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Items where Division is "Theatre and Performance"

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Number of items at this level: 160.

A

Adebayo, Mojisola. 2010. 48 Minutes for Palestine. In: "Ashtar Theatre", Ramallah, Palestinian Territory, Occupied. [Performance]

Adebayo, Mojisola. Desert boy. In: "Desert boy", The Albany, London, United Kingdom, April-June 2010. [Performance]

Adebayo, Mojisola. 2012. I Stand Corrected. In: "I Stand Corrected", Artscape Theatre, Cape Town, South Africa, 2012-2013. [Performance]

Adebayo, Mojisola, Mason-John, Valerie and Osborne, Deirdre. 2009. ‘No Straight Answers’: Writing in the Margins, Finding Lost Heroes. New Theatre Quarterly, 25(1), pp. 6-21. ISSN 0266-464X [Article]

Ajaykumar, . 2007. Radio play. [Audio]

Ajaykumar, . 2003. Uses of 'ma': towards a methodology for transforming a Japanese aesthetic paradigm into trans-cultural forms.. In: ""Uses of 'ma': towards a methodology for transforming a Japanese aesthetic paradigm into trans-cultural forms."", Riverside Studios, London, United Kingdom, 11/8/2003 - 11/22/2003. [Show/Exhibition]

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Antoniou, Michaela. 2011. Acting Tragedy in Twentieth-Century Greece: The Case of Electra by Sophocles. Doctoral thesis, Goldsmiths, University of London. [Thesis]

B

Braverman, Danny. 2013. Wot? No Fish!!. In: "The Knowledge Arts Festival", London, United Kingdom, 11-26 October 2013. [Performance]

C

Clements, Paul. 2006. The Excluded Terms of Culture: Cultural Exclusion as Spectacle. Journal for Cultural Research, 10(4)(4), pp. 323-342. ISSN 14797585 [Article]

Cusumano, Andrea. 2009. The Bitter Belief of Cotrone the Magician. In: "Area 10", London, United Kingdom, 2009-2011. [Performance]

Cusumano, Andrea. 2011. Clover's Lost Petal . In: "Graham Cartledge Pavilion Official Opening", Leicester, United Kingdom. [Performance]

Cusumano, Andrea. 2013. Petit Cheval Blanc. In: "5th International Theatre Festival of Kerala (ITFoK)", Thrissur, India, 2011-2013. [Performance]

Cusumano, Andrea and Formenti, Marino. 2009. Le ali della farfalla [The Wings of a Butterfly]. In: "Italia Teatro Festival", Naples, Italy, 2009-2011. [Performance]

F

Fleming, Cass and Gove, B.. 2004. Jarman Garden. In: "Jarman Garden", Riverside Studios, 2/17/2004 - 3/6/2004. [Performance]

Fleming, Cass and SJ, G.. 2002. Passed Between Us. In: "Passed Between Us", Battersea Arts Centre, 3/1/2002 - 3/30/2002. [Performance]

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Furse, Anna F. D.. 1997. AUGUSTINE (Big Hysteria). London: Routledge. ISBN 978-3718659357 [Book]

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Furse, Anna F. D.. 2003. Art of A.R.T. Gender Forum: An Internet Journal for Gender Studies, 6, n/a-n/a. [Article]

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Furse, Anna F. D.. Augustine (Big Hysteria). In: "Augustine (Big Hysteria)", The Lyric Theatre, Hammersmith, United Kingdom, 1991- 2002. [Performance]

Furse, Anna F. D.. 1994. Augustine (Big Hysteria): Writing the Body. Contemporary Theatre Review, 2(1), pp. 25-34. ISSN 1048-6801 [Article]

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Furse, Anna F. D.. 2011. Being touched. In: John Matthews, ed. A life of ethics and performance. Cambridge: Cambridge scholars press, pp. 45-68. ISBN 978-1443828710 [Book Section]

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Furse, Anna F. D.. 0200. Bleeding, Sweating, Crying and Jumping. Performance Research, 5(1), pp. 16-31. [Article]

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Furse, Anna F. D.. 2008. Committed to the Other: The Ethics of Puppetry. Puppet Notebook, 13, pp. 20-21. ISSN 1745-1086 [Article]

Furse, Anna F. D.. 2008. DON JUAN.WHO? / DON JUAN.KDO?. In: "FeEast 2008", Riverside Studios, London, United States, 2008-2011. [Performance]

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Furse, Anna F. D.. 2007. Don Juan Who?. In: "DON JUAN.WHO?/DON JUAN.KDO?", Mladinsko Theatre, Ljubljana, Slovenia, 2007-2008. [Performance]

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Furse, Anna F. D.. 2010. Don.Juan.Who?/ Don.Juan. Kdo?: From Cyberspace to Theatre Space. Gender Forum, 31(n/a), e-e. ISSN 1613-1878 [Article]

Furse, Anna F. D.. 2006. GLASS BODY: Reflecting on Becoming Transparent. In: "GLASS BODY: Reflecting on Becoming Transparent", Chelsea and Westminster Hospital, 3/9/2006 - 4/1/2007. [Performance]

Furse, Anna F. D.. Gorgeous. In: "Gorgeous", Theatre Centre, United Kingdom, 1999-2011. [Performance]

Furse, Anna F. D.. 2003. Gorgeous: A Journey of the Body. In: Rosamunde Hutt, ed. Theatre Centre: Plays for Young People. Aurora Metro Publications, pp. 138-162. ISBN 0954233050 [Book Section]

Furse, Anna F. D.. 2011. In Every Litre of Seawater There are Two Tablespoons of Salt… On Making SEA/WOMAN. Women: A Cultural Review, 22(4), pp. 411-427. ISSN 0957-4042 [Article]

Furse, Anna F. D.. 2009. In the Realm of the Senses. In: "Suspense", London, United Kingdom, 2009-2011. [Performance]

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Furse, Anna F. D.. 2013. Independent Theatre as a Political Position. In: Rolf C. Hemke, ed. Theatre In The Arab World / Theater im arabischen Sprachraum. Gemany: Theater der Zeit, pp. 104-107. ISBN 978-3-943881-28-8 [Book Section]

Furse, Anna F. D.. 2011. Making A Spectacle of Herself: Charcot’s Augustine and the Hysteric Dance. In: Johannes Birringer and Josephine (Hg.) Fenger, eds. Dance & Choreomania. Leipzig: Henschel, pp. 197-210. ISBN 978-3-89487-710-1 [Book Section]

Furse, Anna F. D.. 1999. The Peach Child. In: "The Peach Child", United Kingdom, 1999-2008. [Performance]

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Furse, Anna F. D.. 2008. The Peach Child. In: , ed. NT Connections 2008: New Plays for Young People. London: Faber and Faber, pp. 377-415. ISBN 978-0571244898 [Book Section]

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Furse, Anna F. D.. 2006. Performing in Glass: Reproduction, Technology, Performance and the Bio-Spectacular. In: Geraldine Harris and Elaine Aston, eds. Feminist Futures? Theatre, Performance, Theory. Basingstoke; New York: Palgrave Macmillan, pp. 149-168. ISBN 9781403945327 HB 9781403945334 PB [Book Section]

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Furse, Anna F. D.. 2009. Sick of Love. In: "SUSPENSE Adult Puppetry Festival", Rosemary Branch Theatre, London, United Kingdom, 2009. [Performance]

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Furse, Anna F. D.. 2000. A Spectacle of Suffering. In: Graham Coulter-Smith, James A. Walker and Maurice Owen, eds. The Visual-Narrative Matrix: Interdisciplinary Collisions and Collusions. Southampton: Southampton Institute of Higher Education, pp. 73-77. ISBN 978-1874011095 [Book Section]

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Furse, Anna F. D.. 2002. Those Who Can Do Teach. In: Maria M. Delgado and Caridad Svich, eds. Theatre in Crisis? Performance Manifestos for a New Century. Manchester; New York: University of Manchester Press, pp. 64-73. ISBN 978-0719062919 [Book Section]

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Furse, Anna F. D.. When We Were Birds. In: "When We Were Birds", Cantieri Culturali alla Zisa, Palermo, Italy, 28 July 2013. [Performance]

Furse, Anna F. D.. 2003. YERMA'S EGGS. In: "YERMA'S EGGS", Riverside Studios/UK science venue Explore-at-Bristol, 5/28/2003 - 10/1/2003. [Performance]

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Furse, Anna F. D.. 2011. Your Essential Infertility Companion. London: Thorsons . ISBN 978-0-00-711954-7 [Book]

Furse, Anna F. D. and Plahuta, Marko. 2006. Cyber Studio. [Project]

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Gbadamosi, Gabriel. 2007. Hydroponic: Ivan, Safe, For One Night Only, The Ressurection of Rosco Powell, Shah Mat or The King is Dead, Thirteen Months, Four Seasons. In: "Hydroponic: Ivan, Safe, For One Night Only, The Ressurection of Rosco Powell, Shah Mat or The King is Dead, Thirteen Months, Four Seasons", Soho Theatre London, South Street Reading and West Yorkshire Playhouse, 7/1/2005 - 7/9/2007. [Show/Exhibition]

Gbadamosi, Gabriel. 2007. Wetin Dey. [Film/Video]

Gbadamosi, Gabriel, Foix, A. and Ghazali, A.. 2007. Liberty, Equality, Fraternity. In: "Liberty, Equality, Fraternity", Soho Theatre, 11/9/2007 - 11/10/2007. [Performance]

Ginman, John. 2011. The vital importance of being present: writer development for theatre in a mediatised age. Contemporary Theatre Review , tba-tba. ISSN 1048-6801 [Article]

Gordon, Robert J.. 2003. Family Voices: Pirandello and Pinter. Pirandello Studies, 23, pp. 22-34. ISSN 14719363 [Article]

Gordon, Robert J.. 2012. Fugard, Kani, Ntshona's The Island: Antigone as South African Drama. Comparative Drama, 46(3), pp. 379-399. ISSN 0010-4078 [Article]

Gordon, Robert J.. 2007. Guilty secrets and cultural blind spots: Miller's plays in South Africa. In: Enoch Brater, ed. Arthur Miller's Global Theater. Ann Arbor: University of Michigan Press, pp. 66-76. ISBN 9780472115938 [Book Section]

Gordon, Robert J.. 2012. Harold Pinter: The Theatre of Power. Ann Arbor, Michigan: University of Michigan Press. ISBN 978-0-472-07124-1 [Book]

Gordon, Robert J.. 2002. Le città invisibili. In: "Le città invisibili", 30 sites in Rapallo, 8/23/2002 - 8/27/2002. [Performance]

Gordon, Robert J.. 2006. The Purpose of Playing: Modern Acting Theories in Perspective. University of Michigan Press. ISBN 9780472068876 [Book]

Gordon, Robert J., Jackuliak, Ján and Formánková, Anna Marie. 2013. Dance Marathon at Steel Pier. In: "Theatre World Brno", Brno, Czech Republic. [Performance]

Gordon, Robert J. and Peimer, David. 2011. Shylock’s Ghosts: The Afterlife of Shakepeare’s Jew. In: "9th World Shakespeare Congress", Jewish Museum, Prague, Czech Republic. [Performance]

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Levitas, Ben. 2008. The Abbey Opens: A First Night Revisited. In: S. E. Wilmer, ed. National Theatres in a Changing Europe. Basingstoke: Palgrave Macmillan, pp. 73-83. ISBN 978-0-230-52109-4 [Book Section]

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Levitas, Ben. 2010. The Censoring of The Ginger Man, London and Dublin 1959, or, the “nipple nuttiness” of J. P. Donleavy. La recepció del teatre contemporani , XV, pp. 179-194. ISSN 1135-4178 [Article]

Levitas, Ben. 2006. Censorship and Self-Censure in the Plays of J. M. Synge. Princeton University Library Chronicle, 68(1-2(1-2), pp. 253-276. ISSN 00328456 [Article]

Levitas, Ben. 2011. Censorship and Self-Censure in the Plays of Synge. In: Patrick Lonergan, ed. Synge and His Influences: Centenary Essays from the Synge Summer School. Dublin: Carysfort Press, pp. 33-54. ISBN 978-1-904505-50-1 [Book Section]

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Levitas, Ben. 2009. J. M. Synge: European encounters. In: P. J. Matthews, ed. Cambridge Companion to J. M. Synge. Cambridge: Cambridge University Press, pp. 77-91. ISBN 978-0-521-11010-5 [Book Section]

Levitas, Ben. 2004. Mirror Up to Nurture: J. M. Synge and His Critics. Modern Drama, 47(4)(4), pp. 572-584. ISSN 00267694 [Article]

Levitas, Ben. 2009. The Playboy of the Western World. In: John P. Harrington, ed. Modern and Contemporary Irish Drama. London: Norton, pp. 468-472. ISBN 978-0-393-93243-0 [Book Section]

Levitas, Ben. 2003. Plumbing the Depths: Irish Realism and the Working Class from Shaw to O'Casey. Irish University Review, 33(1)(1), pp. 133-149. ISSN 00211427 [Article]

Levitas, Ben. 2011. Reading and the Irish Revival, 1891-1922. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book: Volume 5: The Irish Book in English 1891-2000. 5 Oxford: Oxford University Press, pp. 43-69. ISBN 978-0-19-924911-4 [Book Section]

London, John. 1998. Algunos montajes de Calderón en el Tercer Reich. In: Manfred Tietz, ed. Texto e imagen en Calderón: undécimo coloquio anglogermano sobre Calderón: St Andrews, Escocia, 17-20 de julio de 1996. 8 Stuttgart: Franz Steiner, pp. 143-157. ISBN 3515072152 [Book Section]

London, John. 2013. Aspectes del teatre a Mallorca durant la Guerra. In: Jordi Larios, ed. La cara fosca de la cultura catalana: la coŀlaboració amb el feixisme. Palma, Spain: Lleonard Muntaner, pp. 305-326. ISBN 9788415592754 [Book Section]

London, John. 2009. Catalan Theater without Catalan? Plays and Performances: 1939-1945. Catalan Review, 23, pp. 191-209. ISSN 0213-5949 [Article]

London, John. 2007. Contemporary Catalan Drama in English: Some Aspirations and Limitations. Contemporary Theatre Review, 17 (3)(3), pp. 453-462. ISSN 10267166 [Article]

London, John. 2010. Contextos de Joan Brossa: l'acció, la imatge i la paraula. Barcelona: Universitat de Barcelona. ISBN 978-84-475-3428-9 [Book]

London, John. 2001. La Signature culturelle pendant le fascisme: Mussolini, Hitler et Franco. Perspectives, 8, pp. 95-107. ISSN 1172-0360 [Article]

London, John. 2003. La imaginació i la realitat al teatre de Joan Brossa = Imagination and reality in the theatre of Joan Brossa. In: No named Editor, ed. La Revolta Poètica De Joan Brossa. Barcelona: Generalitat de Catalunya, Departament de Cultura/Krtu, pp. 198-207. ISBN 9788439360087 [Book Section]

London, John. 2005. La nova Europa [Playtext]. Valencia: Tres i Quatre. ISBN 8475027091 [Book]

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London, John. 2010. Text, Lies, and Linguistic Rape: Rewriting Theatre History in the Light of Dramatic Translations. La recepció del teatre contemporani, 15, pp. 195-218. ISSN 1135-4178 [Article]

London, John. 1999. The uncertainty of Fascist aesthetics: political ideology and historical reality. Renaissance and Modern Studies, 42, pp. 49-63. ISSN 0486 3720 [Article]

London, John and George, . 2007. Spanish Film, Theatre and Literature in the Twentieth Century. University of Wales Press. ISBN 0708319343 [Book]

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Mayo, Sue. 2008. Artist in Collaboration. UNDEFINED. [Performance]

Mayo, Sue. 2008. Wild Wild Women: Intergenerational projects at The Women’s Library. Women's Library, London, United Kingdom 2008-2013. [Performance]

Mayo, Sue, O’Dair, Charlotte and McAvinchey, Caoimhe M.. 2012. Detail and Daring : Research into the art and the craft of intergenerational work. In: "Weekend at Wilton's", London, United Kingdom. [Performance]

McAvinchey, Caoimhe M.. 2006. Possible Fictions: An Investigation of Performance Interventions with Women in Prison.. In: "Possible Fictions: An Investigation of Performance Interventions with Women in Prison.", HMP Highpoint North, HMP and YOI Bullwood Hall (England) and Presdio Nelson Hungria and Penetenciaria Talavera Bruce (Brazil), 9/1/2002 - 12/8/2006. [Performance]

McAvinchey, Caoimhe M., Hale, R. and Platun, Jan. 2006. handheld. In: "handheld", HMP Hydebank Prison, Belfast Nothern Ireland, 9/1/2006 - 11/1/2007. [Performance]

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Okagbue, Osita. 2007. African Theatres and Performance. Routledge. ISBN 0415304539 [Book]

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Okagbue, Osita. 2009. Culture and Identity in African and Caribbean Theatre. London: Adonis & Abbey Publishers. ISBN 978-1-905068-60-9 [Book]

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Okagbue, Osita. 2008. Deviants and Outcasts: Power and Politics in Hausa Bori Performances. New Theatre Quarterly, 24(3), pp. 270-280. ISSN 0266-464X [Article]

Okagbue, Osita. 2002. A Drama of their Lives: Theatre-for-development in Africa. Contemporary Theatre Review, 12(1-2), pp. 79-92. ISSN 10486801 [Article]

Okagbue, Osita. 2001. Exile and Home: Africa in Caribbean Theatre. In: D. Okafor, ed. Meditations on African Literature. Greenwood Press, pp. 149-157. ISBN 0313298661 [Book Section]

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Okagbue, Osita. 2008. Images and Memories of Home: African Video Movies in the Diaspora. African Performance Review, 2(1), pp. 43-57. ISSN 1753-5964 [Article]

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Okagbue, Osita. 2009. Progress and Utopia in Bode Sowande's Babylon Trilogy. African Performance Review, 3(1), pp. 100-112. ISSN 1753-5964 [Article]

Okagbue, Osita. 2004. Surviving the Crossing: Theatre in the African Diaspora. In: Martin Banham, ed. A History of Theatre in Africa. Cambridge: Cambridge University Press, pp. 430-447. ISBN 0521808138 [Book Section]

Okagbue, Osita. 2007. Through Other Eyes and Voices: Women in Koteba and Mmonwu Performances. African Performance Review, 1(2-3), pp. 114-129. ISSN 1753-5964 [Article]

Osborne, Deirdre. 2011. ‘Black British Drama: debbie tucker green and Kwame Kwei-Armah’. In: Sibylle Baumbach, Birgit Neumann and Ansgar Nunning, eds. A History of British Drama: Developments, Interpretations. Trier, Germany: Wissenschaftlicher Verlag Trier, pp. 10-20. ISBN ? [Book Section]

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Osborne, Deirdre. 2010. The Body of Text Meets the Body as Text: Staging (I)dentity politics in SuAndi’s The Story of M and Lemn Sissay’s Something Dark. In: Anne Karhio, Sean Crosson and Charles Armstrong, eds. Crisis and Contemporary Poetry. London and New York: Palgrave Macmillan, pp. 230-247. ISBN 9780230247246 [Book Section]

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Osborne, Deirdre. 2008. Conceiving the Nation: Visions and Versions of Colonial Pre-natality. In: Ellen Bayuk Rosenman and Claudia C. Klaver, eds. Other Mothers: Beyond the Maternal Ideal. Ohio: Ohio State University Press , pp. 202-226. ISBN 978-0-8142-0286-9 [Book Section]

Osborne, Deirdre. 2011. How Do We Get the Whole Story?: Contra-dictions and Counter-Narratives in debbie tucker green’s Dramatic Poetics. In: Merle Tonnies and Christina Flotmann, eds. Narrative in Drama. 18 Trier, Germany: Wissenschaftlicher Verlag Trier, ?-?. ISBN 978-3-86821-315-7 [Book Section]

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Osborne, Deirdre. 2011. “I ain’t British though / Yes you are. You’re as English as I am”: Staging Belonging and Unbelonging in Black British Drama. In: Ulrike Lindner, Mark Mohring, Mark Stein and Silke Stroh, eds. Hybrid Cultures, Nervous States: Britain and Germany in a (Post)Colonial World. (129) Amsterdam, New York: Rodopi, pp. 203-227. ISBN 978-90-420-3228-6 [Book Section]

Osborne, Deirdre. 2009. Introduction. Women: A Cultural Review, 20(3), pp. 239-249. ISSN 0957-4042 [Article]

Osborne, Deirdre. 2009. Lemn Sissay. In: R. Victoria Arana, ed. Dictionary of Literary Biography: Twenty-First-Century “Black” British Writers. 26 Sumter, South Carolina: Gale Research Company, pp. 261-271. ISBN 978-0-7876-8165-4 [Book Section]

Osborne, Deirdre. 2008. Lemn Sissay’s Life’s Source. In: Deirdre Osborne, ed. Hidden Gems: Contemporary Black British Plays. London: Oberon Books, pp. 318-326. ISBN 1-84002-843-0 [Book Section]

Osborne, Deirdre. 2007. Not 'In-Yer-Face' But What Lies Beneath: Experiential and Aesthetic Inroads in the Drama of debbie tucker green and Dona Daley. In: R. Victoria Arana, ed. Black British Aesthetics Today. Newcastle: Cambridge Scholars Publishing, pp. 222-242. ISBN 1847181163 [Book Section]

Osborne, Deirdre. 2011. Roy Williams. In: Martin Middeke, Peter Paul Schnierer and Aleks Sierz, eds. The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Books, pp. 487-509. ISBN 978-1-4081-2278-5 [Book Section]

Osborne, Deirdre. 2011. “Set in Stone”: Lemn Sissay and SuAndi’s Landmark Poetics. In: Arturo Cass and Cordelia Grobner, eds. Performing Poetry: Race, Place and Gender in the Poetry Performance. 24 Amsterdam and New York: Rodopi, pp. 197-217. ISBN 978-90-420-3329-0 [Book Section]

Osborne, Deirdre. 2013. Skin Deep, a Self-Revealing Act: Monologue, Monodrama, and Mixedness in the Work of SuAndi and Mojisola Adebayo. Journal of Contemporary Drama in English, 1(1), pp. 54-69. ISSN 2195-0164 [Article]

Osborne, Deirdre. 2006. The State of the Nation: Contemporary Black British Theatre and the Staging of the UK. In: Dimple Godiwala, ed. Alternatives Within the Mainstream: British Black and Asian Theatres. Cambridge Scholars Press, pp. 82-100. ISBN 1904303668 [Book Section]

Osborne, Deirdre. 2006. Writing Black Back: An Overview of Black Theatre and Performance in Britain. In: Dimple Godiwala, ed. Alternatives Within the Mainstream: British Black and Asian Theatres. Cambridge Scholars Press, pp. 61-82. ISBN 1904303668 [Book Section]

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Reid, Margaret. 2011. Melodrama: Metropolis: Modernity. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Rotie, Marie-Gabrielle. 2010. Mythic. In: "Mythic", Laban, London, United Kingdom, 2010-2012. [Performance]

Rotie, Marie-Gabrielle and Arróniz Lacunza, Sandra. 2013. Voices and Silences (Pamplona 7 July 2008). Pamplona, Spain 2011-2013. [Performance]

Rotie, Marie-Gabrielle and Parkin, Nick. 2012. Parys Mountain : Alchemy of Landscape. In: "Parys Mountain", Anglesey, Wales, United Kingdom. [Performance]

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Saner, Göze. 2009. the truth about the tyrant. In: "Grotowski: After-Alongside-Around-Ahead Symposium", University of Kent at Canterbury, United Kingdom. [Performance]

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Saner, Göze. 2010. what happened to the tyrant. In: "what happened to the tyrant", Camden People's Theatre, London, United Kingdom. [Performance]

Saner, Göze and Hilevaara, Katja. 2009. the world rests on a tortoise. In: "Let’s Murder the Moonshine: 100 Years of Futurism", Goldsmiths, University of London, United Kingdom. [Performance]

Shapiro, Rachel. 2013. Theatre and Integration Politics in France 1999-2011. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Shevtsova, Maria. 2002. Appropriating Pierre Bourdieu's champs and habitus for a sociology of stage productions. Contemporary Theatre Review, 12(3), pp. 35-66. ISSN 10267166 [Article]

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Shevtsova, Maria. 2010. BITE at the Barbican. New Theatre Quarterly, 26(3), pp. 293-296. ISSN 0266-464x [Article]

Shevtsova, Maria. 2009. Cross-cultural Fields: Korean Shakespeare Productions in Global Context. In: Lee Hyon-u, ed. Glocalizing Shakespeare in Korea and Beyond. Seoul: Dongin Publishing, pp. 157-178. ISBN 9788955064131 [Book Section]

Shevtsova, Maria. 2011. Deborah Warner Directs Hedda Gabler: Mercurial Pistols. In: Erika Fischer-Lichte, Barbara Gronau and Christel Weiler, eds. Global Ibsen: Performing Multiple Modernities. New York: Routledge, pp. 102-113. ISBN 9780415877138 [Book Section]

Shevtsova, Maria. 2011. 'Directors Invent 'Theatricality': Focus on Vsevolod Meyerhold and Ariane Mnouchkine'. In: The Grotowski Institute Summer Seminars. Wroclaw, Poland. [Conference or Workshop Item]

Shevtsova, Maria. 2009. Lev Dodin Directs Grossman, O'Neill and Shakespeare. New Theatre Quarterly, 25(2), pp. 137-147. ISSN 0266-464x [Article]

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Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Anatoli Vassiliev, 'Studio Theatre, Laboratory Theatre'. New Theatre Quarterly, 25(4), pp. 324-332. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Maria Shevtsova in Conversation with Ann-Christen Rommen, Experiencing the Movement. New Theatre Quarterly, 23(1), pp. 58-66. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Maria Shevtsova in Conversation with Eugenio Barba, Reinventing Theatre. New Theatre Quarterly, 23(2), pp. 99-114. ISSN 0266-464x [Article]

Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Lev Dodin at Goldsmiths (conducted in Russian). In: , ed. Puteshestviye bzs kontsa: Dialogi s Mirom [Journey Without End: Dialogues with the World]. St Petersburg: Baltic Seasons, pp. 270-282. ISBN n/a [Book Section]

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Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Thomas Richards and Mario Biagini, 'With and After Grotowski'. New Theatre Quarterly, 25(4), pp. 336-359. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Multiculturalism, Theatre and the Politics of Liberation: The Melbourne Workers Theatre and the Turkish Community. In: Glen D'Cruz, ed. Class Act: Melbourne Workers Theatre 1987–2007. Victoria: The Vulgar Press, pp. 88-103. ISBN 978-0-9775047-3-2 [Book Section]

Shevtsova, Maria. 2010. Multimedia and Performance: Decoration and Invention. In: Jerzy Limon and Agnieszka Zukowska, eds. Theatrical Blends: Art in the Theatre/Theatre in the Art. Gdansk: Theatrum Gedanense Foundation , pp. 97-109. ISBN 978-83-7453-989-0 [Book Section]

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Shevtsova, Maria. 2011. On Double Edge Theatre. Stacy Klein in Conversation with Maria Shevtsova. New Theatre Quarterly, 27(1), pp. 41-59. ISSN 0266-464X [Article]

Shevtsova, Maria. 2008. Peter Brook. In: John Russell Brown, ed. The Routledge Companion to Directors' Shakespeare. London and New York: Routledge, pp. 16-36. ISBN 978-0-415-57767-0 [Book Section]

Shevtsova, Maria. 2011. Pytor Semak. In: John Russell Brown, ed. The Routledge Companion to Actors' Shakespeare. London and New York: Routledge, pp. 215-226. ISBN 978-0-415-48301-8 [Book Section]

Shevtsova, Maria. 2007. Robert Wilson. Routledge. ISBN 0415338808 [Book]

Shevtsova, Maria. 2002. The Russian Presence in Paris 1988–2000. In: David Bradby and Maria M. Delgado, eds. The Paris Jigsaw: Internationalism and the City's Stages. Manchester: Manchester University Press, pp. 186-197. ISBN 0719061849 [Book Section]

Shevtsova, Maria. 2009. Sociology of Theatre and Performance. Verona: QuiEdit. ISBN 9788864640136 [Book]

Shevtsova, Maria. 1993. Theatre and Cultural Interaction. Sydney: Sydney Association for Studies in Society and Culture. ISBN 0949405086 [Book]

Shevtsova, Maria. 2006. The Theatre of Genet in Sociological Perspective. In: Clare Finburgh, Carl Lavery and Maria Shevtsova, eds. Jean Genet: Performance and Politics. London: Palgrave Macmillan, pp. 44-54. ISBN 9781403994806 [Book Section]

Shevtsova, Maria. 2009. The Valery Fokin Festival at the Alexandrinsky Theatre, St Petersburg. New Theatre Quarterly, 25(1), pp. 44-51. ISSN 0266-464x [Article]

Shevtsova, Maria. 2011. White and Black Magic: Robert Wilson's 'Einstein on the Beach' and 'The Black Rider'. In: Gerald Siegmund and Petra Bolte-Picker, eds. Subjekt: Theater. Beiträge zur analytischen Theatralität: Festschrift für Helga Finter zum 65. Geburtstag. Frankfurt am Main: Peter Lang, pp. 245-257. ISBN 978-3-631-60680-3 [Book Section]

Shevtsova, Maria, Finburgh, Clare and Lavery, Carl, eds. 2006. Jean Genet: Performance and Politics. London: Palgrave Macmillan. ISBN 9781403994806 [Edited Book]

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Shevtsova, Maria and Innes, Christopher. 2013. The Cambridge Introduction to Theatre Directing. Cambridge: Cambridge University Press. ISBN 9780521606226 [Book]

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Shevtsova, Maria and Innes, Christopher. 2009. Directors/Directing: Conversations on Theatre. Cambridge: Cambridge University Press. ISBN 9780521888431 [Book]

Shevtsova, Maria and Mitter, . 2005. Fifty Key Theatre Directors. Routledge. ISBN 9780415187312 [Book]

Sirera, Rodolph. 2010. Continuity. Translated by John London from the Catalan of Rodolf Sirera. Commissioned by the Sala Beckett, Barcelona. [Book]

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Stanger, Arabella. 2013. The Choreography of Space: Merce Cunningham and William Forsythe in Context. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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The Quick and the Dead, . 2008. Angustias: After Lorca. In: "Angustias: After Lorca", St. Andrews Church, Young Vic Theatre, London, United Kingdom. [Performance]

This list was generated on Mon Jul 28 23:42:15 2014 BST.