Young, Michael W.. 2010. Identity and Intimacy in Human-Computer Improvisation. Leonardo Music Journal, 20(n/a), p. 97. ISSN 0961-1215 [Article]

Preview

Text Young-LMJ20.pdf - Published Version Download (538kB) | Preview

Abstract or Description

Artificial intelligence invites a new approach to computing in live music performance. Computers and human performers might collaborate on an equal basis. The perceived identities of participants, both human and machine, are enriched but problematic. The conflicting relationships between these identities impact upon both performers’ and listeners’ experience. The film Orlacs Hände is a starting point for a speculative discussion about human-computer improvisation, problems of identity, the self and the Other, social intimacy and the therapeutic process.

Item Type:	Article
Identification Number (DOI):	https://doi.org/10.1162/LMJ_a_00022
Keywords:	live algorithm, human-computer improvisation, identity, intimacy, control intimacy, Michael Young, Orlacs Hande, new music, interaction HCI
Related URLs:	Author
Departments, Centres and Research Units:	Music Music > Unit for Sound Practice Research
Dates:	Date Event 2010 Published
Item ID:	5592
Date Deposited:	23 May 2011 10:25
Last Modified:	12 Jul 2018 14:25
Peer Reviewed:	Yes, this version has been peer-reviewed.
URI:	http://research.gold.ac.uk/id/eprint/5592

View statistics for this item...

Edit Record (login required)