The exploitation of 'tangible ghosts': conjectures on soundscape recording and its reappropriation in sound art

Drever, John L.. 1999. The exploitation of 'tangible ghosts': conjectures on soundscape recording and its reappropriation in sound art. Organised Sound, 4(1), pp. 25-29. [Article]

[img]
Preview
Text (The exploitation of 'tangible ghosts': conjectures on soundscape recording and its reappropriation in sound art)
MUS-Drever2000.pdf - Published Version
Available under License Creative Commons Attribution Non-commercial No Derivatives.

Download (126kB) | Preview

Item Type:

Article

Keywords:

sound art, soundscape

Departments, Centres and Research Units:

Music > Unit for Sound Practice Research

Dates:

DateEvent
1999Published

Item ID:

7841

Date Deposited:

05 Apr 2013 16:24

Last Modified:

29 Apr 2020 15:49

Peer Reviewed:

Yes, this version has been peer-reviewed.

URI:

https://research.gold.ac.uk/id/eprint/7841

View statistics for this item...

Edit Record Edit Record (login required)