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Items where Division is "Theatre and Performance"

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Number of items at this level: 341.

A

Adebayo, Mojisola. 2010. 48 Minutes for Palestine. In: "Ashtar Theatre", Ramallah, Palestinian Territory, Occupied. [Performance]

Adebayo, Mojisola. Desert boy. In: "Desert boy", The Albany, London, United Kingdom, April-June 2010. [Performance]

Adebayo, Mojisola. 2012. I Stand Corrected. In: "I Stand Corrected", Artscape Theatre, Cape Town, South Africa, 2012-2013. [Performance]

Adebayo, Mojisola; Mason-John, Valerie and Osborne, Deirdre. 2009. ‘No Straight Answers’: Writing in the Margins, Finding Lost Heroes. New Theatre Quarterly, 25(1), pp. 6-21. ISSN 0266-464X [Article]

Ajaykumar, . 2007. Radio play. [Audio]

Ajaykumar, . 2003. Uses of 'ma': towards a methodology for transforming a Japanese aesthetic paradigm into trans-cultural forms.. In: ""Uses of 'ma': towards a methodology for transforming a Japanese aesthetic paradigm into trans-cultural forms."", Riverside Studios, London, United Kingdom, 11/8/2003 - 11/22/2003. [Show/Exhibition]

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Antoniou, Michaela. 2011. Acting Tragedy in Twentieth-Century Greece: The Case of Electra by Sophocles. Doctoral thesis, Goldsmiths, University of London [Thesis]

B

Braverman, Danny. 2013. Wot? No Fish!!. In: "The Knowledge Arts Festival", London, United Kingdom, 11-26 October 2013. [Performance]

Burt, Philippa. 2012. Granville Barker’s Ensemble as a Model of Fabian Theatre. New Theatre Quarterly, 28(4), pp. 307-324. ISSN 0266-464X [Article]

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Burt, Philippa. 2015. The Ideal of Ensemble Practice in Twentieth-century British Theatre, 1900-1968.. Doctoral thesis, Goldsmiths, University of London [Thesis]

Burt, Philippa. 2014. Punishing the Outsiders: Theatre Workshop and the Arts Council. Theatre, Dance and Performance Training, 5(2), pp. 119-130. ISSN 1944-3927 [Article]

C

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Clare, Ysabel. 2014. A Study of the Structure of Subjective Experience in Stanislavsky’s 'An Actor Prepares'. Doctoral thesis, Goldsmiths, University of London [Thesis]

Clements, Paul. 2006. The Excluded Terms of Culture: Cultural Exclusion as Spectacle. Journal for Cultural Research, 10(4)(4), pp. 323-342. ISSN 14797585 [Article]

Cusumano, Andrea. 2009. The Bitter Belief of Cotrone the Magician. In: "Area 10", London, United Kingdom, 2009-2011. [Performance]

Cusumano, Andrea. 2011. Clover's Lost Petal. In: "Graham Cartledge Pavilion Official Opening", Leicester, United Kingdom. [Performance]

Cusumano, Andrea. 2013. Petit Cheval Blanc. In: "5th International Theatre Festival of Kerala (ITFoK)", Thrissur, India, 2011-2013. [Performance]

Cusumano, Andrea and Formenti, Marino. 2009. Le ali della farfalla [The Wings of a Butterfly]. In: "Italia Teatro Festival", Naples, Italy, 2009-2011. [Performance]

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F

Fleming, Cass and Gove, B.. 2004. Jarman Garden. In: "Jarman Garden", Riverside Studios, 2/17/2004 - 3/6/2004. [Performance]

Fleming, Cass and SJ, G.. 2002. Passed Between Us. In: "Passed Between Us", Battersea Arts Centre, 3/1/2002 - 3/30/2002. [Performance]

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Furse, Anna F. D.. 1997. AUGUSTINE (Big Hysteria). London: Routledge. ISBN 978-3718659357 [Book]

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Furse, Anna F. D.. The Anatomy Act. In: "The Anatomy Act", Live Collision Festival, Dublin, Ireland, November 2016. [Performance] (Forthcoming)

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Furse, Anna F. D.. 2003. Art of A.R.T. Gender Forum: An Internet Journal for Gender Studies, 6, n/a-n/a. [Article]

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Furse, Anna F. D.. Augustine (Big Hysteria). In: "Augustine (Big Hysteria)", The Lyric Theatre, Hammersmith, United Kingdom, 1991- 2002. [Performance]

Furse, Anna F. D.. 1994. Augustine (Big Hysteria): Writing the Body. Contemporary Theatre Review, 2(1), pp. 25-34. ISSN 1048-6801 [Article]

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Furse, Anna F. D.. 2011. Being touched. In: John Matthews, ed. A life of ethics and performance. Cambridge: Cambridge scholars press, pp. 45-68. ISBN 978-1443828710 [Book Section]

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Furse, Anna F. D.. 2000. Bleeding, Sweating, Crying and Jumping. Performance Research, 5(1), pp. 16-31. [Article]

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Furse, Anna F. D.. 2008. Committed to the Other: The Ethics of Puppetry. Puppet Notebook, 13, pp. 20-21. ISSN 1745-1086 [Article]

Furse, Anna F. D.. 2008. DON JUAN.WHO? / DON JUAN.KDO?. In: "FeEast 2008", Riverside Studios, London, United States, 2008-2011. [Performance]

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Furse, Anna F. D.. 2007. Don Juan Who?. In: "DON JUAN.WHO?/DON JUAN.KDO?", Mladinsko Theatre, Ljubljana, Slovenia, 2007-2008. [Performance]

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Furse, Anna F. D.. 2010. Don.Juan.Who?/ Don.Juan. Kdo?: From Cyberspace to Theatre Space. Gender Forum, 31(n/a), e-e. ISSN 1613-1878 [Article]

Furse, Anna F. D.. 2018. From Blood to Athletes: 30 years of feminist performance making - an analytic reflection (provisional). In: Jan Sewell and Abigail Rokison, eds. The Palgrave Handbook of the History of Women on Stage. London: Palgrave Macmillan. [Book Section] (Forthcoming)

Furse, Anna F. D.. 2006. GLASS BODY: Reflecting on Becoming Transparent. In: "GLASS BODY: Reflecting on Becoming Transparent", Chelsea and Westminster Hospital, 3/9/2006 - 4/1/2007. [Performance]

Furse, Anna F. D.. Gorgeous. In: "Gorgeous", Theatre Centre, United Kingdom, 1999-2011. [Performance]

Furse, Anna F. D.. 2003. Gorgeous: A Journey of the Body. In: Rosamunde Hutt, ed. Theatre Centre: Plays for Young People. Aurora Metro Publications, pp. 138-162. ISBN 0954233050 [Book Section]

Furse, Anna F. D.. 1997. Happy Days Beckett in Short. In: "Belfast Festival at Queens Catalogue", Belfast, United Kingdom. [Performance]

Furse, Anna F. D.. 2011. In Every Litre of Seawater There are Two Tablespoons of Salt… On Making SEA/WOMAN. Women: A Cultural Review, 22(4), pp. 411-427. ISSN 0957-4042 [Article]

Furse, Anna F. D.. 2009. In the Realm of the Senses. In: "Suspense", London, United Kingdom, 2009-2011. [Performance]

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Furse, Anna F. D.. 2013. Independent Theatre as a Political Position. In: Rolf C. Hemke, ed. Theatre In The Arab World / Theater im arabischen Sprachraum. Gemany: Theater der Zeit, pp. 104-107. ISBN 978-3-943881-28-8 [Book Section]

Furse, Anna F. D.. 2011. Making A Spectacle of Herself: Charcot’s Augustine and the Hysteric Dance. In: Johannes Birringer and Josephine (Hg.) Fenger, eds. Dance & Choreomania. Leipzig: Henschel, pp. 197-210. ISBN 978-3-89487-710-1 [Book Section]

Furse, Anna F. D.. 1999. The Peach Child. In: "The Peach Child", United Kingdom, 1999-2008. [Performance]

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Furse, Anna F. D.. 2008. The Peach Child. In: , ed. NT Connections 2008: New Plays for Young People. London: Faber and Faber, pp. 377-415. ISBN 978-0571244898 [Book Section]

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Furse, Anna F. D.. 2006. Performing in Glass: Reproduction, Technology, Performance and the Bio-Spectacular. In: Geraldine Harris and Elaine Aston, eds. Feminist Futures? Theatre, Performance, Theory. Basingstoke; New York: Palgrave Macmillan, pp. 149-168. ISBN 9781403945327 HB 9781403945334 PB [Book Section]

Furse, Anna F. D.. 2017. Private Space/Public Parts. [Project] (Forthcoming)

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Furse, Anna F. D.. 2013. Retracing Our Steps... On When We Were Birds, A Work in Progress. In: Nicola Shaughnessy, ed. Affective Performance and Cognitive Science: Body, Brain and Being. London: Bloomsbury Methuen Drama, pp. 57-68. ISBN 978-1-4081-8577-3 [Book Section]

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Furse, Anna F. D.. 2011. SEA/WOMAN. In: "SEA/WOMAN", Lakeside Theatre, University of Essex, United Kingdom, January - Feburary 2011. [Performance]

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Furse, Anna F. D.. 2009. Sick of Love. In: "SUSPENSE Adult Puppetry Festival", Rosemary Branch Theatre, London, United Kingdom, 2009. [Performance]

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Furse, Anna F. D.. Some Hysterias: 3 texts, 3 women, 3 eras. London: Digital Theatre. [Book] (Forthcoming)

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Furse, Anna F. D.. 2000. A Spectacle of Suffering. In: Graham Coulter-Smith; James A. Walker and Maurice Owen, eds. The Visual-Narrative Matrix: Interdisciplinary Collisions and Collusions. Southampton: Southampton Institute of Higher Education, pp. 73-77. ISBN 978-1874011095 [Book Section]

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Furse, Anna F. D.. 2016. The Theatre of Our Bodies. [Project] (Forthcoming)

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Furse, Anna F. D.. 2002. Those Who Can Do Teach. In: Maria M. Delgado and Caridad Svich, eds. Theatre in Crisis? Performance Manifestos for a New Century. Manchester; New York: University of Manchester Press, pp. 64-73. ISBN 978-0719062919 [Book Section]

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Furse, Anna F. D.. When We Were Birds. In: "When We Were Birds", Cantieri Culturali alla Zisa, Palermo, Italy, 28 July 2013 - April 2014. [Performance]

Furse, Anna F. D.. 2003. YERMA'S EGGS. In: "YERMA'S EGGS", Riverside Studios/UK science venue Explore-at-Bristol, 5/28/2003 - 10/1/2003. [Performance]

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Furse, Anna F. D.. 2011. Your Essential Infertility Companion. London: Thorsons. ISBN 978-0-00-711954-7 [Book]

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Furse, Anna F. D. and Kemp, Dawn. 2016. Scopophilia. [Project] (Forthcoming)

Furse, Anna F. D. and Plahuta, Marko. 2006. Cyber Studio. [Project]

G

Gbadamosi, Gabriel. 2007. Hydroponic: Ivan, Safe, For One Night Only, The Ressurection of Rosco Powell, Shah Mat or The King is Dead, Thirteen Months, Four Seasons. In: "Hydroponic: Ivan, Safe, For One Night Only, The Ressurection of Rosco Powell, Shah Mat or The King is Dead, Thirteen Months, Four Seasons", Soho Theatre London, South Street Reading and West Yorkshire Playhouse, 7/1/2005 - 7/9/2007. [Show/Exhibition]

Gbadamosi, Gabriel. 2007. Wetin Dey. [Film/Video]

Gbadamosi, Gabriel; Foix, A. and Ghazali, A.. 2007. Liberty, Equality, Fraternity. In: "Liberty, Equality, Fraternity", Soho Theatre, 11/9/2007 - 11/10/2007. [Performance]

Ginman, John. 2011. The vital importance of being present: writer development for theatre in a mediatised age. Contemporary Theatre Review, tba-tba. ISSN 1048-6801 [Article]

Gordon, Robert J.. 2003. Family Voices: Pirandello and Pinter. Pirandello Studies, 23, pp. 22-34. ISSN 14719363 [Article]

Gordon, Robert J.. 2012. Fugard, Kani, Ntshona's The Island: Antigone as South African Drama. Comparative Drama, 46(3), pp. 379-399. ISSN 0010-4078 [Article]

Gordon, Robert J.. 2007. Guilty secrets and cultural blind spots: Miller's plays in South Africa. In: Enoch Brater, ed. Arthur Miller's Global Theater. Ann Arbor: University of Michigan Press, pp. 66-76. ISBN 9780472115938 [Book Section]

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Gordon, Robert J.. 2012. Harold Pinter: The Theatre of Power. Ann Arbor, Michigan: University of Michigan Press. ISBN 978-0-472-07124-1 [Book]

Gordon, Robert J.. 2009. Iago and the Swart Gevaar: The Problems and Pleasures of a (Post)colonial Othello. In: Graham Bradshaw; Tom Bishop and Laurence Wright, eds. South African Shakespeare in the Twentieth Century. 9 Farham, Surrey, and Burlington, VT: Ashgate, pp. 131-151. ISBN 9780754669166 [Book Section]

Gordon, Robert J.. 2002. Le città invisibili. In: "Le città invisibili", 30 sites in Rapallo, 8/23/2002 - 8/27/2002. [Performance]

Gordon, Robert J.. 2011. Pinter: In Other Rooms. In: "Pinter: In Other Rooms", University of Maribor, Slovenia, September - December, 2011. [Performance]

Gordon, Robert J.. 2006. The Purpose of Playing: Modern Acting Theories in Perspective. University of Michigan Press. ISBN 9780472068876 [Book]

Gordon, Robert J.; Jackuliak, Ján and Formánková, Anna Marie. 2013. Dance Marathon at Steel Pier. In: "Theatre World Brno", Brno, Czech Republic. [Performance]

Gordon, Robert J. and Peimer, David. 2011. Shylock’s Ghosts: The Afterlife of Shakepeare’s Jew. In: "9th World Shakespeare Congress", Jewish Museum, Prague, Czech Republic. [Performance]

Graham, Fiona. 2017. Catalyst For Change: The Interventions of the Dramaturge. New Zealand: Playmarket. [Book] (Forthcoming)

Graham, Fiona. 2009. Dramaturge as Midwife: The Writing Process within a New Zealand community theatre project. Journal of Writing in Creative Practice, 2(2), pp. 209-216. ISSN 1753-5190 [Article]

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Graham, Fiona. 2016. The Nomadic Dramaturge: Negotiating subjectivity, cultural translation and dramaturgical composition. In: , ed. Translation, Adaption and Dramaturgy: Ethics in Dialogue, Ethics in Action. Rodolpi. [Book Section] (Forthcoming)

Graham, Fiona and Brown, Carol. 2016. The PA Collective: Developing Dramaturgical Intersections, Collaborations and Performing Layers of Place Post-Empire. Contemporary Theatre Review, ISSN 1048-6801 [Article] (Forthcoming)

K

Kendrick, Lynne. 2010. Acting to Actuality The impact of the ludic on performer training. Doctoral thesis, Goldsmiths, University of London [Thesis]

L

LeCompte, Elizabeth; Valk, Kate; Fliakos, Ari and Shevtsova, Maria. 2013. A Conversation on The Wooster Group's Hamlet. New Theatre Quarterly, 29(2), pp. 121-131. ISSN 0266-464X [Article]

LeCompte, Elizabeth; Valk, Kate and Shevtsova, Maria. 2013. A Conversation on The Wooster Group's Troilus and Cressida with the RSC. New Theatre Quarterly, 29(3), pp. 233-246. ISSN 0266-464X [Article]

Levitas, Ben. 2008. The Abbey Opens: A First Night Revisited. In: S. E. Wilmer, ed. National Theatres in a Changing Europe. Basingstoke: Palgrave Macmillan, pp. 73-83. ISBN 978-0-230-52109-4 [Book Section]

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Levitas, Ben. 2010. The Censoring of The Ginger Man, London and Dublin 1959, or, the “nipple nuttiness” of J. P. Donleavy. La recepció del teatre contemporani, XV, pp. 179-194. ISSN 1135-4178 [Article]

Levitas, Ben. 2006. Censorship and Self-Censure in the Plays of J. M. Synge. Princeton University Library Chronicle, 68(1-2(1-2), pp. 253-276. ISSN 00328456 [Article]

Levitas, Ben. 2011. Censorship and Self-Censure in the Plays of Synge. In: Patrick Lonergan, ed. Synge and His Influences: Centenary Essays from the Synge Summer School. Dublin: Carysfort Press, pp. 33-54. ISBN 978-1-904505-50-1 [Book Section]

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Levitas, Ben. 2009. J. M. Synge: European encounters. In: P. J. Matthews, ed. Cambridge Companion to J. M. Synge. Cambridge: Cambridge University Press, pp. 77-91. ISBN 978-0-521-11010-5 [Book Section]

Levitas, Ben. 2004. Mirror Up to Nurture: J. M. Synge and His Critics. Modern Drama, 47(4)(4), pp. 572-584. ISSN 00267694 [Article]

Levitas, Ben. 2009. The Playboy of the Western World. In: John P. Harrington, ed. Modern and Contemporary Irish Drama. London: Norton, pp. 468-472. ISBN 978-0-393-93243-0 [Book Section]

Levitas, Ben. 2003. Plumbing the Depths: Irish Realism and the Working Class from Shaw to O'Casey. Irish University Review, 33(1)(1), pp. 133-149. ISSN 00211427 [Article]

Levitas, Ben. 2011. Reading and the Irish Revival, 1891-1922. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book: Volume 5: The Irish Book in English 1891-2000. 5 Oxford: Oxford University Press, pp. 43-69. ISBN 978-0-19-924911-4 [Book Section]

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Levitas, Ben. 2002. The Theatre of Nation: Irish Drama and Cultural Nationalism 1890-1916. Clarendon Press. ISBN 9780199253432 [Book]

London, John. 1998. Algunos montajes de Calderón en el Tercer Reich. In: Manfred Tietz, ed. Texto e imagen en Calderón: undécimo coloquio anglogermano sobre Calderón: St Andrews, Escocia, 17-20 de julio de 1996. 8 Stuttgart: Franz Steiner, pp. 143-157. ISBN 3515072152 [Book Section]

London, John. 2013. Aspectes del teatre a Mallorca durant la Guerra. In: Jordi Larios, ed. La cara fosca de la cultura catalana: la coŀlaboració amb el feixisme. Palma, Spain: Lleonard Muntaner, pp. 305-326. ISBN 9788415592754 [Book Section]

London, John. 2009. Catalan Theater without Catalan? Plays and Performances: 1939-1945. Catalan Review, 23, pp. 191-209. ISSN 0213-5949 [Article]

London, John. 2007. Contemporary Catalan Drama in English: Some Aspirations and Limitations. Contemporary Theatre Review, 17 (3)(3), pp. 453-462. ISSN 10267166 [Article]

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London, John. 2010. Contextos de Joan Brossa: l'acció, la imatge i la paraula. Barcelona: Universitat de Barcelona. ISBN 978-84-475-3428-9 [Book]

London, John. 2010. Contextos de Joan Brossa: l'acció, la imatge i la paraula. Barcelona: Universitat de Barcelona. [Book]

London, John. 2001. La Signature culturelle pendant le fascisme: Mussolini, Hitler et Franco. Perspectives, 8, pp. 95-107. ISSN 1172-0360 [Article]

London, John. 2003. La imaginació i la realitat al teatre de Joan Brossa = Imagination and reality in the theatre of Joan Brossa. In: No named Editor, ed. La Revolta Poètica De Joan Brossa. Barcelona: Generalitat de Catalunya, Departament de Cultura/Krtu, pp. 198-207. ISBN 9788439360087 [Book Section]

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London, John. 2005. La nova Europa [Playtext]. Valencia: Tres i Quatre. ISBN 8475027091 [Book]

London, John. 1997. Reception and Renewal in Modern Spanish Theatre: 1939-1963. London: Modern Humanities Research Association. ISBN 978-0901286833 [Book]

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London, John. 2010. Text, Lies, and Linguistic Rape: Rewriting Theatre History in the Light of Dramatic Translations. La recepció del teatre contemporani, 15, pp. 195-218. ISSN 1135-4178 [Article]

London, John. 1999. The uncertainty of Fascist aesthetics: political ideology and historical reality. Renaissance and Modern Studies, 42, pp. 49-63. ISSN 0486 3720 [Article]

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London, John and George, . 2007. Spanish Film, Theatre and Literature in the Twentieth Century. University of Wales Press. ISBN 0708319343 [Book]

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Mayo, Sue. 2008. Artist in Collaboration. UNDEFINED. [Performance]

Mayo, Sue. 2008. Wild Wild Women: Intergenerational projects at The Women’s Library. Women's Library, London, United Kingdom 2008-2013. [Performance]

Mayo, Sue; O’Dair, Charlotte and McAvinchey, Caoimhe M.. 2012. Detail and Daring : Research into the art and the craft of intergenerational work. In: "Weekend at Wilton's", London, United Kingdom. [Performance]

Mazzilli, Mary. 2013. Defining Cold Theatre. In: , ed. Form unbound. Chengdu: Sichuan University Press. ISBN 978-7561466919 [Book Section]

Mazzilli, Mary. 2015. Desiring the Bodies of Ruan Lingyu and Linda Lin Dai. In: Mary Mazzilli; Brian Bergen-Aurand and Hee Wai-Siam, eds. Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Los Angeles: Bridge21 Publications. ISBN 978-1626430105 [Book Section]

Mazzilli, Mary. 2012. East-Asian Cinema 1900 to present days. In: , ed. Cultural Sociology of the Middle East, Asia, and Africa. Thousand Oaks, California: Sage Publications. ISBN 978-1412981767 [Book Section]

Mazzilli, Mary. 2015. Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre. London: Bloomsbury Methuen Drama. ISBN 978-1472591609 [Book]

Mazzilli, Mary. 2015. Gender in Gao Xingjian’s Between Life and Death: The Notion of Originary Self and the Use of Tripartition. Frontiers of Literary Studies in China, 9(3), pp. 369-394. ISSN 1673-7318 [Article]

McAvinchey, Caoimhe M.. 2006. Possible Fictions: An Investigation of Performance Interventions with Women in Prison.. In: "Possible Fictions: An Investigation of Performance Interventions with Women in Prison.", HMP Highpoint North, HMP and YOI Bullwood Hall (England) and Presdio Nelson Hungria and Penetenciaria Talavera Bruce (Brazil), 9/1/2002 - 12/8/2006. [Performance]

McAvinchey, Caoimhe M.; Hale, R. and Platun, Jan. 2006. handheld. In: "handheld", HMP Hydebank Prison, Belfast Nothern Ireland, 9/1/2006 - 11/1/2007. [Performance]

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Okagbue, Osita. 2007. African Theatres and Performance. Routledge. ISBN 978-0-415-30453-5 [Book]

Okagbue, Osita. 2012. African Theatres and Performances. London and New York: Routledge. ISBN 978-0415540858 [Book]

Okagbue, Osita. 2006. African theatre entries. In: , ed. Continuum Companion to Twentieth Century Theatre. Continuum. ISBN 978-1847140012 [Book Section]

Okagbue, Osita. 1997. Bode Sowande. In: , ed. African Writers Volume 2. New York: Charles Scribner’s Sons. ISBN 978-0684197722 [Book Section]

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Okagbue, Osita. 2009. Culture and Identity in African and Caribbean Theatre. London: Adonis & Abbey Publishers. ISBN 978-1-905068-60-9 [Book]

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Okagbue, Osita. 2008. Deviants and Outcasts: Power and Politics in Hausa Bori Performances. New Theatre Quarterly, 24(3), pp. 270-280. ISSN 0266-464X [Article]

Okagbue, Osita. 2002. A Drama of their Lives: Theatre-for-development in Africa. Contemporary Theatre Review, 12(1-2), pp. 79-92. ISSN 10486801 [Article]

Okagbue, Osita. 2001. Exile and Home: Africa in Caribbean Theatre. In: D. Okafor, ed. Meditations on African Literature. Greenwood Press, pp. 149-157. ISBN 0313298661 [Book Section]

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Okagbue, Osita. 2008. Images and Memories of Home: African Video Movies in the Diaspora. African Performance Review, 2(1), pp. 43-57. ISSN 1753-5964 [Article]

Okagbue, Osita. 1997. J. P. Clark. In: , ed. African Writers Volume 1. New York: Charles Scribner's Sons. ISBN 978-0684196510 [Book Section]

Okagbue, Osita. 1998. 'Process or Product: Theories and Practices of Theatre-for-Development in Africa. In: , ed. African Theatre for Development. Exeter: Intellect. ISBN 978-1871516777 [Book Section]

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Okagbue, Osita. 2009. Progress and Utopia in Bode Sowande's Babylon Trilogy. African Performance Review, 3(1), pp. 100-112. ISSN 1753-5964 [Article]

Okagbue, Osita. 1997. 'The Strange and the Familiar: Interculturalism in African and Caribbean Theatre. Theatre Research International, 22(2), pp. 120-129. ISSN 0307-8833 [Article]

Okagbue, Osita. 2004. Surviving the Crossing: Theatre in the African Diaspora. In: Martin Banham, ed. A History of Theatre in Africa. Cambridge: Cambridge University Press, pp. 430-447. ISBN 0521808138 [Book Section]

Okagbue, Osita. 2007. Through Other Eyes and Voices: Women in Koteba and Mmonwu Performances. African Performance Review, 1(2-3), pp. 114-129. ISSN 1753-5964 [Article]

Okagbue, Osita. 1997. 'When the Dead Return: Play and Seriousness in African Masked Performances'. South African Theatre Journal, 11(1), pp. 89-108. ISSN 1013-7548 [Article]

Osborne, Deirdre. 2013. '‘All is not how it appears to the naked eye’: Creative Agency and Staging Blackness in Contemporary British and Australian Dramatic Literature'. In: Perspectives from ‘Other’ Cultures Translating Culture’. Goldsmiths, University of London, United Kingdom 20-22 September. [Conference or Workshop Item]

Osborne, Deirdre. 2007. Angela Y. Davis. In: , ed. Encyclopedia of African American Women Writers. Westport, Connecticut: Greenwood Press, pp. 145-148. ISBN 978-0313334290 [Book Section]

Osborne, Deirdre. 2011. Black British Drama. In: , ed. A History of British Drama: Developments, Interpretations. Trier: Wissenschaftlicher Verlag. [Book Section]

Osborne, Deirdre. 2011. ‘Black British Drama: debbie tucker green and Kwame Kwei-Armah’. In: Sibylle Baumbach; Birgit Neumann and Ansgar Nunning, eds. A History of British Drama: Developments, Interpretations. Trier, Germany: Wissenschaftlicher Verlag Trier, pp. 10-20. ISBN ? [Book Section]

Osborne, Deirdre. 2004. 'BlackOUT – acts of ventriloquism and authenticity in representing indigenous women from Katie Langloh Parker to Leah Purcell'. In: Playing Australia Annual American Association for Australian Literary Studies. New York, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2007. 'Blackness and (Un)Belonging in Britain'. In: Hybrid Cultures, Nervous States: Insecurity and Anxiety in Britain and Germany in a (Post)Colonial World. University of Muenster, Germany. [Conference or Workshop Item]

Osborne, Deirdre. 2004. 'The Body of Experience: Women Behind Bars in Contemporary British Drama'. In: Interventionist Theatre. University of Leeds, United Kingdom. [Conference or Workshop Item]

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Osborne, Deirdre. 2010. The Body of Text Meets the Body as Text: Staging (I)dentity politics in SuAndi’s The Story of M and Lemn Sissay’s Something Dark. In: Anne Karhio; Sean Crosson and Charles Armstrong, eds. Crisis and Contemporary Poetry. London and New York: Palgrave Macmillan, pp. 230-247. ISBN 9780230247246 [Book Section]

Osborne, Deirdre. 2007. 'The Body of Text Meets the Body as Text: the Monodramas of SuAndi and Lemn Sissay'. In: Renewals: Refiguring University English in the 21st Century, Royal Holloway. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2004. 'Bringing up baby: food, nurture and childrearing at home and abroad'. In: Cooking Culture: Food and Consumption in the Nineteenth Century Institute of English Studies. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2011. British Asian Theatre by Dominic Hingorani. Contemporary Theatre Review, 21(4), pp. 536-537. ISSN 1048-6801 [Article]

Osborne, Deirdre. 2006. 'Chair: “Promiscuous Dramaturgies”'. In: Ravenhill Ten Years On Goldsmiths. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2010. Chapter 14. “ ‘Our Mothers, Ourselves’: Staging (I)dentity politics in SuAndi’s The Story of M and Lemn Sissay’s Something Dark”. In: , ed. Crisis and Contemporary Poetry. London: Palgrave Macmillan, pp. 230-247. ISBN 978-0230247246 [Book Section]

Osborne, Deirdre. 1998. 'Conceiving the Nation: Representations of Colonial M(other)hood in Fin-de-siecle Australian Literature'. In: Colonial (Dis)continuities Legacies of Empire in Modern Literature. Worchester College of Higher Education Paper, United Kingdom. [Conference or Workshop Item]

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Osborne, Deirdre. 2008. Conceiving the Nation: Visions and Versions of Colonial Pre-natality. In: Ellen Bayuk Rosenman and Claudia C. Klaver, eds. Other Mothers: Beyond the Maternal Ideal. Ohio: Ohio State University Press, pp. 202-226. ISBN 978-0-8142-0286-9 [Book Section]

Osborne, Deirdre. 2003. 'Conceiving the Nation: representations of late-nineteenth-century women and pregnancy in George Egerton and Barbara Baynton'. In: Cartographies of Corporeality ACLA Conference. San Marco, California, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2000. '“Coursing into the Mainstream: Recent Black British Fiction and its Critical Reception”'. In: The Black Gaze. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 1999. 'Curricula in Women’s Prisons'. In: Curricula in Women’s Prisons. Hillcroft College, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2010. '“Diasporic Voices and Aesthetic Choices: Contemporary Black British Women Dramatists’ Experiential and Linguistic Innovations”'. In: Contemporary Women’s Writing: New Texts, Approaches and Technologies Third Biennial Conference of the Contemporary Women’s Writing Network. San Diego State University, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2004. Dogside Story Patricia Grace. Sable: Black Literary Mag, 5, p. 113. [Article]

Osborne, Deirdre. 2010. '‘“Felt queer all the morning and had to lie down”: (pre)maternal and (pre)natal aesthetics in George Egerton and Barbara Baynton’s short stories’'. In: Celebrating Women’s Writing Lucy Cavendish College. University of Cambridge, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2011. Feminist Stages and Subaltern Sightlines. Contemporary Women’s Writing, 5(3), pp. 252-256. ISSN 1754-1476 [Article]

Osborne, Deirdre. 2009. '“The Frontline and the Front Room: Representing Black British Domestic Space in Contemporary Writing”'. In: Diaspora Cities: Urban, Mobility and Dwelling Department of Geography and The City Centre, Queen Mary. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 1999. 'Gender Relations, Drama and the Prison Space'. In: Whose Theatre is it Anyway? Performance, Politics and Community. University of Wolverhampton, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2001. 'Gender and Gaols: Some Critical Reflections upon Educational Praxis'. In: The Politics of Gender and Education: third international conference Institute of Education. , University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2011. How Do We Get the Whole Story?: Contra-dictions and Counter-Narratives in debbie tucker green’s Dramatic Poetics. In: Merle Tonnies and Christina Flotmann, eds. Narrative in Drama. 18 Trier, Germany: Wissenschaftlicher Verlag Trier, ?-?. ISBN 978-3-86821-315-7 [Book Section]

Osborne, Deirdre. 2005. '“ ‘I ain’t British though / Yes you are. You’re as English as I am’: Staging Indigenous Identities in contemporary Black British Drama.”'. In: International Conference for Englishness Studies University College. Winchester, United Kingdom. [Conference or Workshop Item]

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Osborne, Deirdre. 2011. “I ain’t British though / Yes you are. You’re as English as I am”: Staging Belonging and Unbelonging in Black British Drama. In: Ulrike Lindner; Mark Mohring; Mark Stein and Silke Stroh, eds. Hybrid Cultures, Nervous States: Britain and Germany in a (Post)Colonial World. (129) Amsterdam, New York: Rodopi, pp. 203-227. ISBN 978-90-420-3228-6 [Book Section]

Osborne, Deirdre. 1998. 'Ida B. Wells and Angela Davis: Black ‘New’ Women'. In: Consumption, Fantasy, Desire and Success. University of Liverpool, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2000. 'Ida B. Wells: A Black New Woman currently out-of-print'. In: Feminist Forerunners: The New Woman and the International Periodical Press. Manchester University, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 1998. '“Imperial Housekeeping: Domestic Revisions in the Australian Colonial Context”'. In: First New Woman Conference: Gendering the Fin-de-Siecle Institute of English Studies,. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2006. In Celebration: Profile on Dona Daley. Sable: Black Literary Mag, 5, pp. 56-59. [Article]

Osborne, Deirdre. 2009. Introduction. Women: A Cultural Review, 20(3), pp. 239-249. ISSN 0957-4042 [Article]

Osborne, Deirdre. 2006. Judging a book by its cover: reading, race and the search for identity in Fix Up by Kwame Kwei-Armah. In: , ed. Teaching Contemporary Literature and Culture Vol. 2. Trier: Wissenschaftlicher Verlag, pp. 13-29. [Book Section]

Osborne, Deirdre. 2007. “ ‘Know Whence you Came’: Dramatic Art and Black British Identity”. New Theatre Quarterly, 23(3), pp. 253-263. ISSN 0266-464X [Article]

Osborne, Deirdre. 2005. Kwame Kwei-Armah’s Elmina’s Kitchen. Wasafiri, 46, p. 76. [Article]

Osborne, Deirdre. 2009. Lemn Sissay. In: R. Victoria Arana, ed. Dictionary of Literary Biography: Twenty-First-Century “Black” British Writers. 26 Sumter, South Carolina: Gale Research Company, pp. 261-271. ISBN 978-0-7876-8165-4 [Book Section]

Osborne, Deirdre. 2008. Lemn Sissay’s Life’s Source. In: Deirdre Osborne, ed. Hidden Gems: Contemporary Black British Plays. London: Oberon Books, pp. 318-326. ISBN 1-84002-843-0 [Book Section]

Osborne, Deirdre. 1999. '“A Literary Perspective on Australian Motherhood in the 1890s” Victorian Crime and Society University of London, Chair “Women in Prisons”'. In: Gender and Commonwealth Institute of Commonwealth Studies. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2009. '“Mixed Messages: Representing Mixed Heritages in Contemporary British Literature”'. In: Race in the Modern World: An International Conference on Race Discourses and Contemporary Identities Goldsmiths. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2007. Not 'In-Yer-Face' But What Lies Beneath: Experiential and Aesthetic Inroads in the Drama of debbie tucker green and Dona Daley. In: R. Victoria Arana, ed. Black British Aesthetics Today. Newcastle: Cambridge Scholars Publishing, pp. 222-242. ISBN 978-1-8471-8116-9 [Book Section]

Osborne, Deirdre. 2004. 'Not so lonely anymore: contemporary Black British writers and the legacy of Sam Selvon'. In: Literary London Institute of English Studies. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2006. '“Not ‘in-yer-face’ but what lies beneath: experiential and aesthetic inroads in the drama of debbie tucker green and Dona Daley”'. In: “Black” British Aesthetics Today: The Howard University Symposium Howard University. Washington D.C., United States. [Conference or Workshop Item]

Osborne, Deirdre. 2009. 'One body, Many voices: Upon ‘Getting the Whole Story’ in the Monodramas of debbie tucker green and Mojisola Adebayo'. In: Fractured Narratives: Pinter Postmodernism and the Postcolonial World Pinter Centre, Goldsmiths. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2007. '“ ‘Our Mothers, Ourselves’: Staging (I)dentity politics in SuAndi’s The Story of M and Lemn Sissay’s Something Dark”'. In: Tenth Nordic Conference for English Studies. University of Bergen, Contemporary Poetry Panel, Northern Mariana Islands. [Conference or Workshop Item]

Osborne, Deirdre. 2010. '“The Page is the Stage: An Exploration of debbie tucker green’s Dramatic Poetics”'. In: Transformations of Narrative in the Postcolonial Era. Pinter Centre, Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2007. '“Passing the Baton in Athletic Poetics: debbie tucker green's Linguistic Legacy”'. In: Association for Theatre in Higher Education Annual Conference. New Orleans, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2009. 'Race in the Modern World: An International Conference on Race Discourses and Contemporary Identities'. In: Race in the Modern World: An International Conference on Race Discourses and Contemporary Identities. Goldsmiths, University of London and the Stephen Lawrence Trust, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 1997. “A Recent Look at Black Women Playwrights”. In: , ed. Six Plays by Black and Asian Women Writers. London: Aurora Metro, pp. 15-20. ISBN 978-0951587720 [Book Section]

Osborne, Deirdre. 2011. Roy Williams. In: Martin Middeke; Peter Paul Schnierer and Aleks Sierz, eds. The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Books, pp. 487-509. ISBN 978-1-4081-2278-5 [Book Section]

Osborne, Deirdre. 2001. 'Secret Subversions: the Female Spy in life, Film and Literature (France 1940-45)'. In: Memory, Gender and War. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2002. 'Secrets and Lies: Women Spies and their counterfeits in 1940s Occupied France'. In: Retrieving the 1940s. University of Leeds, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2010. '“Set in Stone”'. In: Poetry and Voice: A Creative and Critical Conference. University of Chichester, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2011. “Set in Stone”: Lemn Sissay and SuAndi’s Landmark Poetics. In: Arturo Cass and Cordelia Grobner, eds. Performing Poetry: Race, Place and Gender in the Poetry Performance. 24 Amsterdam and New York: Rodopi, pp. 197-217. ISBN 978-90-420-3329-0 [Book Section]

Osborne, Deirdre. 2013. Skin Deep, a Self-Revealing Act: Monologue, Monodrama, and Mixedness in the Work of SuAndi and Mojisola Adebayo. Journal of Contemporary Drama in English, 1(1), pp. 54-69. ISSN 2195-0164 [Article]

Osborne, Deirdre. 2008. Staging Black Feminisms by Lynette Goddard. Contemporary Theatre Review, 18(1), pp. 123-124. ISSN 1048-6801 [Article]

Osborne, Deirdre. 2007. Staging Indigenous Identities in contemporary Black British Drama. In: , ed. Englishness, Differences and Identity. International Institute for the Study of Englishness, pp. 55-61. ISBN 978-0955124402 [Book Section]

Osborne, Deirdre. 2004. 'The State of the Nation – Contemporary Black British Drama and the Staging of the UK'. In: Staging Displacement, Exile and Diaspora German Society for Contemporary Theatre and Drama in English. Bamberg, Germany. [Conference or Workshop Item]

Osborne, Deirdre. 2006. The State of the Nation: Contemporary Black British Theatre and the Staging of the UK. In: Dimple Godiwala, ed. Alternatives Within the Mainstream: British Black and Asian Theatres. Cambridge Scholars Press, pp. 82-100. ISBN 1904303668 [Book Section]

Osborne, Deirdre. 2011. '“Trading Places: New Definitions of ‘Here’ and ‘There’ in Diasporic Drama”.'. In: 6th International Caribbean Women’s Writing Conference: Comparative Critical Conversations.. The Centre for Caribbean Studies, Goldsmiths, University of London., United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2010. 'Women, Creativity and Dissidence: A Three-day Workshop with Nawal el Saadawi'. In: Women, Creativity and Dissidence: A Three-day Workshop with Nawal el Saadawi. SABLE LitMag and Goldsmiths, University of London., United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2006. Writing Black Back: An Overview of Black Theatre and Performance in Britain. In: Dimple Godiwala, ed. Alternatives Within the Mainstream: British Black and Asian Theatres. Cambridge Scholars Press, pp. 61-82. ISBN 1904303668 [Book Section]

Osborne, Deirdre. 2006. Writing Black Back: An Overview of Black Theatre and Performance in Britain. Studies in Theatre Performance, 26(1), pp. 13-31. ISSN 1468-2761 [Article]

Osborne, Deirdre. 2014. debbie tucker green. In: Deirdre Osborne; Mary Brewer and Lynette Goddard, eds. Modern and Contemporary Black British Drama. London: Palgrave Macmillan. ISBN 978-0230303201 [Book Section]

Osborne, Deirdre; Brandt, Godfrey and Stein, Mark. 2008. 'On Whose Terms?: Critical Negotiations in Black British Literature and the Arts'. In: On Whose Terms?: Critical Negotiations in Black British Literature and the Arts. Goldsmiths College, University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre; Marcus, Laura; Parsons, Deborah; Richardson, Angelique and Willis, Chris. 1998. 'First New Woman Conference: Gendering the Fin-de-Siecle'. In: First New Woman Conference: Gendering the Fin-de-Siecle. Institute of English Studies,University of London, United Kingdom. [Conference or Workshop Item]

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Peyton Jones, Jeremy. 2013. Composing music for The Zero Hour. In: Andrew Quick, ed. Theatricalising Cinema: imitating the dog's The Zero Hour and 6 Degrees Below the Horizon. Lancaster: Live at LICA, n/a-n/a. ISBN 978-1-86220-308-2 [Book Section]

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Reid, Margaret. 2011. Melodrama: Metropolis: Modernity. Doctoral thesis, Goldsmiths, University of London [Thesis]

Rotie, Marie-Gabrielle. 2010. Mythic. In: "Mythic", Laban, London, United Kingdom, 2010-2012. [Performance]

Rotie, Marie-Gabrielle and Arróniz Lacunza, Sandra. 2013. Voices and Silences (Pamplona 7 July 2008). Pamplona, Spain 2011-2013. [Performance]

Rotie, Marie-Gabrielle and Parkin, Nick. 2012. Parys Mountain : Alchemy of Landscape. In: "Parys Mountain", Anglesey, Wales, United Kingdom. [Performance]

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Rowe, Cami. 2015. 'Seems He A Dove?' The Scripted and Unscripted Masquerades of Conscientious Objection. In: Christine Sylvester, ed. Masquerades of War. New York: Routledge, pp. 21-42. ISBN 9781138810693 [Book Section]

Rowe, Cami. 2015. 'Seems he a dove?': Masquerades of Conscientious Objection. In: , ed. Masquerades of War. London: Routledge, pp. 21-42. ISBN 978-1138810693 [Book Section]

Rowe, Cami. 2016. ‘That Whole Gender Paradigm: Gender and Sexuality in American War Veterans’ Anti-war Protest’. In: , ed. Handbook on Gender and War. Cheltenham: Elgar Press. [Book Section] (Forthcoming)

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Saner, Göze. 2006. And I raised my hand glorious. In: "Studio Theatre, Royal Holloway", University of London, United Kingdom. [Performance]

Saner, Göze. 2005. '‘Archetypal Action in Training: An Exercise in Focus’'. In: Research Day, Department of Drama and Theatre, Royal Holloway. University of London, United Kingdom. [Conference or Workshop Item]

Saner, Göze. 2005. '‘The Archetype of Acting, Acting Archetypes: Greek and Roman Pantomime Today’'. In: New Perspectives on Ancient Pantomime, APGRD Symposium. Oxford University, United Kingdom. [Conference or Workshop Item]

Saner, Göze. '‘Attuning the Eyes to the Dark: In Search of an Archetypal Mode of Agency in Performance’'. In: Research Seminars on the Theory, Practice and History of Performance, Goldsmiths, University of London. London, United Kingdom. [Conference or Workshop Item]

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Saner, Göze. 2014. Göçmen Adımlar / Migrant Steps. In: "Göçmen Adımlar / Migrant Steps", North London Community House, United Kingdom. [Performance]

Saner, Göze. 2005. Hear Me. In: "New Perspectives on Ancient Pantomime, APGRD Symposium", Oxford University, United Kingdom. [Performance]

Saner, Göze. 2006. '‘Iconography in Training and Performance: A Work-Demonstration’'. In: The Body’ in the Reception of Ancient Drama, 6th Annual Postgraduate Symposium, Oxford University and Royal Holloway. University of London, United Kingdom. [Conference or Workshop Item]

Saner, Göze. 2011. '‘Memory, Performance and Archetype: Sisyphus’ Stone’'. In: Camilllo 2.0 PSi-17 Conference. Utrecht, Netherlands. [Conference or Workshop Item]

Saner, Göze. 2006. Potrei aver ucciso tutti. In: "Open Night, Scuola Sperimentale dell’Attore", Pordenone, Italy, 12/9/06 - 20/8/06. [Performance]

Saner, Göze. 2009. '‘Remembering the Archetype: Mask and the Subtle Body in Ancient Pantomime and Commedia dell’Arte’'. In: 33rd Comparative Drama Conference, Loyola Marymount University. California, United States. [Conference or Workshop Item]

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Saner, Göze. 2009. the truth about the tyrant. In: "Grotowski: After-Alongside-Around-Ahead Symposium", University of Kent at Canterbury, United Kingdom. [Performance]

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Saner, Göze. 2010. what happened to the tyrant. In: "what happened to the tyrant", Camden People's Theatre, London, United Kingdom. [Performance]

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Saner, Göze and Erdogan, Alev. 2014. Göçmen Adımlar / Migrant Steps. [Film/Video]

Saner, Göze and Hilevaara, Katja. 2009. the world rests on a tortoise. In: "Let’s Murder the Moonshine: 100 Years of Futurism", Goldsmiths, University of London, United Kingdom. [Performance]

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Saner, Göze; Hodge, Alison and Dineen, Molly. 2014. You Looking at Me. In: "You Looking at Me", Shoreditch Town Hall, United Kingdom. [Performance]

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Saner, Göze; Kokkali, Alexia; Walker, Liz and ROBERTS, Brian. 2015. Training Grounds: Answer the Questions 'What are your/the tools of training?'. Theatre, Dance and Performance Training, 6(3), [Article]

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Saner, Göze; Zaroulia, Marilena and Clements, Rachel. 2014. Performing Animal: A Dialogue. Backpages, Contemporary Theatre Review, 24(4), [Article]

Shapiro, Rachel. 2013. Theatre and Integration Politics in France 1999-2011. Doctoral thesis, Goldsmiths, University of London [Thesis]

Shevtsova, Maria. 2015. Alive, Kicking – and Kicking Back: Russia's Golden Mask Festival 2015. New Theatre Quarterly, 31(3), pp. 232-240. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. 'Alternative Dramaturgies?'. In: Alternative Dramaturgies of the New Millennium. Tangier, Morocco. [Conference or Workshop Item]

Shevtsova, Maria. 2002. Appropriating Pierre Bourdieu's champs and habitus for a sociology of stage productions. Contemporary Theatre Review, 12(3), pp. 35-66. ISSN 10267166 [Article]

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Shevtsova, Maria. 2010. BITE at the Barbican. New Theatre Quarterly, 26(3), pp. 293-296. ISSN 0266-464x [Article]

Shevtsova, Maria. 2016. The Baltic House Theatre Festival, St Petersburg: Twenty-Five Years On. New Theatre Quarterly, 32(1), pp. 61-67. ISSN 0266-464X [Article]

Shevtsova, Maria. 2011. A Bite of BITE at the Barbican. New Theatre Quarterly, 27(3), pp. 283-285. ISSN 0266-464X [Article]

Shevtsova, Maria. 2009. Cross-cultural Fields: Korean Shakespeare Productions in Global Context. In: Lee Hyon-u, ed. Glocalizing Shakespeare in Korea and Beyond. Seoul: Dongin Publishing, pp. 157-178. ISBN 9788955064131 [Book Section]

Shevtsova, Maria. 2013. 'The Dance Hybrids of Sidi Larbi Cherkaoui'. In: Tanz Kongress. Düsseldorf, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2011. Deborah Warner Directs Hedda Gabler: Mercurial Pistols. In: Erika Fischer-Lichte; Barbara Gronau and Christel Weiler, eds. Global Ibsen: Performing Multiple Modernities. New York: Routledge, pp. 102-113. ISBN 9780415877138 [Book Section]

Shevtsova, Maria. 2011. 'Directors Invent 'Theatricality': Focus on Vsevolod Meyerhold and Ariane Mnouchkine'. In: The Grotowski Institute Summer Seminars. Wroclaw, Poland. [Conference or Workshop Item]

Shevtsova, Maria. 2014. 'Getting a Grip in the Theatre Houses of Europe'. In: Whither Political Theatre?. St John's College, University of Cambridge. [Conference or Workshop Item]

Shevtsova, Maria. 2011. The Gyula Shakespeare Festival 2011. New Theatre Quarterly, 27(4), pp. 386-394. ISSN 0266-464X [Article]

Shevtsova, Maria. 2015. 'Interdisciplinary Approaches and the Sociology of Theatre Practices'. In: Thinking the Theatre – New Theatrology and Performance Studies. Turin, Italy. [Conference or Workshop Item]

Shevtsova, Maria. 2009. Lev Dodin Directs Grossman, O'Neill and Shakespeare. New Theatre Quarterly, 25(2), pp. 137-147. ISSN 0266-464x [Article]

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Shevtsova, Maria. 2004. Lev Dodin and the Maly Drama Theatre: Process to Performance. Routledge. ISBN 9780415334624 [Book]

Shevtsova, Maria. 2015. 'Living Archives and Politics: The Case of Recent Russian Theatre'. In: Memory and Theatre: Performance the Archive. International Centre for Performance Studies, Tangier, Morocco. [Conference or Workshop Item]

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Shevtsova, Maria. 2015. Living Archives and Politics: The Case of Recent Russian Theatre. In: Khalid Amine and Jaouad Radouani, eds. Memory and Theatre: Performing the Archive. Proceedings of the 11th Annual Performing Tangier International Conference. Tangier: Faculties of Letters and Humanities, Abdelmalek Essaadi University, pp. 31-45. ISBN 978-9954-36-338-6 [Book Section]

Shevtsova, Maria. 2013. The Maly Drama Theatre of St Petersburg, Chekhov and Uncle Vanya. International Association of Theatre Critics (Hong Kong) (online journal), [Article]

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Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Anatoli Vassiliev, 'Studio Theatre, Laboratory Theatre'. New Theatre Quarterly, 25(4), pp. 324-332. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Maria Shevtsova in Conversation with Ann-Christen Rommen, Experiencing the Movement. New Theatre Quarterly, 23(1), pp. 58-66. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Maria Shevtsova in Conversation with Eugenio Barba, Reinventing Theatre. New Theatre Quarterly, 23(2), pp. 99-114. ISSN 0266-464x [Article]

Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Lev Dodin at Goldsmiths (conducted in Russian). In: , ed. Puteshestviye bzs kontsa: Dialogi s Mirom [Journey Without End: Dialogues with the World]. St Petersburg: Baltic Seasons, pp. 270-282. ISBN n/a [Book Section]

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Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Thomas Richards and Mario Biagini, 'With and After Grotowski'. New Theatre Quarterly, 25(4), pp. 336-359. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Method, Elements and Principles. In: Maria Shevtsova, ed. Robert Wilson. Routledge, pp. 42-81. ISBN 978-0415338813 [Book Section]

Shevtsova, Maria. 2013. 'Meyerholdian Dimensions in the Work of Contemporary Directors'. In: Vsevolod Meyerhold's Theatre Practices. Wroclaw, Poland. [Conference or Workshop Item]

Shevtsova, Maria. 2007. Multiculturalism, Theatre and the Politics of Liberation: The Melbourne Workers Theatre and the Turkish Community. In: Glen D'Cruz, ed. Class Act: Melbourne Workers Theatre 1987–2007. Victoria: The Vulgar Press, pp. 88-103. ISBN 978-0-9775047-3-2 [Book Section]

Shevtsova, Maria. 2010. Multimedia and Performance: Decoration and Invention. In: Jerzy Limon and Agnieszka Zukowska, eds. Theatrical Blends: Art in the Theatre/Theatre in the Art. Gdansk: Theatrum Gedanense Foundation, pp. 97-109. ISBN 978-83-7453-989-0 [Book Section]

Shevtsova, Maria. 2013. Notes on 'Noteworthy' Productions at the Berlin Theatertreffen, 2013. New Theatre Quarterly, 29(3), pp. 294-301. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. Odin at Fifty. New Theatre Quarterly, 30(3), p. 298. ISSN 0266-464X [Article]

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Shevtsova, Maria. 2011. On Double Edge Theatre. Stacy Klein in Conversation with Maria Shevtsova. New Theatre Quarterly, 27(1), pp. 41-59. ISSN 0266-464X [Article]

Shevtsova, Maria. 2012. An Overview of Theatertreffen in Berlin, 2012. Critical Stages: The IATC Webjounral/Scénes Critiques: Revue web de l'AICT(7), [Article]

Shevtsova, Maria. 2008. Peter Brook. In: John Russell Brown, ed. The Routledge Companion to Directors' Shakespeare. London and New York: Routledge, pp. 16-36. ISBN 978-0-415-57767-0 [Book Section]

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Shevtsova, Maria. 2016. Political Theatre in Europe: East to West, 2007-2014. New Theatre Quarterly, 32(2), ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. 'Politics and Dance'. In: Tanz Über Gräben: The Rite of Spring, 1913-2013. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Postdramatic, Non-theatre, and Other Signs of the Times'. In: Interdisciplinary Conference of the Shakespeare Festival, Gdansk. Gdansk. [Conference or Workshop Item]

Shevtsova, Maria. 2011. Pytor Semak. In: John Russell Brown, ed. The Routledge Companion to Actors' Shakespeare. London and New York: Routledge, pp. 215-226. ISBN 978-0-415-48301-8 [Book Section]

Shevtsova, Maria. 2012. Reasons for Joy and Reflection: Engaging with Shakespeare at the Craiova Festival. New Theatre Quarterly, 28(4), pp. 352-362. ISSN 0266-464X [Article]

Shevtsova, Maria. 2012. 'Researching Directors'. In: Public Lecture at Rose Bruford College of Theatre and Performance. Sidcup. [Conference or Workshop Item]

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Shevtsova, Maria. 2007. Robert Wilson. Routledge. ISBN 978-0-415-33881-3 [Book]

Shevtsova, Maria. 2016. Robert Wilson. In: John Russell Brown and Stephen Di Benedetto, eds. Designers' Shakespeare. London and New York: Routledge, pp. 118-136. ISBN 9780415525077 [Book Section]

Shevtsova, Maria. 2009. Robert Wilson’s Theatre as Visual Art. In: , ed. Visual Culture Studies: A Reader. Beijing: Beijing University Press, pp. 288-302. [Book Section]

Shevtsova, Maria. 2013. 'Russian Plays and Novels in Contemporary German Theatre (in Russian)'. In: Conference for Directors and Theatre Critics at the Baltic House International Theatre Fesitval. St Petersburg, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2002. The Russian Presence in Paris 1988–2000. In: David Bradby and Maria M. Delgado, eds. The Paris Jigsaw: Internationalism and the City's Stages. Manchester: Manchester University Press, pp. 186-197. ISBN 0719061849 [Book Section]

Shevtsova, Maria. 2013. 'Russian Theatre Seen Through the Eyes of Foreign Critics (in Russian)'. In: Conference for Theatre Critics and Directors of the Golden Mask Theatre Festival. Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2014. The Seagull Directed by Oskaras Korsunovas. Critical Stages: The IATC Webjournal/Scénes Critiques: Revue de l'AICT, [Article]

Shevtsova, Maria. 2014. Shakespeare in Gyula: Report on the Gyula Shakespeare Festival 2014. New Theatre Quarterly, 30(4), pp. 397-402. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. Shakespeare in Summer: Report on the Gyula Shakespeare Festival, 2013. New Theatre Quarterly, 29(4), pp. 394-398. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. Social Practice. In: Bryan Reynolds, ed. Performance Studies: Key Words, Concepts and Theories. London: Palgrave Macmillan, pp. 297-303. ISBN 9780230247307 [Book Section]

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Shevtsova, Maria. 2009. Sociology of Theatre and Performance. Verona: QuiEdit. ISBN 9788864640136 [Book]

Shevtsova, Maria. 2012. 'Stanislavsky to Grotowski and Teatr ZAR'. In: The Actor is Dead. Long Live the Actor. Novi Sad, Serbia. [Conference or Workshop Item]

Shevtsova, Maria. 2014. Stanislavsky to Grotowski: Actor to Performer/Doer. New Theatre Quarterly, 30(4), pp. 333-340. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. 'Stanislavsky's Ghost in Britain (in Russian)'. In: Stanislavsky and World Theatre in Celebration of Stanislavsky's Jubilee (150 Years Since His Birth). Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2013. Teatr ZAR's Journey of the Spirit. New Theatre Quarterly, 29(2), pp. 170-184. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. 'Teatr ZAR's Research Expeditions'. In: Research Seminar at the International Resarch Center 'Interweaving Performance Cultures' at the Freie Universität. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2013. The Tempest: Declan Donnellan and Oskaras Korsunovas Look Backwards into the Abyss of Time. In: Anna Cetera, ed. Szekspiromania Andrzeja Zurowskiego: ksiega dedykowana pamieci. Warsaw: University of Warsaw Press, pp. 182-191. ISBN 9788323510741 [Book Section]

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Shevtsova, Maria. 1993. Theatre and Cultural Interaction. Sydney: Sydney Association for Studies in Society and Culture. ISBN 0949405086 [Book]

Shevtsova, Maria. 2006. The Theatre of Genet in Sociological Perspective. In: Clare Finburgh; Carl Lavery and Maria Shevtsova, eds. Jean Genet: Performance and Politics. London: Palgrave Macmillan, pp. 44-54. ISBN 9781403994806 [Book Section]

Shevtsova, Maria. 2013. 'Theatrical Newspeak'. In: The Interdisciplinary Conference of the Shakespeare Festival, Gdansk. Gdansk. [Conference or Workshop Item]

Shevtsova, Maria. 2012. 'This Step Before the Next One: Teatr ZAR'. In: Research Seminar at the International Research Center 'Interweaving Performance Cultures', Freie Universität. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'To Be or Not To Be: That May Well Be the Question'. In: Academic Conference of the Gyula International Shakespeare Festival. Gyula, Hungary. [Conference or Workshop Item]

Shevtsova, Maria. 2009. The Valery Fokin Festival at the Alexandrinsky Theatre, St Petersburg. New Theatre Quarterly, 25(1), pp. 44-51. ISSN 0266-464x [Article]

Shevtsova, Maria. 2014. 'When is an Agent not an Agent?'. In: Politics of the Applied: Theatre and Art as Intervention/Theater und Kunst als Intervention'. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2011. White and Black Magic: Robert Wilson's 'Einstein on the Beach' and 'The Black Rider'. In: Gerald Siegmund and Petra Bolte-Picker, eds. Subjekt: Theater. Beiträge zur analytischen Theatralität: Festschrift für Helga Finter zum 65. Geburtstag. Frankfurt am Main: Peter Lang, pp. 245-257. ISBN 978-3-631-60680-3 [Book Section]

Shevtsova, Maria. 2014. 'Whose Shakespeare is Contemporary?'. In: Academic Conference of the Gyula International Shakespeare Festival. Gyula, Hungary. [Conference or Workshop Item]

Shevtsova, Maria; Finburgh, Clare and Lavery, Carl, eds. 2006. Jean Genet: Performance and Politics. London: Palgrave Macmillan. ISBN 9781403994806 [Edited Book]

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Shevtsova, Maria and Innes, Christopher. 2013. The Cambridge Introduction to Theatre Directing. Cambridge: Cambridge University Press. ISBN 9780521606226 [Book]

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Shevtsova, Maria and Innes, Christopher. 2009. Directors/Directing: Conversations on Theatre. Cambridge: Cambridge University Press. ISBN 9780521888431 [Book]

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Shevtsova, Maria and Mitter, . 2005. Fifty Key Theatre Directors. Routledge. ISBN 9780415187312 [Book]

Sirera, Rodolph. 2010. Continuity. Translated by John London from the Catalan of Rodolf Sirera. Commissioned by the Sala Beckett, Barcelona. [Book]

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Stanger, Arabella. 2013. The Choreography of Space: Merce Cunningham and William Forsythe in Context. Doctoral thesis, Goldsmiths, University of London [Thesis]

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The Quick and the Dead, . 2008. Angustias: After Lorca. In: "Angustias: After Lorca", St. Andrews Church, Young Vic Theatre, London, United Kingdom. [Performance]

Twitchin, Mischa. 2013. Anachronism. Materials #2 [The Theatre Issue! (150 pages)], 2, [Article]

Twitchin, Mischa. 2013. In Search of an Audience. Theatrama, 1, pp. 13-18. [Article]

Twitchin, Mischa. 2008. “The Invisible Theatre of Antonin Artaud”. Liminalities: A Journal of Performance Studies, 4(3), [Article]

Twitchin, Mischa. 2013. “Kantor After Duchamp”. In: , ed. Polish Theatre Perspectives 1.2. UNSPECIFIED. [Book Section]

Twitchin, Mischa. 2012. “Making Sense of ‘Seeing’”. Frakcija Performing Arts Journal, 62-63, [Article]

Twitchin, Mischa. 2007. “On the Dreamwork of Hearing”. Liminalities: A Journal of Performance Studies, 3(3), [Article]

Twitchin, Mischa. 2014. “On the ‘Difference Between Preaching an Ideal and Giving Artistic Form to the Historical Tension Inherent in It’”. In: , ed. Adorno and Performance. Palgrave Macmillan, pp. 67-81. ISBN 978-1137429872 [Book Section]

Twitchin, Mischa. 2012. “What kind of play is it?”. Puppet Notebook, 22, [Article]

Twitchin, Mischa. 2014. reviews Performing European Memories: Trauma, Ethics, Politics by Milija Gluhovic. Contemporary Theatre Review, 24(3), pp. 404-405. ISSN 1048-6801 [Article]

This list was generated on Fri Jul 29 12:26:50 2016 BST.