Items Authored/Edited by Oreggia, Eleonora

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Number of items: 43.

2024

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Oreggia, Eleonora. 2024. Exploring the space between instrument and controller. Sound and Music Computing Conference 2024, [Article]

2023

Oreggia, Eleonora. 2023. 'Playing with the electromagnetic field as a musical instrument'. In: OpenLab, Intelligent Instruments Lab. Reykjavik, Iceland 30 June 2023. [Conference or Workshop Item]

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Oreggia, Eleonora. 2023. 'Electromagnetic Interactions with REBUS workshop'. In: Electromagnetic Interactions. Goldsmiths, University of London, United Kingdom 21 April 2023. [Conference or Workshop Item]

Oreggia, Eleonora; Migliore, Tiziana; Dusi, Anna and Tonin, Piero. 2023. '20 anni di segni audiovisivi (20 years of audiovisual signs)'. In: SEMPRE+CAVA. 20 anni di segni audiovisivi. Milan, Italy 11 - 14 January 2023. [Conference or Workshop Item]

Oreggia, Eleonora; Corrain, Lucia; Dusi, Anna and Tonin, Piero. 2023. 'SEMPRE+CAVA presents: Il segno audiovisivo. Cinema d’animazione e nuovi linguaggi'. In: SEMPRE+CAVA. Vernissage and book presentation. Milan, Italy 12 January 2023. [Conference or Workshop Item]

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Oreggia, Eleonora; Cavandoli, Sergio; Dusi, Anna; Tonin, Piero and Malviste, Compagnie. 2023. SEMPRE+CAVA. In: "SEMPRE+CAVA", Milan, Italy, 11 - 14 January 2023. [Show/Exhibition]

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Oreggia, Eleonora and Cuzzolin Oberosler, Daniela. 2023. SEMPRE+CAVA Interview on RAINEWS. [Broadcast]

Oreggia, Eleonora; Heiland-Allen, Claude and Werkowicz, Kacper. 2023. REBUS - Electromagnetic Interactions [Repository]. [Software]

2022

Oreggia, Eleonora. 2022. Performance for REBUS and electromagnetic waves.. In: "International Conference Live Interfaces (ICLI 2022)", Lusofona University, Lisbon, Portugal, 20 - 23 June 2022. [Performance]

Oreggia, Eleonora. 2022. 'Make Music with Lights. Noise Bots workshop'. In: School of Innovation and Technology. The Glasgow School of Art. Inverness, United Kingdom 8 February 2022. [Conference or Workshop Item]

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Oreggia, Eleonora. 2022. Il segno audiovisivo. Cinema d'animazione e nuovi linguaggi. Milan, Italy: Meltemi Editore. ISBN 9788855195225 [Book]

2021

Komachi, Midori and Oreggia, Eleonora. 2021. Bamboo Ring Live. In: "Fuorisalone. Milan Design Week", Milan, Italy, 8 September 2021. [Performance]

Kuma, Kengo; Komachi, Midori and Oreggia, Eleonora. 2021. Bamboo Ring. Weaving a symphony of lightness and form. In: "Fuorisalone. Milan Design Week", Milan, Italy, 4 - 18 September 2021. [Show/Exhibition]

Oreggia, Eleonora. 2021. HALT. [Audio]

2020

Oreggia, Eleonora and Parini, Clive. 2020. 'Rebus is not just a Theremin'. In: NIME 2020. Royal Birmingham Conservatoire, United Kingdom 21 - 25 July 2020. [Conference or Workshop Item]

Oreggia, Eleonora and IKLECTIK, ArtLab. 2020. Nebularosa 02: Electromagnetic Interactions. In: "Nebularosa 02 – Electromagnetic Interactions. IKLECTIK OFFSITE", London, United Kingdom, 27 June 2020. [Show/Exhibition]

Oreggia, Eleonora. 2020. Noisebots. [Art Object]

2019

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Oreggia, Eleonora. 2019. 'Artist talk and Rebus demo'. In: ArtFutura. Iklectik, London, United Kingdom 30 November - 1 December 2019. [Conference or Workshop Item]

Oreggia, Eleonora. 2019. 'Audiovisual performance composition using electromagnetic waves [Keynote]'. In: Nordic Sound and Music Computing Conference 2019. KTH Royal Institute of Technology, Stockholm, Sweden 18 - 20 November 2019. [Conference or Workshop Item]

Oreggia, Eleonora. 2019. 'Creative electronics laboratory'. In: Music Hackspace 2019. Somerset House, London, United Kingdom 31 August 2019. [Conference or Workshop Item]

Oreggia, Eleonora. 2019. REBUS. [Film/Video]

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Oreggia, Eleonora; Lantz, Franziska and Pitrolo, Flora. 2019. A Colder Global Warming with Nebularosa. [Broadcast]

2018

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Oreggia, Eleonora and White, Graham. 2018. When technology goes out of control. Digital Creativity, 29(1), pp. 51-67. ISSN 1462-6268 [Article]

2016

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Oreggia, Eleonora. 2016. Transcendendo tecnologia: computacao ubıqua ou technomagia? (Transcending technology: ubiquitous computing or technomagic?). In: Fabiane M Borges, ed. TCNXMNSM. Sao Paulo: Invisíveis Produções and Goethe Institut, pp. 31-36. ISBN 9788566129236 [Book Section]

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Oreggia, Eleonora and White, Graham. 2016. 'Because there was no user in art: imagining a technological sublime'. In: xCoAX 2016. Bergamo, Italy 7 - 8 July 2016. [Conference or Workshop Item]

2013

2012

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Oreggia, Eleonora; Pinks, Nicholas and McPherson, Andrew. 2012. Touch-controlled panoramic video streaming for film directing. [Article]

2010

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Oreggia, Eleonora. 2010. Anche i files hanno un'anima. In: C Hendrickson; S Iaconesi; O Persico; F Ruberti and L Simeone, eds. Reff, RomaEuropa Fake Factory: la reinvenzione del reale attraverso pratiche di remix, mashup, reenactment. Rome: Derive approdi, pp. 62-67. ISBN 9788865480120 [Book Section]

2009

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Oreggia, Eleonora. 2009. The oracle machine. Ictus, 10(2), pp. 32-36. ISSN 1516-2737 [Article]

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Messeri, Valentina and Oreggia, Eleonora. 2009. Video editing with open source tools. In: Marloes De Valk and Aymeric Mansoux, eds. Digital Artists' Handbook. Folly. [Book Section]

2008

Oreggia, Eleonora. 2008. The Piksel big bang. In: Aymeric Mansoux and Marloes de Valk, eds. FLOSS + Art. London: GOTO10 and OPenMute, pp. 254-261. ISBN 9781906496180 [Book Section]

2007

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Oreggia, Eleonora and Galliani, Silvano. 2007. The Ball in the Hole. pp. 369-370. [Article]

2006

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Oreggia, Eleonora. 2006. Newbie. In: Y Bernard and A Maes, eds. x-med-a. Brussels: okno, pp. 38-39. ISBN 9081073311 [Book Section]

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Roio, Denis Jaromil and Oreggia, Eleonora. 2006. Video streaming across wide area networks. Research on technologies for content distribution. In: Roland Alton-Scheidl and Edith Huber, eds. Kompetenznetzwerk Mediengestaltung 2004-2006. Vienna: , pp. 74-97 [Book Section]

This list was generated on Tue Nov 5 03:41:45 2024 GMT.