Perchard, Tom. 2020-2023 Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life. [Project]

Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly. 2022. Twentieth-Century Music in the West. Cambridge: Cambridge University Press. ISBN 9781108481984 [Book]

Perchard, Tom. 2019. The Vocalized Tone. In: Nicholas Gebhardt; Nichole Rustin-Paschal and Tony Whyton, eds. The Routledge Companion to Jazz Studies. Routledge, pp. 197-207. ISBN 9781138231160 [Book Section]

Perchard, Tom. 2018. 'Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home'. In: 8th William A. Kern Conference in Visual Communication. Rochester Institute of Technology, United States. [Conference or Workshop Item]

Perchard, Tom. 2018. 'Towards a History of Pop Music in the 20th-Century Home'. In: Research Symposium. Kunstuniversität Graz, Austria. [Conference or Workshop Item]

Perchard, Tom. 2017. 'Reimagining Popular Music History'. In: Research Colloquium. University of Oxford, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2017. Technology, Listening and Historical Method: Placing Audio in the Post-War British Home. Journal of the Royal Musical Association, 142(2), pp. 367-399. ISSN 0269-0403 [Article]

Perchard, Tom. 2017. 'Historiography and Popular Music'. In: 53rd Royal Music Association annual conference. University of Liverpool, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2017. Growing Old Together: Pop Studies and Music Sociology Today. Twentieth-Century Music, 14(2), pp. 335-343. ISSN 1478-5722 [Article]

Perchard, Tom. 2017. Historical consultant, Rock ‘n’ Roll Guns for Hire: The Story of the Sideman. BBC Films. [Broadcast]

Perchard, Tom. 2017. 'Experiments in Critical Music Writing'. In: Experimental Approaches to Writing Research symposium. Birmingham City University, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2017. 'What Next for the History of Popular Music?'. In: 19th Biennial Conference of the International Association for the Study of Popular Music. Kassel, Germany. [Conference or Workshop Item]

Powers, Devon and Perchard, Tom. 2017. Introduction: The Critical Imperative. Popular Music, 36(1), pp. 1-5. ISSN 0261-1430 [Article]

Perchard, Tom. 2017. Mid-Century Modern Jazz: Music and Design in the Postwar Home. Popular Music, 36(1), pp. 55-74. ISSN 0261-1430 [Article]

Perchard, Tom and Powers, Devon, eds. 2017. Special Issue: The Critical Imperative, Popular Music, 36(1). 0261-1430 [Edited Journal]

Perchard, Tom. 2016. 'Towards a History of Pop Music in the British Home'. In: Research symposium. University of York, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2016. Programme guest, Jazz Now. BBC Radio 3. [Broadcast]

Perchard, Tom. 2016. Historical consultant, Things Called Jazz that are Not Jazz. BBC Radio 4.. [Broadcast]

Perchard, Tom. 2016. 'Utopia in the Living Room'. In: Jazz Utopia. Birmingham City University, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2016. 'The Look of Listening: Audio Technology and the British Home, 1955-70'. In: Research Symposium. Canterbury Christ Church University, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2015. 'Popular Music teaching at Goldsmiths'. In: Reconcile Your Body and Soul (But How?)’. Symposium on academic and creative practice in popular music education. Seika University, Kyoto, Japan. [Conference or Workshop Item]

Perchard, Tom. 2015. New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century. Journal of the Society for American Music, 9(3), pp. 321-348. ISSN 1752-1963 [Article]

Perchard, Tom. 2015. After Django: Making Jazz in Postwar France. Ann Arbor: University of Michigan Press. ISBN 9780472072422 [Book]

Perchard, Tom. 2014. 'Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014.'. In: Voice, Memory, Song symposium, University of Oxford. University of Oxford, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2014. '‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’.'. In: Invited seminar, Royal Holloway, University of London. Royal Holloway, University of London, United Kingdom. [Conference or Workshop Item]

Perchard, Tom, ed. 2014. From Soul to Hip Hop. Farnham: Ashgate. ISBN 978-0-7546-2950-4 [Edited Book]

Perchard, Tom. 2014. 'Introduction'. In: Tom Perchard, ed. From Soul to Hip Hop. Farnham: Ashgate, xi-xxix. ISBN 978-0-7546-2950-4 [Book Section]

Perchard, Tom, ed. 2014. From Soul to Hip Hop (The Library of Essays on Popular Music). Ashgate. ISBN 978-1-4094-2719-3 [Book]

Perchard, Tom. 2014. '‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’'. In: Musical Materialities in the Digital Age. University of Sussex, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2013. Doing Musical Fieldwork with James G. Spady. The Western Journal of Black Studies, 37(2), pp. 104-112. ISSN 0197-4327 [Article]

Perchard, Tom. 2013. Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review). The French journal of popular music studies, 9(2), pp. 150-152. [Article]

Perchard, Tom. 2012. 'Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’'. In: Invited research seminar. King’s College London. [Conference or Workshop Item]

Perchard, Tom. 2012. '“We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art'. In: Invited research seminar. University of Edinburgh. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology'. In: Perspectives on Musical Improvisation. University of Oxford. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Jazz Trumpet and the Semiotics of Vulnerability'. In: 19th International Congress of the International Musicological Society. Rome, Italy. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Unofficial Histories. Bishopsgate Institute, London. [Conference or Workshop Item]

Perchard, Tom. 2012. Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France. Popular Music and Society, 35(3), pp. 375-398. ISSN 0300-7766 [Article]

Perchard, Tom. 2012. 'Monk Meets the French Critics'. In: Piacenza Jazz Fest study day. Piacenza, Italy. [Conference or Workshop Item]

Perchard, Tom. January-October AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music. [Project]

Perchard, Tom. 2011. 'Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud'. In: Invited research seminar. University of York. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Re-reading Primitivism in Hugues Panassié’s Writing on Jazz'. In: Jazz and Race, Past and Present. Open University. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum'. In: Salford Jazz Research Seminar. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2011. Programme guest, BBC Radio 3, 'Jazz Library: Barney Wilen'. [Broadcast]

Perchard, Tom. 2011. Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum. Jazz Perspectives, 5(1), pp. 61-94. ISSN 1749-4060 [Article]

Perchard, Tom. 2011. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Invited research seminar, ‘Directions in Musical Research’ series.. Institute of Musical Research, School of Advanced Study. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Four Histories of 20th-Century Music.'. In: Cabaret Voltaire art foundation course. GBS University, St. Gallen, Switzerland. [Conference or Workshop Item]

Perchard, Tom. 2011. Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. Popular Music, 30(1), pp. 25-45. ISSN 0261-1430 [Article]

Perchard, Tom. 2011. Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. American Music, 29(3), pp. 277-307. ISSN 0734-4392 [Article]

Perchard, Tom. 2010. Programme guest, BBC Radio 3, 'Jazz Library: Clifford Brown'. [Broadcast]

Perchard, Tom. 2009. 'Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism'. In: Invited research seminar. University of Sheffield. [Conference or Workshop Item]

Perchard, Tom. 2009. 'Thelonious Monk Meets the French Critics: Improvisation and its Simulacra'. In: Mediating Jazz. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2009. Programme guest, BBC Radio 3, 'Jazz Library: Booker Little'. [Broadcast]

Perchard, Tom. 2009. Lee Morgan: La vita, la musica e il suo tempo. Bologna: Odoya. ISBN 978-88-6288-014-5 [Book]

Perchard, Tom. 2009. Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review). Jazz Research Journal, 3(2), pp. 212-219. ISSN 1753-8637 [Article]

Perchard, Tom. 2008. Programme guest, BBC Radio 3, 'Jazz Library: Lee Morgan'. [Broadcast]

Perchard, Tom. 2007. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History, 2(2), pp. 119-145. ISSN ISSN: 1740-7133 [Article]

Perchard, Tom. 2006. Lee Morgan: His Life, Music and Culture. London: Equinox. ISBN 1845532058 [Book]

Perchard, Tom. 2006. Writer and presenter, Resonance FM series, 'Memoir City'. [Broadcast]

Perchard, Tom. 2005. AHRB/C PhD award (2002-5). [Project]

Perchard, Tom. 2005. Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review). Popular Music, 24(3), pp. 459-462. [Article]