Finburgh Delijani, Clare, ed. 2024. A New History of Theatre in France. Cambridge: Cambridge University Press. ISBN 9781108908566 [Edited Book]

Finburgh Delijani, Clare. 2024. “La Puissance de la présence et de l’action me flingue toujours”, entretien avec Rébecca Chaillon réalisé par Clare Finburgh Delijani. Théâtre/Public, 252, pp. 4-18. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2024. ‘A knotted primitive unity’. Negritude and Theatre as Ecological Rite. In: Carl Lavery, ed. The Cambridge Companion to Theatre and Ecology. Cambridge: Cambridge University Press. [Book Section] (In Press)

Finburgh Delijani, Clare. 2024. In the Ruins of Tragedy: Action, Inactivity and Ecology in the Césaires’ Theatre and Thought. In: Ezra Baudou and Anne-Violaine Houcke, eds. Poetics, Politics and the Ruin in Cinema and Theatre since 1945. Oxford: Oxford University Press. [Book Section] (Forthcoming)

Finburgh Delijani, Clare. 2024. ‘“I’m gonna tap you in the face with this hammer”: Torture and the Ethics of Spectatorship in Dennis Kelly’s Works’. In: Jacqueline Bolton and Nicholas Holden, eds. Beautiful Doom: The Works of Dennis Kelly on Stage and in Television. Manchester: Manchester University Press. [Book Section] (In Press)

Finburgh Delijani, Clare. 2024. « Élargir le cercle » Le Public théâtral au XVIe siècle et aujourd’hui. In: Tiphaine Karsenti; Olivier Neveux and Christophe Triau, eds. Éloge du désordre : Pour Christian Biet. Paris: Classiques Garnier, pp. 45-64. ISBN 240615808X [Book Section]

Finburgh Delijani, Clare. 2023. Countering the Colonial Exhibition: Contemporary Performance in France. Modern Languages Open, ISSN 2052-5397 [Article] (Forthcoming)

Finburgh Delijani, Clare, ed. 2023. Face au passé colonial, Théâtre/Public, 246. 0335-2927 [Edited Journal]

Finburgh Delijani, Clare. 2023. Le « grin » de Fanon et le théâtre postcolonial en France. Théâtre/Public, 246, ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2022. The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre. Modern Drama, 65(4), pp. 471-498. ISSN 0026-7694 [Article]

Finburgh Delijani, Clare. 2022. Absence: Chloé Déchery’s A Duet Without You and Marguerite Duras. In: Chloé Déchery, ed. Performing Collaboration in Solo Performance: A Duet Without You and Practice as Research. Bristol: Intellect, pp. 122-136. ISBN 9781783209958 [Book Section]

Finburgh Delijani, Clare. 2022. “Nobody’s ever held the door open and invited women, Black people or disabled people in”: confronting discrimination in Marie NDiaye’s theater. CFC Intersections, 1(1), pp. 43-58. ISSN 2752-552X [Article]

Finburgh Delijani, Clare. 2022. The Ghosts of Slavery in Contemporary Theatre from the Francosphere. L'Esprit Créateur special issue, Replaying the Francophone Early Modern in the Twenty-First Century, 62(2), pp. 32-49. ISSN 0014-0767 [Article]

Finburgh Delijani, Clare. 2022. Portes fermées, possibilités ouvertes dans le théâtre de Marie NDiaye. Parages, 11, pp. 105-115. ISSN 2494-8268 [Article]

Kilito, Abdelfattah; Finburgh Delijani, Clare and Warner, Marina. 2021. Abdelfattah Kilito, Archeologies: Twelve Miniatures, translated by Clare Finburgh Delijani and Marina Warner. The White Review, [Article]

Finburgh Delijani, Clare. 2021. Jean Genet and the Sanctuary of the Sea. In: Florian Mussgnug; Mathelinda Nabugodi and Thea Petrou, eds. Thinking Through Relation: Encounters in Creative Critical Writing. Oxford: Peter Lang, pp. 133-156. ISBN 9781789976397 [Book Section]

Finburgh Delijani, Clare. 2021. Le Passage du milieu dans le théâtre britannique. Théâtre/Public, 241, pp. 52-58. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare and Kelly, Dennis. 2021. Introduction to Dennis Kelly's DNA. In: Clare Finburgh Delijani, ed. DNA. London: Bloomsbury Academic, pp. 1-44. ISBN 9781350188044 [Book Section]

Finburgh Delijani, Clare. 2021. Rire orchestré et révolte dans Les Nègres de Jean Genet. In: Florence Leca Mercier and Élise Nottet-Chedeville, eds. Jean qui rit et Jean qui leurre: Les rires de Genet: approches stylistiques et rhétoriques. Louvain-la-Neuve, Belgium: Éditions Academia, pp. 39-51. ISBN 9782806105998 [Book Section]

Finburgh Delijani, Clare. 2021. « Je cherche une langue non pas réaliste mais très écrite » Entretien avec Marie NDiaye. Théâtre/Public, 239, pp. 4-18. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2020. The Anti-Monumental Cemetery: Ghosts in Jean Genet’s ‘Quatre heures à Chatila’. French Studies, 74(4), pp. 587-604. ISSN 0016-1128 [Article]

Finburgh Delijani, Clare. 2020. In Memoriam: Christian Biet (1952-2020). Contemporary Theatre Review, 30(4), pp. 595-598. ISSN 1048-6801 [Article]

Finburgh Delijani, Clare. 2019. “‘Ces portes entrouvertes qui filtrent le monde’. Graeme Miller : Entretien avec Clare Finburgh Delijani”. Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 231, pp. 82-92. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2019. “‘Déborder le cadre’. L’Internationale situationniste, le théâtre et la performance”. Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 231, pp. 16-27. ISSN 0335-2927 [Article]

Biet, Christian; De Simone, Cristina and Finburgh Delijani, Clare, eds. 2019. Internationale situationniste. Théâtre, Performance, Théâtre/Public, 231. 0335-2927 [Edited Journal]

Finburgh Delijani, Clare. 2019. “Un metteur en scène, un théâtre, un continent, un monde. Thomas Ostermeier et la Schaubühne. Entretien réalisé par Clare Finburgh”. Théâtre/Public, 230, pp. 4-23. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2019. “‘Élargir la part non médiocre de la vie’. La situation construite et le théâtre Contemporain”. Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 230, pp. 46-56. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2017. Watching War on the Twenty-First Century Stage: Spectacles of Conflict. London: Bloomsbury Academic. ISBN 9781472598660 [Book]