This work forms part of an ongoing investigation into the text or performance score. Specifically I am interested in their empowering potential to destabilise authorship, temporality and originality from a feminist perspective.

Responding to notions of fandom within feminism, and the politics of ownership and accessibility of the term feminism itself - this work, a single sentence instruction, has been used to generate a series of text, sonic and video installations into the existing recorded catalogue of a 90s girl band.

Publications/presentations:
• Space/Time: The Multiverse, Wysing Arts Annual Music Festival, 5 September 2015
• Feminist Duration in Art & Curating Conference, Goldsmiths, University of London, 16 -17 February 2015

https://research.gold.ac.uk/id/eprint/16460