Simpson, Michael. 2013. On Byron's Famous Fanes: Ruined Temples and Reformed Theatres. The Byron Journal, 41(2), pp. 145-158. ISSN 0301-7257 [Article]

Simpson, Michael. 2011. Oedipus, Suez, and Hungary : T. S. Eliot's Tradition and The Elder Statesman. Comparative Drama, 44(4), pp. 509-528. ISSN 0010-4078 [Article]

Simpson, Michael. 2009. Byron's Manfred and the King's Head: Having Words with Bodies. The Byron Journal, 37(1), pp. 43-54. ISSN 0301-7257 [Article]

Simpson, Michael. 2005. Wavering on Europe: Walter Scott and the Equilibrium of the Empires. Romanticism, 11(2), pp. 127-142. ISSN 1354991X [Article]

Simpson, Michael. 2003. 'Behind Harold’s Bloomsday Book: Gothic Secrets in Literary History'. Women: A Cultural Review, 14(3), pp. 229-247. ISSN 0957-4042 [Article]

Simpson, Michael. 2003. 'Strange Fits of Parallax: Wordsworth’s Geometric Excursions'. The Wordsworth Circle, [Article]

Simpson, Michael. 1999. Coleridge's Swinging Moods and the Revision of "This Lime-Tree Bower My Prison". Style, 33(1), [Article]

Simpson, Michael. 1999. 'Re-Opening after the Old Price Riots: War and Peace at Drury Lane'. Texas Studies in Literature and Language, 41(4), ISSN 0040-4691 [Article]

Simpson, Michael. 1997. 'Buried and (P)Raised: Joseph Brodsky, William Peter and the Anglo-Irish Union'. Textual Practice, 11(2), pp. 275-284. ISSN 0950-236X [Article]

Simpson, Michael. 1997. 'Hyped Text: The Rhetoric of Virtual Space in Critical Prose'. Prose Studies, 20(3), pp. 79-105. ISSN 0144-0357 [Article]

Simpson, Michael. 1996. 'Ancestral Voices Prophesying What?: The Moving Text in Byron's Marino Faliero and Sardanapalus'. Texas Studies in Literature and Language, 38(3-4), [Article]

Simpson, Michael. 1996. 'Who Didn't Kill Blake's Fly: Moral Law and the Rule of Grammar in "Songs of Experience"'. Style, 30(2), [Article]

Simpson, Michael and Goff, B.. 2007. Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the African Diaspora. Oxford University Press. ISBN 9780199217182 [Book]

Simpson, Michael. 2002. The Morning (Post) After: Apocalypse and Bathos in Coleridge's 'Fears in Solitude'. Palgrave. ISBN 0312240112 [Book]

Simpson, Michael. 1998. Closet Performances: Political Exhibition and Prohibition in the Dramas of Byron and Shelley. Stanford University Press. ISBN 978-0804730952 [Book]

Goff, Barbara and Simpson, Michael. 2020. Introduction. In: Barbara Goff and Michael Simpson, eds. Classicising Crisis: The Modern Age of Revolutions and the Greco-Roman Repertoire. Abingdon: Routledge, pp. 1-18. ISBN 9780815361770 [Book Section]

Simpson, Michael. 2020. Of Minotaurs and Macroeconomics: Greek myth and common currency. In: Barbara Goff and Michael Simpson, eds. Classicising Crisis: the Modern Age of Revolutions and the Greco-Roman Repertoire. Abingdon: Routledge, pp. 168-185. ISBN 9780815361770 [Book Section]

Simpson, Michael and Goff, Barbara. 2015. 'New Worlds, Old Dreams? Postcolonial Theory and Reception of Greek Drama'. In: Kathryn Bosher; Fiona Macintosh; Justine McConnell and Patrice Rankine, eds. Oxford Handbook of Greek Drama in the Americas. Oxford: OUP Oxford. ISBN 978-0199661305 [Book Section]

Simpson, Michael. 2015. Yesterday's Men: Labour's Modernising Elite from the 1960s to Classical Times. In: Henry Stead and Edith Hall, eds. Greek and Roman Classics in the British Struggle for Social Reform. London: Bloomsbury Academic, pp. 269-291. ISBN 9781472584267 [Book Section]

Simpson, Michael. 2013. Labour and the Classics : Plato and Crossman in Dialogue. In: Lorna Hardwick and Stephen Harrison, eds. Classics in the Modern World : A Democratic Turn? Oxford: Oxford University Press, pp. 63-78. ISBN 9780199673926 [Book Section]

Simpson, Michael. 2012. Classical Greek Drama. In: Fred Burwick, ed. The Encyclopedia of Romantic Literature. Wiley-Blackwell. ISBN 978-1405188104 [Book Section]

Simpson, Michael. 2011. Trailing the Olympic Epic: Black Modernity and the Athenian Arena, 2004. In: Michael Simpson and Barbara Goff, eds. Thinking the Olympics: the Classical Tradition and the Modern Games. Bristol Classical Press. ISBN 978-0715639306 [Book Section]

Simpson, Michael and Goff, Barbara. 2011. 'Voice from the Black Box: Sylvain Bemba's Black Wedding Candles for Blessed Antigone'. In: Erin Mee and Helene Foley, eds. Antigone on the Contemporary World Stage. Oxford: OUP Oxford, pp. 324-341. ISBN 978-0199586196 [Book Section]

Simpson, Michael. 2008. Telling Lives to Children : Young versus New Historicism. In: Damian Walford Davies, ed. Romanticism, History, Historicism: Essays on an Orthodoxy. Oxon: Routledge, pp. 60-78. ISBN 9780415961127 [Book Section]

Simpson, Michael. 2007. Byron in theory and theatre land: finding the right address. In: Jane Stabler, ed. Byron Studies. Palgrave Macmillan, pp. 191-212. ISBN 9781403945921 [Book Section]

Simpson, Michael. 2007. 'The Curse of the Canon: Ola Rotimi’s The Gods Are Not to Blame'. In: Lorna Hardwick and Carol Gillespie, eds. Classics in Post-Colonial Worlds. Oxford: OUP, pp. 86-100. ISBN 978-0199296101 [Book Section]

Simpson, Michael and Goff, Barbara, eds. 2011. Thinking the Olympics: the Classical Tradition and the Modern Games. Bristol Classical Press. ISBN 978-0715639306 [Edited Book]

Simpson, Michael, ed. 1999. ‘Romantic Drama in Place’, Texas Studies in Literature and Language, 41(4). 0040-4691 [Edited Journal]