Browse by Goldsmiths authors: Drever, John L.
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Number of items: 116.
Art Object
Article
Drever, John L.; Cobianchi, Mattia and Yildirim, Aysegul.
2021.
London Street Noises: A Ground-Breaking Field Recording Campaign from 1928.
Acoustics, 3(1),
pp. 118-136.
ISSN 2624-599X
[Article]
Cobianchi, Mattia; Drever, John L. and Lavia, Lisa.
2019.
Adaptive soundscape design for liveable urban spaces: a hybrid methodology across environmental acoustics and sonic art.
Cities & Health,
ISSN 2374-8834
[Article]
(In Press)
Drever, John L..
2019.
‘Primacy of the Ear’ – But Whose Ear?: the case for auraldiversity in sonic arts practice and discourse.
Organised Sound, 24(1),
pp. 85-95.
ISSN 1355-7718
[Article]
Young, Michael W.; Drever, John L.; Grierson, Mick and Stonehouse, Ian.
2008.
Goldsmiths Electronic Music Studios: 40 Years.
International Computer Music Conference Proceedings 2008,
pp. 315-318.
[Article]
Drever, John L..
2002.
Sounding Dartmoor: A case study on the soundscapes of rural England at the opening of the 21st Century.
World Forum for Acoustic Ecology,
[Article]
Drever, John L..
2002.
Soundscape composition: the convergence of ethnography and
acousmatic music.
Organised Sound, 7(1),
pp. 21-27.
ISSN 1355-7718
[Article]
Drever, John L..
1999.
The exploitation of 'tangible ghosts': conjectures on soundscape recording and its reappropriation in sound art.
Organised Sound, 4(1),
pp. 25-29.
[Article]
Audio
Book Section
Drever, John L..
2020.
Listening as Methodological Tool: Sounding Soundwalking Methods.
In: Michael Bull and Marcel Cobussen, eds.
The Bloomsbury Handbook of Sonic Methodologies.
London: Bloomsbury Academic, pp. 599-613.
ISBN 9781501338779
[Book Section]
Drever, John L..
2019.
Sound Art: Hearing in Particular.
In: , ed.
Oxford Handbook of Sound Art.
Oxford: Oxford University Press.
[Book Section]
(Forthcoming)
Drever, John L..
2019.
Soundscape Composition: Listening to Context and Contingency.
In: Michael Filimowicz, ed.
Foundations in Sound Design for Linear Media: A Multidisciplinary Approach.
New York: Routledge, pp. 358-379.
ISBN 9781138093966
[Book Section]
Drever, John L..
2014.
SHIZENGAKU [BIWA/BIWAKO]: SONIC COMPLEMENT, COUNTERPOINT OR INTERPENETRATION?
In: Kazuto Yamamoto and Naomi Matsumoto, eds.
SHIZENGAKU: the Search for a Coming Aestethetic.
Kyoto: Nakanishiya, pp. 52-61.
ISBN 978-4-7795-0791-5
[Book Section]
Drever, John L..
2009.
Soundwalking: Aural Excursions into the Everyday.
In: James Saunders, ed.
The Ashgate Research Companion to Experimental Music.
Aldershot: Ashgate, pp. 163-192.
ISBN 0754662822
[Book Section]
Composition
Conference or Workshop Item
Drever, John L..
2017.
'The Case For Auraldiversity In Acoustic Regulations And Practice: The Hand Dryer Noise Story'.
In: 24th International Congress on Sound and Vibration (ICSV24). Westminster, London, United Kingdom 23-27 July 2017.
[Conference or Workshop Item]
Drever, John L..
2013.
'Sanitary Soundscapes: the noise effects from ultra-rapid “ecological” hand dryers on vulnerable subgroups in publicly accessible toilets'.
In: AIA-DAGA 2013, the joint Conference on Acoustics, European Acoustics Association Euroregio, 39th annual congress of the Deutsche Gesellschaft für Akustik and the 40th annual congress of the Associazione Italiana di Acustica. Marano, Italy.
[Conference or Workshop Item]
Drever, John L..
2013.
'Silent Soundwalking: an urban pedestrian soundscape methodology'.
In: AIA-DAGA 2013, the joint Conference on Acoustics, European Acoustics Association Euroregio, 39th annual congress of the Deutsche Gesellschaft für Akustik and the 40th annual congress of the Associazione Italiana di Acustica. Merano, Italy.
[Conference or Workshop Item]
Drever, John L..
2011.
'Soundwalking in the City: a socio-spatio-temporal sound practice'.
In: 5th International Symposium on Temporal Design. Sheffield, United Kingdom 21-22 July 2011.
[Conference or Workshop Item]
Drever, John L.; Melo, Andres and Wiggins, Geraint.
2005.
'Electroacoustic performance interfaces that learn from their users'.
In: International Computer Music Conference. Barcelona, Spain.
[Conference or Workshop Item]
Drever, John L..
2001.
'The Sublime in Acousmatic Music: Listening to the Unpresentable'.
In: Music Without Walls? Music Without Instruments?. De Montfort, United Kingdom 21-23 June.
[Conference or Workshop Item]
Digital
Edited Journal
Performance
Drever, John L..
2019.
Sanitary Tones: Ayre #3 [Kelston].
In: "First Aural Diversity Concert", Old Barn, Kelston Roundhill, United Kingdom.
[Performance]
Project
Bulley, James; Sahin, Ozden; Spinelli, Emmanuel; Tanaka, Atau; Hosang, Georgina M.; Cubitt, Sean; Drever, John L. and Kanngieser, Anja.
2014.
Sound and the City (Natural History Museum).
[Project]
Show/Exhibition
Thesis
Drever, John L..
2001.
Phonographies: Practical and Theoretical Explorations into Composing with Disembodied Sound.
Doctoral thesis, University of Plymouth
[Thesis]