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Goldsmiths - University of London

The Grime Scene: Social media, music, creation and consumption

McGrath, Sean; Chamberlain, Alan and Benford, Steve. 2016. 'The Grime Scene: Social media, music, creation and consumption'. In: Proceedings of the Audio Mostly 2016. Norrköping, Sweden 4-6 October 2016. [Conference or Workshop Item]

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Abstract or Description

In this paper we start to explore and unpack the work of Grime music producers and performers with a focus on their attitudes, working practices and use of social media. We explore the origins of grime and describe a complex set of interactions between people and technology in order to facilitate the production and dissemination of audio content in an evolving digital climate. We explore how individuals in this space curate and collect content, with a view to reuse in the future. We also explore how grime is evolving and ways in which technology might be able to facilitate many of these processes more effectively. Finally, we explore technological issues that pertain to music production and dissemination in its current state and implications for design for future applications and contexts.

Item Type:

Conference or Workshop Item (Paper)

Identification Number (DOI):

https://doi.org/10.1145/2986416.2986433

Keywords:

Music, Social Media Production, Ethnography, Community, HCI, Creativity, Innovation, Audio, Digital

Departments, Centres and Research Units:

Computing

Dates:

DateEvent
4 October 2016Accepted
6 October 2016Published

Event Location:

Norrköping, Sweden

Date range:

4-6 October 2016

Item ID:

26413

Date Deposited:

07 Jun 2019 12:43

Last Modified:

07 Jun 2019 12:43

URI:

http://research.gold.ac.uk/id/eprint/26413

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