London and New York: Routledge, pp. 40-49. ISBN 9780415717397 [Book Section]

Cubitt, Sean. 2016. ‘Forward’ in Vilém Flusser. In: , ed. Vilém Flusser, Philosophy of Language. Minneapolis, MN: Univocal. ISBN 9781937561536 [Book Section]

Cubitt, Sean. 2016. Glitch Aesthetics and Impossible Flights/Estetica del ‘glitch’ e voli impossibile. In: Stephen Partridge and Laura Leuzzi, eds. REWIND Italia: Early Video Art in Italy/I primi anni della vieoarte in Italia. London: John Libbey, pp. 203-221. ISBN 9780 861967216 [Book Section]

Cubitt, Sean. 2016. “I Took Off My Pants And Felt Free”: The Subject of Environmentalism in Countercultural Radio. In: Stephen Rust; Salma Monani and Sean Cubitt, eds. Ecomedia: Key Issues. Routledge, pp. 99-117. ISBN 9781138781559 [Book Section]

Cubitt, Sean. 2016. The Information Environment. In: Ulrik Ekman; Jay David Bolter; Lily Diaz; Morten Sondergaard and Maria Engberg, eds. Ubiquitous Computing, Complexity and Culture. New York: Routledge, pp. 215-225. ISBN 978-0415743822 [Book Section]

Cubitt, Sean. 2016. Verdade, Realismo. In: Gabriel Menotti; Marcos Bastos and Patricia Moran, eds. Cinema ampesar da imagem. Sao Paulo: Intermeios, pp. 9-31. ISBN 978-85-8499-042-9 [Book Section]

Cubitt, Sean; Palmer, Daniel and Walkling, Les. 2015. Enumerating Photography from Spot Meter to CCD. Theory, Culture & Society, 32(7-8), pp. 245-265. ISSN 0263-2764 [Article]

Cubitt, Sean. 2015. Integral Waste. Theory, Culture & Society, 32(4), pp. 133-145. ISSN 0263-2764 [Article]

Cubitt, Sean. 2015. Data Visualisation and the Subject of Political Aesthetics. In: David M. Berry and Michael Dieter, eds. Postdigital Aesthetics: Art, Computation and Design. London: Palgrave Macmillan, pp. 179-190. ISBN 9781137437198 [Book Section]

Cubitt, Sean. 2015. Cinema/ Ideology/ Criticism. In: Edward Branigan and Warren Buckland, eds. The Routledge Encyclopedia of Film Theory. London and New York: Routledge, pp. 242-246. ISBN 978-1138849150 [Book Section]

Cubitt, Sean. 2015. Coherent Light from Projection to Fibre Optics. In: Sean Cubitt; Daniel Palmer; Nathaniel Tkacz and Les Walkling, eds. Digital Light. Open Humanities Press, pp. 43-60. ISBN 978-1-78542-008-5 [Book Section]

Cubitt, Sean; Palmer, Daniel and Tkacz, Nathaniel, eds. 2015. Digital Light. Ann Arbor: Open Humanities Press/fibreculture. ISBN 978-1-78542-000-9 [Edited Book]

Cubitt, Sean. 2015. Hope in Children of Men and Firefly/Serenity: Nihilism, Waste and the Dialectics of the Sublime. In: Sean Redmond and Leon Marvell, eds. Endangering Science Fiction Film. New York: AFI/Routledge, pp. 51-65. ISBN 9781138792630 [Book Section]

Rust, Stephen; Monani, Salma and Cubitt, Sean. 2015. Introduction: Ecologies of Media. In: Stephen Rust; Salma Monani and Sean Cubitt, eds. Ecomedia: Key Issues. London: Earthscan/Routledge, pp. 1-14. ISBN 9781138781559 [Book Section]

Cubitt, Sean. 2015. Large Screens, Third Screens, Virtuality and Innovation. In: Amy Herzog; John Richardson and Carol Vernallis, eds. The Oxford Handbook of Sound and Image in Digital Media. USA: OUP, pp. 77-90. ISBN 978-0190258177 [Book Section]

Cubitt, Sean. 2015. ‘Lví podíl’ (‘The Lion’s Share’). In: Václav Janošcík, ed. Objekt. Prague: Kvalitár, pp. 137-164. [Book Section]

Cubitt, Sean. 2015. Media Studies and New Media Studies. In: John Hartley; Jean Burgess and Axel Bruns, eds. A Companion to New Media Dynamics. New York: Wiley-Blackwell, pp. 15-32. ISBN 978-1119000860 [Book Section]

Cubitt, Sean. 2015. Source Code: Eco-criticism and subjectivity. In: Amy Herzog; John Richardson and Carol Vernallis, eds. The Oxford Handbook of Sound and Image in Digital Media. New York: Oxford University Press, pp. 483-500. ISBN 978-0190258177 [Book Section]

Cubitt, Sean. 2014. Telecommunication Networks: Economy, Ecology, Rule. Theory, Culture & Society, 31(7-8), pp. 185-199. ISSN 0263-2764 [Article]

Cubitt, Sean. 2014. The Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels. Cambridge MA: MIT Press. ISBN 9780262027656 [Book]

Bulley, James; Sahin, Ozden; Spinelli, Emmanuel; Tanaka, Atau; Hosang, Georgina M.; Cubitt, Sean; Drever, John L. and Kanngieser, Anja. 2014. Sound and the City (Natural History Museum). [Project]

Cubitt, Sean. 2014. Affect and Environment in Two Artists’ Films and a Video. In: Alexa Weik von Mossner, ed. Moving Environment. Ontario: Wilfrid Laurier University Press, pp. 249-265. ISBN 978-1771120029 [Book Section]

Cubitt, Sean. 2014. Decolonising Ecomedia. Cultural Politics, 10(3), pp. 275-286. ISSN 1743-2197 [Article]

Cubitt, Sean. 2014. Ideology, cinema and. In: Warren Buckland and Edward Branigan, eds. The Routledge Encyclopedia of Film Theory. London: Routledge, pp. 242-246. ISBN 9780415781800 [Book Section]

Cubitt, Sean. 2014. Regional Standardisation: MPEG and Intercultural Transmission. In: Larissa Hjorth; Natalie King and Mami Kataoka, eds. Art in the Asia-Pacific: Intimate Publics. New York: Routledge, pp. 134-145. ISBN 9781138961166 [Book Section]

Cubitt, Sean. 2014. Suture. In: Warren Buckland and Edward Branigan, eds. The Routledge Encyclopedia of Film Theory. London: Routledge, pp. 453-457. ISBN 9780415781800 [Book Section]

Cubitt, Sean. 2014. Toxic Media: On the Ecological Impact of Cinema. In: Anil Narine, ed. Eco-Trauma Cinema. New York: Routledge, pp. 231-248. ISBN 978-1-13-879139-8 [Book Section]

Cubitt, Sean. 2014. Utopia. In: Michael Kelly, ed. The Encyclopedia of Aesthetics second edition. New York: Oxford University Press. ISBN 978-0199747108 [Book Section]

Cubitt, Sean. 2014. Visible Time. In: Tomislav Medak and Goran Sergej Pristaš, eds. Time and (In)Completion – Images And Performances Of Time In Late Capitalism. Zagreb: BADco., pp. 130-141. ISBN 978-953-56603-2-3 [Book Section]

Cubitt, Sean. 2013. Electric Light and Electricity. Theory, Culture and Society, 30(7-8), pp. 1-16. ISSN 0263-2764 [Article]

Cubitt, Sean. 2013. The Politics of the Line. In: Jonathan Harris and Richard Koeck, eds. Picasso and the Politics of Representation: War and Peace in the Era of the Cold War and Since. 13 Liverpool: Liverpool University Press, pp. 69-88. ISBN 9781846318757 [Book Section]

Cubitt, Sean. 2013. Ecocritique and the Materialities of Animation. In: Suzanne Buchan, ed. Pervasive Animation. New York: Routledge, pp. 94-114. ISBN 9780415807234 [Book Section]

Cubitt, Sean. 2013. Anecdotal evidence. NECSUS European Journal of Media Studies, 3, [Article]

Cubitt, Sean. 2013. Angelic Ecologies. Millennium Film Journal, 1(58), pp. 40-45. [Article]

Cubitt, Sean. 2013. Global Media and Archaeologies of Network Technologies. In: Paul Graves-Brown; Rodney Harrison and Angela Piccini, eds. The Oxford Handbook of the Archaeology of the Contemporary World. Oxford: OUP, pp. 135-148. ISBN 978-0199602001 [Book Section]

Cubitt, Sean and Bishop, Ryan. 2013. Interview with Victor Burgin. Theory Culture and Society, 30(7-8), pp. 199-219. ISSN 0263-2764 [Article]

Cubitt, Sean and Thomas, Paul. 2013. Introduction: The New Materialism in Media Art History. In: Sean Cubitt and Paul Thomas, eds. Relive: Media Art Histories. Cambridge MA: MIT Press, pp. 1-22. ISBN 978-0262019422 [Book Section]

Cubitt, Sean. 2013. The Light At the End. In: Bashir Makhoul, ed. Palestinian Video Art - Constellation of the Moving Image. Jerusalem: Palestinian Art Court - al Hoash, pp. 52-64. ISBN 978-9950352032 [Book Section]

Cubitt, Sean and Thomas, Paul, eds. 2013. Relive: Media Art Histories. Cambridge MA: MIT Press. ISBN 978-0262019422 [Edited Book]

Cubitt, Sean. 2013. The Shadow. MIRAJ The Moving Image Review & Art Journal, 2(2), pp. 187-197. ISSN 20456298 [Article]

Cubitt, Sean. 2012. Everybody Knows This Is Nowhere: Data Visualisation and Ecocriticism. In: Stephen Rust; Salma Monani and Sean Cubitt, eds. The Ecocinema Reader: Theory and Practice. New York: AFI/Routledge, pp. 277-296. ISBN 0415899435 [Book Section]

Cubitt, Sean. 2012. On the Reinvention of Video in the 1980s. In: Sean Cubitt and Stephen Partridge, eds. REWIND:Artists’ video in the 1970s & 80s. London: John Libbey, pp. 160-177. ISBN 9780 86196 706 3 [Book Section]

Cubitt, Sean. 2012. After Tolerance. In: Trebor Scholtz, ed. Digital Labor. New York: Routledge, pp. 58-68. ISBN 978-0415896955 [Book Section]

Cubitt, Sean. 2012. Avatar and Utopia. Animation: An interdisciplinary journal, 7(3), pp. 1-11. ISSN 1746-8477 [Article]

Cubitt, Sean; Rust, Stephen and Monani, Salma, eds. 2012. The Ecocinema Reader: Theory and Practice. Routledge. ISBN 978-0415899437 [Edited Book]

Cubitt, Sean; Palmer, Daniel and Walkling, Les. 2012. Reflections on medium specificity occasioned by the symposium 'Digital Light: Technique, Technology, Creation', Melbourne, 2011. The Moving Image Review & Art Journal (MIRAJ), 1(1), ISSN 2045-6298 [Article]

Cubitt, Sean and Partridge, Stephen, eds. 2012. Rewind: Artists’ Video in Britain 1970s and 1980s. John Libbey Publishing. ISBN 978-0861967063 [Edited Book]

Cubitt, Sean. 2012. Vector, Space and Time. In: Ming-Yuen S Ma and Erika Suderburg, eds. Resolutions: Volume 3: Global Networks of Video. Minnesota: University of Minnesota Press, pp. 297-308. ISBN 978-0816670833 [Book Section]

Cubitt, Sean. 2011. Current Screens. In: Oliver Grau and Thomas Veigl, eds. Imagery in the 21st Century. Cambridge, MA: MIT Press, pp. 21-35. ISBN 9780262015721 [Book Section]

Cubitt, Sean. 2011. The Latent Image. The International Journal of The Image, 1(2), pp. 27-38. [Article]

Cubitt, Sean; Hassan, Robert and Volkmer, Ingrid. 2011. Does Cloud Computing Have a Silver Lining? Media, Culture and Society, 33(1), pp. 149-158. ISSN 0163-4437 [Article]

Cubitt, Sean. 2011. Audiovisionaries of the Network Planet. In: Jonathan Harris, ed. Globalization and Contemporary Art. Blackwell, pp. 225-236. ISBN 978-1405179508 [Book Section]

Cubitt, Sean. 2011. Vector Politics and the Aesthetics of Disappearance. In: John Armitage, ed. Virilio Now: Current Perspectives in Virilio Studies. Cambridge: Polity, pp. 68-91. ISBN 978-0745648781 [Book Section]

Cubitt, Sean and Politoff, Violetta. 2011. Visual Communication in Traditional and Digital Contexts. In: George Cheney; Steve May and Debashish Munshi, eds. The Handbook of Communication Ethics. London and New York: Routledge, pp. 241-257. ISBN 978-0415994651 [Book Section]

Cubitt, Sean. 2010. Making Space. Senses Of Cinema(57), [Article]

Cubitt, Sean; Hassan, Robert and Volkmer, Ingrid. 2010. Postnormal network futures: A rejoinder to Ziauddin Sardar. Futures, 42(6), pp. 617-624. ISSN 0016-3287 [Article]

Cubitt, Sean. 2010. The Sound of Sunlight. Screen, 51(2), pp. 118-128. ISSN 0036-9543 [Article]

Cubitt, Sean. 2010. Fabrication. In: Phillip Kalantzis-Cope and Karim Gherab-Martin, eds. Emerging Digital Spaces in Contemporary Society: Properties of Technology. Palgrave Macmillan, pp. 207-219. ISBN 978-0230273467 [Book Section]

Cubitt, Sean. 2010. Internet Aesthetics. In: Jeremy Hunsinger; Matt Allen and Lisbeth Klastrup, eds. International Handbook of Internet Research. Berlin: Springer, pp. 159-170. ISBN 978-1402097881 [Book Section]

Simondon, Gilbert and Cubitt, Sean. 2010. The Limits of Human Progress. Cultural Politics, 8(2), pp. 229-236. ISSN 1743-2197 [Article]

Cubitt, Sean. 2010. The Ordering of Worlds: Two Recent Video Works by Stella Brennan. In: , ed. The Reading Room. Auckland: Art Gallery, pp. 144-155. ISBN 1-928863-08-6 [Book Section]

Cubitt, Sean. 2009. Art, Technology and Policy in the Twenty‐First Century. Third Text, 23(5), pp. 571-578. ISSN 0952-8822 [Article]

Cubitt, Sean. 2009. A Critique of Play. Refractory, 16, ISSN 1447-4905 [Article]

Cubitt, Sean. 2009. Database Economy and Transnational Cinema. Studies in Australasian Cinema, 3(2), pp. 155-166. ISSN 1750-3175 [Article]

Cubitt, Sean. 2009. Digital Aesthetics. London and New York: SAGE. ISBN 978-0761959007 [Book]

Cubitt, Sean. 2009. LED technology and the shaping of culture. In: Scott McQuire; Meredith Martin and Sabine Niederer, eds. Urban Screens Reader. Amsterdam: Institute of Network Cultures, pp. 97-108. ISBN 978-90-78146-10-0 [Book Section]

Cubitt, Sean. 2009. Line and Colour in The Band Concert. Animation: An interdisciplinary journal, 4(1), pp. 11-30. ISSN 1746-8477 [Article]

Cubitt, Sean; Mariátegui, José‐Carlos and Nadarajan, Gunalan. 2009. Social Formations of Global Media Art. Third Text, 23(3), pp. 217-228. ISSN 0952-8822 [Article]

Cubitt, Sean. 2009. The Supernatural in Neo-Baroque Hollywood. In: Warren Buckland, ed. Film Theory & Contemporary Hollywood Movies. Routledge, pp. 47-65. ISBN 978-0415962629 [Book Section]

Cubitt, Sean. 2009. Thinking Filming Thinking Filming. Journal of Aesthetics & Culture, 1, ISSN 2000-4214 [Article]

Cubitt, Sean. 2008. Virtual Dialectics and Technological Aesthetics. Cultural Politics, 4(2), pp. 133-154. ISSN 1743-2197 [Article]

Cubitt, Sean. 2008. Infernal Affairs and the Ethics of Complex Narrative. In: Warren Buckland, ed. Puzzle Films: Complex Storytelling in Contemporary Cinema. Oxford: Wiley-VCH, pp. 151-166. ISBN 978-1405168625 [Book Section]

Cubitt, Sean; Margolis, Harriet; Jutel, Thierry and King, Barry, eds. 2008. Studying the event film:The Lord of the Rings. Manchester University Press: Manchester University Press. ISBN 978-0719071980 [Edited Book]

Cubitt, Sean. 2005. Ecomedia. Amsterdam: Rodopi. ISBN 90-420-1885-2 [Book]

Cubitt, Sean. 2005. The Cinema Effect. Cambridge MA: MIT Press. ISBN 978-0262532778 [Book]

Sardar, Ziauddin and Cubitt, Sean, eds. 2002. Aliens R Us: The Other in Science Fiction Cinema. London: Pluto Press. ISBN 978-0745315393 [Edited Book]

Araeen, Rasheed; Cubitt, Sean and Sardar, Ziauddin, eds. 2002. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum International Publishing Group. ISBN 978-0826458513 [Edited Book]

Cubitt, Sean. 2001. Simulation and Social Theory. London and New York: SAGE. ISBN 978-0761961109 [Book]

Cubitt, Sean. 1993. Videography: Video Media as Art and Culture. London: Palgrave Macmillan (; published simultaneously in New York by St Martin’s Press.
). ISBN 978-0333555569 [Book]

Cubitt, Sean. 1991. Timeshift: On Video Culture. London and New York: Routledge. ISBN 978-0415016780 [Book]