Logo
Logo

Goldsmiths - University of London

Review of 'Dreams and Conflicts, the Dictatorship of the Viewer', Venice Biennale

Jones, Alison and Bannerman, Margot. 2003. Review of 'Dreams and Conflicts, the Dictatorship of the Viewer', Venice Biennale. Socialist Review, 276, ISSN 0161-1801 [Article]

No full text available

Abstract or Description

The 50th International Art Exhibition of the Venice Biennale is an immense event which runs until the beginning of November. It consists of the work of hundreds of artists in exhibitions spread over 64 national pavilions, themed shows in the Arsenale and Museo Correr, and numerous additional exhibitions and events at venues around the city. Established in 1895, one of the original ambitions of the Biennale was to promote a 'universal language of art'. Today the problems of such an aspiration and the complexities of processing the amassed contemporary art from every continent are considerable. The viewer is presented with constant dilemmas in negotiating work that operates on such disparate levels and is cast adrift from its original context.

Item Type: Article

Departments, Centres and Research Units:

Art

Dates:

DateEvent
2003Published

Item ID:

12770

Date Deposited:

18 Aug 2015 10:41

Last Modified:

16 Jun 2017 14:57

URI: http://research.gold.ac.uk/id/eprint/12770
Edit Record Edit Record (login required)