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Browse by Goldsmiths authors: Perchard, Tom

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Number of items: 48.

Article

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Powers, Devon and Perchard, Tom. 2017. Introduction: The Critical Imperative. Popular Music, 36(1), pp. 1-5. ISSN 0261-1430 [Article]

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Perchard, Tom. 2017. Mid-Century Modern Jazz: Music and Design in the Postwar Home. Popular Music, 36(1), pp. 55-74. ISSN 0261-1430 [Article] (In Press)

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Perchard, Tom. 2016. Technology, Listening and Historical Method: Placing Audio in the Postwar British Home. Journal of the Royal Musical Association, ISSN 0269-0403 [Article]

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Perchard, Tom. 2015. New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the 21st-Century. Journal of the Society for American Music, 9(3), pp. 321-348. ISSN 1752-1963 [Article]

Perchard, Tom. 2013. Doing Musical Fieldwork with James G. Spady. The Western Journal of Black Studies, 37(2), pp. 104-112. ISSN 0197-4327 [Article]

Perchard, Tom. 2007. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History, 2(2), pp. 119-145. ISSN ISSN: 1740-7133 [Article]

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Perchard, Tom. Growing Old Together: Pop Studies and Music Sociology Today. Twentieth-Century Music, 14(2), ISSN 1478-5722 [Article] (Forthcoming)

Book

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Perchard, Tom. 2015. After Django: Making Jazz in Postwar France. Ann Arbor: University of Michigan Press. ISBN 978-0-472-07242-2 [Book]

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Perchard, Tom, ed. 2014. From Soul to Hip Hop (The Library of Essays on Popular Music). Ashgate. ISBN 978-1-4094-2719-3 [Book]

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Perchard, Tom. 2009. Lee Morgan: La vita, la musica e il suo tempo. Bologna: Odoya. ISBN 978-88-6288-014-5 [Book]

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Perchard, Tom. 2006. Lee Morgan: His Life, Music and Culture. London: Equinox. ISBN 1845532058 [Book]

Book Section

Perchard, Tom. 2014. 'Introduction'. In: Tom Perchard, ed. From Soul to Hip Hop. Farnham: Ashgate, xi-xxix. ISBN 978-0-7546-2950-4 [Book Section]

Broadcast

Conference or Workshop Item

Perchard, Tom. 2014. 'Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014.'. In: Voice, Memory, Song symposium, University of Oxford. University of Oxford, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2014. '‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’.'. In: Invited seminar, Royal Holloway, University of London. Royal Holloway, University of London, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2014. '‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’'. In: Musical Materialities in the Digital Age. University of Sussex, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’'. In: Invited research seminar. King’s College London. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology'. In: Perspectives on Musical Improvisation. University of Oxford. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Jazz Trumpet and the Semiotics of Vulnerability'. In: 19th International Congress of the International Musicological Society. Rome, Italy. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Unofficial Histories. Bishopsgate Institute, London. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Monk Meets the French Critics'. In: Piacenza Jazz Fest study day. Piacenza, Italy. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud'. In: Invited research seminar. University of York. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Re-reading Primitivism in Hugues Panassié’s Writing on Jazz'. In: Jazz and Race, Past and Present. Open University. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum'. In: Salford Jazz Research Seminar. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Invited research seminar, ‘Directions in Musical Research’ series.. Institute of Musical Research, School of Advanced Study. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Four Histories of 20th-Century Music.'. In: Cabaret Voltaire art foundation course. GBS University, St. Gallen, Switzerland. [Conference or Workshop Item]

Perchard, Tom. 2009. 'Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism'. In: Invited research seminar. University of Sheffield. [Conference or Workshop Item]

Perchard, Tom. 2009. 'Thelonious Monk Meets the French Critics: Improvisation and its Simulacra'. In: Mediating Jazz. University of Salford. [Conference or Workshop Item]

Edited Book

Perchard, Tom, ed. 2014. From Soul to Hip Hop. Farnham: Ashgate. ISBN 978-0-7546-2950-4 [Edited Book]

Edited Journal

Perchard, Tom and Powers, Devon, eds. 2017. Special Issue: The Critical Imperative, Popular Music, 36(1). 0261-1430 [Edited Journal]

Professional Activity

Project

This list was generated on Fri Sep 22 17:33:37 2017 BST.