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Goldsmiths - University of London

Browse by Goldsmiths authors: Pryer, Anthony J.

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Number of items: 44.

Article

Pryer, Anthony J.. 2004. Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. Eighteenth Century Music, 1(2), pp. 265-288. ISSN 14785706 [Article]

Pryer, Anthony J.. 2000. Machaut and the Moderns: A Distant Mirror. BBC Music Magazine, pp. 26-28. [Article]

Pryer, Anthony J.. 1999. Trouble in Arcadia: Music Aesthetics and the Bounds of Culture. Journal of the Royal Musical Association, 124(1), pp. 134-152. ISSN 0269-0403 [Article]

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Pryer, Anthony J.. 1997. Introduction to the Complete Secular Music of Guillaume Dufay (c. 1400-1474). Complete recording of the secular music of Guillaume Dufay (c. 1400-1474) by the Medieval Ensemble of London, [Article]

Pryer, Anthony J.. 1997. Monteverdi, two sonnets and a letter. Early Music, 25(3), pp. 357-371. ISSN 0306-1078 [Article]

Pryer, Anthony J.. 1996. Nattiez's 'Music and Discourse': Situating the Philosophy. Music Analysis, 15(1), pp. 101-116. ISSN 0262-5245 [Article]

Pryer, Anthony J.. 1994. Re-thinking History. The Musical Times, 135(1), pp. 682-690. ISSN 0027-4666 [Article]

Pryer, Anthony J.. 1977. Guillaume de Machaut, c. 1300-1377. Music and Musicians, pp. 26-30. [Article]

Book

Pryer, Anthony J.. 2012. Claudio Monteverdi: Sacrae Cantiunculae; Madrigali Spirituali; Canzonette a 3 Voci. Cremona (Italy): Fondazione Claudio Monteverdi. ISBN 9788886288361 [Book]

Book Section

Pryer, Anthony J.. 2014. The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the ‘Text’. In: Taina Riikonen and Arjaana Virtanen, eds. The Embodiment of Authority: Perspectives on Performances, Interdisziplinäre Studien zur Musik. Frankfurt: Peter Lang, pp. 87-102. ISBN 978-3-631-65085 [Book Section]

Pryer, Anthony J.. 2014. ‘Real’ Nature, ‘Aesthetic’ Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration (in Japanese Translation). In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: a Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN ISBN 978-4-7795-0791-5 [Book Section]

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Pryer, Anthony J.. 2013. Hanslick, Legal Processes and Scientific Methodologies: How Not to Construct an Ontology of Music. In: Nicole Grimes; Siobhán Donovan and Wolfgang Marx, eds. Rethinking Hanslick: Music, Formalism and Expression. Rochester New York: University of Rochester Press, pp. 52-69. ISBN 9781580464321 [Book Section]

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Pryer, Anthony J.. 2013. 'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration. In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: A Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN 978-4-7795-0791-5 [Book Section]

Pryer, Anthony J.. 2011. Monteverdi, Two Sonnets and a Letter. In: Richard Wistreich, ed. Monteverdi. 5 Farnham: Ashgate, pp. 337-352. ISBN 9780754629023 [Book Section]

Pryer, Anthony J.. 2007. Approaching Monteverdi: His Cultures and Ours, Chapter 1. In: J. Whenham and R. Wistreich R, eds. The Cambridge Companion to Monteverdi. Cambridge University Press, pp. 1-19. ISBN 9780521875257 [Book Section]

Pryer, Anthony J.. 1996. Authentic Performance, Authentic Experience and "Pur ti miro" from Poppea. In: Raffaello Monterosso, ed. Performing Practice in Monteverdi's Music: the Historic-Philological Background. Cremona: Fondazione Claudio Monteverdi, pp. 191-213. ISBN 88-86288-25-5 [Book Section]

Pryer, Anthony J.. 1996. Settling Old Scores: The Authentic Performance Argument. In: Erik Levy and Calum MacDonald, eds. BBC Music Magazine Top 1000 CDs Guide. London: BBC Worldwide, pp. 19-22. ISBN 0-563-38709-2 [Book Section]

Conference or Workshop Item

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Pryer, Anthony J.. 2010. 'The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the "Text"'. In: The Embodiment of Authority: Perspectives on Performance. Sibelius Academy, Helsinki, Finland. [Conference or Workshop Item]

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Pryer, Anthony J.. 2004. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: International Congress in Shizuoka. Shizuoka, Japan 2-4 November, 2002. [Conference or Workshop Item]

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