Joncus, Berta. 2021. Handel for the Common Sphere. In: Helen Coffey and Annette Landgraf, eds. Handel in Context. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

Joncus, Berta; Ozmo, Žak and Rogers, Vanessa. 2020. Love in a Village: A Comic Opera. Bärenreiter, Kassel, Germany. [Other]

Joncus, Berta. 2020. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce. In: Delia da Sousa Correa, ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 289-296. ISBN 9780748693122 [Book Section]

Joncus, Berta. 2020. Fixing her Reputation: Giulia Frasi and her Ranelagh Garden Concerts. Händel-Jahrbuch, 66, pp. 137-180. [Article]

Joncus, Berta. 2019. Kitty Clive, or The Fair Songster. Martlesham, Suffolk: Boydell & Brewer. ISBN 9781783273461 [Book]

Joncus, Berta. 2018. Editorial Board Member, Eighteenth-Century Music (Cambridge: Cambridge University Press, 2009–present). [Professional Activity]

Burrows, Donald and Joncus, Berta. 2017. Music and Representation. In: Joanna Marschner, ed. Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World. New Haven: Yale Center for British Art, pp. 202-207. ISBN 9780300217100 [Book Section]

Joncus, Berta. 2017. ‘Ballad Opera: Commercial Song in Enlightenment Garb. In: Robert Gordon and Olaf Jubin, eds. The Oxford Handbook of the British Musical. New York: Oxford University Press, pp. 31-63. ISBN 9780199988747 [Book Section]

Joncus, Berta. 2015. Annual Awards Jury Member, BBC Music Magazine. [Professional Activity]

Joncus, Berta. 2015. Critic. BBC Music Magazine. Renaissance and Baroque music. [Professional Activity]

Joncus, Berta. 2015. Critic. International Record Review. Renaissance and Baroque music. [Professional Activity]

Joncus, Berta. 2014. Review of Suzanne Aspden, 'The Rival Sirens: Performance and Identity on Handel’s Operatic Stage'. Music & Letters, 95(1), pp. 96-99. ISSN 0027-4224 [Article]

Joncus, Berta. 2014. Opera librettos and British politics. Early Music, 42(2), pp. 297-299. ISSN 0306-1078 [Article]

Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole. 2014. 'Feminism@Goldsmiths'. In: Feminism@Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta and Rogers, Vanessa L.. 2014. Ballad Opera and British double entendre: Henry Fielding’s The Mock Doctor. In: Judith Le Blanc and Herbert Schneider, eds. Pratiques du timbre et de la parodie d'opéra en Europe (XVIe - XIXe siècles)/Timbre-Praxis und Opernparodie im Europa des 16. bis 19. Jahrhunderts. (40) Hildesheim: Georg Olms Verlag, pp. 101-140. ISBN 9783487150727 [Book Section]

Joncus, Berta. 2013. Review: Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. Eighteenth-Century Music, 10(1), pp. 136-139. ISSN 1478-5706 [Article]

Joncus, Berta. 2013. ‘To Propagate Sound for Sense’: Music for Diversion and Seduction at Ranelagh Gardens. The London Journal, 38(1), pp. 34-66. ISSN 0305-8034 [Article]

Joncus, Berta. 2013. ‘Ballad Opera’, ‘Beard, John’, ‘Beggar’s Opera’, ‘Clive, Catherine’, ‘Gay, John'. In: David Vickers and Annette Landgraf, eds. The Cambridge Handel Encyclopedia. Cambridge: Cambridge University Press. ISBN 978-1107666405 [Book Section]

Joncus, Berta and Rogers, Vanessa. 2013. 'United voices formed the very perfection of harmony': Music and the invention of Harriett Abrams (c.1758-1821). In: Baerbel Czennia, ed. Celebrity: the idiom of a modern era. 70 New York: AMS Press. ISBN 978-0-404-64870-1 [Book Section]

Joncus, Berta. 2013. “United voices formed the very perfection of harmony”: Music and the Invention of Harriett Abrams (c1758–1821)’,. In: Bärbel Czennia, ed. Celebrity: The Idiom of a Modern Era. New York: AMS Press, pp. 67-106. ISBN 9780404648701 [Book Section]

Joncus, Berta. 2012. 'The Assemblage of every female Folly': Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. In: Tiffany Potter, ed. Women of Fashion: Popular Culture in the Eighteenth Century and the eighteenth century in popular culture. Toronto: University of Toronto Press, pp. 25-51. ISBN 9781442641815 [Book Section]

Joncus, Berta. 2012. Editorial. Eighteenth-Century Music, 9(1), pp. 5-8. ISSN 1478-5706 [Article]

Joncus, Berta. 2012. 'Nectar if you taste and go, poison if you stay': struggling with the Orient in eighteenth-century British musical theatre. (Forthcoming). In: Marina Warner and Philip F. Kennedy, eds. The Arabian Nights: Encounters and Translations in Literature and the Arts. New York: New York University Press. [Book Section]

Joncus, Berta. 2011. 'Seventy-seventh Annual Meeting of the American Musicological Society, San Francisco. ‘Listening to Portraits: Music and the Eighteenth-Century Opera Celebrity’. 10-13 Nov 2011'. In: Paper. San Francisco, United States 10-13 November 2011. [Conference or Workshop Item]

Joncus, Berta. 2011. 'Listening to portraits: music and the eighteenth-century opera celebrity'. In: The first actresses: celebrity, performance and representation in 'the long eighteenth century'. National Portrait Gallery, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta and Rogers, Vanessa L.. 2011. Beyond 'The Beggar’s Opera': John Rich and English Ballad Opera. In: Berta Joncus and Jeremy Barlow, eds. 'The Stage’s Glory’: John Rich (1692-1761). Newark, Delaware: University of Delaware Press, pp. 184-204. ISBN 9781611490329 [Book Section]

Joncus, Berta and Barlow, Jeremy, eds. 2011. "The Stage's Glory": John Rich (1692-1761). Newark, Delaware: University of Delaware Press. ISBN 9781611490329 [Edited Book]

Joncus, Berta. 2011. “In Wit Superior as in Fighting”: Kitty Clive and the Conquest of a Rival Queen. Huntington Library Quarterly, 74(1), pp. 23-42. ISSN 0018-7895 [Article]

Joncus, Berta. 2011. London Stage Music in Transition: 'Kathryn Lowerre, Music and Musicians on the London Stage, 1695-1705' [Book Review]. Early Music, 39(1), pp. 100-102. ISSN 0306-1078 [Article]

Joncus, Berta. 2011. Music Matters, Funding Cuts to HEI Music Teaching. [Broadcast]

Joncus, Berta. 2011. Clive, Catherine. In: Marx Hans-Joachim; Manuel Gervink and Steffen Voss, eds. Handel-Lexikon. Laaber: Laaber-Verlag. ISBN 978-3890075525 [Book Section]

Joncus, Berta. 2011. Handel in the Pleasure Gardens. [Audio]

Joncus, Berta. 2010. Martha Feldman's 'Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy' (Chicago: University of Chicago Press, 2007) [Review]. Oxford University Press. [Other]

Joncus, Berta. 2010. Join the Conversation Live! Handel’s 'Radamisto'. [Broadcast]

Joncus, Berta. 2010. 'Fourteenth Biennial International Conference, on Baroque Music'. In: The 14th Biennial International Conference on Baroque Music. Queen's University Belfast, United Kingdom 30 June – 4 July 2010. [Conference or Workshop Item]

Joncus, Berta. 2010. '"Poison if you taste and go, Nectar if you stay": Struggling with the Orient in Eighteenth-Century British Musical Theatre'. In: Staging the East: Oriental Masking in the British Theatre, 1660-1830. Theatre Royal, Bury St. Edmunds, United Kingdom 11-12 June 2010. [Conference or Workshop Item]

Joncus, Berta. 2010. Ballad Operas Online (BOPO): Tuning in to Eighteenth-Century Popular Song. In: Michael Burden, ed. A Handbook for Studies in 18th-century English Music, Part 18: Ballad Opera. Oxford: Burden & Cholij. [Book Section]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. [Film/Video]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. [Broadcast]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. EMI. [Other]

Joncus, Berta. 2010. CD Review: Pergolesi, Missa S. Emidio et al.. [Broadcast]

Joncus, Berta and Bostridge, Ian. 2010. Ian Bostridge and the Three Tenors: Beard, Borosini, Fabri. [Audio]

Joncus, Berta. 2010. ‘“Ich bin eine Engländerin, zur Freyheit geboren”: Blonde and the Enlightened Female in Mozart’s Entführung aus dem Serail’. The Opera Quarterly, 26(4), pp. 552-587. ISSN 00187895 [Article]

Joncus, Berta. 2010. Scientific Committee Member. Fourteenth Biennial International Conference, on Baroque Music (Belfast, 2010). [Professional Activity]

Joncus, Berta. 2009. ''This glorious Approbation of Sounds': Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Purcell, Handel & Literature. Institute of Musical Research, London, United Kingdom 20-21 November 2009. [Conference or Workshop Item]

Joncus, Berta; Rogers, Vanessa and Ozmo, Žak. 2009. 'Music for the Common Man: Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Seventy-fifth Annual Meeting of the American Musicological Society. Philadelphia, United States. [Conference or Workshop Item]

Joncus, Berta. 2009. Performance on Radio 3: Handel’s Italian cantatas. [Broadcast]

Joncus, Berta. 2009. Private Music in Public Spheres: Chamber Cantata and Song. In: Simon Keefe, ed. The Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 513-540. ISBN 9780521663199 [Book Section]

Joncus, Berta. 2009. Proms on Radio 3: Handel’s 'Samson'. [Broadcast]

Joncus, Berta. 2009. 'Women's Song in Georgian England' [Book Review]. Early Music, 37(3), pp. 479-481. ISSN 0306-1078 [Article]

Joncus, Berta. 2009. Communications: on Ballad Operas Online (BOPO). Eighteenth-Century Music, 6(2), pp. 302-303. ISSN 1478-5706 [Article]

Joncus, Berta. 2009. 'Handel's 'Arianna in Creta''. In: Handel's 'Arianna in Creta'. Barbican Centre, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2009. Liner notes, 'Handel in the playhouse'. Oppella Nova Records, London. [Other]

Joncus, Berta. 2009. Music Matters: Handel’s 'Cantatas'. [Broadcast]

Joncus, Berta. 2009. Building a Library: Handel’s 'Messiah'. [Broadcast]

Joncus, Berta. 2009. Music Matters: Bach’s 'Sacred Cantatas'. [Broadcast]

Joncus, Berta. 2009. 'The Monthly Mask of Vocal Music, 1702-1711: a Facsimile Edition', edited by Olive Baldwin and Thelma Wilson (Aldershot: Ashgate, 2007) [Book Review]. Eighteenth-Century Music, 6(1), pp. 133-135. ISSN 1478-5706 [Article]

Joncus, Berta, ed. 2009. Eighteenth-Century Music, Eighteenth-Century Music, . 1478-5706 [Edited Journal]

Joncus, Berta. 2009. “A Likeness Where None Was To Be Found”: Imagining Kitty Clive (1711–1785). Music in Art: International Journal for Music Iconography, 34(1-2), pp. 89-106. ISSN 1522-7464 [Article]

Joncus, Berta; Burden, Michael; Rogers, Vanessa L. and Lipinski, Thaddeus. 2008 to present Ballad Opera Online. [Project]

Joncus, Berta. 2008. '"To propagate Sound for Sense": Music for Diversion and Seduction at Ranelagh Gardens'. In: Vauxhall Revisited: Pleasure Gardens and their Publics, 1660-1880. Tate Britain, London, United Kingdom 14-16 July 2008. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Divas Off-stage, 6 July 2008'. In: Divas Off-stage. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. Building a Library: Bach’s 'Partitas for Solo Violin'. [Broadcast]

Joncus, Berta. 2008. CD Review: Handel’s 'Riccardo Primo'. [Broadcast]

Joncus, Berta. 2008. 'The Polly Row, 25 May 2008'. In: The Polly Row. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Diva Thursday Live: Kitty Clive (15 May 2008)'. In: Diva Thursday live: Kitty Clive. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. CD Review: J.S Bach’s 'Sacred Cantatas'. [Broadcast]

Joncus, Berta. 2008. '"Of all the arts that sooth": Imagining Kitty Clive (1711-1785)'. In: Twelfth Conference of the Répertoire International d'Iconographie Musicale. New York, United States. [Conference or Workshop Item]

Joncus, Berta. 2008. Academic Advisor. Handel and the Divas, Handel House Museum, 30 April–16 Nov 2008. [Professional Activity]

Joncus, Berta. 2008. "Curse them all for a Parcel of Italian Bitches": The Prima Donna versus the English Singer-Actress. [Exhibition Catalogue]

Joncus, Berta. 2008. Handel and the Divas. [Professional Activity]

Joncus, Berta. 2007. 'Musicological choices: Gender, Prestige, and the Power of Subject Specialization'. In: Seventy-third Annual Meeting of the American Musicological Society. Quebec City, Canada. [Conference or Workshop Item]

Joncus, Berta and Bucciarelli, Melania, eds. 2007. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer. ISBN 9781843833178 [Edited Book]

Joncus, Berta. 2007. Producing Stars in dramma per musica. In: Berta Joncus and Melania Bucciarelli, eds. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer, pp. 275-293. ISBN 9781874833178 [Book Section]

Joncus, Berta. 2007. '"And Fashion makes me Sing": Eighteenth-century English Ballad Opera and the Birth of a Popular Music Industry'. In: British Academy Postdoctoral Fellowship Symposium 2007. London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2006. ''Charm’d with the sprightly Innocence of Nell’: Re-Reading The Devil to Pay'. In: Twelfth Biennial International Conference on Baroque Music. Warsaw, Poland. [Conference or Workshop Item]

Joncus, Berta. 2006. Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), pp. 179-226. ISSN 0269-0403 [Article]

Joncus, Berta. 2006. 'Curse them all for a parcel of Italian bitches’: the seduction of mimicry on the mid-eighteenth-century London stage'. In: Thirty-fifth annual conference of the British Society for Eighteenth-Century Studies. Oxford, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2005. One God, so many Farinellis: Mythologising the Star Castrato. Journal for Eighteenth-Century Studies (formerly British Journal for Eighteenth-Century Studies), 28(3), pp. 437-496. [Article]

Joncus, Berta. 2005. "His Spirit is in Action Seen": Milton, Mrs. Clive and the Simulacra of the Pastoral in Comus. Eighteenth-Century Music, 2(1), pp. 7-40. ISSN 1478-5706 [Article]

Joncus, Berta. 2005. ''Charm’d with the sprightly innocence of Nell’: Re-reading The Devil to Pay'. In: Seventy-first annual meeting of the American Musicological Society. Washington D.C, United States. [Conference or Workshop Item]

Joncus, Berta. 2004. 'Eating Pigeon-Pye: Handel and the 'Sweet Bird' of Drury Lane'. In: Fortieth Annual Conference of the Royal Musical Association. Birmingham, United Kingdom 12-14 November 2004. [Conference or Workshop Item]

Joncus, Berta. 2003. 'A Star is Born: Kitty Clive and Female Representation in Eighteenth-Century English Musical Theatre'. In: Sixty-ninth Annual Meeting of the American Musicological Society. Houston, Texas, United States. [Conference or Workshop Item]