Faramawy, Adham. 2022. Queer Ecoologies. The Courtauld Institute of Art, London. [Other]

Hameed, Ayesha. 2022. Poetry. “Songs for Petals” in CLIMATE: Our Right to Breathe. K. Verlag and L’Internationale Online, Berlin. [Other]

Hameed, Ayesha. 2022. Poetry. “Two Ships” in Biennials as Sites of Historical Narration —Thinking through Göteborg International Biennial for Contemporary Art, ed Lisa Rosendahl. Mousse Publishing, Milan. [Other]

Little, Ben and Winch, Alison. 2022. Billionaires gone wild: Musk, Zuckerberg slash jobs, roll dice with future of Bay Area tech icons. The Mercury News, San Jose, California. [Other]

Miller Oduniyi, Susie; Blair, Jeff and Dennis, Fay. 2022. Brown Bread. The Sociological Review Foundation. [Other]

Millora, Chris. 2022. Book Review: Literacies, power and identities in figured worlds in Malawi. Compare: A Journal of Comparative and International Education. [Other]

Online, Goldsmiths Research. 2022. Introduction to Research Data Management (RDM). Goldsmiths, University of London. [Other]

Redhead, L. 2022. hearmleoþ-gieddunga (research portfolio). pan y rosas discos, Orpheus Instituut, Boydell & Brewer. [Other]

Redhead, L. 2022. the octopus (research portfolio). pan y rosas discos, BBC. [Other]

Redhead, L. 2022. the whale: Creative Textual Practices. INMM Darmstadt, Buxton Fringe Festival. [Other]

Rotie, Marie-Gabrielle. 2022. Movement Choreography for The Northman (2020/2021). New Regency, Perfect World Pictures, Regency Enterprises, Square Peg, Focus Features. [Other]

Stierl, Maurice and Tazzioli, Martina. 2022. One hundred days of refugee protest in Libya. openDemocracy, London. [Other]