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Items where Division is "Theatre and Performance (TAP) > The Pinter Centre for Performance and Creative Writing (PCPCW)"

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Number of items at this level: 47.

2020

Fleming, Cass and Cornford, Tom, eds. 2020. Michael Chekhov Technique in the Twenty-First Century: New Pathways. London: Bloomsbury Academic. ISBN 9781474273183 [Edited Book] (Forthcoming)

2019

Twitchin, Mischa. 2019. Monstrosity: the face of war. Performance Research, 23(8), pp. 88-94. ISSN 1352-8165 [Article]

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Twitchin, Mischa. 2019. Reflections on the Disclosing - or Framing - of Things. Konteksty, 2018/4(323), pp. 273-278. ISSN 1230-6142 [Article]

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Twitchin, Mischa. 2019. Tervuren 1(i). [Film/Video]

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Twitchin, Mischa. 2019. Tervuren 1(ii). [Film/Video]

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Twitchin, Mischa. 2019. Tervuren 1(iii). [Film/Video]

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Twitchin, Mischa. 2019. Tervuren 2(i). [Film/Video]

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Twitchin, Mischa. 2019. Tervuren 3. [Film/Video]

Twitchin, Mischa. 2019. 'Toxicity at Work'. In: Performance Philosophy Biennial Conference. University of Amsterdam, Netherlands 14-17 March 2019. [Conference or Workshop Item]

Twitchin, Mischa. 2019. 'Tragic consequences'. In: Between Myth and Memory: Contemporary Politics and the Performance of History. University of Surrey, United Kingdom 25 April 2019. [Conference or Workshop Item]

2018

Gordon, Robert J.. 2018. All That Jazz: the difficult journey of Chicago from stage to screen. In: George Rodosthenous, ed. Twenty-First Century Musicals: From Stage to Screen. London: Routledge, pp. 34-52. ISBN 9781138648890 [Book Section]

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Levitas, Ben. 2018. 'The Dancer and the Heart's Desire: W. B. Yeats and the Theatre of Modernity'. The Yeats Journal of Korea, 56, pp. 111-128. ISSN 1226-4946 [Article]

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Mayo, Sue. 2018. Press Coverage/Decorum Southend. The Southend Echo, Southend. [Other] (In Press)

Mayo, Sue and Lowry, Chuck Blue. 2018. Decorum Participant Feedback Tower Hamlets. [Film/Video]

Twitchin, Mischa. 2018. How Estonian is it? Contemporary Theatre Review, 28(2), pp. 264-268. ISSN 1048-6801 [Article]

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Twitchin, Mischa. 2018. Kantor after Duchamp. In: M. Kobialka and N. Zarzecka, eds. Tadeusz Kantor's Memory: Other Pasts, Other Futures. TAPAC: Theatre and Performance Across Cultures (London, UK) and the Grotowski Institute (Wrocław, Poland).: Polish Theatre Perspectives (PTP). ISBN 978-1-910203-06-4 [Book Section]

2017

Gordon, Robert J. and Jubin, Olaf, eds. 2017. The Oxford Handbook of the British Musical. New York: OUP. ISBN 9780199988747 [Edited Book]

Levitas, Ben. 2017. The Theatre of Modernity. In: Vincent Sherry, ed. The Cambridge History of Modernism. Cambridge: Cambridge University Press, pp. 350-370. ISBN 978-1-107-03469-3 [Book Section]

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Mayo, Sue. 2017. 'Reasons to be Cheerful: resilience , structure and care-fulness in socially engaged practice'. In: TaPRA annual conference. University of Salford, United Kingdom August 30th - 1st September 2017. [Conference or Workshop Item]

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Mayo, Sue. 2017. 'Reflections on the Gratitude Enquiry'. In: The Performance of Care. Royal Central School of Speech & Drama, United Kingdom December 15th 2017. [Conference or Workshop Item]

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Twitchin, Mischa. 2017. Sites of Research or ‘no layers of the onion’: Phantom Europe. O A R: The Oxford Artistic and Practice Based Research Platform, 1, ISSN 2399-5092 [Article]

2016

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Carter, Claire. 2016. Elizabeth Price Curates: IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY. In: "Elizabeth Price Curates: IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY: DEMO TOURING TEENAGERS", The Whitworth, Manchester, United Kingdom, June 2016 - August 2017. [Show/Exhibition]

Gordon, Robert J.. 2016. ‘Kept Alive by Amateurs: White Horse Inn in Britain’. In: Nils Grosch and Carolin Stahrenberg, eds. Im Weissen Rössel: neue kulturgeschichtliche perspectiven 1930-2015. 19 Munster; New York: Waxman, pp. 179-194. ISBN 9783830933557 [Book Section]

Levitas, Ben. 2016. ‘The Abbey and the Idea of a Theatre’. In: Nicholas Grene and Morash Christopher, eds. The Oxford Handbook of Modern Irish Theatre. Oxford: Oxford University Press, pp. 41-57. ISBN 978-0-19-870613-7 [Book Section]

2015

Gordon, Robert J. and Jubin, Olaf, eds. 2015. Telling the Tale: Adaptation as Interpretation, Studies in Musical Theatre, 9(1). 1750-3159 [Edited Journal]

Black, Hannah; Daniels, Chris Paul; Dean, Michael; Harrison, Sarah; Kholeif, Omar; Kingstone, Peter; Carter, Claire; Morrison, Laura; O'Hare, Louise; Penney, Bridget; Perks, Sarah; Unsworth, Emma Jane; Walter, John; Wills, Camilla and Wood, Jason. 2015. Transactions of Desire Vol 2: Are you allergic to the 21st century? In: Louise O'Hare and Sarah Perks, eds. Transactions of Desire Vol 2: Are you allergic to the 21st century? 2 Manchester UK: Cornerhouse Publications, pp. 54-68. ISBN 9780992952457 [Book Section]

Carter, Claire. 2015. DEMO KHAT. [Artist's Book]

Carter, Makhlouf Carter. 2015. Are You Allergic to the 21st Century? HOME, Manchester. In: Sarah Perks and Louise O'Hare, eds. Transactions of Desire, Volume ii: Are You Allergic to the 21st Century? ii Machester: HOME, pp. 55-68. ISBN 9780992952457 [Book Section]

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Hilevaara, Katja and Orley, E. 2015. Making Making Matter: Paper as Paradox in Practice-as-Research. Ruukku: Studies in Artistic Research, 4, [Article]

2014

Gordon, Robert J., ed. 2014. The Oxford Handbook of Sondheim Studies. New York: OUP. ISBN 978-0-19-539137-4 [Edited Book]

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Okagbue, Osita and Igweonu, Kene, eds. 2014. Performative Inter-Actions in African Theatre 1, 2 and 3. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781443856119 [Edited Book]

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Carter, Makhlouf Carter. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

Okagbue, Osita. 2014. Progenies of Idemili: Ogonna Agu and I. In: Charles Nwadigwe; Molinta Enendu and Canice Nwosu, eds. Metaphors and Climax: Reminiscences in Honour of Ogonna Agu. London: Adonis & Abbey Publishers Ltd, viii-xiii. ISBN 9781909112469 [Book Section]

Twitchin, Mischa. 2014. Mise-en-scene: Beckett's 'Field of Memory'. Critical Stages (Journal of International Theatre Critics Association), 10, ISSN 2409-7411 [Article]

2013

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Okagbue, Osita and Igweonu, Kene, eds. 2013. Diaspora Representations and the Interweaving of Cultures: Performative Inter-Actions in African Theatre Volume 1. Newcastle, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-5378-1 [Edited Book]

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Okagbue, Osita and Igweonu, Kene, eds. 2013. Innovation, Creativity & Social Change: Performative Inter-Actions in African Theatre 2. Newcastle, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-5380-4 [Edited Book]

Peyton Jones, Jeremy. 2013. Composing music for The Zero Hour. In: Andrew Quick, ed. Theatricalising Cinema: imitating the dog's The Zero Hour and 6 Degrees Below the Horizon. Lancaster: Live at LICA, n/a-n/a. ISBN 978-1-86220-308-2 [Book Section]

2011

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Furse, Anna F. D.. 2011. SEA/WOMAN. In: "SEA/WOMAN", Lakeside Theatre, University of Essex, United Kingdom, January - Feburary 2011. [Performance]

Gordon, Robert J.. 2011. Pinter: In Other Rooms. In: "Pinter: In Other Rooms", University of Maribor, Slovenia, September - December, 2011. [Performance]

2009

Gordon, Robert J.. 2009. Iago and the Swart Gevaar: The Problems and Pleasures of a (Post)colonial Othello. In: Graham Bradshaw; Tom Bishop and Laurence Wright, eds. South African Shakespeare in the Twentieth Century. 9 Farham, Surrey, and Burlington, VT: Ashgate, pp. 131-151. ISBN 9780754669166 [Book Section]

2005

Cunningham, David; Fisher, Andrew and May, Sas, eds. 2005. Photography and Literature in the Twentieth Century. Cambridge Scholars Publishing. ISBN 978-1-9043-0346-6 [Edited Book]

This list was generated on Fri Oct 18 02:40:10 2019 BST.