Browse by Goldsmiths authors: Potter, Keith

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Number of items: 37.

Article

Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus. 2017. Perception of Rhythmic Similarity is Asymmetrical, and is Influenced by Musical Training, Expressive Performance, and Musical Context. Timing & Time Perception, ISSN 2213-445X [Article]

Potter, Keith. 2015. Obituary: 'Roger Smalley; Composer, pianist and pupil of Karlheinz Stockhausen who became a leading figure of the European avant-garde'. The Independent, [Article]

Potter, Keith. 2008. Philip Glass: the compositions and some contexts. Glass: a Nonesuch Retrospective Box, pp. 49-72. ISSN Nonesuch 424508-2 [Article]

Potter, Keith. 2008. Programme Notes. BBC Symphony Orchestra/Mikhail Agrest, [Article]

Preview

Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.. 2007. An Objective Basis for Music Theory: Information-Dynamic Analysis of Minimalist Music. Musicae Scientiae, 11(2), pp. 295-324. ISSN 1029 8649 [Article]

Potter, Keith. 2006. Programme notes for works by Steve Reich (Los Angeles Master Chorale/Grant Gershon). Lincoln Center, New York, [Article]

Potter, Keith. 2006. Obituary: 'James Tenney; Musical Maverick'. The Independent, [Article]

Potter, Keith. 2006. Programme notes for works by Steve Reich (London Symphony Orchestra and Chorus/Xian Zhang). Barbican Centre, [Article]

Potter, Keith. 2005. Obituary: 'Carla Hinrichsen; Music Publisher at Peters Music'. The Independent, [Article]

Potter, Keith. 2005. Obituary: 'Hugh Davies; Iconoclastic innovator in electronic music'. The Independent, [Article]

Potter, Keith. 2004. What's The Score? The Independent, [Article]

Potter, Keith. 2002. Obituary: 'Earle Brown: Innovative and Influential Composer.'. The Independent, [Article]

Potter, Keith. 2002. 'Hi-tech tales for a weird, wired world'. The Independent, [Article]

Potter, Keith. 2001. Programme notes for the British premieres of Philip Glass's Second and Third Symphonies (BBC Symphony Orchestra/Marin Alsop). Barbican Centre, [Article]

Potter, Keith. 2001. 'Klinghoffer Resurrected' (Concert Review). The Independent, [Article]

Potter, Keith. 2000. A ripe harvest of Eastern promise. The Independent, p. 16. [Article]

Potter, Keith. 2000. Booklet essay for Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company (Naxos 8 554568). Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company, p. 1. [Article]

Potter, Keith. 2000. 'Notes on Cage'. 'John Cage: The Seasons' (ECM New Series 1696), [Article]

Potter, Keith. 1996. The pursuit of the unimaginable by the unnarratable, or some potentially telling developments in non-developmental music. Contemporary Music Review, 3-4, pp. 3-11. [Article]

Book

Preview

Potter, Keith. 2010. Philip Glass: First Classics, 1968-1969. London and New York: Chester Music. ISBN 0-521-48250 [Book]

Potter, Keith. 2002. Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge University Press. ISBN 9780521015011 [Book]

Book Section

Potter, Keith. 2017. Harmonic Progressions as a Gradual Process: towards an understanding of the development of tonality in the music of Steve Reich. In: Felix Woerner and Philip Rupprecht, eds. Tonality Since 1950. Stuttgart: Franz Steiner Verlag, pp. 189-207. [Book Section] (Forthcoming)

Potter, Keith. 2017. Sketching a New Tonality: a preliminary assessment of Steve Reich’s sketches for Music for 18 Musicians in telling the story of this work’s approach to tonality. In: Pwyll ap Sion and Sumanth Gopinath, eds. Rethinking Reich. New York: Oxford University Press. [Book Section] (Forthcoming)

Preview

Potter, Keith; Wilkins, Suzie and Wiggins, Geraint. 2016. On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass. In: Lauren Redhead and Vanessa Hawes, eds. Music and/as Process. Newcastle: Cambridge Scholars Publishing, pp. 34-55. ISBN 978-1-4438-9491-3 [Book Section]

Preview

Potter, Keith; Gann, Kyle and ap Sion, Pwyll. 2013. Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities. In: Keith S. Potter; Kyle Gann and Pwyll ap Sion, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham: Ashgate, pp. 1-16. ISBN 9781 409435495 [Book Section]

Potter, Keith. 2013. Le Minimalisme. In: Nicolas Donin and Laurent Feneyrou, eds. Théories de la composition musicale au xxe siècle. 2 Lyon, France: Symétrie, pp. 775-800. ISBN 978-2-914373-60-9 [Book Section]

Preview

Potter, Keith. 2013. Mapping Early Minimalism. In: Keith S. Potter; Kyle Gann and Pwyll ap Siôn, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham, UK: Ashgate, pp. 19-37. ISBN 9781409435495 [Book Section]

Potter, Keith. 2003. A Conversation with James Dillon. In: P. O'Hagan, ed. Aspects of British Music of the 1990's. Ashgate, pp. 131-140. ISBN 0004707729 [Book Section]

Potter, Keith. 2001. Entries on 20th-century British composers and other subjects: 'Minimalism'; 'Bedford, David', 'Bryars, Gavin', 'Fitkin, Graham', 'Martland, Steve', 'Montague Stephen', 'Skempton, Howard'. In: Stanley Sadie and John Tyrell, eds. The New Grove Dictionary of Music and Musicians. London: Macmillan. [Book Section]

Potter, Keith. 2001. Entry on David Bedford. In: L. Finscher, ed. Die Musik in Geschichte und Gegenwart. Kassel: Barenreiter. [Book Section]

Potter, Keith. 2001. Four revised articles on contemporary American composers: 'Adams, John', 'Glass, Philip', 'Monk, Meredith' and 'Reich, Steve'; also versions of previously published entries on 'Kagel, Mauricio' and 'Schnittke, Alfred'. In: Amanda Holden, ed. The New Penguin Opera Guide. London: Penguin Books. [Book Section]

Potter, Keith. 1995. 'Cornelius Cardew: some (Postmodern?) reflections on Experimental Music and political music. In: Mark Delaere, ed. New Music, Aesthetics and Ideology/Neue Musik, Asthetik und Ideologie. Wilhelshaven: Germany: Florian Noetzel, pp. 152-169. [Book Section]

Potter, Keith. 1993. The Current Musical Scene. In: Robert P. Morgan, ed. Modern Times: from World War I to the present. Englewood Cliffs, NJ/Basingstoke: Prentice Hall/Macmillan, pp. 349-387. ISBN 0 13 590159 6 [Book Section]

Conference or Workshop Item

Preview

Cameron, Daniel; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep. 2012. 'Entrainment of Premotor Cortex Activity by Ambiguity in Musical Metre'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

Preview

Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.. 2012. 'Perception of Rhythmic Similarity in Reich’s Clapping Music: Factors and Models'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

Potter, Keith. 2007. '1976 and All That: Minimalism and Postminimalism, Analysis and Listening Strategies.'. In: Proceedings of the First International Conference on Music and Minimalism. Bangor, United Kingdom 11/1/2007. [Conference or Workshop Item]

Digital

Potter, Keith. Profile of John Adams for BBC Proms. [Digital]

This list was generated on Thu Sep 21 05:33:04 2017 BST.

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