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Audification and Non-Standard Synthesis in Construction in Self

Ikeshiro, Ryo. 2014. Audification and Non-Standard Synthesis in Construction in Self. Organised Sound, 19(1), pp. 78-89. ISSN 1355-7718 [Article]

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Abstract or Description

The author's Construction in Self (2009) belongs to the interdisciplinary context of auditory display/music. Its use of data at audio rate could be described as both audification and non-standard synthesis. The possibilities of audio-rate data use and the relation between the above descriptions are explored, and then used to develop a conceptual and theoretical basis of the work.

Vickers and Hogg's term ‘indexicality’ is used to contrast audio with control rate. The conceptual implications of its use within the digital medium and the possibility for the formation of higher-order structures are discussed. Grond and Hermann's notion of ‘familiarity’ is used to illustrate the difference between audification and non-standard synthesis, and the contexts of auditory display and music respectively. Familiarity is given as being determined by Dombois and Eckel's categories of data. Kubisch's Electrical Walks, Xenakis's GENDYN and the audification of seismograms are used as examples. Bogost's concept of the alien is introduced, and its relevance to the New Aesthetic and Algorave are discussed. Sound examples from Construction in Self are used to demonstrate the varying levels of familiarity or noise possible and suggested as providing a way of bridging the divide between institutional and underground electronic music.

Item Type:

Article

Identification Number (DOI):

https://doi.org/10.1017/S1355771813000435

Departments, Centres and Research Units:

Computing
Music

Dates:

DateEvent
April 2014Published

Item ID:

10787

Date Deposited:

21 Oct 2014 14:10

Last Modified:

16 Jun 2015 12:43

Peer Reviewed:

Yes, this version has been peer-reviewed.

URI:

http://research.gold.ac.uk/id/eprint/10787

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