Items where Division is "Theatre and Performance (TAP) > The Pinter Centre for Performance and Creative Writing (PCPCW)"
![]() | Up a level |
- Goldsmiths Departments, Centres and Research Units (27629)
- Theatre and Performance (TAP) (1068)
- The Pinter Centre for Performance and Creative Writing (PCPCW) (72)
- Theatre and Performance (TAP) (1068)
Number of items at this level: 72.
Okagbue, Osita and Igweonu, Kene, eds.
2013.
Diaspora Representations and the Interweaving of Cultures: Performative Inter-Actions in African Theatre Volume 1.
Newcastle, UK: Cambridge Scholars Publishing.
ISBN 978-1-4438-5378-1
[Edited Book]
Okagbue, Osita and Igweonu, Kene, eds.
2013.
Innovation, Creativity & Social Change: Performative Inter-Actions in African Theatre 2.
Newcastle, UK: Cambridge Scholars Publishing.
ISBN 978-1-4438-5380-4
[Edited Book]
Okagbue, Osita and Igweonu, Kene, eds.
2014.
Performative Inter-Actions in African Theatre 1, 2 and 3.
Newcastle upon Tyne: Cambridge Scholars Publishing.
ISBN 9781443856119
[Edited Book]
Adeyemi, Sola.
2007.
Agony, Antigone and the Dialectics of Resistance in African Performance.
African Performance Review,
pp. 25-37.
ISSN 1750-4848
[Article]
Adeyemi, Sola.
2020.
Aspects of Intercultural Performance Aesthetics in Femi Òsófisán’s Drama.
African Performance Review, 11(2),
ISSN 1750-4848
[Article]
(Forthcoming)
Adeyemi, Sola.
2013.
Colonial Alienation and the Ideology of Resistance: Femi Osofisan's Tegonni (An African Antigone).
African Performance Review, 7(2),
pp. 18-34.
ISSN 1750-4848
[Article]
Adeyemi, Sola.
2018.
I write as a pan-African: A Conversation with Oladipo Agboluaje.
African Performance Review, 10(1),
pp. 8-30.
ISSN 1750-4848
[Article]
Adeyemi, Sola.
2017.
Many Colours of an African Performative Ritual.
Alarinjo: Oye Journal of Theatre and Media Arts, 1(2),
pp. 16-30.
ISSN 2636-7238
[Article]
Adeyemi, Sola.
2017.
Mitlerin Sahnelenmesi, Cagdsligin Rituellesmesil: Performing Myths, Ritualising Modernity.
HECE Ozel Sayi:34 – Africa: Beyond 500 Years of Colonialism and Conflicts 246/247/248, 246,
pp. 647-657.
ISSN 1301-210X
[Article]
Adeyemi, Sola.
2018.
Review of Iyunolu Osagie, "African Modernity and the Philosophy of Culture in the Works of Femi Euba".
African Theatre 17: Contemporary Dance,
pp. 223-225.
[Article]
Adeyemi, Sola and Olasope, Olakunbi.
2011.
Fracturing the Insularity of the Global State: War and Conflict in Moira Buffini's Welcome to Thebes.
Lagos Notes and Records, 17,
pp. 99-110.
ISSN 0075-7640
[Article]
Finburgh Delijani, Clare.
2019.
“‘Déborder le cadre’. L’Internationale situationniste, le théâtre et la performance”.
Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 231,
pp. 16-27.
ISSN 0335-2927
[Article]
Furse, Anna F. D..
2011.
SEA/WOMAN.
In: "SEA/WOMAN", Lakeside Theatre, University of Essex, United Kingdom, January - Feburary 2011.
[Performance]
Furse, Anna F. D. and Bosch, Susanne.
2019.
create-news-26-anna-furse-i-am-not-a-piece-of-meat.
[Digital]
Hilevaara, Katja and Orley, E.
2015.
Making Making Matter: Paper as Paradox in Practice-as-Research.
Ruukku: Studies in Artistic Research, 4,
[Article]
Hilevaara, Katja and Orley, Emily.
2025.
Raised by birds
(Or: Flying with the bone mothers: the curious story of the girl with a bird in her mouth).
In: Jessie Carson; Jodie Hawkes and Pete Phillips, eds.
Mothers, Mothering, Land and Nature.
Bradford, Ontario: Demeter Press.
[Book Section]
(Forthcoming)
IgboConference, Igbo Conference and Okagbue, Osita.
2018.
Playing With Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre. Osita Okagbue.
[Film/Video]
Levitas, Ben.
2018.
'The Dancer and the Heart's Desire: W. B. Yeats and the Theatre of Modernity'.
The Yeats Journal of Korea, 56,
pp. 111-128.
ISSN 1226-4946
[Article]
Mayo, Sue.
2017.
'Reasons to be Cheerful: resilience , structure and care-fulness in socially engaged practice'.
In: TaPRA annual conference. University of Salford, United Kingdom August 30th - 1st September 2017.
[Conference or Workshop Item]
Mayo, Sue.
2017.
'Reflections on the Gratitude Enquiry'.
In: The Performance of Care. Royal Central School of Speech & Drama, United Kingdom December 15th 2017.
[Conference or Workshop Item]
Okagbue, Osita.
2019.
Dust of the Zulu: Ngoma Aesthetics after Apartheid. By Louise Meintjes, with photographs by T. J. Lemon. Durham, NC and London: Duke University Press, 2017. Pp. xiv + 338 + 142 illus. $94.95 Hb; $26.95 Pb.
Theatre Research International, 44(1),
pp. 108-109.
ISSN 0307-8833
[Article]
Okagbue, Osita.
2021.
In the Prison of their Skins: Performing Race in Caribbean Theatre.
In: Tiziana Morosetti and Osita Okagbue, eds.
The Palgrave Handbook of Theatre and Race.
Cham, Switzerland: Palgrave Macmillan, pp. 239-254.
ISBN 9783030439569
[Book Section]
Okagbue, Osita.
2015.
The Kwagh-hir Theater: A Weapon for Social Action. By Iyorwuese Hagher. Lanham, MD: University Press of America, 2014. Pp. xxx + 256. \$80 Hb; \$34.99 Pb.
Theatre Research International, 40(2),
pp. 224-225.
ISSN 0307-8833
[Article]
Okagbue, Osita.
2019.
Playing with Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre.
African Performance Review,
ISSN 1750-4848
[Article]
(Forthcoming)
Okagbue, Osita and Kasule, Samuel.
2021.
Theatre and Performance in East Africa.
Abingdon: Routledge.
ISBN 9780367740894
[Book]
Twitchin, Mischa.
2018.
Kantor after Duchamp.
In: M. Kobialka and N. Zarzecka, eds.
Tadeusz Kantor's Memory: Other Pasts, Other Futures.
TAPAC: Theatre and Performance Across Cultures (London, UK) and the Grotowski Institute (Wrocław, Poland).: Polish Theatre Perspectives (PTP).
ISBN 978-1-910203-06-4
[Book Section]
Twitchin, Mischa.
2019.
Reflections on the Disclosing - or Framing - of Things.
Konteksty, 2018/4(323),
pp. 273-278.
ISSN 1230-6142
[Article]
Twitchin, Mischa.
2017.
Sites of Research or ‘no layers of the onion’: Phantom Europe.
O A R: The Oxford Artistic and Practice Based Research Platform, 1,
ISSN 2399-5092
[Article]