Okagbue, Osita and Igweonu, Kene, eds. 2013. Diaspora Representations and the Interweaving of Cultures: Performative Inter-Actions in African Theatre Volume 1. Newcastle, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-5378-1 [Edited Book]

Okagbue, Osita and Igweonu, Kene, eds. 2013. Innovation, Creativity & Social Change: Performative Inter-Actions in African Theatre 2. Newcastle, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-5380-4 [Edited Book]

Gordon, Robert J., ed. 2014. The Oxford Handbook of Sondheim Studies. Oxford: Oxford University Press. ISBN 9780195391374 [Edited Book]

Gordon, Robert J. and Jubin, Olaf, eds. 2017. The Oxford Handbook of the British Musical. New York: Oxford University Press. ISBN 9780199988747 [Edited Book]

Morosetti, Tiziana and Okagbue, Osita, eds. 2021. The Palgrave Handbook of Theatre and Race. Cham, Switzerland: Palgrave Macmillan. ISBN 9783030439569 [Edited Book]

Okagbue, Osita and Igweonu, Kene, eds. 2014. Performative Inter-Actions in African Theatre 1, 2 and 3. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781443856119 [Edited Book]

Cunningham, David; Fisher, Andrew and May, Sas, eds. 2005. Photography and Literature in the Twentieth Century. Cambridge Scholars Publishing. ISBN 978-1-9043-0346-6 [Edited Book]

Gordon, Robert J. and Jubin, Olaf, eds. 2015. Telling the Tale: Adaptation as Interpretation, Studies in Musical Theatre, 9(1). 1750-3159 [Edited Journal]

Adeyemi, Sola and Oni, Duro, eds. 2011. Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Rochester: Alpha Crownes Publishers. ISBN 9780956683700 [Edited Book]

Adeyemi, Sola. 2007. Agony, Antigone and the Dialectics of Resistance in African Performance. African Performance Review, pp. 25-37. ISSN 1750-4848 [Article]

Adeyemi, Sola. 2021. Aspects of Intercultural Performance Aesthetics in Femi Òsófisán’s Drama. African Performance Review, 11(2), pp. 7-27. ISSN 1750-4848 [Article]

Adeyemi, Sola. 2013. Colonial Alienation and the Ideology of Resistance: Femi Osofisan's Tegonni (An African Antigone). African Performance Review, 7(2), pp. 18-34. ISSN 1750-4848 [Article]

Adeyemi, Sola. 2002. The Dictating Currents and the Questioning of Tyranny in Africa: An Intertextual Study of Fémi Osófisan's Yungba-Yungba and the Dance Contest. In: Sue Kossew and Dianne Schwerdt, eds. Re-Imagining Africa: New Critical Perspectives (Horizons in Post-Colonial Studies). New York: Nova Science, pp. 43-56. ISBN 9781590331002 [Book Section]

Adeyemi, Sola, ed. 1999. Goddess of the storm and other stories: — a compilation of short stories by Nigerian authors Vol. 1. London: Smart Image. ISBN 9780953573509 [Edited Book]

Adeyemi, Sola. 2018. I write as a pan-African: A Conversation with Oladipo Agboluaje. African Performance Review, 10(1), pp. 8-30. ISSN 1750-4848 [Article]

Adeyemi, Sola. 2013. Interpreting the Interpreters: The Narratives of the Postcolony in Wole Soyinka's The Interpreters. In: Bernth Lindfors and Geoffrey Davis, eds. African Literatures and Beyond. Brill, pp. 29-38. ISBN 9789042037380 [Book Section]

Adeyemi, Sola. 2011. Language and Accessibility in Femi Osofisan’s Drama. In: Sola Adeyemi and Duro Oni, eds. Developments in the Theory and Practice of Contemporary Nigerian Drama and Theatre: A Festschrift in Honour of Dapo Adelugba. Rochester, UK: Alpha Crownes Publishers, pp. 187-202. ISBN 9780956683700 [Book Section]

Adeyemi, Sola. 2004. Making Colours, Remaking Life: Subversion in the Writing of Femi Osofisan. Africa e Mediterraneo: Cultura e Società, 46, pp. 69-73. ISSN 1121-8495 [Article]

Adeyemi, Sola. 2017. Many Colours of an African Performative Ritual. Alarinjo: Oye Journal of Theatre and Media Arts, 1(2), pp. 16-30. ISSN 2636-7238 [Article]

Adeyemi, Sola. 2017. Mitlerin Sahnelenmesi, Cagdsligin Rituellesmesil: Performing Myths, Ritualising Modernity. HECE Ozel Sayi:34 – Africa: Beyond 500 Years of Colonialism and Conflicts 246/247/248, 246, pp. 647-657. ISSN 1301-210X [Article]

Adeyemi, Sola. 2017. Performing Arts. In: Toyin Falola and Akintunde Akinyemi, eds. Culture and Customs of the Yoruba. Austin, Texas: Pan-African University Press, pp. 249-258. ISBN 9781943533183 [Book Section]

Adeyemi, Sola. 2021. Representing and Re-presenting Others in Yorùbá Performance. In: Tiziana Morosetti and Osita Okagbue, eds. The Palgrave Handbook of Theatre and Race. Cham, Switzerland: Palgrave Macmillan, pp. 425-442. ISBN 9783030439569 [Book Section]

Adeyemi, Sola. 2018. Review of Iyunolu Osagie, "African Modernity and the Philosophy of Culture in the Works of Femi Euba". African Theatre 17: Contemporary Dance, pp. 223-225. [Article]

Adeyemi, Sola. 2019. Vision of Change in African Drama: Fémi Osófisan's Dialectical Reading of History and Politics. UK: Cambridge Scholars Publishing. ISBN 9781527536371 [Book]

Adeyemi, Sola. 2014. Working with Wole Soyinka [Tunji Oyelana in conversation with Sola Adeyemi],. African Theatre 13: Ngugi wa Thiong'o and Wole Soyinka(13), pp. 17-23. [Article]

Adeyemi, Sola and Olasope, Olakunbi. 2011. Fracturing the Insularity of the Global State: War and Conflict in Moira Buffini's Welcome to Thebes. Lagos Notes and Records, 17, pp. 99-110. ISSN 0075-7640 [Article]

Carter, Claire Makhlouf. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

Finburgh Delijani, Clare. 2019. “‘Déborder le cadre’. L’Internationale situationniste, le théâtre et la performance”. Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 231, pp. 16-27. ISSN 0335-2927 [Article]

Furse, Anna F. D.. 2011. SEA/WOMAN. In: "SEA/WOMAN", Lakeside Theatre, University of Essex, United Kingdom, January - Feburary 2011. [Performance]

Furse, Anna F. D. and Bosch, Susanne. 2019. create-news-26-anna-furse-i-am-not-a-piece-of-meat. [Digital]

Gordon, Robert J.. 2018. All That Jazz: the difficult journey of Chicago from stage to screen. In: George Rodosthenous, ed. Twenty-First Century Musicals: From Stage to Screen. London: Routledge, pp. 34-52. ISBN 9781138648890 [Book Section]

Gordon, Robert J.. 2009. Iago and the Swart Gevaar: The Problems and Pleasures of a (Post)colonial Othello. In: Graham Bradshaw; Tom Bishop and Laurence Wright, eds. South African Shakespeare in the Twentieth Century. 9 Farham, Surrey, and Burlington, VT: Ashgate, pp. 131-151. ISBN 9780754669166 [Book Section]

Gordon, Robert J.. 2016. ‘Kept Alive by Amateurs: White Horse Inn in Britain’. In: Nils Grosch and Carolin Stahrenberg, eds. Im Weissen Rössel: neue kulturgeschichtliche perspectiven 1930-2015. 19 Munster; New York: Waxman, pp. 179-194. ISBN 9783830933557 [Book Section]

Gordon, Robert J.. 2011. Pinter: In Other Rooms. In: "Pinter: In Other Rooms", University of Maribor, Slovenia, September - December, 2011. [Performance]

Gordon, Robert J.; Jubin, Olaf and Taylor, Millie. 2016. British Musical Theatre since 1950. London: Bloomsbury Academic. ISBN 9781472584366 [Book]

Hilevaara, Katja and Orley, E. 2015. Making Making Matter: Paper as Paradox in Practice-as-Research. Ruukku: Studies in Artistic Research, 4, [Article]

Hilevaara, Katja and Orley, Emily. 2018-2019 The Creative Critic Events. [Project]

Hilevaara, Katja and Orley, Emily. 2025. Flying with the bone mothers: the curious story of the girl with a bird in her mouth. In: Jessie Carson; Jodie Hawkes and Pete Phillips, eds. Mothers, Mothering, Land and Nature. Bradford, Ontario: Demeter Press. [Book Section] (Forthcoming)

IgboConference, Igbo Conference and Okagbue, Osita. 2018. Playing With Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre. Osita Okagbue. [Film/Video]

Levitas, Ben. 2016. The Abbey and the Idea of a Theatre. In: Nicholas Grene and Chris Morash, eds. The Oxford Handbook of Modern Irish Theatre. Oxford: Oxford University Press, pp. 41-57. ISBN 9780198706137 [Book Section]

Levitas, Ben. 2018. 'The Dancer and the Heart's Desire: W. B. Yeats and the Theatre of Modernity'. The Yeats Journal of Korea, 56, pp. 111-128. ISSN 1226-4946 [Article]

Levitas, Ben. 2022. The Importance of Being Earnest (1895) by Oscar Wilde. In: Shaun Richards, ed. Fifty Key Irish Plays. Abingdon: Routledge, pp. 16-20. ISBN 9781032066493 [Book Section]

Levitas, Ben. 2017. The Theatre of Modernity. In: Vincent Sherry, ed. The Cambridge History of Modernism. Cambridge: Cambridge University Press, pp. 350-370. ISBN 9781107034693 [Book Section]

Mayo, Sue. 2018. Feedback from Peterborough DECORUM. [Audio]

Mayo, Sue. 2018. Press Coverage/Decorum Southend. The Southend Echo, Southend. [Other]

Mayo, Sue. 2017. 'Reasons to be Cheerful: resilience , structure and care-fulness in socially engaged practice'. In: TaPRA annual conference. University of Salford, United Kingdom August 30th - 1st September 2017. [Conference or Workshop Item]

Mayo, Sue. 2017. 'Reflections on the Gratitude Enquiry'. In: The Performance of Care. Royal Central School of Speech & Drama, United Kingdom December 15th 2017. [Conference or Workshop Item]

Mayo, Sue and Lowry, Chuck Blue. 2018. Decorum Participant Feedback Tower Hamlets. [Film/Video]

Morosetti, Tiziana and Okagbue, Osita. 2021. Introduction. In: Tiziana Morosetti and Osita Okagbue, eds. The Palgrave Handbook of Theatre and Race. Cham, Switzerland: Palgrave Macmillan, pp. 1-17. ISBN 9783030439569 [Book Section]

Okagbue, Osita. 2019. Dust of the Zulu: Ngoma Aesthetics after Apartheid. By Louise Meintjes, with photographs by T. J. Lemon. Durham, NC and London: Duke University Press, 2017. Pp. xiv + 338 + 142 illus. $94.95 Hb; $26.95 Pb. Theatre Research International, 44(1), pp. 108-109. ISSN 0307-8833 [Article]

Okagbue, Osita. 2021. In the Prison of their Skins: Performing Race in Caribbean Theatre. In: Tiziana Morosetti and Osita Okagbue, eds. The Palgrave Handbook of Theatre and Race. Cham, Switzerland: Palgrave Macmillan, pp. 239-254. ISBN 9783030439569 [Book Section]

Okagbue, Osita. 2015. The Kwagh-hir Theater: A Weapon for Social Action. By Iyorwuese Hagher. Lanham, MD: University Press of America, 2014. Pp. xxx + 256. \$80 Hb; \$34.99 Pb. Theatre Research International, 40(2), pp. 224-225. ISSN 0307-8833 [Article]

Okagbue, Osita. 2019. Playing with Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre. African Performance Review, 11(1), pp. 25-40. ISSN 1750-4848 [Article]

Okagbue, Osita. 2014. Progenies of Idemili: Ogonna Agu and I. In: Charles Nwadigwe; Molinta Enendu and Canice Nwosu, eds. Metaphors and Climax: Reminiscences in Honour of Ogonna Agu. London: Adonis & Abbey Publishers Ltd, viii-xiii. ISBN 9781909112469 [Book Section]

Okagbue, Osita and Kasule, Samuel. 2021. Theatre and Performance in East Africa. Abingdon: Routledge. ISBN 9780367740894 [Book]

Adeyemi, Sola; Omoera, Osaku and Binebai, Benedict, eds. 2012. A gazelle of the Savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria : theatre, culture, literature, art. Rochester: Alpha Crownes Publishers. ISBN 9780956683731 [Edited Book]

Adeyemi, Sola, ed. 2006. Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth: Bayreuth African Studies Series, 258 p., 8 p. of plates. ISBN 9783927510951 [Edited Book]

Peyton Jones, Jeremy. 2013. Composing music for The Zero Hour. In: Andrew Quick, ed. Theatricalising Cinema: imitating the dog's The Zero Hour and 6 Degrees Below the Horizon. Lancaster: Live at LICA, n/a-n/a. ISBN 978-1-86220-308-2 [Book Section]

Peyton Jones, Jeremy. 2013. Soundtrack for The Zero Hour. [Audio]

Twitchin, Mischa. 2018. How Estonian is it? Contemporary Theatre Review, 28(2), pp. 264-268. ISSN 1048-6801 [Article]

Twitchin, Mischa. 2018. Kantor after Duchamp. In: M. Kobialka and N. Zarzecka, eds. Tadeusz Kantor's Memory: Other Pasts, Other Futures. TAPAC: Theatre and Performance Across Cultures (London, UK) and the Grotowski Institute (Wrocław, Poland).: Polish Theatre Perspectives (PTP). ISBN 978-1-910203-06-4 [Book Section]

Twitchin, Mischa. 2014. Mise-en-scene: Beckett's 'Field of Memory'. Critical Stages (Journal of International Theatre Critics Association), 10, ISSN 2409-7411 [Article]

Twitchin, Mischa. 2019. Monstrosity: the face of war. Performance Research, 23(8), pp. 88-94. ISSN 1352-8165 [Article]

Twitchin, Mischa. 2019. Reflections on the Disclosing - or Framing - of Things. Konteksty, 2018/4(323), pp. 273-278. ISSN 1230-6142 [Article]

Twitchin, Mischa. 2017. Sites of Research or ‘no layers of the onion’: Phantom Europe. O A R: The Oxford Artistic and Practice Based Research Platform, 1, ISSN 2399-5092 [Article]

Twitchin, Mischa. 2019. Tervuren 1(i). [Film/Video]

Twitchin, Mischa. 2019. Tervuren 1(ii). [Film/Video]

Twitchin, Mischa. 2019. Tervuren 1(iii). [Film/Video]

Twitchin, Mischa. 2019. Tervuren 2(i). [Film/Video]

Twitchin, Mischa. 2019. Tervuren 3. [Film/Video]

Twitchin, Mischa. 2019. 'Toxicity at Work'. In: Performance Philosophy Biennial Conference. University of Amsterdam, Netherlands 14-17 March 2019. [Conference or Workshop Item]

Twitchin, Mischa. 2019. 'Tragic consequences'. In: Between Myth and Memory: Contemporary Politics and the Performance of History. University of Surrey, United Kingdom 25 April 2019. [Conference or Workshop Item]