Browse by Goldsmiths authors: Potter, Keith
Number of items: 39. Article
Cameron, Daniel; Zioga, Ioanna; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep.
2019.
Neural Entrainment is Associated with Subjective Groove and Complexity for Performed but not Mechanical Musical Rhythms.
Experimental Brain Research, 237(8),
pp. 1981-1991.
ISSN 0014-4819
[Article]
Potter, Keith.
2018.
‘New Chaconnes for Old?’: Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with some thoughts on their significance for the analysis of the composer’s harmonic language in the late 1970s.
Contemporary Music Review, 36(5),
pp. 436-439.
ISSN 0749-4467
[Article]
Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus.
2017.
Perception of Rhythmic Similarity is Asymmetrical, and is Influenced by Musical Training, Expressive Performance, and Musical Context.
Timing & Time Perception, 5(3-4),
pp. 211-227.
ISSN 2213-445X
[Article]
Potter, Keith; Wiggins, Geraint and Pearce, Marcus T..
2007.
An Objective Basis for Music Theory: Information-Dynamic Analysis of Minimalist Music.
Musicae Scientiae, 11(2),
pp. 295-324.
ISSN 1029 8649
[Article]
Book
Potter, Keith.
2010.
Philip Glass: First Classics, 1968-1969.
London and New York: Chester Music.
ISBN 0-521-48250
[Book]
Book Section
Potter, Keith.
2019.
Sketching a New Tonality: a preliminary assessment of Steve Reich’s sketches for Music for 18 Musicians in telling the story of this work’s approach to tonality.
In: Pwyll ap Sion and Sumanth Gopinath, eds.
Rethinking Reich.
New York: Oxford University Press.
ISBN 9780190605292
[Book Section]
Potter, Keith.
2017.
Harmonic Progressions as a Gradual Process: towards an understanding of the development of tonality in the music of Steve Reich.
In: Felix Woerner and Philip Rupprecht, eds.
Tonality Since 1950.
Stuttgart: Franz Steiner Verlag, pp. 189-207.
ISBN 978-3-515-11582-7
[Book Section]
Potter, Keith; Wilkins, Suzie and Wiggins, Geraint.
2016.
On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass.
In: Lauren Redhead and Vanessa Hawes, eds.
Music and/as Process.
Newcastle: Cambridge Scholars Publishing, pp. 34-55.
ISBN 978-1-4438-9491-3
[Book Section]
Potter, Keith; Gann, Kyle and ap Sion, Pwyll.
2013.
Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities.
In: Keith S. Potter; Kyle Gann and Pwyll ap Sion, eds.
The Ashgate Research Companion to Minimalist and Postminimalist Music.
Farnham: Ashgate, pp. 1-16.
ISBN 9781 409435495
[Book Section]
Potter, Keith.
2013.
Mapping Early Minimalism.
In: Keith S. Potter; Kyle Gann and Pwyll ap Siôn, eds.
The Ashgate Research Companion to Minimalist and Postminimalist Music.
Farnham, UK: Ashgate, pp. 19-37.
ISBN 9781409435495
[Book Section]
Conference or Workshop Item
Cameron, Daniel; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep.
2012.
'Entrainment of Premotor Cortex Activity by Ambiguity in Musical Metre'.
In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28.
[Conference or Workshop Item]
Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus T..
2012.
'Perception of Rhythmic Similarity in Reich’s Clapping Music: Factors and Models'.
In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28.
[Conference or Workshop Item]
Digital
|