Graham, Stephen. 2023. Becoming Noise Music: Style, Aesthetics, History. London: Bloomsbury Academic. ISBN 9781501378669 [Book]

Graham, Stephen. 2023. Familiarity Breeds Consent? Distance and Dependence in Fringe Music Writing. In: Ian Pace and Christopher Wiley, eds. Writing on Contemporary Musicians: Promotion, Advocacy, Disinterest, Censure. Abingdon: Routledge. [Book Section] (Forthcoming)

Graham, Stephen. 2022. Ulyssess Journey - In Context. Contemporary Music Centre, Dublin, [Article]

Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly. 2022. Twentieth-Century Music in the West. Cambridge: Cambridge University Press. ISBN 9781108481984 [Book]

Graham, Stephen. 2021. Summer’s Gone: Late Style and Popular Music. Journal of the Royal Musical Association, 146(2), pp. 315-333. ISSN 0269-0403 [Article]

Graham, Stephen. 2019. From Microphone to the Wire: Cultural change in 1970s and 1980s music writing. Twentieth-Century Music, 16(3), pp. 531-555. ISSN 1478-5722 [Article]

Graham, Stephen. 2018. Modernism for and of the Masses? On Popular Modernisms. In: Björn Heile and Charles Wilson, eds. The Routledge Research Companion to Modernism in Music. Abingdon: Routledge, pp. 239-257. ISBN 9781472470409 [Book Section]

Graham, Stephen. 2017. The X Factor and Reality Television: Beyond Good and Evil. Popular Music, 36(1), pp. 6-20. ISSN 0261-1430 [Article]

Graham, Stephen. 2016. Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. Michigan: University of Michigan Press. ISBN 9780472119752 [Book]

Graham, Stephen. 2015. Boogie Nights: Joe Cutler, Danserye: Michael Wolters, Kathrine and Peter Play the Recorder: Michael Wolters (CD Review). Tempo, 69(272), pp. 80-83. ISSN 0040-2982 [Article]

Graham, Stephen. 2015. Frank Zappa and the And. Edited by Paul Carr (Book Review). Popular Music, 34(1), pp. 147-150. ISSN 0261-1430 [Article]

Graham, Stephen. 2015. Historical Documents of the Irish Avant-Garde. In: Jennifer Walshe, ed. Historical Documents of the Irish Avant-Garde. Aisteach Foundation. [Book Section]

Graham, Stephen. 2014. Justin Timberlake’s Two-Part Complementary Forms: Groove, Extension, and Maturity in Twenty-First-Century Popular Music. American Music, 32(4), pp. 448-474. ISSN 0734-4392 [Article]

Graham, Stephen. 2014. Untroubled Pathways (Record Review). Tempo, 68(267), [Article]

Graham, Stephen. 2013. The Encyclopaedia of Music in Ireland. In: Harry White and Barra Boydell, eds. The Encyclopaedia of Music in Ireland. University College Dublin Press. ISBN 9781906359782 [Book Section]

Graham, Stephen. 2013. 'Popular Music and Television in Britain' Ian Inglis (ed.). (Book Review). Music, Sound, and the Moving Image, 7(1), pp. 83-88. ISSN 1753-0768 [Article]

Graham, Stephen. 2012. Notes from the underground: a cultural, political, and aesthetic mapping of underground music. Doctoral thesis, Goldsmiths, University of London [Thesis]

Graham, Stephen. 2011. Beyond the Postmodern: Music and Theory at the Start of History. The Musicology Review(7), [Article]

Graham, Stephen. 2011. David Toop, Sinister Resonance: The Mediumship of the Listener (2010) (Book Review). Journal of the Society for Musicology in Ireland(6), pp. 93-100. [Article]

Graham, Stephen. 2011. Ronald Schleifer, Modernism and Popular Music (Cambridge: 2011) (Book Review). Popular Music, 32(3), [Article]

Graham, Stephen. 2010. (Un)Popular Avant-Gardes: Underground Popular Music and the Avant-Garde. Perspectives of New Music, 48(2), pp. 5-20. ISSN 0031-6016 [Article]

Graham, Stephen. 2009. August Halm, A Critical and Creative Life in Music (University of Rochester Press, 2009) (Book Review). The Musicology Review(6), [Article]