Items Authored/Edited by Wiggins, Geraint A.

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Number of items: 12.

Article

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Xiao, Ping; Toivonen, Hannu; Gross, Oskar; Cardoso, Amílcar; Correia, João; Machado, Penousal; Martins, Pedro; Goncalo Oliveira, Hugo; Sharma, Rahul; Pinto, Alexandre Miguel; Díaz, Alberto; Francisco, Virginia; Gervás, Pablo; Hervás, Raquel; León, Carlos; Forth, Jamie; Purver, Matthew; Wiggins, Geraint A.; Miljković, Dragana; Podpečan, Vid; Pollak, Senja; Kralj, Jan; Žnidaršič, Martin; Bohanec, Marko; Lavrač, Nada; Urbančič, Tanja; van der Velde, Frank and Battersby, Stuart. 2019. Conceptual Representations for Concept Creation. ACM Computing Surveys, 52(1), ISSN 0360-0300 [Article]

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van der Velde, Frank; Forth, Jamie; Nazareth, Deniece S. and Wiggins, Geraint A.. 2017. Linking neural and symbolic representation and processing of conceptual structures. Frontiers in Psychology, 8, 1297. ISSN 1664-1078 [Article]

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Agres, Kathleen; Forth, Jamie and Wiggins, Geraint A.. 2016. Evaluation of Musical Creativity and Musical Metacreation Systems. Computers in Entertainment, 14(3), pp. 1-33. [Article]

Ewert, Sebastian; Müller, Meinard; Konz, Verena; Müllensiefen, Daniel and Wiggins, Geraint A.. 2012. Towards Cross-Version Harmonic Analysis of Music. IEEE Transactions on Multimedia, 14(3), pp. 770-782. ISSN 1520-9210 [Article]

Forth, Jamie; Wiggins, Geraint A. and McLean, Alex. 2010. Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems. Minds and Machines, 20(4), pp. 503-532. ISSN 0924-6495 [Article]

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Ewert, Sebastian; Müller, Meinard; Müllensiefen, Daniel; Clausen, Michael and Wiggins, Geraint A.. 2009. Case Study ``Beatles Songs'' — What can be Learned from Unreliable Music Alignments? Dagstuhl Seminar Proceedings, pp. 1-16. ISSN 1862 - 4405 [Article]

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Wiggins, Geraint A. and Pearce, Marcus T.. 2006. Expectation in Melody: The Influence of Context and Learning. Music Perception, 23(5), pp. 377-405. ISSN 0730-7829 [Article]

Book Section

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Wiggins, Geraint A. and Forth, Jamie. 2018. Computational Creativity and Live Algorithms. In: Alex McLean and Roger Dean, eds. The Oxford Handbook of Algorithmic Music. Oxford, UK: Oxford University Press. ISBN 9780190226992 [Book Section]

Wiggins, Geraint A. and Forth, Jamie. 2015. IDyOT: A Computational Theory of Creativity as Everyday Reasoning from Learned Information. In: Tarek R. Besold; Marco Schorlemmer and Alan Smaill, eds. Computational Creativity Research: Towards Creative Machines. 7 Paris: Atlantis Press, pp. 127-148. ISBN 9789462390843 [Book Section]

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Forth, Jamie and Wiggins, Geraint A.. 2009. An approach for identifying salient repetition in multidimensional representations of polyphonic music. In: Joseph Chan; Jacqueline W. Daykin and M. Sohel Rahman, eds. London Algorithmics 2008: Theory and Practice. London: College Publications, pp. 44-58. ISBN 9781904987970 [Book Section]

Conference or Workshop Item

Forth, Jamie and Wiggins, Geraint A.. 2012. 'Conceptual spaces of metre and rhythm'. In: 12th International Conference on Music Perception and Cognition (ICMPC). Thessaloniki, Greece. [Conference or Workshop Item]

Forth, Jamie; McLean, Alex and Wiggins, Geraint A.. 2008. 'Musical creativity on the conceptual level'. In: Proceedings of the 5th International Joint Workshop on Computational Creativity. Madrid, Spain. [Conference or Workshop Item]

This list was generated on Thu Mar 28 04:42:13 2024 GMT.