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Goldsmiths - University of London

Items where Division is "Music > Popular Music Research Unit"

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Number of items at this level: 61.

2018

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Negus, Keith; Street, John and Behr, Adam. 2018. Copy rights: The politics of copying and creativity. Political Studies, TBA(TBA), ISSN 0032-3217 [Article] (Forthcoming)

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Negus, Keith; Street,, John and Behr, Adam. 2018. Copying, copyright and originality; imitation, transformation and popular musicians. European Journal of Cultural Studies, 21(TBA), ISSN 1367-5494 [Article] (Forthcoming)

2017

Perchard, Tom and Powers, Devon, eds. 2017. Special Issue: The Critical Imperative, Popular Music, 36(1). 0261-1430 [Edited Journal]

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Busby, Lisa. 2017. Collage, cut up and pop mantras: Post-digital approaches to songwriting. In: Justin Williams and Katherine Williams, eds. The Singer Songwriter Handbook. Bloomsbury Academic. ISBN 9781628920291 [Book Section]

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Negus, Keith. 2017. The gendered narratives of nobodies and somebodies in the popular music economy. In: Stan Hawkins, ed. Routledge Research Companion to Popular Music and Gender. UK/ USA: Taylor Francis/ Routledge, pp. 152-165. ISBN 978-1-472-45683-0 [Book Section]

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Perchard, Tom. 2017. Mid-Century Modern Jazz: Music and Design in the Postwar Home. Popular Music, 36(1), pp. 55-74. ISSN 0261-1430 [Article] (In Press)

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Powers, Devon and Perchard, Tom. 2017. Introduction: The Critical Imperative. Popular Music, 36(1), pp. 1-5. ISSN 0261-1430 [Article]

Spillane, Jeremiah. 2017. 'Djangology: Examining the posthumous influence of Django Reinhardt and the formation of “Gypsy Jazz” through pedagogy and performance online.'. In: The Fourth Westminster-Goldsmiths Symposium for Student Research in Popular Music. University of Westminster, London, United Kingdom Friday, 26 May 2017. [Conference or Workshop Item]

2016

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Busby, Lisa. 2016. Ovarium. [Composition]

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Graham, Stephen. 2016. The X Factor and Reality Television: Beyond Good and Evil. Popular Music, 36(1), pp. 6-20. ISSN 0261-1430 [Article]

Negus, Keith and Street, John. 2016. Introduction: the mediations of music and alcohol. Popular Music, 35(2), pp. 161-165. ISSN 0261-1430 [Article]

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Perchard, Tom. 2016. Technology, Listening and Historical Method: Placing Audio in the Postwar British Home. Journal of the Royal Musical Association, ISSN 0269-0403 [Article]

Spillane, Jeremiah. 2016. 'Transatlantic Swing: The Influence of Louis Armstrong on Django Reinhardt and the Development of Jazz in France'. In: Third Westminster-Goldsmiths Symposium for Student Research in Popular Music. Westminster University, London, United Kingdom. [Conference or Workshop Item]

2015

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Busby, Lisa. 2015. 3 Scores, 3 Rooms. [Composition]

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Busby, Lisa. 2015. Editions of You: A DIY Archive of DIY Practice. In: Sarah Baker, ed. Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. 11 New York: Routledge, pp. 227-240. ISBN 9781138781436 [Book Section]

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Busby, Lisa. 2015. Fingers in the Gloss. [Composition]

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Negus, Keith. 2015. Philip Tagg and the semiotic dialogues of the popular song. In: Audrone Daubariene and Dario Martinelli, eds. The Role of Humanities in Contemporary Society: Semiotics, Culture, Technologies. Kaunas, Lithuania: Kaunas University of Technology, pp. 125-132. ISBN 978-609-02-1139-7 [Book Section]

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Negus, Keith. 2015. The South Korean Music Industry: A Literature Review. CREATe Working Paper Series, [Article]

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Negus, Keith and Astor, Pete. 2015. Songwriters and song lyrics: architecture, ambiguity and repetition. Popular Music, 34(2), pp. 226-244. ISSN 0261-1430 [Article]

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Perchard, Tom. 2015. After Django: Making Jazz in Postwar France. Ann Arbor: University of Michigan Press. ISBN 978-0-472-07242-2 [Book]

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Perchard, Tom. 2015. New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the 21st-Century. Journal of the Society for American Music, 9(3), pp. 321-348. ISSN 1752-1963 [Article]

Spillane, Jeremiah. 2015. Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. HANDAI ONGAKUGAKUHO, Journal of HANDAI Music Studies, [Article]

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: The Second Westminster - Goldsmiths Symposium for Student Research in Popular Music. Westminster University, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: New Directions in Jazz Studies. Senate House, London, United Kingdom. [Conference or Workshop Item]

2014

Perchard, Tom, ed. 2014. From Soul to Hip Hop. Farnham: Ashgate. ISBN 978-0-7546-2950-4 [Edited Book]

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Perchard, Tom, ed. 2014. From Soul to Hip Hop (The Library of Essays on Popular Music). Ashgate. ISBN 978-1-4094-2719-3 [Book]

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Busby, Lisa. 2014. I begin alone in this action: a series of sounding zones. In: "Survival Kit Umea", Verkligheten Gallery and various outdoor venues in Umea, Sweden, 12/9/14-4/10/14. [Performance]

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Negus, Keith. 2014. Recordings, Rights and Risks: Intermediaries and the Changing Music Industries. Civilisations: Revue Internationale D’Anthropologie et de Sciences Humaines(13), pp. 113-136. [Article]

Negus, Keith and Astor, Pete. 2014. More Than a Performance: Song Lyrics and the Practices of Songwriting. In: Lee Marshall and Dave Laing, eds. Popular Music Matters, Essays In Honour of Simon Frith. Farnham, Surrey: Ashgate, pp. 195-208. ISBN 9781472421791 [Book Section]

Perchard, Tom. 2014. '‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’'. In: Musical Materialities in the Digital Age. University of Sussex, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2014. 'Introduction'. In: Tom Perchard, ed. From Soul to Hip Hop. Farnham: Ashgate, xi-xxix. ISBN 978-0-7546-2950-4 [Book Section]

Perchard, Tom. 2014. '‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’.'. In: Invited seminar, Royal Holloway, University of London. Royal Holloway, University of London, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2014. 'Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014.'. In: Voice, Memory, Song symposium, University of Oxford. University of Oxford, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Hybridized cultural musical expressions and their impact on creative musical expressions. An examination of Musette and its impact on Django Reinhardt’s creative vision and stylistic development'. In: ‘Vision and Articulation’, Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu'. In: Safeguarding the Intangible: Cross-Cultural Perspectives on Music and Heritage’. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Mapping hybridities: exploring indigenous popular precursors to gypsy jazz'. In: London Popular Music PhD Symposium. University of Westminster, United Kingdom. [Conference or Workshop Item]

2013

Busby, Lisa. 2013. Guest Curator: Lisa Busby. hernoise.org, [Article]

Perchard, Tom. 2013. Doing Musical Fieldwork with James G. Spady. The Western Journal of Black Studies, 37(2), pp. 104-112. ISSN 0197-4327 [Article]

Spillane, Jeremiah. 2013. 'A phonomusicological approach to investigating the stylistic development Django Reinhardt'. In: 'Music as Communication', Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

2012

Negus, Keith. 2012. Narrative Time and the Popular Song. Popular Music and Society, 35(4), pp. 483-500. ISSN 0300-7766 [Article]

Negus, Keith. 2012. Narrative, Interpretation and the Popular Song. Musical Quarterly, 95(2-3), pp. 368-395. ISSN 1741-8399 [Article]

2011

Negus, Keith. 2011. Authorship and the Popular Song. Music and Letters, 92(4), pp. 607-629. ISSN 0027-4224 [Article]

2010

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Negus, Keith. 2010. Bob Dylan's Phonographic Imagination. Popular Music, 29(2), pp. 213-228. ISSN 0261-1430 [Article]

2009

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Busby, Lisa. 2009. Editions of You. [Project]

2008

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Negus, Keith. 2008. Bob Dylan. London: Equinox London. ISBN 13 978 1 904768 25 8 [Book]

2007

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Negus, Keith. 2007. Living, Breathing Songs: Singing Along With Bob Dylan. Oral Tradition, 22(1), pp. 71-83. ISSN 0883-5365 [Article]

2006

Negus, Keith. 2006. Musicians on Television: Visible, Audible and Ignored. Journal of the Royal Musical Association, 131(2), pp. 310-330. ISSN 02690403 [Article]

2004

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Pickering, M. and Negus, Keith. 2004. Creativity, Communication & Cultural Value. Sage. ISBN 0761970754 [Book]

2002

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Negus, Keith. 2002. Belonging and detachment - musical experience and the limits of identity. Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30(1-2), pp. 133-145. ISSN 00484571 [Article]

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Negus, Keith. 2002. The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. Cultural Studies, 16(4), pp. 501-515. ISSN 09502386 [Article]

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Negus, Keith and Pickering, Michael. 2002. Creativity, Communication and Musical Experience. In: Keith Negus and David Hesmondhalgh, eds. Popular Music Studies. London: Arnold, pp. 178-190. ISBN 0 340 76248 9 [Book Section]

1999

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Negus, Keith. 1999. Music Genres and Corporate Cultures. London: Routledge. ISBN 0-415-17399-X [Book]

1998

1997

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Negus, Keith; Du Gay, Paul; Hall, Stuart; Janes, Linda and Mackay, Hugh. 1997. Doing Cultural Studies: The Story of the Sony Walkman. London: Sage. ISBN 0-7619-5402-3 [Book]

1996

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Negus, Keith. 1996. Globalization and the Music of the Public Spheres. In: Sandra Braman and Annabelle Sreberny-Mohammadi, eds. Globalisation, Communication and Transnational Civil Society. Cresskill, New Jersey: Hampton Press, pp. 179-195. ISBN 1-57273-020-X [Book Section]

This list was generated on Sat Sep 23 04:44:22 2017 BST.