Erasure

Samson, Audrey. 2017. Erasure. In: Helen Pritchard; Eric Snodgrass and Magda Tyżlik-Carver, eds. EXECUTING PRACTICES. (06) Brooklyn, NY: Autonomedia, pp. 143-154. ISBN 9781570273216 [Book Section]

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Abstract or Description

How does erasure execute knowledge production? The following is a tour through a collection of erasure that provides a glimpse into the many directions that this question may take us, through the lens of a series of artistic interventions, academic research, experiments and artefacts.

I present these items from a collector’s point of view. For achieving completion of this collection of erasures would be, in the words of Jean Baudrillard, like death. That is to say that the desire to complete the series, to achieve the perfection of its imaginary ending, is that which creates the elusive object of desire. As such, in the same way that a collection can always extend itself laterally, or spark a new one ([1968] 1996, 113), I am presenting it as an object of desire, fuelled by the impetus of neoliberal growth, which can never be complete and will forever expand into new meanings of execution, always towards the elusive erasure of death.

Item Type:

Book Section

Keywords:

Erasure, Delete, Memory, Execution, Obfuscation, Hyperthymesia, Censorship, Landforming, Infrastructural tourism, Surveillance, Blanking

Related URLs:

Departments, Centres and Research Units:

Art

Dates:

DateEvent
2017Published

Item ID:

27717

Date Deposited:

11 Dec 2019 13:31

Last Modified:

29 Apr 2020 17:21

URI:

http://research.gold.ac.uk/id/eprint/27717

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