Ramos Martinez, Manuel. 2022. Images That Sweat: On the Spectacular Realism of Lino Brocka’s Macho Dancer. Third Text, 36(5), pp. 497-512. ISSN 0952-8822 [Article]

Ramos Martinez, Manuel. 2022. The Most Beautiful Film Ever Made. Moving Image Review & Art Journal (MIRAJ), 11(1), pp. 86-95. ISSN 2045-6298 [Article]

Ramos Martinez, Manuel. 2017. An Accidental Document of the Beginnings of the Civil War in Madrid: Notes on Carne de Fieras. La Furia Umana(30), [Article]

Ramos Martinez, Manuel. 2016. The Cinema of No. La Furia Umana(28), ISSN 2037-0431 [Article]

Ramos Martinez, Manuel. 2016. People Fever, On the Popular Passions of Peter Watkins' La Commune (Paris 1871). Screen, 57(2), pp. 197-217. ISSN 0036-9543 [Article]

Ramos Martinez, Manuel. 2016. “Actors Simply Explode”: To Act in the Cinema of Jean-Marie Straub and Danièle Huillet. Camera Obscura, 31(2), pp. 93-117. ISSN 0270-5346 [Article]

Ramos Martinez, Manuel. 2015. Names in Dispute – What Titles Can Do in the Films of Straub and Huillet. La Furia Umana(26), ISSN 2037-0431 [Article]

Ramos Martinez, Manuel. 2015. The Oxidation of the Documentary – The Politics of Rust in Wang Bing’s Tie Xi Qu: West of the Tracks. Third Text, 29(1-2), pp. 1-13. ISSN 0952-8822 [Article]

Ramos Martinez, Manuel. 2015. Book Review: TJ Demos, The Migrant Image: The Art and Politics of Documentary during Global Crisis. Journal of Visual Culture, 14(1), pp. 116-118. ISSN 1470-4129 [Article]

Ramos Martinez, Manuel and Matos Cabo, Ricardo. 2014. ‘Flower Children in the Blinding Light, A Conversation with Anthony Stern’. Lux - Artists' Moving Image, [Article]

Ramos Martinez, Manuel. 2014. ‘On What is Worth Investigating, an Interview with Martin J. Kemp’. ARS Magazine(23), pp. 44-48. [Article]

Ramos Martinez, Manuel. 2013. ‘Restless Space, a Conversation with Ron Arad’. ARS Magazine(19), pp. 106-116. [Article]

Ramos Martinez, Manuel. 2011. Review: Alain Badiou (2010) Cinéma. Film / Philosophy, 15(2), pp. 143-149. ISSN 1466-4615 [Article]

Ramos Martinez, Manuel. 2010. 'Parliament Square, 09/12/2010'. [Article]

Ramos Martinez, Manuel. 2009. We Are All Spectators. Parallax, 15(3), pp. 124-126. ISSN 1353-4645 [Article]

Ramos Martinez, Manuel. 2016. Nombrar, Resistir – de los títulos en el cine de Straub y Huillet. In: , ed. Jean-Marie Straub y Danièle Huillet: Hacer la revolucion es volver a colocar en su sitio cosas muy antiguas pero olvidadas. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 127-143. ISBN 9788480265430 [Book Section]

Ramos Martinez, Manuel. 2015. Marx Immemorial, Workers and Peasants in the Cinema of Straub and Huillet. In: Ewa Mazierska and Lars Kristensen, eds. Marx and the Moving Images of Activism: Screening Alternative Worlds. Berghahn. ISBN 78-1-78238-642-1 [Book Section]

Ramos Martinez, Manuel. 2013. Ranciere's Politics of the Image. In: James Elkins; Kristi McGuire; Maureen Burns; Alicia Chester and Joel Kuennen, eds. Theorizing Visual Studies: Writing through the Discipline. New York: Taylor & Francis. ISBN 978-0-415-87794-7 [Book Section]

Ramos Martinez, Manuel. 2011. Still Here, Here Again – Farocki, Godard and the Cinema’s Centenary. In: , ed. Proceedings of the XVIII International Film Studies Conference – The Archive. Udine: Forum. [Book Section]

Ramos Martinez, Manuel. 2007. Betrayed Borders: Double Agents and the Crisscrossing of Conflicts. In: Monica Narula; Shuddhabrata Sengupta; Jeebesh Bagchi and Ravi Sundaram, eds. SARAI Reader 2007 - Frontiers. (7) Delhi: The Sarai Programme, Center for the Study of Developing Societies, pp. 256-263. ISBN 81-901429-9-2 [Book Section]

Ramos Martinez, Manuel. 2013. Cinema In Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’. Doctoral thesis, Goldsmiths, University of London [Thesis]