On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass
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Potter, Keith; Wilkins, Suzie and Wiggins, Geraint. 2016. On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass. In: Lauren Redhead and Vanessa Hawes, eds. Music and/as Process. Newcastle: Cambridge Scholars Publishing, pp. 34-55. ISBN 978-1-4438-9491-3 [Book Section]
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Abstract or Description
This paper originated as a contribution to research on musical perception and cognition as part of the IDyOM project. Offered as a chapter in a volume including a wide range of approaches to “music and/as process”, we here focus directly on listening strategies to show how contrasting approaches to listening to minimalist music can lead to very different listening “narratives” when engaging with this repertoire.
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Book Section |
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| Item ID: |
16370 |
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| Date Deposited: |
22 Jan 2016 13:18 |
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| Last Modified: |
30 Jun 2017 10:04 |
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