Piece made for an exhibition at Vegas gallery, London, called La Belle Femme Sans Merci, after the Keats poem and intended to be based around the notion of the femme fatale. Echoing and 'dirtying' Michael Asher's famous institutional critique gesture of 1974, I wanted to make the gallerist the possible object of a voyeuristic gaze.
This was a group show also including Chantal Joffe, Phillip Jones, Elke Krystufek, Andrea Lehmann, Dawn Mellor, Claire Pestaille and Jemima Stehli

https://research.gold.ac.uk/id/eprint/3919