Assiter, Ben. 2024. From dancefloors to tables: socially distanced clubbing, temporary urbanism, and the gentrification of London's nightlife. Annals of Leisure Research, 27(1), pp. 187-193. ISSN 1174-5398 [Article]

Brkić, Aleksandar. 2011. Mogućnost društvene promene i popularna muzika u Srbiji: Studija slučaja - Šobaja i "Tri poljupca". Etnoantropološki problemi, 6(2), pp. 443-455. [Article]

Busby, Lisa. 2015. 3 Scores, 3 Rooms. [Composition]

Busby, Lisa. 2017. Collage, cut up and pop mantra: Post-digital approaches to songwriting. In: Justin Williams and Katherine Williams, eds. The Singer Songwriter Handbook. Bloomsbury Academic, pp. 113-133. ISBN 9781628920291 [Book Section]

Busby, Lisa. 2015. Editions of You: A DIY Archive of DIY Practice. In: Sarah Baker, ed. Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. 11 New York: Routledge, pp. 227-240. ISBN 9781138781436 [Book Section]

Busby, Lisa. 2015. Fingers in the Gloss. [Composition]

Busby, Lisa. 2015. Future//Past: a series of interventions into The Greatest Hits of The Spice Girls. [Composition]

Busby, Lisa. 2013. Guest Curator: Lisa Busby. hernoise.org, [Article]

Busby, Lisa. 2014. I begin alone in this action: a series of sounding zones. In: "Survival Kit Umea", Verkligheten Gallery and various outdoor venues in Umea, Sweden, 12/9/14-4/10/14. [Performance]

Busby, Lisa. 2017. Like so many things I both know and don't know. Dancecult Journal of Electronic Dance Music Culture, 9(1), ISSN 1947-5403 [Article]

Busby, Lisa. 2014. Negotiating with the dead: A self-help programme for composers. [Composition]

Busby, Lisa. 2016. Ovarium. [Composition]

Chen, Yuting and Negus, Keith. 2023. Guochao music and new Chinese identities: Gender, generation, and nation. In: Kimi Kärki, ed. Popular Music Climates. Turku, Finland: Turku: International Insitute of Popular Culture, pp. 18-23. ISBN 9789512994274 [Book Section]

Garrelfs, Iris. 2024. Scores for Listening #8: How does one blade of grass sound. In: Stephanie Loveless, ed. A Year of Deep Listening: 365 Text Scores for Pauline Oliveros. Newark: Terra Nova Press. ISBN 9781949597349 [Book Section]

Garrelfs, Iris. 2020. 'Virtual Listening Wall for the Royal Musical Association´s 56th Annual Conference'. In: Royal Musical Association 56th Annual Conference. Online, United Kingdom 8 – 10 September 2020. [Conference or Workshop Item]

Graham, Stephen. 2017. The X Factor and Reality Television: Beyond Good and Evil. Popular Music, 36(1), pp. 6-20. ISSN 0261-1430 [Article]

Kennedy-McCracken, Caroline. 2024. The Critical Song of Serge Gainsbourg. In: Olivier Julien and Olivier Bourderionnet, eds. Serge Gainsbourg: An International Perspective. London: Bloomsbury Academic, pp. 55-62. ISBN 9781501365669 [Book Section]

Kennedy-McCracken, Caroline. 2020. When A Mouth Is A Gun: Complicating Gendered Bodies In Song-based Work. In: Jon Stratton; Jon Dale and Tony Mitchell, eds. An Anthology Of Australian Albums: Critical Engagements. New York: Bloomsbury Academic, pp. 67-82. ISBN 9781501339851 [Book Section]

Negus, Keith. 2011. Authorship and the Popular Song. Music and Letters, 92(4), pp. 607-629. ISSN 0027-4224 [Article]

Negus, Keith. 2002. Belonging and detachment - musical experience and the limits of identity. Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30(1-2), pp. 133-145. ISSN 00484571 [Article]

Negus, Keith. 2008. Bob Dylan. London: Equinox London. ISBN 13 978 1 904768 25 8 [Book]

Negus, Keith. 2010. Bob Dylan's Phonographic Imagination. Popular Music, 29(2), pp. 213-228. ISSN 0261-1430 [Article]

Negus, Keith. 2023. Book Review: Made in Hong Kong: Studies in Popular Music. Global Media and China, ISSN 2059-4364 [Article] (In Press)

Negus, Keith. 1998. Cultural production and the corporation: musical genres and the strategic management of creativity in the US recording industry. Media, Culture and Society, 20(3), pp. 359-379. ISSN 0163-4437 [Article]

Negus, Keith. 2015. Digital divisions and the changing cultures of the music industries (or, the ironies of the artefact and invisibility). Journal of Business Anthropology, 4(1), pp. 151-157. [Article]

Negus, Keith. 2005. Elvis Costello at 50. Popular Music, 24(3), pp. 453-457. ISSN 0261-1430 [Article]

Negus, Keith. 2019. From creator to data: the post-record music industry and the digital conglomerates. Media, Culture and Society, 41(3), pp. 367-384. ISSN 0163-4437 [Article]

Negus, Keith. 1996. Globalization and the Music of the Public Spheres. In: Sandra Braman and Annabelle Sreberny-Mohammadi, eds. Globalisation, Communication and Transnational Civil Society. Cresskill, New Jersey: Hampton Press, pp. 179-195. ISBN 1-57273-020-X [Book Section]

Negus, Keith. 2007. Living, Breathing Songs: Singing Along With Bob Dylan. Oral Tradition, 22(1), pp. 71-83. ISSN 0883-5365 [Article]

Negus, Keith. 1999. Music Genres and Corporate Cultures. London: Routledge. ISBN 0-415-17399-X [Book]

Negus, Keith. 2018. Musicians on Television at the BBC, 1936-1972. Discussion Paper, [Article]

Negus, Keith. 2006. Musicians on Television: Visible, Audible and Ignored. Journal of the Royal Musical Association, 131(2), pp. 310-330. ISSN 02690403 [Article]

Negus, Keith. 2012. Narrative Time and the Popular Song. Popular Music and Society, 35(4), pp. 483-500. ISSN 0300-7766 [Article]

Negus, Keith. 2012. Narrative, Interpretation and the Popular Song. Musical Quarterly, 95(2-3), pp. 368-395. ISSN 1741-8399 [Article]

Negus, Keith. 2019. Nation-states, transnational corporations and cosmopolitans in the global popular music economy. Global Media and China, 4(4), pp. 403-418. ISSN 2059-4364 [Article]

Negus, Keith. 2014. ‘Numérisation et proliferation d’intermédiares: le cas de la musique’. In: Jeanpierre Laurent and Olivier Roueff, eds. La culture et ses intermediaries, Dans les arts, le numérique et les industries creative. Paris: Editions des Archives Contemporaines, pp. 189-200. ISBN 9782813000972 [Book Section]

Negus, Keith. 2024. Perspectives on cultural economy: personal, institutional, historical. Journal of Cultural Economy, 17(5), pp. 694-699. ISSN 1753-0350 [Article]

Negus, Keith. 2015. Philip Tagg and the semiotic dialogues of the popular song. In: Audrone Daubariene and Dario Martinelli, eds. The Role of Humanities in Contemporary Society: Semiotics, Culture, Technologies. Kaunas, Lithuania: Kaunas University of Technology, pp. 125-132. ISBN 978-609-02-1139-7 [Book Section]

Negus, Keith. 2011. Producing Pop: Culture and Conflict in the Popular Music Industry. London: Edward Arnold. ISBN 0340575123 [Book]

Negus, Keith. 2014. Recordings, Rights and Risks: Intermediaries and the Changing Music Industries. Civilisations: Revue Internationale D’Anthropologie et de Sciences Humaines, 13, pp. 113-136. ISSN 2032-0442 [Article]

Negus, Keith. 2021. The Singles: A Playlist for Framing Dylan's Recording Art. In: Sean Latham, ed. The World of Bob Dylan. Cambridge: Cambridge University Press, pp. 46-57. ISBN 9781108499514 [Book Section]

Negus, Keith. 2015. The South Korean Music Industry: A Literature Review. CREATe Working Paper Series, [Article]

Negus, Keith. 2005. 'When the artist meets the audience: amour, anxiety and ambivalence'. In: 13th Biennial IASPM Conference, Making Music, Making Meaning. Università La Sapienza, Rome, Italy, Italy 25-30 July 2005. [Conference or Workshop Item]

Negus, Keith. 2002. The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. Cultural Studies, 16(4), pp. 501-515. ISSN 09502386 [Article]

Negus, Keith. 2017. The gendered narratives of nobodies and somebodies in the popular music economy. In: Stan Hawkins, ed. Routledge Research Companion to Popular Music and Gender. UK/ USA: Taylor Francis/ Routledge, pp. 152-165. ISBN 978-1-472-45683-0 [Book Section]

Negus, Keith. 2010. The symbolic and material presence of music in Buffy the Vampire Slayer. In: Paul Attinello; Janet Halfyard and Vanessa Knights, eds. Music, Sound, and Silence in Buffy the Vampire Slayer. Farnham: Ashgate, xv-xviii. ISBN 978-0-7546-6041-5 [Book Section]

Negus, Keith and Astor, Pete. 2022. Authenticity, empathy, and the creative imagination. Rock Music Studies, 9(2), pp. 157-173. ISSN 1940-1159 [Article]

Negus, Keith and Astor, Pete. 2014. More Than a Performance: Song Lyrics and the Practices of Songwriting. In: Lee Marshall and Dave Laing, eds. Popular Music Matters, Essays In Honour of Simon Frith. Farnham, Surrey: Ashgate, pp. 195-208. ISBN 9781472421791 [Book Section]

Negus, Keith and Astor, Pete. 2015. Songwriters and song lyrics: architecture, ambiguity and repetition. Popular Music, 34(2), pp. 226-244. ISSN 0261-1430 [Article]

Negus, Keith; Behr, Adam and Street, John. 2017. The sampling continuum: musical aesthetics and ethics in the age of digital production. Journal for Cultural Research, 21(3), pp. 223-240. ISSN 1479-7585 [Article]

Negus, Keith; Du Gay, Paul; Hall, Stuart; Janes, Linda and Mackay, Hugh. 1997. Doing Cultural Studies: The Story of the Sony Walkman. London: Sage. ISBN 0-7619-5402-3 [Book]

Negus, Keith and Pickering, Michael. 2002. Creativity, Communication and Musical Experience. In: Keith Negus and David Hesmondhalgh, eds. Popular Music Studies. London: Arnold, pp. 178-190. ISBN 0 340 76248 9 [Book Section]

Negus, Keith and Shin, Hyunjoon. 2021. Eurasian entanglements: notes towards a planetary perspective of popular music histories. Popular Music, 40(1), 158 -164. ISSN 0261-1430 [Article]

Negus, Keith and Sledmere, Adrian. 2022. Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! Popular Music, 41(2), pp. 131-151. ISSN 0261-1430 [Article]

Negus, Keith and Street, John. 2016. Introduction: the mediations of music and alcohol. Popular Music, 35(2), pp. 161-165. ISSN 0261-1430 [Article]

Negus, Keith and Street, John. 2016. The Mediations of Music and Alcohol. Popular Music, 35(02), pp. 161-165. ISSN 0261-1430 [Article]

Negus, Keith; Street, John and Behr, Adam. 2018. Copy rights: The politics of copying and creativity. Political Studies, 66(1), pp. 63-80. ISSN 0032-3217 [Article]

Negus, Keith; Street,, John and Behr, Adam. 2017. Copying, copyright and originality; imitation, transformation and popular musicians. European Journal of Cultural Studies, 20(4), pp. 363-380. ISSN 1367-5494 [Article]

Perchard, Tom. 2015. After Django: Making Jazz in Postwar France. Ann Arbor: University of Michigan Press. ISBN 9780472072422 [Book]

Perchard, Tom. 2013. Doing Musical Fieldwork with James G. Spady. The Western Journal of Black Studies, 37(2), pp. 104-112. ISSN 0197-4327 [Article]

Perchard, Tom. 2014. '‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’'. In: Musical Materialities in the Digital Age. University of Sussex, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2017. Growing Old Together: Pop Studies and Music Sociology Today. Twentieth-Century Music, 14(2), pp. 335-343. ISSN 1478-5722 [Article]

Perchard, Tom. 2014. 'Introduction'. In: Tom Perchard, ed. From Soul to Hip Hop. Farnham: Ashgate, xi-xxix. ISBN 978-0-7546-2950-4 [Book Section]

Perchard, Tom. 2020-2023 Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life. [Project]

Perchard, Tom. 2017. Mid-Century Modern Jazz: Music and Design in the Postwar Home. Popular Music, 36(1), pp. 55-74. ISSN 0261-1430 [Article]

Perchard, Tom. 2015. New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century. Journal of the Society for American Music, 9(3), pp. 321-348. ISSN 1752-1963 [Article]

Perchard, Tom. 2014. '‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’.'. In: Invited seminar, Royal Holloway, University of London. Royal Holloway, University of London, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2014. 'Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014.'. In: Voice, Memory, Song symposium, University of Oxford. University of Oxford, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2017. Technology, Listening and Historical Method: Placing Audio in the Post-War British Home. Journal of the Royal Musical Association, 142(2), pp. 367-399. ISSN 0269-0403 [Article]

Perchard, Tom. 2019. The Vocalized Tone. In: Nicholas Gebhardt; Nichole Rustin-Paschal and Tony Whyton, eds. The Routledge Companion to Jazz Studies. Routledge, pp. 197-207. ISBN 9781138231160 [Book Section]

Pickering, M. and Negus, Keith. 2004. Creativity, Communication & Cultural Value. Sage. ISBN 0761970754 [Book]

Powers, Devon and Perchard, Tom. 2017. Introduction: The Critical Imperative. Popular Music, 36(1), pp. 1-5. ISSN 0261-1430 [Article]

Spillane, Jeremiah. 2020. [Book Review] 'When Genres Collide: Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock' By Matt Brennan. 2017, Bloomsbury Academic. Jazz Research Journal, 14(2), pp. 224-229. ISSN 1753-8637 [Article]

Spillane, Jeremiah. 2019. 'Codifying Jazz Manouche: A Brief History and Definition of Jazz Manouche in Relation to the Belgian and Dutch Manouche community.'. In: Jazz and Cultural Identity: In and Out of Europe. UCLAN, Preston, United Kingdom 07/06/2019. [Conference or Workshop Item]

Spillane, Jeremiah. 2017. 'Djangology: Examining the posthumous influence of Django Reinhardt and the formation of “Gypsy Jazz” through pedagogy and performance online.'. In: The Fourth Westminster-Goldsmiths Symposium for Student Research in Popular Music. University of Westminster, London, United Kingdom Friday, 26 May 2017. [Conference or Workshop Item]

Spillane, Jeremiah. 2019. 'Documenting jazz manouche: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through community and performance online.'. In: Music Research Series. Goldsmiths, University of London, United Kingdom 5 Feb 2019. [Conference or Workshop Item]

Spillane, Jeremiah. 2019. 'Documenting ‘Gypsy jazz’: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through pedagogy and performance online.'. In: Documenting Jazz. TU, Dublin, Ireland 17-19 January 2019. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Hybridized cultural musical expressions and their impact on creative musical expressions. An examination of Musette and its impact on Django Reinhardt’s creative vision and stylistic development'. In: ‘Vision and Articulation’, Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2015. Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. HANDAI ONGAKUGAKUHO, Journal of HANDAI Music Studies, [Article]

Spillane, Jeremiah. 2014. 'Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu'. In: Safeguarding the Intangible: Cross-Cultural Perspectives on Music and Heritage’. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2020. Jazz Manouche. In: David Horn and John Shepherd, eds. Bloomsbury Encyclopedia of Popular Music of the World (EPMOW). Vol. XIII. London: Bloomsbury. [Book Section] (Forthcoming)

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: The Second Westminster - Goldsmiths Symposium for Student Research in Popular Music. Westminster University, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: New Directions in Jazz Studies. Senate House, London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2019. Lines on Music [Podcast]: Ep. 1 - Menace & Influence. [Audio]

Spillane, Jeremiah. 2019. Lines on Music [podcast]: Ep. 3 - London Django Collective. [Audio]

Spillane, Jeremiah. 2014. 'Mapping hybridities: exploring indigenous popular precursors to gypsy jazz'. In: London Popular Music PhD Symposium. University of Westminster, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2016. 'Transatlantic Swing: The Influence of Louis Armstrong on Django Reinhardt and the Development of Jazz in France'. In: Third Westminster-Goldsmiths Symposium for Student Research in Popular Music. Westminster University, London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2013. 'A phonomusicological approach to investigating the stylistic development Django Reinhardt'. In: 'Music as Communication', Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Zhang, Qian and Negus, Keith. 2020. East Asian pop music idol production and the emergence of data fandom in China. International Journal of Cultural Studies, 23(4), pp. 493-511. ISSN 1367-8779 [Article]

Zhang, Qian and Negus, Keith. 2024. From cultural intermediaries to platform adaptors: the transformation of music planning and artist acquisition in the Chinese music industry. New Media & Society, ISSN 1461-4448 [Article] (In Press)

Zhang, Qian and Negus, Keith. 2021. Stages, platforms, streams: the economies and industries of live music after digitalization. Popular Music and Society, 44(5), pp. 539-557. ISSN 0300-7766 [Article]

Zheng, Zhou and Negus, Keith. 2023. Creating an Oriental Fantasy: Transnational Game Production and New Nationalism in Honor of Kings. In: Kimi Kärki, ed. Popular Music Climates. Turku, Finland: Turku: International Insitute of Popular Culture,, pp. 105-110. ISBN 9789512994274 [Book Section]