Prendeville, Brendan. 2023. "Guardam!": Sicilia! and the Claim on Attention. In: Martin Brady and Helen Hughes, eds. The Cinema of Danièle Huillet and Jean-Marie Straub. Cambridge: Legenda, pp. 109-122. ISBN 9781839540585 [Book Section]

Prendeville, Brendan. 2021. Painting, from the eighteenth century into the early nineteenth. In: Dirk Gröttsche; Rosa Mucignat and Robert Weininger, eds. Landscapes of realism: Rethinking Literary Realism in Comparative Perspectives. Volume 1: Mapping Realism. Amsterdam: John Benjamins, pp. 191-212. ISBN 9789027208064 [Book Section]

Prendeville, Brendan. 2018. Democratic light: phenomenology and the worldliness of painting. In: Malcolm Baker and Andrew Hemingway, eds. Art as Worldmaking: Critical Essays on Realism and Naturalism. Manchester: Manchester University Press, pp. 165-180. ISBN 9781526114907 [Book Section]

Prendeville, Brendan. 2017. Competing futures, precarious community: realism in post-war Britain. In: Andrew Hemingway and Alex Potts, eds. Kunst und Politik 19: Realism in Modern British and American Art. 19 Göttingen: V&R unipress GmbH, pp. 59-71. ISBN 9783847108153 [Book Section]

Prendeville, Brendan. 2015. Sam Cornish, Stockwell Depot, 1967-79. Sculpture Journal, 24(3), pp. 425-436. ISSN 1366-2724 [Article]

Prendeville, Brendan. 2015. Realism in 20th Century Painting (Mandarin edition). Thames & Hudson. ISBN 978-7-5322-9195-3 [Book]

Prendeville, Brendan. 2015. Sculpting with air. Ambit, 220, pp. 46-53. ISSN 0002-6972 [Article]

Prendeville, Brendan. 2014. That uncertain object: David Sylvester’s conception of criticism as a personal affair. Tate Papers, 21, ISSN 1753-9854 [Article]

Prendeville, Brendan. 2013. A Heartfelt Gesture: Separation and Feeling, Darkness and Illusion in Caravaggio. Oxford Art Journal, 36(2), pp. 185-206. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2013. Painting the Invisible: time, matter and the image in Bergson and Michel Henry. In: John Mullarkey and Charlotte de Mille, eds. Bergson and the Art of Immanence. Edinburgh University Press, pp. 189-205. ISBN 978-1474404730 [Book Section]

Prendeville, Brendan. 2012. 'The Angel's Ear and She Is Love: New Sculpture by Charles Hewlings'. Exhibition catalogue, The Cut Art Centre, [Article]

Prendeville, Brendan. 2012. 'Modernism and figuration'. In: Steve Edwards and Paul Wood, eds. Art & Visual Culture 1850 – 2010: Modernity to Globalization. London, England: Open University / Yale, pp. 175-209. ISBN 9781849760973 [Book Section]

Prendeville, Brendan. 2011. Art as phenomenology? Philosophy of Photography, 2(1), pp. 159-61. ISSN 2040-3682 [Article]

Prendeville, Brendan. 2010. Catalogue essay. In: , ed. Another Country: London painters in dialogue with Italian art. London: Lubrina-Leb. ISBN 978-8877664068 [Book Section]

Prendeville, Brendan. 2009. Contested Bodies’ (book review). Art History, 32(1), pp. 216-219. ISSN 0141-6790 [Article]

Prendeville, Brendan. 2009. Seurat and the act of sensing: perception as artefact. In: Paul Smith, ed. Seurat re-viewed. Pennsylvania: Pennsylvania State University Press, pp. 149-162. ISBN 978-0-271-03545-1 [Book Section]

Prendeville, Brendan. 2009. ‘The essence of vision: recent paintings by Gina Medcalf’. exhibition catalogue, The Cut Art Centre, [Article]

Prendeville, Brendan. 2007. The Meanings of Acts: Agnes Martin and the Making of Americans. Oxford Art Journal, 31(1), pp. 51-73. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2006. Merleau-Ponty, Realism and Painting: Psychophysical Space and the Space of Exchange. In: Ted Toadvine, ed. Merleau-Ponty: Critical Assessments of Leading Philosophers, vol. 2: Perception and Expression. Routledge, pp. 300-329. ISBN 9780415363990 [Book Section]

Prendeville, Brendan. 2005. Discernment. Oxford Art Journal, 28(1), pp. 213-226. ISSN 01426540 [Article]

Prendeville, Brendan. 2004. Varying the Self: Bacon's Versions of van Gogh. Oxford Art Journal, 27(1), pp. 23-42. ISSN 01426540 [Article]

Prendeville, Brendan. 2004. Seurat and the Act of Sensing: Perception as Artefact. In: T. Fischer-Seidel; S. Peters and A. Potts, eds. Perception and the Senses / Sinneswahrnehmung. A. Francke Verlag, pp. 165-187. ISBN 3772080405 [Book Section]

Prendeville, Brendan. 2003. ‘Night Geography’. In: Michael Harrison, ed. Ian Wiblin: Night Watch. Cambridge: Kettle’s Yard, pp. 8-28. ISBN 978-0907074540 [Book Section]

Prendeville, Brendan. 2002. ‘Measure and Location’. In: Michael Harrison, ed. A Measure of Reality. Cambridge: Kettle’s Yard. [Book Section]

Prendeville, Brendan. 2001. El Realismo en la Pintura del Siglo XX. Barcelona: Ediciones Destino/ Thames&Hudson. ISBN 84-233-3292-6 [Book]

Prendeville, Brendan. 2001. La peinture réaliste au XXe siècle. Thames & Hudson. ISBN 978-2878111927 [Book]

Prendeville, Brendan. 2001. Uncertain Light. M’ARS, Ljubljana, Year XIII, XIII(1-2), pp. 46-51. [Article]

Prendeville, Brendan. 2000. Realism in 20th Century Painting. Thames and Hudson Ltd. ISBN 978-0500203361 [Book]

Prendeville, Brendan. 1999. Merleau-Ponty, Realism and Painting: Psychophysical Space and the Space of Exchange. Art History, 22(3), pp. 364-388. ISSN 0141-6790 [Article]

Prendeville, Brendan. 1996. South. In: John Stathatos, ed. Myth and Landscape. Delphi, pp. 62-65. [Book Section]

Prendeville, Brendan. 1995. ‘The Features of Insanity, as seen by Géricault and by Büchner’. Oxford Art Journal, 18(1), pp. 96-115. ISSN 0142-6540 [Article]

Prendeville, Brendan. 1991. Like the Face of the Moon. [Exhibition Catalogue]

Prendeville, Brendan. 1988. ‘Infant Joy’. In: , ed. Taking Root. London: Artsite Gallery. [Book Section]

Prendeville, Brendan. 1984. ‘How sculpture became human’. In: , ed. Flesh and Stone. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 1984. ‘Motion and rest: the sculptor’s search for order’. In: , ed. Sculpture’s Dance. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 1984. ‘The place of sculpture’. In: , ed. Mind over Matter. London: Arts Council, pp. 44-54. [Book Section]

Prendeville, Brendan. 1981. ‘Constructed Sculpture’. In: Sandy Nairne and Nicholas Serota, eds. British Sculpture in the Twentieth Century. London: Whitechapel Gallery, pp. 209-221. ISBN 978-0854880546 [Book Section]