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Goldsmiths - University of London

Workshopping Participation in Music

Tanaka, Atau; Kazuhiro, Jo and Parkinson, Adam. 2013. Workshopping Participation in Music. Organised Sound, 18(3), pp. 282-291. ISSN 1355-7718 [Article]

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Abstract or Description

This paper presents a process-based approach to considering workshops as a route to participation in collective creative musical practice. We evoke the notion of the Music One Participates In, which focuses on a shift from the listener-as-consumer to participant-actor actively engaged in sound perception and production. We look at the range of different methods that make up the term ‘workshop’, as well as emergent relationships between facilitator and participant in creative do-it-yourself activities to frame our discussion of participatory music practice. We then examine the nature of participation across a range of disciplines from social and cognitive science through human computer interaction to radical and contemporary art, and identify possible contradictions in horizontal utopian organisational models. With this conceptual frame as a backdrop, we present four types of workshop that we have conducted across time at different sites with diverse groups of participants. We apply concepts from the participation literature to analyse our music workshops, and attempt to reconcile the potentially diverging agendas of facilitator and participant to arrive at a process-based view of ‘workshopping’.

Item Type:

Article

Identification Number (DOI):

https://doi.org/10.1017/S1355771813000253

Departments, Centres and Research Units:

Computing
Computing > Embodied AudioVisual Interaction Group (EAVI)

Dates:

DateEvent
2013Published

Item ID:

9433

Date Deposited:

04 Nov 2013 15:00

Last Modified:

20 Jun 2017 13:11

Peer Reviewed:

Yes, this version has been peer-reviewed.

URI:

http://research.gold.ac.uk/id/eprint/9433

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