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Goldsmiths - University of London

Tactility and Opticality in Contemporary Abstract Painting

Mathus Ruiz, Miguel. 2011. Tactility and Opticality in Contemporary Abstract Painting. Other thesis, Goldsmiths, University of London [Thesis]

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Abstract or Description

The thesis analyses the construction of surface in contemporary abstract painting and its broader implications, mainly in regard to Clement Greenberg´s understanding of modernist painting. It considers how this issue was contended between art critics such as Greenberg and Michael Fried and artists that challenged the formalist account of painting´s medium specificity through a wide range of procedures and techniques. I review Thierry de Duve´s analysis of Robert Ryman´s work in regard to Greenberg´s understanding of modernist painting and discuss the ways in which the contest between painting and photography (since photography made painting reproducible) is central.

The analysis of Ryman´s work leads to a consideration of Duchamp´s readymade and its significance to painting. Painting´s resistance to being annexed by photography follows de Duve´s contention in regard to painting-photography competitiveness where he argues that opposition to photographic reproducibility has been critical for painting since the invention of photography. At this point the historical significance of Duchamp´s readymade is regarded as a repetition of the invention of photography within the domain of painting.

The assertion is then that the key to contemporary abstract painting – what supports its attraction – is the manner in which the construction of surface is made through the reformulation of pictorial practices that were developed from the 1960s – such as Informel – and continue to be elaborated in a contemporary context in the works of artists like Katharina Grosse or Sergej Jensen. By considering Informel as a manifestation of a painting-photography contest I argue for its value in contemporary abstract painting as a means to further develop abstract painting´s potentiality, as Katharina Grosse and Sergej Jensen do through their engagement with architectural space.

Item Type: Thesis (Other)

Additional Information:

MPhil

Keywords:

tactility, opticality, abstract painting

Departments, Centres and Research Units:

Art

Date:

25 May 2011

Item ID:

6544

Date Deposited:

06 Feb 2012 18:44

Last Modified:

05 May 2016 15:29

URI: http://research.gold.ac.uk/id/eprint/6544

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