Macfarlane, Kate; Newman, Michael; Kivland, Sharon and Mason, Louis, eds. 2021. On Figure/s: Drawing after Bellmer. London: Ma Bibliothèque. ISBN 9781910055779 [Edited Book]

Newman, Michael. 2020. Decapitations: the portrait, the anti-portrait … and what comes after? In: Fiona Johnstone and Kirstie Imber, eds. Anti-Portraiture: Challenging the Limits of the Portrait. London: Bloomsbury Visual Arts, pp. 25-68. ISBN 9781784534127 [Book Section]

Newman, Michael. 2019. Sensation and the Measure of Timbre: Florian Hecker’s Resynthese FAVN Revisiting Mallarmé’s Scene. In: Vanessa Joan Müller, ed. Halluzination, Perspektive, Synthese. Berlin: Sternberg Press, pp. 22-44. ISBN 978-3-95679-471-1 [Book Section]

Newman, Michael. 2017. 'Odradek and the rethinking of political method in the work of art'. In: 4th Biennial Conference of the International Walter Benjamin Society. Worcester College, University of Oxford, United Kingdom 24-27 Sept 2017. [Conference or Workshop Item]

Newman, Michael. 2017. The Ball-Joint and the Anagram: Perversion and Jouissance in Hans Bellmer. In: Diana Caine and Colin Wright, eds. Perversion Now! London: Palgrave Macmillan, pp. 157-168. ISBN 978-3-319-47270-6 [Book Section]

Newman, Michael. 2016. Florian Hecker: Chimerization and Form. In: Robin Mackay; Susanne Gaensheimer and Miguel Wandschneider, eds. Florian Hecker: Formulations. Porto/Frankfurt am Main: Culturgest/MMK Museum für Moderne Kunst, pp. 59-90. ISBN 9783960980551 [Book Section]

Newman, Michael. 2015. Stuart Brisley: Performing the Political Body and Eating Shit. The MAC, Belfast. [Other]

Newman, Michael. 2015. Difference, Rhythm, and the Gaze in Painting (2015). In: Pawel Polit and Jaroslaw Suchan, eds. Władysław Strzemiński: Readability of Images. Lódź: Muzeum Sztuki, pp. 189-200. ISBN 978-83-63820-39-8 [Book Section]

Newman, Michael. 2014. 'I know very well…but all the same': Essays on Artists of the Still and Moving Image. London: Ridinghouse. ISBN 978 1 905464 64 7 [Book]

Newman, Michael. 2014. Reading the Future of Genealogy: Kant, Nietzsche, Plato. In: , ed. Nietzsche and Modern German Thought. London: Routledge, pp. 257-281. ISBN 978-0415755429 [Book Section]

Newman, Michael. 2013. 'Drawing Time Tacita Dean's Narratives of Inscription'. Enclave Review, 7, pp. 5-9. [Article]

Newman, Michael; Lee, Pamela; Elkins, James; Hudson, Suzanne and Getsy, David. 2013. Seminar. In: , ed. New Games: Postmodernism After Contemporary Art. London: Routledge, pp. 217-244. ISBN 978-0415988803 [Book Section]

Newman, Michael. 2012. Phenomenality and Materiality in Agnes Martin. In: Lynne Cooke and Karen Kelly, eds. Agnes Martin. New York: Yale University Press and Dia Foundation, pp. 199-227. ISBN 9780300151053 [Book Section]

Newman, Michael. 2012. 'Body as Place: Antony Gormley Outside-In'. In: , ed. Antony Gormley: Model. London: White Cube: [Book Section]

Comay, Rebecca and Newman, Michael. 2012. Ghostly Medium: James Coleman’s 'Charon'. In: Museo Nacional Centro de Arte Reina Sofía, ed. James Coleman. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 35-52. ISBN 9788480264556 [Book Section]

Newman, Michael and Comay, Rebecca. 2012. Ghostly Medium: James Coleman’s Charon (MIT Project). [Exhibition Catalogue]

Newman, Michael. 2012. 'Models and Fragments: Ian Kiaer's Studio'. [Exhibition Catalogue]

Newman, Michael. 2011. 'Dead Mirrors: relics and photographs in Georges Rodenbach’s Bruges-la-Morte'. Photographies, 4(1), pp. 27-43. ISSN 1754-0763 [Article]

Newman, Michael. 2011. 'Dara Birnbaum: Exploding the Image. In: , ed. Dara Birnbaum: The Dark Matter of Media Light. Munich, Berlin, London, New York: DelMonico Books/Prestel, pp. 51-80. ISBN 978-3791351247 [Book Section]

Newman, Michael. 2011. 'Ingrid Calame: Body, Trace, Event'. [Exhibition Catalogue]

Newman, Michael. 2011. 'Joining Hilary Lloyd'. [Exhibition Catalogue]

Newman, Michael. 2010. Seth Price’s Operations in Price, Seth. In: K. Jentjens and A. Nathan-Dorn, eds. Seth Price. Zurich: JRP Ringier. ISBN 978-3-03764-028-9 [Book Section]

Newman, Michael. 2010. The Image Beside the Image and the Image Within the Image: Prolegomena to an Approach to the Collages of John Stezaker. Parallax, 16(2), pp. 79-86. ISSN 1353-4645 [Article]

Newman, Michael. 2010. 'The Other Face to Face: Fiona Tan’s The Changeling'. [Exhibition Catalogue]

Newman, Michael and Price, Seth. 2010. Price, Seth. JRP Ringier. ISBN 978-3-03764-028-9 [Book]

Newman, Michael. 2009. 'Marysia Lewandowska: Tender Museum.'. [Other]

Newman, Michael. 2009. Moving Image in the Gallery Since the 1990s. In: Stuart Comer, ed. Film and Video Art. London: Tate, pp. 86-121. ISBN 9781854376077 [Book Section]

Newman, Michael. 2009. 'Suburban Hospitality'. In: , ed. Can I Come Over to Your House? The First Ten Years of The Suburban, The Suburban and Manawa. Oak Park, IL: WI: Poor Farm Press. [Book Section]

Newman, Michael. 2008. 'Absolute Nonsense'. In: , ed. Un coup de dés: Writing Turned Image: An Alphabet of Pensive Language. Vienna: Generali Foundation, pp. 220-223. ISBN 978-3865605436 [Book Section]

Newman, Michael and Elkins, James, eds. 2008. The State of Art Criticism. London and New York: Routledge. ISBN 978-0415977876 [Edited Book]

Newman, Michael. 2008. 'What Makes It Hold Together: Jaki Irvine's Acknowledgments'. In: , ed. The Square Root of Minus One is Plus or Minus i: Jaki Irvine: Assembled Works 1993-2008. Milan: Charta; Sligo: Model Arts and Niland Gallery, pp. 69-147. ISBN 978-8881587025 [Book Section]

Newman, Michael. 2007. Jeff Wall: Works and Collected Writings. Ediciones Poligrafa. ISBN 9788434311312 [Book]

Newman, Michael. 2007. Jeff Wall: Works and Writings. Barcelona: Ediciones Poligrafa. ISBN 978-8434311312 [Book]

Newman, Michael. 2007. 'Joëlle Tuerlinckx: At the Edge of the Visible'. [Exhibition Catalogue]

Newman, Michael. 2007. 'Of Shadows, Reflections and Traces: Vera Lutter's Vedute'. [Exhibition Catalogue]

Newman, Michael. 2007. The Specificity of Criticism and its Need for Philosophy. In: , ed. The State of Art Criticism. London: Routledge, pp. 29-60. ISBN 978-0415977876 [Book Section]

Newman, Michael. 2007. 'Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp'. Oxford Art Journal, 30(1), pp. 81-100. ISSN 0142-6540 [Article]

Newman, Michael. 2006. 'Archive, Testimony, and Trace: Uriel Orlow's Housed Memory'. [Exhibition Catalogue]

Newman, Michael. 2006. Richard Prince: Untitled (couple). Afterall Books, MIT Press. ISBN 1846380030 [Book]

Newman, Michael. 2005. Evident Hypotheses: Marco Poloni's Photographic Scripts for Short Films. In: , ed. Shadows Collide with People: Gianni Motti / Shahryar Nashat / Marco Poloni / Ingrid Wildi. Zurich: Edition Fink and Berne. ISBN 978-3906086798 [Book Section]

Newman, Michael. 2005. 'A Fold in Time: Catherine Yass’s Descent'. [Exhibition Catalogue]

Newman, Michael. 2005. 'Joëlle Tuerlinckx's Filmwork: Time, Multiplicity, Fold'. [Exhibition Catalogue]

Newman, Michael. 2004. 'Giuseppe Penone: Sticking to the World—Drawing as Contact'. [Exhibition Catalogue]

Newman, Michael and Millar, Jeremy. 2004. 'Interrupting the Pan: Marine Hugonnier’s Ariana'. [Exhibition Catalogue]

Newman, Michael. 2004. Remembering and Repeating: Hanne Darboven's Work. In: Lynne Cooke; Karen Kelly and B. Funcke, eds. Robert Lehman Lectures on Contemporary Art Volume 2. Dia Center for the Arts, pp. 123-154. ISBN 0944521789 [Book Section]

Newman, Michael. 2003. 'Alfred Jensen's Diagrams'. [Exhibition Catalogue]

Newman, Michael. 2003. Salvage. [Exhibition Catalogue]

Newman, Michael. 2003. Tacita Dean: Fictions du temps qui tourne. Les Cahiers du Musée national d’art moderne, 86, pp. 5-21. [Article]

Newman, Michael. 2003. The Traces and Marks of Drawing. In: Catherine De Zegher, ed. The Stages of Drawing: Gesture and Act. Tate Publishing and The Drawing Centre, pp. 93-108. ISBN 1854374885 [Book Section]

Newman, Michael. 2002. Cristina Iglesias. [Exhibition Catalogue]

Newman, Michael. 2002. Stuart Brisley. [Exhibition Catalogue]

Newman, Michael. 2001. The Demotic Art of Gillian Wearing. Parachute(102), ISSN 0318-7020 [Article]

Newman, Michael. 2001. 'Documentation and Memory: On Robert Smithson, Renée Green and Tacita Dean.". [Exhibition Catalogue]

Newman, Michael. 2001. 'Installation and Photography: Matthew Tickle's Idyll.'. [Exhibition Catalogue]

Newman, Michael. 2001. 'Medium and Event in the Work of Tacita Dean.'. [Exhibition Catalogue]

Newman, Michael. 2001. Photography, the Readymade and the Ends of Painting in Gerhard Richter's Photo-Paintings. In: , ed. La Part de l'Oeil, N° 17-18 : Peinture pratique théorique. La Part de l'Oeil. ISBN 978-2930174235 [Book Section]

Newman, Michael. 2000. 'The Material Turn in the Art of Western Europe and North America in the 1960s.'. [Exhibition Catalogue]

Newman, Michael. 2000. 'Photography and Video in the Work of Erwin Wurm.'. [Exhibition Catalogue]

Newman, Michael. 2000. 'Sensibility, Language and the Trauma of the Other: Emmanuel Levinas from Phenomenology to the Immemorial.'. In: , ed. The Face of the Other and the Trace of God: Essays on the Philosophy of Emmanuel Levinas. New York: Fordham University Press, pp. 90-129. ISBN 978-0823219667 [Book Section]

Newman, Michael. 1999. Inspiration, Originality and the Passivity of the Subject: A Re-Reading of Genius in Kant's Third Critique. Issues in Contemporary Culture and Aesthetics(9), [Article]

Newman, Michael. 1999. Contingency and Rule in the Work of Pierre Bismuth. [Exhibition Catalogue]

Newman, Michael. 1999. 'Form in the Age of the World Picture: A Reading of Panofsky's Perspective as "Symbolic Form",'. In: , ed. La Part de l'Oeil, N° 15-16 : Problème de la Kunstwissenschaft. Brussels: Holger Schmid. ISBN 978-2930174105 [Book Section]

Newman, Michael. 1999. Joe Scanlan's Nesting Bookcases: Duchamp, Design and the Impossibility of Disappearing. In: , ed. Rewriting Conceptual Art. London: Reaktion Books. [Book Section]

Newman, Michael. 1999. 'McQueen's Materialism.'. [Exhibition Catalogue]

Newman, Michael and Bird, Jon, eds. 1999. Rewriting Conceptual Art. London: Reaktion Books. [Edited Book]

Newman, Michael. 1999. Solid Light. [Exhibition Catalogue]

Newman, Michael. 1998. 'Contingency and Rule in the Work of Pierre Bismuth,'. Cahiers of Witte de With, 7, [Article]

Newman, Michael. 1998. 'Flesh, Wounds and the Divided Body.'. [Exhibition Catalogue]

Newman, Michael. 1998. Horizonlessness. [Exhibition Catalogue]

Newman, Michael. 1997. 'Imants Tillers. [Exhibition Catalogue]

Newman, Michael. 1997. 'Some Notes on Nothing, and the Silence of Works of Art.'. [Exhibition Catalogue]

Newman, Michael. 1997. 'Three Ends of Art: Approaching Didier Vermeiren's Sculpture,'. Art and Design, [Article]

Newman, Michael. 1996. 'Conceptual Art from the 1960s to the 1990s: An Unfinished Project?'. Kunst & Museumjournaal, 7(1/2/3), pp. 95-104. [Article]

Newman, Michael. 1996. 'Marking Time: Memory and Matter in the Work of Avis Newman'. In: , ed. Inside the Visible: Elliptical Traverse of Twentieth Century Art in, of and from the Feminine. Cambridge, Mass. & London: The MIT, pp. 271-279. ISBN 978-0262540810 [Book Section]

Newman, Michael. 1996. 'Recovering Andre'. In: , ed. Carl Andre and the Sculptural Imagination Vol 2. Oxford: Museum of Modern Art,, pp. 6-10. ISBN 978-1901352009 [Book Section]

Newman, Michael. 1996. The Trace of Trauma: Blindness, Memory and the Gaze in Derrida and Blanchot. In: , ed. Maurice Blanchot: The Demand of Writing. London: Routledge, pp. 153-173. ISBN 978-0415125963 [Book Section]

Newman, Michael. 1995. 'Beyond the Lost Object: From Sculpture to Film and Video'. Art Press(202), [Article]

Newman, Michael. 1995. 'Knowledge and Enchantment: Jeff Wall's Pictures.'. Flash Art(181), [Article]

Newman, Michael. 1995. 'Memory and Matter.'. [Exhibition Catalogue]

Newman, Michael. 1995. 'Screen Memories: The Trauma of Time - Michael Newman on Douglas Gordon,'. [Exhibition Catalogue]

Newman, Michael. 1995. 'The True Appearance of Jeff Wall's Pictures.'. [Exhibition Catalogue]

Newman, Michael. 1994. Derrida and the Scene of Drawing. Research in Phenomenology, 24, pp. 218-234. ISSN 0085-5553 [Article]

Newman, Michael. 1993. 'Operation Atopia.'. [Exhibition Catalogue]

Newman, Michael. 1992. La spécificité de la critique et la nécessité de la philosophie. In: , ed. La place du goût dans la production philosophique des concepts et leur destin critique. Archives de la critique dart, pp. 130-158. ISBN 978-2950629302 [Book Section]

Newman, Michael. 1992. Suffering from Reminiscences. In: , ed. Postmodernism and the Re-reading of Modernity. Manchester: Manchester University Press, pp. 84-114. ISBN 978-0719037450 [Book Section]

Newman, Michael. 1991. From World to Earth: Richard Deacon and the End of Nature. In: , ed. Interpreting Contemporary Art. London: Reaktion, pp. 177-204. ISBN 978-0064302050 [Book Section]

Newman, Michael. 1991. Mimesis and Abjection in Recent Photowork. In: , ed. Thinking Art: Beyond Traditional Aesthetics. London: ICA Documents, pp. 111-129. ISBN 978-0905263182 [Book Section]

Newman, Michael. 1991. 'Now and Then.'. [Exhibition Catalogue]

Newman, Michael. 1990. 'Review of The Problems of Modernity: Adorno and Benjamin, Edited by Andrew Benjamin.'. The British Journal of Aesthetics, 30(4), pp. 390-392. ISSN 1468-2842 [Article]

Newman, Michael. 1989. 'Ernesto Tatafiori.'. [Exhibition Catalogue]

Newman, Michael. 1989. 'From the Fire to the Light: On Richard Wilson's Installations.'. [Exhibition Catalogue]

Newman, Michael. 1989. 'John Wilkins' Re-marks.'. [Exhibition Catalogue]

Newman, Michael. 1989. Revising Modernism, Representing Postmodernism. In: , ed. Postmodernism: Institute of Contemporary Arts Documents. London: Free Association Books, pp. 95-154. ISBN 978-1853430787 [Book Section]

Newman, Michael. 1988. Andrea Fisher (The Showroom, London). Flash Art(142), [Article]

Newman, Michael. 1988. 'Immants Tillers: The Artist as Translator.'. [Exhibition Catalogue]

Newman, Michael. 1988. 'Olivier Richon.'. Camera Austria(25), [Article]

Newman, Michael. 1988. Pavel Büchler: Untitled Portraits. [Exhibition Catalogue]

Newman, Michael. 1988. 'Undecidable Objects.'. [Exhibition Catalogue]

Newman, Michael. 1987. 'Edward Allington: 'Gazing at Dislocated Fragments in Museums...''. [Exhibition Catalogue]

Newman, Michael. 1987. 'The Pathos of Absence: John Murphy's Inscriptions.'. [Exhibition Catalogue]

Newman, Michael. 1986. Helen Chadwick: The Body as Emblem. Artscribe(60), [Article]

Newman, Michael. 1986. My House is Your House: Chambres D'amis at Ghent. Artscribe(60), [Article]

Newman, Michael. 1986. Stuart Brisley at the Third Eye Centre, Glasgow. Artscribe(60), [Article]

Newman, Michael. 1986. Mysteries and Mercenaries: The Venice Biennale 1986. Artscribe(59), [Article]

Newman, Michael. 1986. 'Fallen Haloes: The Hayward Annual.'. Artscribe(58), [Article]

Newman, Michael. 1986. 'The Postmodern Labyrinth.'. [Exhibition Catalogue]

Newman, Michael. 1986. Vision as Metaphor: Towards a Fragmentary History. In: , ed. The Mirror And the Lamp. Edinburgh and London: The Fruitmarket Gallery and ICA, pp. 6-46. [Book Section]

Newman, Michael. 1985. 'James Coleman.'. Artforum, [Article]

Newman, Michael. 1985. 'Helen Chadwick, Mikey Cuddihy and Annette Messager.'. Art Monthly(85), ISSN 0142-6702 [Article]

Newman, Michael. 1985. 'The Face of Things.'. [Exhibition Catalogue]

Newman, Michael. 1985. 'Allegories of the Subject.'. [Exhibition Catalogue]

Newman, Michael. 1985. 'Amikam Toren.'. Art Monthly(91), [Article]

Newman, Michael. 1985. 'Edward Allington.'. Art Monthly(89), [Article]

Newman, Michael. 1985. 'From Inside the Whale: Richard Wilson.'. Artforum, [Article]

Newman, Michael. 1985. 'Phobias, Fragments, Recall: Annette Messager, Helen Chadwick and Mikey Cuddihy.'. C Magazine(6), [Article]

Newman, Michael. 1984. 'Nancy Spero.'. Art Monthly(79), [Article]

Newman, Michael. 1984. 'The Bankable Sculpture of Julian Opie.'. The Face(45), [Article]

Newman, Michael. 1983. 'Josef Beuys.'. [Audio]

Newman, Michael. 1983. 'The Ribbon Around the Bomb: Frida Kahlo and Tina Modotti.'. Art in America, 71(4), [Article]

Newman, Michael. 1983. 'Georg Baselitz.'. Art Monthly(62), [Article]

Newman, Michael. 1983. 'Figuren en Objecten: Nieue Beeldhouwkunst in Groot-Britanie/ New Sculpture in Great Britain.'. Museum Journaal, 28(2), [Article]

Newman, Michael. 1983. 'Introduction to British Section.'. [Exhibition Catalogue]

Newman, Michael. 1983. 'Richard Prince and the Uncanny.'. Art Monthly(72), [Article]

Newman, Michael. 1982. 'Venice: Aperto 82 and Collazione Inglese.'. Art Monthly(59), [Article]

Newman, Michael. 1982. 'Frida Kahlo and Tina Modotti: Identity, Allegory and the Heart.'. Art Monthly(57), [Article]

Newman, Michael. 1982. 'Bill Woodrow.'. Art Monthly(53), [Article]

Newman, Michael. 1982. Bill Woodrow. [Exhibition Catalogue]

Newman, Michael. 1982. Englische Plastik Heute/ British Sculpture Now. [Exhibition Catalogue]

Newman, Michael. 1982. 'From Concept to Symbol.'. [Exhibition Catalogue]

Newman, Michael. 1982. 'The Guillotine, the Titanic and Ernesto Tatafiori.'. [Exhibition Catalogue]

Newman, Michael. 1982. 'Leon Golub.'. [Exhibition Catalogue]

Newman, Michael. 1982. 'Man's Place: Four Works.'. Art and Artists(193), [Article]

Newman, Michael. 1982. Objects and Figures. [Exhibition Catalogue]

Newman, Michael. 1981. 'Jack Goldstein.'. ZG Magazine, London. [Other]

Newman, Michael. 1981. 'Rauschenberg Re-evaluated.'. Art Monthly(47), [Article]

Newman, Michael. 1981. 'The Guillotine, the Titanic and Ernesto Tatafiori.'. ZG(2), [Article]

Newman, Michael. 1981. 'Londra: Vilmouth, Il Gioco.'. Domus, [Article]

Newman, Michael. 1981. 'Orozco at the Museum of Modern Art, Oxford.'. Burlington Magazine(934), [Article]

Newman, Michael. 1981. 'Stephen Willats.'. [Other]

Newman, Michael. 1981. 'Drastic Classicism (Rhys Chatham/Karole Armitage Performance).'. ZG(3), [Article]

Newman, Michael. 1980. 'New York Exhibitions: Picasso at MOMA.'. Arts Review, [Article]

Newman, Michael. 1980. 'Two Travelling Exhibitions: Barnett Newman and Marsden Hartley.'. Arts Review, [Article]

Newman, Michael. 1979. 'The New East Wing of the National Gallery, Washington.'. Arts Review, [Article]

Newman, Michael. 1977. 'August Sander at the Talbot Rice Arts Centre, Edinburgh.'. Artscribe(8), [Article]