Items where Division is "Music"

Goldsmiths Departments, Centres and Research Units (17581)
- Music (1027)
  - Afghanistan Music Unit (AMU) (15)
  - Centre for Russian Music (31)
  - Contemporary Music Research Unit (122)
  - Popular Music Research Unit (66)
  - Unit for Sound Practice Research (170)

Group by: Date | Creators | Item Type | No Grouping

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Number of items at this level: 804.

2021

Norton, Barley. 2021. Member of the REF 2021 Sub-panel 33 (2018-2021). [Professional Activity]

2020

Norton, Barley. 2020. Member of the Society for Ethnomusicology Council (Elected for 3-year Term, 2017-2020). [Professional Activity]

2019

Joncus, Berta. 2019. Handel for the Common Sphere. In: Helen Coffey and Annette Landgraf, eds. Handel in Context. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

2018

Norton, Barley and Matsumoto, Naomi, eds. 2018. Music as Heritage: Historical and Ethnographic Perspectives. London: Taylor and Francis. ISBN 9781138228047 [Edited Book]

Rogers, Holly; Vernallis, Carol and Perrott, Lisa, eds. 2018. Transmedia Directors and the Audiovisual Turn. tbc. [Edited Book] (Forthcoming)

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Bulley, James. 2018. 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. In: Geoffrey Cox, ed. Soundings: Documentary Film and the Listening Experience. Huddersfield: Huddersfield University Press, pp. 125-150. ISBN 9781862181540 [Book Section]

Bulley, James and Feshareki, Shiva. 2018. Analysing Daphne Oram's 'Still Point' (1948). In: Laurel Parson and Brenda Ravenscroft, eds. Analytical Essays on Music by Women composers, 1900–1960. Oxford: Oxford University Press. [Book Section] (Forthcoming)

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Bulley, James and Price, Astra. 2018. The Talking Drum. Leonardo Electronic Almanac, 22(1), ISSN 1071-4391 [Article] (Forthcoming)

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Grmusa, Verica. 2018. Creating Art Song in the South Slav Territories (1900-1930s): Femininity, Nation and Performance. Doctoral thesis, Goldsmiths, University of London [Thesis]

Joncus, Berta. 2018. Editorial Board Member, Eighteenth-Century Music (Cambridge: Cambridge University Press, 2009–present). [Professional Activity]

Joncus, Berta. 2018. 'Fair Songster': Kitty Clive (1711-1785). Woodbrige, Suffolk: Boydell & Brewer. ISBN 0000000000000 [Book] (Forthcoming)

Joncus, Berta; Rogers, Vanessa and Ozmo, Žak. 2018. Love in a Village. Kassel, Germany: Bärenreiter. [Book] (In Press)

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Negus, Keith. 2018. Musicians on Television at the BBC, 1936-1972. Discussion Paper, [Article]

Norton, Barley. 2018. Chair of the British Forum for Ethnomusicology (2015-2018). [Professional Activity]

Norton, Barley. 2018. Ethnomusicology and Filmmaking. In: Stephen Cottrell; Kevin Dawe and Andree Grau, eds. Music, Dance and Anthropology. Hertfordshire: Sean Kingston Publishing. [Book Section] (In Press)

Norton, Barley. 2018. Filming Music as Heritage: The Cultural Politics of Audiovisual Representation. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Ethnographic and Historical Perspectives. Farnham: Ashgate. ISBN 9781138228047 [Book Section] (In Press)

Norton, Barley. 2018. Music and Censorship in Vietnam since 1954. In: Patricia Hall, ed. The Oxford Handbook of Music Censorship. New York: Oxford University Press, pp. 303-331. ISBN 9780199733163 [Book Section]

Norton, Barley. 2018. Orchestrating the Nation: Court Orchestras, Nationalism and Agency in Vietnam. In: Tina K. Ramnarine, ed. Global Perspectives on Orchestras: Essays on Collective Creativity and Social Agency. New York: Oxford University Press, pp. 301-323. ISBN 9780199352227 [Book Section]

Norton, Barley. 2018. Review of the CD 'Lao Dreaming' by Wonderfeel, Skeletone. Songlines: The World Music Magazine, 136, p. 65. [Article]

Potter, Keith. 2018. ‘New Chaconnes for Old?’: Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with some thoughts on their significance for the analysis of the composer’s harmonic language in the late 1970s. Contemporary Music Review, 36(5), pp. 436-439. ISSN 0749-4467 [Article]

Redgate, Roger. 2018. Contemporary British Music: Technique and the Compositional Process. In: P. Archblod and R. Saxton, eds. Contemporary British Music: Technique and the Compositional Process. Ashgate. ISBN 978-0-7546-6367-6 [Book Section] (Forthcoming)

Redgate, Roger. 2018. Music after the Death of Art. Twentieth Century Music, 14(3), pp. 41-44. ISSN 1478-5722 [Article]

Rogers, Holly. 2018. Sonic Elongation: Creative Audition in Documentary Film. Cinema Journal, ISSN 0009-7101 [Article] (In Press)

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Tsiris, Giorgos. 2018. Performing spirituality in music therapy: Towards action, context and the everyday. Doctoral thesis, Goldsmiths, University of London [Thesis]

2017

Rogers, Holly and Barham, Jeremy, eds. 2017. The Music and Sound of Experimental Film. New York: Oxford University Press. ISBN 9780190469900 [Edited Book]

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Alexander, Tamsin. 2017. 'Illuminating Gustavus the Third and the Art of Spectacle in 1830s London'. Cambridge Opera Journal, 29(1), pp. 33-52. ISSN 0954-5867 [Article]

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Barden, Mark. 2017. Composing in and through the Body. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James. 2017. 'Living Symphonies'. In: Sound and Environment. University of Huddersfield, United Kingdom 29 June—1 July 2017. [Conference or Workshop Item]

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Bulley, James. 2017. 'Progress Music I' [Screening]. In: "Sound and Music in Documentary Film", University of Huddersfield, United Kingdom, 23 February 2017. [Show/Exhibition]

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Bulley, James. 2017. ''Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'.'. In: Sound and Music in Documentary Film. University of Huddersfield, United Kingdom 23—24 February 2017. [Conference or Workshop Item]

Bulley, James and Frosi, Helen. 2017. 'Bob Cobbing's 'ABC in Sound''. In: What Is In A Book. British Library, United Kingdom. [Conference or Workshop Item]

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Bulley, James and Gray, Andrew. 2017. RDM in the Performing Arts: Living Symphonies by Daniel Jones & James Bulley (Unit for Sound Practice Research, Goldsmiths, University of London). In: , ed. LEARN Toolkit of Best Practice for Research Data Management. London: University College London, pp. 59-65. [Book Section]

Busby, Lisa. 2017. Like so many things I both know and don't know. Dancecult Journal of Electronic Dance Music Culture, 9(1), ISSN 1947-5403 [Article]

Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus. 2017. Perception of Rhythmic Similarity is Asymmetrical, and is Influenced by Musical Training, Expressive Performance, and Musical Context. Timing & Time Perception, ISSN 2213-445X [Article]

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Gilgunn, Paul. 2017. Distillation and Synthesis: Aesthetics and Practice in Rhys Chatham's Music for Electric Guitar. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gillis-Furutaka, Amanda. 2017. The Consumption of English-language Music Videos on YouTube in Japan. Doctoral thesis, Goldsmiths, University of London [Thesis]

Graham, Stephen. 2017. The X Factor and Reality Television: Beyond Good and Evil. Popular Music, 36(1), pp. 6-20. ISSN 0261-1430 [Article]

Joncus, Berta and Burrows, Donald. 2017. Music and Representation. In: Joanna Marschner, ed. Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World. New Haven: Yale University Press, pp. 202-207. ISBN 9780300217100 [Book Section]

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Matsumoto, Naomi. 2017. Giovanni Vittorio Rosi's Musical Theatre: Opera, Operetta and the Westernisation of Modern Japan. In: Clair Rowden and Michela Niccolai, eds. Musical Theatre in Europe 1830-1945. Turnout: Brepols. ISBN 978-2-503-57766-1 [Book Section]

Norton, Barley. 2017. Member of the AHRC Peer Review College (2017-). [Professional Activity]

Norton, Barley. 2017. Review of the CD 'Saigon Supersound, 1965-75 Volume 1', INFRACom! Songlines: The World Music Magazine, 131, p. 59. [Article] (Forthcoming)

Norton, Barley. 2017. Review of the CDs 'Dengue Fever' by Dengue Fever and 'Escape from Dragon House' by Dengue Fever. TUK TUK Records. Songlines: The World Music Magazine, 129, p. 63. [Article]

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Perchard, Tom. 2017. Growing Old Together: Pop Studies and Music Sociology Today. Twentieth-Century Music, 14(2), pp. 335-343. ISSN 1478-5722 [Article]

Potter, Keith. 2017. Harmonic Progressions as a Gradual Process: towards an understanding of the development of tonality in the music of Steve Reich. In: Felix Woerner and Philip Rupprecht, eds. Tonality Since 1950. Stuttgart: Franz Steiner Verlag, pp. 189-207. ISBN 978-3-515-11582-7 [Book Section]

Potter, Keith. 2017. Sketching a New Tonality: a preliminary assessment of Steve Reich’s sketches for Music for 18 Musicians in telling the story of this work’s approach to tonality. In: Pwyll ap Sion and Sumanth Gopinath, eds. Rethinking Reich. New York: Oxford University Press. [Book Section] (Forthcoming)

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Powers, Devon and Perchard, Tom. 2017. Introduction: The Critical Imperative. Popular Music, 36(1), pp. 1-5. ISSN 0261-1430 [Article]

Redgate, Roger. 2017. Notation, Structure and Performance: Towards a Grammatology of Music. In: R. Woodley, ed. Notation and Practice: Essays in Musical Performance and Textuality. Cambridge: Cambridge University of Press. [Book Section] (Forthcoming)

Rogers, Holly. 2017. ‘Audio-Visual Dissonance in Found Footage Films’. In: Holly Rogers and Jeremy Barham, eds. The Sound and Music of Experimental Film. New York: Oxford University Press. ISBN 9780190469900 [Book Section]

Rogers, Holly. 2017. "Audiovisual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre". In: R Adlington and G Borio, eds. New Music Theatre in Europe: Transformations Between 1955-1975. Venice: Fondazione Georgio Cini, Venice. [Book Section] (Submitted)

Smith, Bethan Evie. 2017. The Pianoforte at the Great Exhibition of 1851: Investigating Cultural Value. Doctoral thesis, Goldsmiths, University of London [Thesis]

Spillane, Jeremiah. 2017. 'Bebop [r]evolution: understanding the new sound of jazz in Postwar France'. In: Royal Musical Association: Identity and Vinyl Culture Conference. University of Birmingham, United Kingdom Saturday 18th November 2017. [Conference or Workshop Item] (Forthcoming)

Spillane, Jeremiah. 2017. [Book Review] 'When Genres Collide: Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock' By Matt Brennan. 2017, Bloomsbury Academic. Jazz Research Journal, ISSN 1753-8637 [Article] (Forthcoming)

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Spillane, Jeremiah. 2017. [Book Review] Blue Rhythm Fantasy: Big Band jazz Arranging in the Swing Era, by John Wriggle. University of Illinois Press. Journal of the International Association for the Study of Popular Music (IASPM), 7(2), ISSN 2079-3871 [Article]

Spillane, Jeremiah. 2017. 'Djangology: Examining the posthumous influence of Django Reinhardt and the formation of “Gypsy Jazz” through pedagogy and performance online.'. In: The Fourth Westminster-Goldsmiths Symposium for Student Research in Popular Music. University of Westminster, London, United Kingdom Friday, 26 May 2017. [Conference or Workshop Item]

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Welbanks, Valerie. 2017. Foundations of Modern Cello Technique; Creating the Basis for a Pedagogical Method. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Winston, Emma. 2017. Nightcore and the Virtues of Virtuality. Brief Encounters, 1(1), ISSN 2514-0612 [Article]

Zora, Viktoria. 2017. Sergei Prokofiev’s Violin Sonatas Op. 80 and 94bis: a historical and comparative study of manuscripts, early editions and interpretations by David Oistrakh and Joseph Szigeti. Doctoral thesis, Goldsmiths, University of London [Thesis]

2016

McVeigh, Simon and Lynan, Peter, eds. 2016. Thomas Arne, Judith: an Oratorio. London: Stainer and Bell, for the Musica Britannica Trust. ISBN 978-0-85249-947-4 [Edited Book]

Abtan, Freida. 2016. Where is She: Find the Women in Electronic Music Culture. Contemporary Music Review, 35(1), pp. 53-60. ISSN 0749-4467 [Article]

Alessandrini, Patricia. 2016. Resisting reproduction in the digital age: notes on a sonic arts practice. Nutida Musik, [Article]

Alexander, Tamsin. 2016. Review: 'Wagner in Russia, Poland and the Czech Lands: Musical, Literary, and Cultural Perspectives, ed. by Stephen Muir and Anastasia Beiina-Johnson'. Music and Letters, 97(2), pp. 351-353. ISSN 0027-4224 [Article]

Antoniou, Antonis. 2016. Aural Auras and Haunting Echoes: Places with complex biographies. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James. 2016. Othello Suite. In: "Well Said!", Royal Shakespeare Theatre, United Kingdom, 19 March — 18 September 2016. [Show/Exhibition]

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Bulley, James. 2016. 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. Bricks From The Kiln(2), [Article]

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Bulley, James. 2016. 'Tactus: Sound Scores for the Blind and Visually Impaired'. In: 'Make:Shift': Crafts Council Conference 2016. Museum of Science and Industry, Manchester, United Kingdom 10 November 2016. [Conference or Workshop Item]

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Bulley, James and Feshareki, Shiva. 24 June 2016 'Still Point' with the London Contemporary Orchestra (St. John's Smith Square). [Project]

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Crawford, Tim and Lewis, Richard. 2016. Music Encoding Initiative (Digital and Multimedia Scholarship). Journal of the American Musicological Society, 69(1), pp. 273-285. ISSN 0003-0139 [Article]

Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2016. Spreadsheets as User Interfaces. AVI '16 Proceedings of the International Working Conference on Advanced Visual Interfaces, pp. 192-195. [Article]

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Drever, John L.. 2016. Sanitary tones: ayre #2. [Dan Dryer]. [Art Object]

Drever, John L. and Upton, Lawrence. 2016. Porth Dances & Sings. [Composition]

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Graham, Stephen. 2016. Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. Michigan: University of Michigan Press. ISBN 978-0-472-11975-2 [Book]

Hornabrook, Jasmine. 2016. 'Becoming One Again': Music and Transnationalism in London's Sri Lankan Tamil Diaspora. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kirk, Pedro; Grierson, Mick; Bodak, Rebeka; Ward, Nick; Brander, Fran; Kelly, Kate; Newman, Nicholas and Stewart, Lauren. 2016. 'Motivating Stroke Rehabilitation Through Music: A Feasibility Study Using Digital Musical Instruments in the Home'. In: Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems. San Francisco, United States. [Conference or Workshop Item]

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Kounadi, Anna. 2016. Scriabin Sonata-Fantasy op. 19 n. 2 on Record: A Comparative Study of Sound Recordings and Piano Rolls. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Matsumoto, Naomi. 2016. "Ghost Writing”: an Exploration of Presence and Absence in Lucia di Lammermoor (1835)’. Word and Music Studies, 15, pp. 63-84. ISSN 1566-0958 [Article]

McVeigh, Simon. 2016. The Prince of Wales, Giardini and Pleyel: Searching for the Source of the Public String Quartet in London Concert Life. In: Christian Speck, ed. The String Quartet: From the Private to the Public Spherec. ‘Speculum Musicae’ Vol. 27 Turnhout: Brepols, pp. 165-197. ISBN 978-2-503-56800-3 [Book Section]

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Mosley, Kathryn J. 2016. The Cadenzas to Beethoven’s Piano Concertos: Compositional Processes and Early Performance Traditions.. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Negus, Keith and Street, John. 2016. The Mediations of Music and Alcohol. Popular Music, 35(02), pp. 161-165. ISSN 0261-1430 [Article]

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Norton, Barley. 2016. 'Music, Ethnicity and Heritage: A Comparison of Then and Lên đồng Rituals in Vietnam (Âm nhạc, Tộc người và Di Sản: So sánh giữa nghi lễ Then và Lên đồng của Việt Nam)'. Thông Báo Khoa Học Viện Âm Nhạc (Bulletin of Vietnamese Institute for Musicology), [Article]

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Norton, Barley. 2016. Review of "Sounding Out Heritage: Cultural Politics and the Social Practice of Quan Ho Folk Song in Northern Vietnam" by Lauren Meeker (University of Hawaii Press, 2013). Journal of Vietnamese Studies, 11(2), pp. 122-124. ISSN 1559-372X [Article]

Norton, Barley. 2016. Review of the CD 'Khmer Rouge Survivors: They Will Kill You, If You Cry', Glitterbeat Records. Songlines: The World Music Magazine(121), p. 61. [Article]

Norton, Barley. 2016. Vietnam: Popular Music and Censorship. [Digital]

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Olowe, Ireti; Barthet, Mathieu; Grierson, Mick and Bryan-Kinns, Nick. 2016. 'FEATUR.UX: exploiting multitrack information for artistic visualization'. In: Proceedings of the International Conference on Technologies for Music Notation and Representation - TENOR2016. TENOR, United Kingdom. [Conference or Workshop Item]

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Potter, Keith; Wilkins, Suzie and Wiggins, Geraint. 2016. On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass. In: Lauren Redhead and Vanessa Hawes, eds. Music and/as Process. Newcastle: Cambridge Scholars Publishing, pp. 34-55. ISBN 978-1-4438-9491-3 [Book Section]

Rogers, Holly. 2016. ‘“The public will only believe the truth if it is shot in 3D”: Michel van der Aa, “Nine Years in an Ophanage” (Zenna), Sunken Garden, Scene 6’. Cambridge Opera Journal, 28(2), pp. 277-282. ISSN 0954-5867 [Article]

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Rogers, Holly; Vernallis, Carol and Perott, Lisa. 2016. Beyoncé’s Lemonade: She Dreams in Both Worlds. Film International, [Article]

Rogers, Holly; Vernallis, Carol and Perrott, Lisa. 2016. New Approaches to Sound, Music and Media. Bloomsbury. [Book]

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Rosani, Silvia. 2016. Intermezzo 1, for live electronics. In: "White Masks", Great Hall, Goldsmiths, United Kingdom. [Performance]

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Rosani, Silvia. 2016. Intermezzo 1, for live electronics (6 channels). [Composition]

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Rosani, Silvia. 2016. Intermezzo 2, for live electronics (4 channels). [Composition]

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Rosani, Silvia. 2016. Intermezzo 2, for live electronics.. In: "White Masks", Great Hall, Goldsmiths, United Kingdom. [Performance]

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Rosani, Silvia. 2016. Intermezzo 3, for live electronics. In: "White Masks", Great Hall, Goldsmiths, United Kingdom. [Performance]

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Rosani, Silvia. 2016. Intermezzo 3, for live electronics (6 channels). [Composition]

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Rosani, Silvia. 2016. Li Rin. [Composition]

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Rosani, Silvia. 2016. Li Rin, for soprano and piano. In: "Confessions", Theaterhaus (Stuttgart), Germany. [Performance]

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Rosani, Silvia. 2016. Magnifying lenses: How the spectral analysis of the voice – human and animal – can be used to strengthen the connection between text and music. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Rosani, Silvia. 2016. No doubt they can feel pain. [Composition]

Rosani, Silvia. 2016. No doubt they can feel pain. In: "Concert presenting the eight new pieces of the participants of the Composition Summer School 2016", Neimëister, United Kingdom. [Performance]

Rosani, Silvia. 2016. T-O for five voices, performed at Onassis Cultural Centre in Athens by the Neue Vocalsolisten. In: "Voices in Space", Athens, United Kingdom, 13/05/16. [Performance]

Rosani, Silvia. 2016. T-O for five voices, performed by the Neue Vocalsolisten at the Onassis Cultural Centre in Athens (Greece).. In: "Voices in Space", Onassis Cultural Centre (Athens), Greece, 13/05/2016. [Performance]

Rosani, Silvia. 2016. T-O for five voices. Performed by Neue Vocalsolisten at Centro Kursaal (San Sebastian). In: "Mediterranean voices", Centro Kursaal (San Sebastian), Spain, 26/08/2015. [Performance]

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Rosani, Silvia. 2016. White Mask, for solo cello. In: "White Masks", Goldsmiths, Great Hall, United Kingdom, 24/11/2016. [Performance]

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Rosani, Silvia. 2016. White Mask, for solo cello. [Composition]

Rosani, Silvia; Tóth, Kinga and Bolm, Andreas. 2016. Controller. In: "Chouftouhonna 2016, International Feminist Art Festival", Tunis, Tunisia. [Show/Exhibition]

Rosani, Silvia; Tóth, Kinga and Bolm, Andreas. 2016. 'Controller, video and stereo fixed media'. In: WISWOS 2016. Lancaster Institute for the Contemporary Arts, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2016. 'Transatlantic Swing: The Influence of Louis Armstrong on Django Reinhardt and the Development of Jazz in France'. In: Third Westminster-Goldsmiths Symposium for Student Research in Popular Music. Westminster University, London, United Kingdom. [Conference or Workshop Item]

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Spillane, Jeremiah; Givan, Benjamin; Hannum, Andrew and Bulley, James. 2016. 'Open in Action: Music, Computing and Open Data'. In: Open in Action: Music, Computing and Open Data. Special Collections Reading Room, Goldsmiths, United Kingdom 24/10/2016. [Conference or Workshop Item]

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Spinelli, Emmanuel. 2016. Composing with Schizo-narratives and Sonic Chorographies: The Territory of Disembodied Voices and the Perception of Acousmatic Identities. Doctoral thesis, Goldsmiths, University of London [Thesis]

2015

Matsumoto, Naomi, ed. 2015. Staging Verdi and Wagner. Turnhout: Brepols. ISBN 9782503564821 [Edited Book]

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Alexander, Tamsin. 2015. 'Decentralising via Russia: Glinka’s A Life for the Tsar in Nice, 1890'. Cambridge Opera Journal, 27(01), pp. 35-62. ISSN 0954-5867 [Article]

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Alexander, Tamsin. 2015. Review: 'A Musician Divided: Andre Tchaikowsky in his own words'. Music & Letters, 96(3), pp. 491-494. [Article]

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Artamonova, Elena. 2015. Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II. Journal of the American Viola Society, 31(1), pp. 19-30. ISSN 0898-5987 [Article]

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Assiter, Ben. 2015. Basic Channel and Timelessness: Negotiating Canonisation, Resemblance and Repetition in House and Techno. International Association for the Study of Popular Music, [Article]

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Bosnic, Maja. 2015. Re-question, Reset : Portfolio of compositions accompanied by a written commentary.. Doctoral thesis, Goldsmiths, University of London [Thesis]

Bulley, James. 2015. 'Soundspinning'. In: British Library West Africa. British Library, United Kingdom 5 December 2015. [Conference or Workshop Item]

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Bulley, James. 2015. Tactus No.1. In: "Sonic Pattern, Mykolas Žilinskas Art Gallery, Kaunas Biennial", Kaunas, Lithuania, 18 September – 1 January 2016. [Show/Exhibition]

Bulley, James and Jones, Daniel. 2015. Vespers. In: "Web We Want / Festival of Love", Southbank Centre, United Kingdom, 28 May - 14 September 2015. [Show/Exhibition]

Drever, John L.. 2015. 'Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers On Vulnerable Subgroups In Publicly Accessible Toilets'. In: 2nd International Conference on Hyperacusis (ICH2). Birkbeck College, University of London. [Conference or Workshop Item]

Drever, John L.. 2015. 'Sensitive Hearing in an Auraltypical World'. In: Sound Studies: Art, Experience, Politics, CRASSH. University of Cambridge. [Conference or Workshop Item]

Drever, John L.. 2015. Sublime-sound-of-the-one-hand [Ryōan-ji]. FocaalBlog, associated with Focaal: Journal of Global and Historical Anthropology, [Article]

Drever, John L. and Cook, Christopher. 2015. Acoustic ecology of great places. [Art Object]

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Exarchos, Dimitris. 2015. Listening Outside of Time. In: M. Solomos, ed. Xenakis. La musique électroacoustique. L'harmattan. [Book Section]

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Graham, Stephen. 2015. Boogie Nights: Joe Cutler, Danserye: Michael Wolters, Kathrine and Peter Play the Recorder: Michael Wolters (CD Review). Tempo, 69(272), pp. 80-83. ISSN 0040-2982 [Article]

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Graham, Stephen. 2015. Frank Zappa and the And. Edited by Paul Carr (Book Review). Popular Music, 34(1), pp. 147-150. ISSN 0261-1430 [Article]

Graham, Stephen. 2015. Historical Documents of the Irish Avant-Garde. In: Jennifer Walshe, ed. Historical Documents of the Irish Avant-Garde. Aisteach Foundation. [Book Section]

Joncus, Berta. 2015. Annual Awards Jury Member, BBC Music Magazine. [Professional Activity]

Joncus, Berta. 2015. Critic. BBC Music Magazine. Renaissance and Baroque music. [Professional Activity]

Joncus, Berta. 2015. Critic. International Record Review. Renaissance and Baroque music. [Professional Activity]

Joncus, Berta. 2015. Kitty Clive, Goddess of Mirth: Creating a Star through Song (1728–1765). Woodbridge, Suffolk: Boydell & Brewer. [Book] (Forthcoming)

Katan, Simon; Grierson, Mick and Fiebrink, Rebecca. 2015. 'Using Interactive Machine Learning to Support Interface Development Through Workshops with Disabled People'. In: CHI 2015. Seoul, Korea, Republic of. [Conference or Workshop Item]

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Leadley, Marcus. 2015. In Situ Listening:Soundscape, Site and Transphonia. Doctoral thesis, Goldsmiths, University of London [Thesis]

Lewis, Lis. 2015. English Flute School Performance Aesthetics (1706–1972): A National Style?. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lewis, Matt. 2015. Ventriloquial Acts: Critical reflections on the art of Foley and the role of sound in social space. Doctoral thesis, Goldsmiths, University of London [Thesis]

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March, Neil. 2015. Developing an Urban Art Music. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Matsumoto, Naomi. 2015. Book Review: James Kennaway (ed.), Music and the Nerves, 1700–1900 (Basingstoke: Palgrave Macmillan, 2014),. Medical History, LIX(2), pp. 333-335. ISSN 0025-7273 [Article]

Matsumoto, Naomi. 2015. Charles Marshall’s “Dioramic” Scenery: Staging Verdi in Victorian London. In: , ed. staging Verdi and Wagner. Turnhout: Brepols, pp. 53-80. ISBN 9782503564821 [Book Section]

Mavroudis, Anastasios Ruper Arthur. 2015. Performing Sicilianos: Selected Chamber Works and Concerto for Violin and Orchestra. Doctoral thesis, Goldsmiths, University of London [Thesis]

Norton, Barley. 2015. Ca Trù Singing in Vietnam: Revival and Innovation. [Digital]

Norton, Barley. 2015. Review of the CD 'Radio Vietnam', compiled by Mark Gergis. Sublime Frequencies. Songlines: The World Music Magazine, 109, p. 71. [Article]

Peyton Jones, Jeremy. 2015. The Train. [Composition]

Potter, Keith. 2015. Obituary: 'Roger Smalley; Composer, pianist and pupil of Karlheinz Stockhausen who became a leading figure of the European avant-garde'. The Independent, [Article]

Redgate, Roger. 2015. Ausgangspunkte. [Audio]

Redgate, Roger and Cox, Franklin. 2015. The New Cello, Vol 2: European Composers. [Audio]

Rogers, Holly. 2015. ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. In: Michael Spitzer, ed. Beethoven. Farnham: Ashgate, pp. 509-521. ISBN 978-1-4724-4030-3 [Book Section]

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Rogers, Holly. 2015. ‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’. [Exhibition Catalogue]

Spillane, Jeremiah. 2015. Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. HANDAI ONGAKUGAKUHO, Journal of HANDAI Music Studies, [Article]

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: The Second Westminster - Goldsmiths Symposium for Student Research in Popular Music. Westminster University, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: New Directions in Jazz Studies. Senate House, London, United Kingdom. [Conference or Workshop Item]

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Wilson, Tara Jane. 2015. Russian Post-Minimalist Music: A Semiological Investigation into the Narrative Approaches employed by Alexander Knaifel between 1978 and 1994. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Yerosimou, Maria. 2015. Jani Christou’s Strychnine Lady (1967): the development of an interpretative strategy in the context of the interdisciplinary ideas surrounding its genesis. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Zaldua, Alistair. 2015. The Concept of the Meta-Instrument and its Implementation in Pre-Composition. Doctoral thesis, Goldsmiths, University of London [Thesis]

2014

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Perchard, Tom, ed. 2014. From Soul to Hip Hop (The Library of Essays on Popular Music). Ashgate. ISBN 978-1-4094-2719-3 [Book]

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Rogers, Holly, ed. 2014. Music and Sound in Documentary Film. New York: Routledge. ISBN 9780415728669 [Edited Book]

Matsumoto, Naomi and Yamamoto, Kazuto, eds. 2014. SHIZENGAKU: the Search for a Coming Aesthetic. Kyoto: Nakanishiya. ISBN 978-4-9907368-0-4 [Edited Book]

Aceti, Lanfranco; Jefferies, Janis K.; Sondergaard, Morten; Stallabrass, Julian; Bulley, James; Drever, John L.; Munro, Jonathan; Noy, Irene and Sahin, Ozden. 15 - 17 May 2014 Histories, Theories and Practices of Sound Art. [Project]

Alessandrini, Patricia. 2014. Commission for Ensemble Dal Niente. [Composition]

Alessandrini, Patricia. 2014. Inclusive music project with electronics. [Composition]

Alessandrini, Patricia. 2014. Musikfestival Heidelberger Frühling. [Composition]

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Alexander, Tamsin. 2014. 'Too Russian for British Ears: La Vita per lo Czar at Covent Garden, 1887'. Tekst. Kniga. Knigoizdaniye (Text. Book. Publishing), 2(6), pp. 30-48. [Article]

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Artamonova, Elena. 2014. Alexander Grechaninov and the Viola. Alexander Grechaninov: Complete Music for Viola and Piano, pp. 2-10. [Article]

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Artamonova, Elena. 2014. Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part I. Journal of the American Viola Society, 30(2), pp. 27-36. ISSN 0898-5987 [Article]

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Atkins, Guy and Bulley, James. 2014. 20 Years of Archive Fever (Freud Museum). [Project]

Bora, Menaka. 2014. Globalization, Indianness and Neo-traditionality in Indian Contemporary Experimental Music. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James and Jones, Daniel. 2014. Living Symphonies. [Project]

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Bulley, James; Sahin, Ozden; Spinelli, Emmanuel; Tanaka, Atau; Hosang, Georgina M.; Cubitt, Sean; Drever, John L. and Kanngieser, Anja. 2014. Sound and the City (Natural History Museum). [Project]

Chung, Hsiang Ying. 2014. A Sound Encounter of En Creux: in-between Roni Horn, Alvin Lucier, and Robert Smithson. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2014. Authority and Judgement in the Digital Archive. The 1st International Digital Libraries for Musicology workshop (DLfM 2014), pp. 1-8. [Article]

Drever, John L.. 2014. 'Ochlophonia Hong Kong SAR: audition, speech and feedback from within the crowded soundscape.'. In: Sound, Noise and the Everyday: Soundscapes in China. Aarhus University, Denmark. [Conference or Workshop Item]

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Exarchos, Dimitris. 2014. A Theory of Music Analysis: On Segmentation and Associative Organization by Dora A. Hanninen (review). Notes, 71(2), pp. 320-322. [Article]

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Foster, Stephen Charles. 2014. 'To Entertain the Fancy': The Orchestral Concert song in England, 1740-1800. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Graham, Stephen. 2014. Justin Timberlake’s Two-Part Complementary Forms: Groove, Extension, and Maturity in Twenty-First-Century Popular Music. American Music, 32(4), pp. 448-474. ISSN 0734-4392 [Article]

Graham, Stephen. 2014. Untroubled Pathways (Record Review). Tempo, 68(267), [Article]

Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole. 2014. 'Feminism@Goldsmiths'. In: Feminism@Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

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Hadjiandreou, Andri. 2014. Intentions and Interpretations: Form, Narrativity and Performance Approaches to the 19th-Century Piano Ballade. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hong, Ju-Lee. 2014. An Empirical Analysis of Musical Expression in Recordings by Selected Cellists. Masters thesis, Goldsmiths, University of London [Thesis]

Ikeshiro, Ryo. 2014. Audification and Non-Standard Synthesis in Construction in Self. Organised Sound, 19(1), pp. 78-89. ISSN 1355-7718 [Article]

Joncus, Berta. 2014. Opera librettos and British politics. Early Music, 42(2), pp. 297-299. ISSN 0306-1078 [Article]

Joncus, Berta. 2014. Review of Suzanne Aspden, 'The Rival Sirens: Performance and Identity on Handel’s Operatic Stage'. Music & Letters, 95(1), pp. 96-99. ISSN 0027-4224 [Article]

Joncus, Berta and Rogers, Vanessa L.. 2014. Ballad opera and British timbre: Henry Fielding’s 'The Mock Doctor'. In: Herbert Schneider, ed. Die Praxis des Timbre in verschiedenen europäischen Kulturen: Eine musikalische Praxis zwischen Oralität und Schriftlichkeit. (40) Hildesheim: Georg Olms Verlag, pp. 101-140. ISBN 978-3-487-15072-7 [Book Section]

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Kalodiki, Georgia. 2014. Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities. In: G. Kouroupetroglou and A. Georgaki, eds. Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. UNSPECIFIED, pp. 314-317. ISBN 978-960466137-4 [Book Section]

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Koren, Réka and Gingras, Bruno. 2014. Perceiving individuality in harpsichord performance. Frontiers in Psychology, 5(FEB), pp. 1-13. ISSN 16641078 [Article]

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Matsumoto, Naomi. 2014. Il plagio vs "una piacevole reminiscenza al nostro orecchio". The Siege of Rochelle (1835) di Michael Balfe e il "lavoro culturale" della critica estetica. Estetica Studi e Ricerche, iv(1), pp. 83-100. ISSN 2039-6635 [Article]

Matsumoto, Naomi. 2014. Michael Costa at the Haymarket: the Establishment of the Modern Role of "The Director of Music". In: Roberto Illiano and Michela Niccolai, eds. Orchestral Conducting in the Nineteenth Century. Turnhout: Brepols, pp. 25-60. ISBN 9782503552477 [Book Section]

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Matsumoto, Naomi. 2014. Nature in Music, Music in Nature: Imitation, Quotation and Representation. In: Naomi Matsumoto and Kazuto Yamamoto, eds. SHIZENGAKU: the Search for a Coming Aesthetic. Kyoto, Japan: Nakanishiya, pp. 124-133. ISBN 9784779507915 [Book Section]

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McVeigh, Simon. 2014. Calendar of London Concerts 1750-1800. [Dataset]

McVeigh, Simon. 2014. Handel in Concert: Social, National and Cultural Roles in Later Eighteenth-Century Britain. In: Laurenz Lütteken and Wolfgang Sandberger, eds. Göttinger Händel-Beiträge 15. Göttingen: Vanderkoeck & Ruprecht, pp. 161-176. ISBN 9783525278321 [Book Section]

Norton, Barley. 2014. CD Review of Nostalgique Vietnam: Chansons de charme, poèmes et prières 1937-1954, Buda Musique. Songlines: The World Music Magazine(101), p. 75. [Article]

Norton, Barley. 2014. Engendering Emotion and the Environment in Vietnamese Mediumship. Vietnam Social Sciences Review, 164(6), pp. 1-16. [Article]

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Norton, Barley. 2014. Exhibition catalogue text for the installation - "Homelands: Working the Rice, Working the Forest" by the Landscape Quartet featuring Nguyen Thanh Thuy.. [Printed Ephemera]

Norton, Barley. 2014. Music Revival, Ca Trù Ontologies, and Intangible Cultural Heritage in Vietnam. In: Caroline Bithell and Juniper Hill, eds. The Oxford Handbook of Music Revival. New York: Oxford University Press, pp. 158-179. ISBN 9780199765034 [Book Section]

Norton, Barley. 2014. Review of the CD 'The Don Cai Tai Tu: Chamber Music of the Mekong Delta', Inedit/Maison des Cultures du Monde. Songlines: The World Music Magazine(103), p. 75. [Article]

Norton, Barley. 2014. Review of the film "This is a Music! Reclaiming an Untouchable Drum" (2010, Directed by Zoe Sherinian, DVD, 74 minutes). Yearbook for Traditional Music, 46, pp. 249-250. ISSN 0740-1558 [Article]

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Peyton Jones, Jeremy. 2014. Sound Production as Theatrical Action. In: Marilyn Wyers and Osvaldo Gileca, eds. Sound, Music and the Moving Thinking Body. Cambridge Scholars Publishing. [Book Section]

Pryer, Anthony J.. 2014. The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the ‘Text’. In: Taina Riikonen and Arjaana Virtanen, eds. The Embodiment of Authority: Perspectives on Performances, Interdisziplinäre Studien zur Musik. Frankfurt: Peter Lang, pp. 87-102. ISBN 978-3-631-65085 [Book Section]

Pryer, Anthony J.. 2014. ‘Real’ Nature, ‘Aesthetic’ Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration (in Japanese Translation). In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: a Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN ISBN 978-4-7795-0791-5 [Book Section]

Rogers, Holly. 2014. ‘Music, Sound and the Nonfiction Aesthetic’. In: Holly Rogers, ed. Music and Sound in Documentary Film. New York: Routledge, pp. 1-19. [Book Section]

Rogers, Holly. 2014. ‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’. Animation Journal, 22, pp. 68-84. [Article]

Rogers, Holly. 2014. ‘Review: Unruly Media: YouTube, Music Video and the New Digital Cinema (Carol Vernallis); and An Eye for Music: Popular Music and the Audiovisual Surreal (John Richardson)’. Twentieth Century Music, 11(2), pp. 8-14. ISSN 1478-5722 [Article]

Rogers, Holly. 2014. ‘Twisted Synaesthesia: Visual Artists and the Music Video’. In: Germano Celant, ed. Music or Art. Milan: Fondazione Prada, pp. 281-288. [Book Section]

Rosani, Silvia. 2014. Silvia Rosani: T-O for two sopranos, countertenor, tenor and bass (2013). Premiere. The composition has been created within a cooperation scholarship of the Akademie Schloss Solitude. In: "ECLAT Festival 2014", Stuttgart, Germany, February 2014. [Performance]

Rosani, Silvia. 2014. T-O for five voices. Performed by the Neue Vocalsolisten at Biennale Venice 2014. In: "MEDITERRANEAN VOICES Video-concerto-architettura per 12 identità mediterranee", Teatro Fondamenta Nuove (Venice Biennale), Italy, 26/07/2014. [Performance]

Rosani, Silvia. 2014. T-O for five voices. Performed by the Neue Vocalsolisten at MATA Festival 2014. In: "MATA Festival 2014", The Kitchen (NY), United States, 20th April 2014. [Performance]

Rosani, Silvia. 2014. T-O for five voices. Performed by the Neue Vocalsolisten at Teatro de la Zarzuela (Madrid). In: "Eine Video-Konzert-Architektur über 12 mediterrane Identitäten in zwei Teilen", Teatro de la Zarzuela (Madrid), Spain. [Performance]

Spillane, Jeremiah. 2014. 'Hybridized cultural musical expressions and their impact on creative musical expressions. An examination of Musette and its impact on Django Reinhardt’s creative vision and stylistic development'. In: ‘Vision and Articulation’, Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu'. In: Safeguarding the Intangible: Cross-Cultural Perspectives on Music and Heritage’. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Mapping hybridities: exploring indigenous popular precursors to gypsy jazz'. In: London Popular Music PhD Symposium. University of Westminster, United Kingdom. [Conference or Workshop Item]

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Statherou, Stamatia. 2014. Forming a Musical Discourse: ‘Voice Interchangeability’ and Prolongation as Structural Devices and Means of Development. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Turner, Rebecca. 2014. New Approaches to Performance and the Practical Application of Techniques from Non-Western and Electro-acoustic Musics in Compositions for Solo Cello since 1950: A Personal Approach and Two Case Studies. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Wigens, Jeremy. 2014. Portfolio of Compositions for Creative Musicians and Accompanying Commentary. Doctoral thesis, Goldsmiths, University of London [Thesis]

2013

Ivashkin, Alexander V., ed. 2013. Alfred Schnittke: collected works. St Petersburg: Compozitor. ISBN 979-0-66000-053-3 [Edited Book]

Potter, Keith S.; ap Sion, Pwyll and Gann, Kyle, eds. 2013. The Ashgate Research Companion on Minimalist and Postminimalist Music. Aldershot: Ashgate. ISBN 9781472402783 [Edited Book]

Kutschke, Beate and Norton, Barley, eds. 2013. Music and Protest in 1968. Cambridge: Cambridge University Press. ISBN 9781107007321 [Edited Book]

Gardiner, Ian R., ed. 2013. Music, Sound and the Moving Image, Music, Sound and the Moving Image, 7(1). [Edited Journal]

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Garrelfs, Iris, ed. 2013. Reflections on Process in Sound Issue 2, Reflection on Process in Sound, 2. [Edited Journal]

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Brand, Jennifer May. 2013. From Design to Decline: Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James and Jones, Daniel. 2013. Radio Reconstructions. In: "Sound Arts", Queen Elizabeth Hall, United Kingdom, 9 May 2013. [Performance]

Busby, Lisa. 2013. Guest Curator: Lisa Busby. hernoise.org, [Article]

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Gardiner, Ian R.. 2013. Charing X. [Composition]

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Gardiner, Ian R.. 2013. Kaira - Ensemble version. [Composition]

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Gardiner, Ian R. and Diabaté, Toumani. 2008 - 2013 Toumani Diabaté Adaptations. [Project]

Graham, Stephen. 2013. The Encyclopaedia of Music in Ireland. In: Harry White and Barra Boydell, eds. The Encyclopaedia of Music in Ireland. University College Dublin Press. ISBN 9781906359782 [Book Section]

Graham, Stephen. 2013. 'Popular Music and Television in Britain' Ian Inglis (ed.). (Book Review). Music, Sound, and the Moving Image, 7(1), pp. 83-88. ISSN 1753-0768 [Article]

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Hawkins, Ruth. 2013. The Smooth Space of Field Recording : Four Projects - Sonicinteractions, Doublerecordings, “Dense Boogie” and ‘For the Birds’. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ikeshiro, Ryo. 2013. Studio Composition: Live Audiovisualisation Using Emergent Generative Systems. Doctoral thesis, Goldsmiths, University of London [Thesis]

Ivashkin, Alexander V.. 2013. Benjamin Britten: The Complete Music for Cello Solo and Cello with Piano. In: "Recording", Brilliant Classics, Netherlands, 2012-2013. [Performance]

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Ivashkin, Alexander V.. 2013. John Cage in Soviet Russia 'Tempo', 66 ( 266), 2013: 1- 10. Tempo, 66(3), pp. 1-10. ISSN 0040-2982 [Article]

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Ivashkin, Alexander V.. 2013. Stravinsky and Khrennikov: An Unlikely Alliance. Mittelungen der Paul Sacher Stiftung, 26, April 2013, 12- 16(26), pp. 12-16. ISSN 1015-0536 [Article]

Joncus, Berta. 2013. ‘Ballad Opera’, ‘Beard, John’, ‘Beggar’s Opera’, ‘Clive, Catherine’, ‘Gay, John'. In: David Vickers and Annette Landgraf, eds. The Cambridge Handel Encyclopedia. Cambridge: Cambridge University Press. ISBN 978-1107666405 [Book Section]

Joncus, Berta. 2013. Review: Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. Eighteenth-Century Music, 10(1), pp. 136-139. ISSN 1478-5706 [Article]

Joncus, Berta. 2013. ‘To Propagate Sound for Sense’: Music for Diversion and Seduction at Ranelagh Gardens. The London Journal, 38(1), pp. 34-66. ISSN 0305-8034 [Article]

Joncus, Berta and Rogers, Vanessa. 2013. 'United voices formed the very perfection of harmony': Music and the invention of Harriett Abrams (c.1758-1821). In: Baerbel Czennia, ed. Celebrity: the idiom of a modern era. 70 New York: AMS Press. ISBN 978-0-404-64870-1 [Book Section]

Joncus, Berta and Rogers, Vanessa L.. 2013. Ballad Opera and British double entendre: Henry Fielding’s The Mock Doctor’. In: Herbert Schneider, ed. Die Praxis des Timbre in verschiedenen europäischen Kulturen: Eine musikalische Praxis zwischen Oralität und Schriftlichkeit. Hildesheim: Georg Olms Verlag, pp. 101-140. [Book Section]

McVeigh, Simon. 2013. The London Symphony Orchestra: the First Decade Revisited. Journal of the Royal Musical Association, 138(2), pp. 313-376. ISSN 0269-0403 [Article]

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Morsink, Coreen. 2013. The Composition of New Music Inspired by Music Philosophy and Musical Theoretical Writings from Ancient Greece. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Nex, Jennifer Susan. 2013. The Business of Musical-Instrument Making in Early Industrial London. Doctoral thesis, Goldsmiths, University of London [Thesis]

Norton, Barley. 2013. Engendering Emotion and the Environment in Vietnamese Music and Ritual. In: Fiona Magowan and Louise Wrazen, eds. Performing Gender, Place and Emotion in Music: Global Perspectives. Rochester, New York: Rochester University Press, pp. 29-59. ISBN 9781580464642 [Book Section]

Norton, Barley. 2013. Music, Protest & the Vietnam War. Goldlink Magazine(40), pp. 18-20. [Article]

Norton, Barley. 2013. Vietnamese Popular Song in ‘1968’: War, Protest and Sentimentalism. In: Beate Kutschke and Barley Norton, eds. Music and Protest in 1968. Cambridge: Cambridge University Press, pp. 97-118. ISBN 9781107007321 [Book Section]

Perchard, Tom. 2013. Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review). The French journal of popular music studies, 9(2), pp. 150-152. [Article]

Peyton Jones, Jeremy. 2013. Composing music for The Zero Hour. In: Andrew Quick, ed. Theatricalising Cinema: imitating the dog's The Zero Hour and 6 Degrees Below the Horizon. Lancaster: Live at LICA, n/a-n/a. ISBN 978-1-86220-308-2 [Book Section]

Peyton Jones, Jeremy. 2013. Soundtrack for The Zero Hour. [Audio] (Forthcoming)

Potter, Keith. 2013. Le Minimalisme. In: Nicolas Donin and Laurent Feneyrou, eds. Théories de la composition musicale au xxe siècle. 2 Lyon, France: Symétrie, pp. 775-800. ISBN 978-2-914373-60-9 [Book Section]

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Potter, Keith. 2013. Mapping Early Minimalism. In: Keith S. Potter; Kyle Gann and Pwyll ap Siôn, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham, UK: Ashgate, pp. 19-37. ISBN 9781409435495 [Book Section]

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Potter, Keith; Gann, Kyle and ap Sion, Pwyll. 2013. Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities. In: Keith S. Potter; Kyle Gann and Pwyll ap Sion, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham: Ashgate, pp. 1-16. ISBN 9781 409435495 [Book Section]

Pryer, Anthony J.. 2013. Hanslick, Legal Processes and Scientific Methodologies: How Not to Construct an Ontology of Music. In: Nicole Grimes; Siobhán Donovan and Wolfgang Marx, eds. Rethinking Hanslick: Music, Formalism and Expression. Rochester New York: University of Rochester Press, pp. 52-69. ISBN 9781580464321 [Book Section]

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Pryer, Anthony J.. 2013. 'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration. In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: A Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN 978-4-7795-0791-5 [Book Section]

Rogers, Holly. 2013. ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. In: Claudia Gorbman; John Richardson and Carol Vernallis, eds. The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, pp. 525-542. ISBN 9780199733866 [Book Section]

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Rogers, Holly. 2013. Early Music Videos and the Visual Music Scene. [Digital]

Rogers, Holly. 2013. Multimedia Art: Video Art-Music. In: Tim Shepherd and Anne Leonard, eds. Routledge Companion to Music and Visual Art. New York: Routledge, pp. 367-375. ISBN 9780415629256 [Book Section]

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Rogers, Holly. 2013. Sound and Vision. Wire Magazine, London. [Other]

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Rogers, Holly. 2013. Sounding the Gallery: Video and the Rise of Art Music. Oxford: Oxford University Press. ISBN 978-0-19-986142-2 [Book]

Rogers, Holly. 2013. ‘Spatial Reconfiguration in Interactive Video Art-Music’. In: Karen Collins; Bill Kapralos and Holly Tessler, eds. The Oxford Handbook of Interactive Audio. Oxford: Oxford University Press, pp. 15-30. ISBN 9780199797226 [Book Section]

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Rogers, Holly. 2013. Video Art Primer. [Digital]

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Rosani, Silvia. 2013. Resistance music finds new shapes. Political Perspectives, 7(2), pp. 61-84. [Article]

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Sophocleous, Charalambos. 2013. Portfolio and Exegesis: Composing Through a Spectral Scope. Doctoral thesis, Goldsmiths, University of London [Thesis]

Spillane, Jeremiah. 2013. 'A phonomusicological approach to investigating the stylistic development Django Reinhardt'. In: 'Music as Communication', Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

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Toledo, Alejandro. 2013. World Music, Creative Reinterpretation, and the East Moldavian Roma Tradition. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Yamamoto, Mizuka. 2013. Forming an interpretation of the violin works of Boulez, Cage, Nono : a comparative study. Doctoral thesis, Goldsmiths, University of London [Thesis]

2012

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Ivashkin, Alexander V. and Kirkman, Andrew, eds. 2012. Contemplating Shostakovich: Life, Music and Film. Farnham: Ashgate. ISBN 978-1-4094-3937-0 [Edited Book]

Ivashkin, Alexander V. and Kirkman, Andrew, eds. 2012. Contemplating Shostakovich: Life, Music and Film. Farnham: Ashgate. ISBN 978-1-4094-3937-0 [Edited Book]

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Garrelfs, Iris, ed. 2012. Reflections on Process in Sound Issue 1, Reflections on Process in Sound, . [Edited Journal]

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Abtan, Freida. 2012. Fear of Flight. [Composition]

Alessandrini, Patricia. 2012. For large ensemble, interactive video and electronics. [Composition]

Alessandrini, Patricia and Carreño, Juan Pablo. 2012. ICElab. [Composition]

Alexander, Tamsin. 2012. 'An “Extraordinary Engagement”: A Russian Opera Company in Britain, 1888’. In: Anthony Cross, ed. A People Passing Rude: British Responses to Russian Culture. Open Book Publishers. [Book Section]

Alvarez Munoz, Pedro. 2012. Portfolio of compositions. Masters thesis, Goldsmiths, University of London [Thesis]

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Artamonova, Elena. 2012. Unknown Sergey Vasilenko and his Viola compositions. Journal of American Viola Society, 28(1), pp. 33-47. [Article]

Brinkhurst, Emma. 2012. Music, Memory and Belonging: Oral Tradition and Archival Engagement Among the Somali Community of London’s King’s Cross. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James and Jones, Daniel. 2012. 51°32'36, -0°3'25. In: "Where We Meet, Volumes 1 and 2 by Ella Finer", Galerie 8, London, 6—9 September 2012. [Show/Exhibition]

Bulley, James; Mills, Dick and Weaver, Chris. 2012. 'The Radiophonic Workshop'. In: Ether Festival. Southbank Centre, United Kingdom. [Conference or Workshop Item]

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Bulley, James and Sandys, Kathrine. 21 - 27 September 2012 SHO-ZYG. [Project]

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Cameron, Daniel; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep. 2012. 'Entrainment of Premotor Cortex Activity by Ambiguity in Musical Metre'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

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Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.. 2012. 'Perception of Rhythmic Similarity in Reich’s Clapping Music: Factors and Models'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

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Chung, Yu-Chiao. 2012. Schools at Home: Parental Support for Learning Mandarin as a Second or Foreign Language. Doctoral thesis, Goldsmiths, University of London [Thesis]

Drever, John L.; Ishikawa, Ryo and Okada, Shuji. 2012. Shizengaku. In: "SHIZENGAKU", Menier Gallery, United Kingdom, March 2012. [Show/Exhibition]

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Exarchos, Dimitris. 2012. “Xenakis, Sound, and the City" [in Greek]. Ough.gr., [Article]

Gardiner, Ian R.. 2012. Arranger: Conlon Nancarrow, Study No. 6. Schott Music GmbH & Co. [Other]

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Gardiner, Ian R.. 2012. putting two and two together. [Composition]

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Gardiner, Ian R.. 2012. spinning and weaving (1st version). [Composition]

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Gardiner, Ian R.. 2012. spinning and weaving (final version). [Composition]

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Graham, Stephen. 2012. Notes from the underground: a cultural, political, and aesthetic mapping of underground music. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ivashkin, Alexander V.. 2012. 'Italiani in Russia: Presenza fisica e influenza virtuale sulla Musica' [ Italians in Russia: Physical Presence and Virtual Influence on Music], in Rinascimento e Antirinascimento, Gabinetto Scientifico Letterario G.P. Vieusseux. Studi, vol. 22, ed. Lucia Tonini. Firenze: Casa Editrice Leo S.Olschki, 2012, 209-218. Rinascimento e Antirinascimento. Firenze nella cultura russa fra Otto e Novecento, pp. 209-218. [Article]

Ivashkin, Alexander V.. 2012. Live Performance. In: "Concerto Performance", The Mariinsky Concert Hall, St Petersburg, Russian Federation. [Performance]

Ivashkin, Alexander V.. 2012. Radio Broadcast. [Broadcast]

Ivashkin, Alexander V.. 2012. Shostakovich, old believers and new minimalists. In: Alexander V. Ivashkin and Andrew Kirkman, eds. Contemplating Shostakovich. Farnham: Ashgate, pp. 19-45. ISBN 978-1-4094-3937-0 [Book Section]

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Ivashkin, Alexander V.. 2012. ‘Shostakovich. Second Cello Concerto.’ In D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124. D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124., 49, pp. 83-124. [Article]

Joncus, Berta. 2012. 'The Assemblage of every female Folly': Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. In: Tiffany Potter, ed. Women of Fashion: Popular Culture in the Eighteenth Century and the eighteenth century in popular culture. Toronto: University of Toronto Press, pp. 25-51. ISBN 9781442641815 [Book Section]

Joncus, Berta. 2012. Editorial. Eighteenth-Century Music, 9(1), pp. 5-8. ISSN 1478-5706 [Article]

Joncus, Berta. 2012. 'Nectar if you taste and go, poison if you stay': struggling with the Orient in eighteenth-century British musical theatre. (Forthcoming). In: Marina Warner and Philip F. Kennedy, eds. The Arabian Nights: Encounters and Translations in Literature and the Arts. New York: New York University Press. [Book Section]

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Lexer, Sebastian. 2012. Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation.. Doctoral thesis, Goldsmiths, University of London [Thesis]

Matsumoto, Naomi. 2012. Anonymous: Lo Spedale. [Project]

Matsumoto, Naomi. 2012. Instrumental Music and the Industrial Revolution. Ad Parnassum: Journal of 18th and 19th century Instrumental Music, 10(20), [Article]

Matsumoto, Naomi. 2012. Liner notes to Angelo Ephrikian (dir.), Jacopo Peri: L’Euridice. Jacopo Peri: L’Euridice, [Article]

Matsumoto, Naomi. 2012. Liner notes to Cappella Marciana, Voce Mea ad Dominum: Celebrations of the 400th Anniversary of the death of G. Croce da Chioggia. Celebrations of the 400th Anniversary of the death of G. Croce da Chioggia, [Article]

Matsumoto, Naomi. 2012. Liner notes to Paolo Cammozzo (dir.), Laudate Dominum: Masters of the Chapel of St Mark’s. Laudate Dominum: Masters of the Chapel of St Mark’s, [Article]

Matsumoto, Naomi. 2012. Liner notes to Quintetto Vocale Italiano, Gesualdo. Gesualdo Six Books of Madrigals for 5 Voices, [Article]

McVeigh, Simon. 2012. Performance in the 'Long Eighteenth Century': an Overview. In: Colin Lawson and Robin Stowell, eds. The Cambridge History of Musical Performance. Cambridge: Cambridge University Press, pp. 473-505. ISBN 9780521896115 [Book Section]

McVeigh, Simon. 2012. The Symphony in Britain. In: Mary Sue Morrow and Bathia Churgin, eds. The Symphonic Repertoire: The Eighteenth-Century Symphony. Bloomington: Indiana University Press, pp. 629-661. ISBN 9780253356406 [Book Section]

McVeigh, Simon. 2012. Trial by Dining Club: the Instrumental Music of Haydn, Clementi and Mozart at London's Anacreontic Society. In: Bennett Zon, ed. Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley. Farnham: Ashgate, pp. 105-138. ISBN 9781409495536 [Book Section]

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Nalimova, Elena. 2012. Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation.. Doctoral thesis, Goldsmiths, University of London [Thesis]

Negus, Keith. 2012. Narrative Time and the Popular Song. Popular Music and Society, 35(4), pp. 483-500. ISSN 0300-7766 [Article]

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Negus, Keith. 2012. Narrative, Interpretation and the Popular Song. Musical Quarterly, 95(2-3), pp. 368-395. ISSN 1741-8399 [Article]

Norton, Barley. 2012. Review of the CD 'Saigon Rock and Soul: Vietnamese Classic Tracks 1968-1974'. SF060. Songlines: The World Music Magazine, 85, p. 81. [Article]

Norton, Barley. 2012. Review of the CD 'Song Hanh' by Onno Krijn and Ngo Hong Quang. Noon Records. Songlines: The World Music Magazine., 84, p. 94. [Article]

Norton, Barley. 2012. Review of the CD 'Tree of Dreams' by Huong Thanh. Buda Musique. Songlines: The World Music Magazine., 83, p. 88. [Article]

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Pavlopoulou, Argyro. 2012. Musical tradition and change on the island of Crete. Doctoral thesis, Goldsmiths, University of London [Thesis]

Perchard, Tom. January-October AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music. [Project]

Perchard, Tom. 2012. 'Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’'. In: Invited research seminar. King’s College London. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Unofficial Histories. Bishopsgate Institute, London. [Conference or Workshop Item]

Perchard, Tom. 2012. Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France. Popular Music and Society, 35(3), pp. 375-398. ISSN 0300-7766 [Article]

Perchard, Tom. 2012. 'Jazz Trumpet and the Semiotics of Vulnerability'. In: 19th International Congress of the International Musicological Society. Rome, Italy. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology'. In: Perspectives on Musical Improvisation. University of Oxford. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Monk Meets the French Critics'. In: Piacenza Jazz Fest study day. Piacenza, Italy. [Conference or Workshop Item]

Perchard, Tom. 2012. '“We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art'. In: Invited research seminar. University of Edinburgh. [Conference or Workshop Item]

Pryer, Anthony J.. 2012. Claudio Monteverdi: Sacrae Cantiunculae; Madrigali Spirituali; Canzonette a 3 Voci. Cremona (Italy): Fondazione Claudio Monteverdi. ISBN 9788886288361 [Book]

Rogers, Holly. 2012. ‘Death for Five Voices: Gesualdo’s “poetic truth”’. In: Brad Prager, ed. A Companion to Werner Herzog. Hoboken, N.J: Wiley-Blackwell, pp. 187-207. ISBN 978-1-4051-9440-2 [Book Section]

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Sandys, Kathrine. 2012. I Thought I Grew An Ear in My Stomach: The Phenomenological Experience of the Art Event as Sublime Encounter. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stavlas, Nikolaos. 2012. Reconstructing Beethoven: Mauricio Kagel’s Ludwig van. Doctoral thesis, Goldsmiths, University of London [Thesis]

Young, Michael W.. 2012. Tableaux Vivants. [Composition]

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Young, Michael W. and Adderley, Paul. 2012. Exposure: Living in Extreme Environments: Video. [Film/Video]

2011

Gardiner, Ian R., ed. 2011. Music, Sound and the Moving Image, Music, Sound and the Moving Image, 5(2). [Edited Journal]

Gardiner, Ian R., ed. 2011. Music, Sound and the Moving Image, Music, Sound and the Moving Image, 5(1). [Edited Journal]

Alessandrini, Patricia. 2011. Work for Voz Nueva with live electronics and interactive video. [Composition]

Baily, John S.. 2011. Across the Border: Afghan musicians exiled in Peshawar. [Film/Video]

Baily, John S.. 2011. "Music is in Our Blood": Gujarati Muslim Musicians in the UK. In: Lucy Green, ed. Learning, Teaching, and Musical Identity: Voices across Cultures. Bloomington, IN: Indiana University Press, pp. 109-127. ISBN 978-0-253-22293-0 [Book Section]

Baily, John S.. 2011. Music, migration and war: the BBC’s interactive music broadcasting to Afghanistan and the Afghan diaspora. In: Jason Toynbee and Byron Dueck, eds. Migrating Music. London: Routledge, pp. 180-194. ISBN 978-0-415-59448-6 [Book Section]

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Baily, John S.. 2011. Songs from Kabul: The Spiritual Music of Ustad Amir Mohammad. Aldershot: Ashgate. ISBN 978-0-7546-5776-7 [Book]

Brafman, Ricardo. 2011. Portfolio of Compositions and Accompanying Commentary. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Brkić, Aleksandar. 2011. Mogućnost društvene promene i popularna muzika u Srbiji: Studija slučaja - Šobaja i "Tri poljupca". Etnoantropološki problemi, 6(2), pp. 443-455. [Article]

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Bulley, James and Jones, Daniel. 2011. 'Variable 4: A Dynamical Composition for Weather Systems'. In: Proceedings of the International Computer Music Conference. Huddersfield, United Kingdom. [Conference or Workshop Item]

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Busby, Lisa and Harries, John. 2011. Sleeps in Oysters: Lo!. [Composition]

Cline, David. 2011. Morton Feldman: Dimensions of Graph Music. Doctoral thesis, Goldsmiths, University of London [Thesis]

Graham, Stephen. 2011. Beyond the Postmodern: Music and Theory at the Start of History. The Musicology Review(7), [Article]

Graham, Stephen. 2011. David Toop, Sinister Resonance: The Mediumship of the Listener (2010) (Book Review). Journal of the Society for Musicology in Ireland(6), pp. 93-100. [Article]

Graham, Stephen. 2011. Ronald Schleifer, Modernism and Popular Music (Cambridge: 2011) (Book Review). Popular Music, 32(3), [Article]

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Ivashkin, Alexander V.. 2011. Alexander Raskatov's 'A Dog's Heart'. Tempo, 65(256), pp. 54-56. ISSN 0040-2982 [Article]

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Ivashkin, Alexander V.. 2011. Amerikanskii vzgliad na Sovetskuiu muzyku [American View on Soviet Music]. Muzykal'naia Zhizn' [Musical Life], 2011(1), pp. 56-57. [Article]

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Ivashkin, Alexander V.. 2011. Dmitrii Shostakovich. Cello Concerto N0. 1 . The New Collected Works Edition of Dmitrii Shostakovich Works. Critical Edition., 46, pp. 63-113. ISSN 979-0-706364-29-2 [Article]

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Ivashkin, Alexander V.. 2011. 'Kod Schnittke' ['The Schnittke Code']. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011: 13-24. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011, 8, pp. 13-24. ISSN 978-5-4254-0037-6 [Article]

Ivashkin, Alexander V.. 2011. New Cello Concertos, Collaborations with Composers (portfolio), 2011 + 2013. In: "Various", Various, 2011-2013. [Performance]

Joncus, Berta. 2011. Clive, Catherine. In: Marx Hans-Joachim; Manuel Gervink and Steffen Voss, eds. Handel-Lexikon. Laaber: Laaber-Verlag. ISBN 978-3890075525 [Book Section]

Joncus, Berta. 2011. Handel in the Pleasure Gardens. [Audio]

Joncus, Berta. 2011. “In Wit Superior as in Fighting”: Kitty Clive and the Conquest of a Rival Queen. Huntington Library Quarterly, 74(1), pp. 23-42. ISSN 0018-7895 [Article]

Joncus, Berta. 2011. 'Listening to portraits: music and the eighteenth-century opera celebrity'. In: The first actresses: celebrity, performance and representation in 'the long eighteenth century'. National Portrait Gallery, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2011. London Stage Music in Transition: 'Kathryn Lowerre, Music and Musicians on the London Stage, 1695-1705' [Book Review]. Early Music, 39(1), pp. 100-102. ISSN 0306-1078 [Article]

Joncus, Berta. 2011. Music Matters, Funding Cuts to HEI Music Teaching. [Broadcast]

Joncus, Berta. 2011. 'Seventy-seventh Annual Meeting of the American Musicological Society, San Francisco. ‘Listening to Portraits: Music and the Eighteenth-Century Opera Celebrity’. 10-13 Nov 2011'. In: Paper. San Francisco, United States 10-13 November 2011. [Conference or Workshop Item]

Joncus, Berta and Barlow, Jeremy, eds. 2011. "The Stage's Glory": John Rich (1692-1761). Newark, Delaware: University of Delaware Press. ISBN 9781611490329 [Edited Book]

Joncus, Berta and Rogers, Vanessa L.. 2011. Beyond 'The Beggar’s Opera': John Rich and English Ballad Opera. In: Berta Joncus and Jeremy Barlow, eds. 'The Stage’s Glory’: John Rich (1692-1761). Newark, Delaware: University of Delaware Press, pp. 184-204. ISBN 9781611490329 [Book Section]

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Keenan, Jeremy. 2011. The Aural and the Quotidian: Everyday Experience in Listening and Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Matsumoto, Naomi. 2011. Manacled Freedom: 19th-Century Vocal Improvisation and the Flute-Accompanied Cadenza in Donizetti’s Lucia di Lammermoor. In: Rudolf Rasch, ed. Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries. Turnhout: Brepols, pp. 295-316. ISBN 978-2503542447 [Book Section]

Matsumoto, Naomi. 2011. Pierto A. Ziani: Le fortune di Damira e Rodope. [Project]

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Matsumoto, Naomi. 2011. Pio Enea degli Obizzi and the Opera Torneo Genre – Towards an Understanding of the Commercialisation of Early Italian Opera’. The Journal of the Musicological Society of Japan, lvii(1), pp. 56-68. ISSN 00302597 [Article]

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Negus, Keith. 2011. Authorship and the Popular Song. Music and Letters, 92(4), pp. 607-629. ISSN 0027-4224 [Article]

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Negus, Keith. 2011. Producing Pop: Culture and Conflict in the Popular Music Industry. London: out of print. [Book]

Norton, Barley. 2011. Huong Thanh - Vietnam's Song Bird. Songlines, 80, p. 27. [Article]

Norton, Barley. 2011. Review of the CD "Burma: Classical Theatre Music". VDE-Gallo. Songlines: The World Music Magazine, 74, p. 78. [Article]

Perchard, Tom. 2011. 'Four Histories of 20th-Century Music.'. In: Cabaret Voltaire art foundation course. GBS University, St. Gallen, Switzerland. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Invited research seminar, ‘Directions in Musical Research’ series.. Institute of Musical Research, School of Advanced Study. [Conference or Workshop Item]

Perchard, Tom. 2011. Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. American Music, 29(3), pp. 277-307. ISSN 0734-4392 [Article]

Perchard, Tom. 2011. 'Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud'. In: Invited research seminar. University of York. [Conference or Workshop Item]

Perchard, Tom. 2011. Programme guest, BBC Radio 3, 'Jazz Library: Barney Wilen'. [Broadcast]

Perchard, Tom. 2011. 'Re-reading Primitivism in Hugues Panassié’s Writing on Jazz'. In: Jazz and Race, Past and Present. Open University. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum'. In: Salford Jazz Research Seminar. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2011. Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum. Jazz Perspectives, 5(1), pp. 61-94. ISSN 1749-4060 [Article]

Perchard, Tom. 2011. Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. Popular Music, 30(1), pp. 25-45. ISSN 0261-1430 [Article]

Pryer, Anthony J.. 2011. Monteverdi, Two Sonnets and a Letter. In: Richard Wistreich, ed. Monteverdi. 5 Farnham: Ashgate, pp. 337-352. ISBN 9780754629023 [Book Section]

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Pyke, Cameron. 2011. Benjamin Britten's Creative Relationship with Russia. Doctoral thesis, Goldsmiths, University of London [Thesis]

Rogers, Holly. 2011. ‘Review: A History of Film Music (Mervyn Cooke)’. Twentieth Century Music, 7(2), pp. 245-248. ISSN 1478-5722 [Article]

Rogers, Holly. 2011. ‘The Unification of the Senses: Intermediality in Video Art-Music’. The Journal of the Royal Music Association, 136(2), pp. 399-428. ISSN 0269-0403 [Article]

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Scarfe, Dawn. 2011. Resonating bodies: an artist's enquiry into sympathies between the audible and the material. Doctoral thesis, Goldsmiths, University of London [Thesis]

2010

Abtan, Freida. 2010. The Illusion of Pure Music. Intransitive Web Magazine, [Article]

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Abtan, Freida and Turner, Shane. 2010. F.A.S.T.: Dreams of Waking. [Composition]

Abtan, Freida and Turner, Shane. 2010. Steam and Fiction – artist statement. Collaborative Spaces, Vague Terrain Online Journal of Digital Culture(17), [Article]

Alessandrini, Patricia. 2010. Adagio sans quatuor. [Composition]

Alessandrini, Patricia. 2010. Amplified trio for faculty ensemble. [Composition]

Alessandrini, Patricia. 2010. Installation for the Festival Agora at the centquatre. [Composition]

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Baily, John S.. 2010. Afghan Music in Australia. Migracoes: Journal of the Portuguese Immigration Observatory, 7, pp. 157-176. ISSN 1646-8104 [Article]

Baily, John S.. 2010. The Circulation of Music Between Afghanistan and the Afghan Diaspora. In: Angela Schlenkhoff and Ceri Oeppen, eds. Beyond the 'Wild Tribes': Understanding Modern Afghanistan and Its Diaspora. London: Hurst & Co., pp. 157-171. ISBN 9781849040556 [Book Section]

Baily, John S.. 2010. Modi operandi in the making of 'world music' recordings. In: Amanda Bayley, ed. Recorded Music: Society, Technology and Performance. Cambridge: Cambridge University Press, pp. 107-124. ISBN 9780521863094 [Book Section]

Baily, John S.. 2010. Mosiqi Afghanistan wa Honarmandan Herfawai shaehre Herat. Kabul: Ministry of Information and Culture. [Book]

Baily, John S.. 2010. Tools of the Trade: The Afghan Rubab. Songlines, 71, pp. 43-46. [Article]

Baily, John S.. 2010. Two Different Worlds: Afghan Music for Afghanistanis and Kharejis. Ethnomusicology Forum, 19(1), pp. 69-88. ISSN 1741-1912 [Article]

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Busby, Lisa. 2010—2013 Shit! I can DJ. [Project]

Chrysakis, Thanos. 2010. The Structural and Aesthetic Capacity of Sonic Matter: Remarks on Sonic Dramaturgy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Foulds, Rachel. 2010. Forging the 'Lady's Hammer': A Profile of Influence in the Life and Music of Galina Ustvolskaya. Doctoral thesis, Goldsmiths, University of London [Thesis]

Graham, Stephen. 2010. (Un)Popular Avant-Gardes: Underground Popular Music and the Avant-Garde. Perspectives of New Music, 48(2), pp. 5-20. ISSN 0031-6016 [Article]

Ivashkin, Alexander V.. 2010. Alfred Schnittke: discoveries. [Audio]

Ivashkin, Alexander V.. 2010. Concert in memory of Noelle Mann at Queen Elizabeth Hall, London. In: "Concert in Memory Noelle Mann", Queen Elizabeth Hall, London, United Kingdom. [Performance]

Ivashkin, Alexander V.. 2010. Such freedom, if only musical: unofficial Soviet music during the Thaw, by Peter Schmelz. Tempo, 64(253), pp. 62-63. ISSN 0040-2982 [Article]

Joncus, Berta. 2010. Ballad Operas Online (BOPO): Tuning in to Eighteenth-Century Popular Song. In: Michael Burden, ed. A Handbook for Studies in 18th-century English Music, Part 18: Ballad Opera. Oxford: Burden & Cholij. [Book Section]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. [Film/Video]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. [Broadcast]

Joncus, Berta. 2010. Beard- Borosini- Fabri: The Three Baroque Tenors. EMI. [Other]

Joncus, Berta. 2010. CD Review: Pergolesi, Missa S. Emidio et al.. [Broadcast]

Joncus, Berta. 2010. 'Fourteenth Biennial International Conference, on Baroque Music'. In: The 14th Biennial International Conference on Baroque Music. Queen's University Belfast, United Kingdom 30 June – 4 July 2010. [Conference or Workshop Item]

Joncus, Berta. 2010. ‘“Ich bin eine Engländerin, zur Freyheit geboren”: Blonde and the Enlightened Female in Mozart’s Entführung aus dem Serail’. The Opera Quarterly, 26(4), pp. 552-587. ISSN 00187895 [Article]

Joncus, Berta. 2010. Join the Conversation Live! Handel’s 'Radamisto'. [Broadcast]

Joncus, Berta. 2010. Martha Feldman's 'Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy' (Chicago: University of Chicago Press, 2007) [Review]. Oxford University Press. [Other]

Joncus, Berta. 2010. Martha Feldman’s Opera and Sovereignty: Transforming Myths Eighteenth-Century Italy’ (Book Review). Opera Quarterly, 26(4), pp. 626-634. ISSN 0736-0053 [Article]

Joncus, Berta. 2010. '"Poison if you taste and go, Nectar if you stay": Struggling with the Orient in Eighteenth-Century British Musical Theatre'. In: Staging the East: Oriental Masking in the British Theatre, 1660-1830. Theatre Royal, Bury St. Edmunds, United Kingdom 11-12 June 2010. [Conference or Workshop Item]

Joncus, Berta. 2010. Scientific Committee Member. Fourteenth Biennial International Conference, on Baroque Music (Belfast, 2010). [Professional Activity]

Joncus, Berta and Bostridge, Ian. 2010. Ian Bostridge and the Three Tenors: Beard, Borosini, Fabri. [Audio]

Matsumoto, Naomi. 2010. Englishness and Burlesque on the London Stage: the Case of The Dragon of Wantley. The Journal of the Musicological Society of Japan, 55(2), pp. 97-110. [Article]

McVeigh, Simon. 2010. 'As the Sand on the Sea Shore': Women Violinists in London’s Concert Life around 1900. In: Emma Hornby and David Maw, eds. Essays on the History of English Music in Honour of John Caldwell. Woodbridge: Boydell & Brewer, pp. 232-258. ISBN 9781843835356 [Book Section]

McVeigh, Simon. 2010. Industrial and Consumer Revolutions in Instrumental Music: Markets, Efficiency, Demand. In: Roberto Illiano and Luca Sala, eds. Instrumental Music and the Industrial Revolution. Bologna: Ut Orpheus, pp. 3-35. ISBN 9788881094684 [Book Section]

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Minou, Andriana. 2010. Sibyl's Leaves: Understanding Musical Performance Issues in Jani Christou's Anaparastasis III: The Pianist. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Negus, Keith. 2010. Bob Dylan's Phonographic Imagination. Popular Music, 29(2), pp. 213-228. ISSN 0261-1430 [Article]

Norton, Barley. 2010. Hanoi Eclipse: The Music of Dai Lam Linh. [Film/Video]

Norton, Barley. 2010. “Nhân Học Âm Nhạc Việt?” (“The Anthropology of Vietnamese Music?”). In: Hy Van Luong, ed. Hiện Đậi và Động Thái của Truyền Thống Ở Việt Nam: Những Cách Tiếp Cận Nhân Học (Modernities and the Dynamics of Tradition in Vietnam: Anthropological Approaches). 2 Ho Chi Minh City: National University of Ho Chi Minh Press, pp. 623-636. [Book Section]

Norton, Barley. 2010. Review of Music, National Identity and the Politics of Location: Between the Global and the Local, edited by Ian Biddle and Vanessa Knights. Ethnomusicology Forum, 19(2), pp. 268-269. [Article]

Perchard, Tom. 2010. Programme guest, BBC Radio 3, 'Jazz Library: Clifford Brown'. [Broadcast]

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Potter, Keith. 2010. Philip Glass: First Classics, 1968-1969. London and New York: Chester Music. ISBN 0-521-48250 [Book]

Potter, Keith. 2010. Profile of John Adams for BBC Proms. [Digital]

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Pryer, Anthony J.. 2010. 'The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the "Text"'. In: The Embodiment of Authority: Perspectives on Performance. Sibelius Academy, Helsinki, Finland. [Conference or Workshop Item]

Pryer, Anthony J.. 2010. Review of 'Lydia Goehr and Daniel Herwitz, eds., The Don Giovanni Moment: Essays on the Legacy of an Opera' (New York: Columbia University Press, 2006). Eighteenth-Century Music, 7(1), pp. 112-114. [Article]

Redgate, Roger. 2010. Tehom for bass clarinet, cello and trombone. [Composition]

Rogers, Holly. 2010. Visualising Music: Audio-Visual Relationships in Avant-Garde Film and Video Art. Amsterdam: Lambert. ISBN 3838350561 [Book]

Sarcich, Paul. 2010. Commentary on the Submitted Portfolio of Compositions. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Sarlo, Dario. 2010. Investigating Performer Uniqueness: The Case of Jascha Heifetz. Doctoral thesis, Goldsmiths, University of London [Thesis]

Sledmere, Adrian. 2010. Interrogating Talent: Struggles and Strategies in the Popular Music Industry. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Young, Michael W.. 2010. Identity and Intimacy in Human-Computer Improvisation. Leonardo Music Journal, 20(n/a), p. 97. ISSN 0961-1215 [Article]

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Young, Michael W.. 2010. piano_prosthesis2 (live performance). In: "Australasian Computer Music Conference 2010", Canberra, Australia. [Performance]

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Young, Michael W. and Bown, Oliver. 2010. Clap-along: A negotiation strategy for creative musical interaction with computational systems. Proceedings of the International Conference on Computational Creativity 2010, pp. 215-222. [Article]

2009

Joncus, Berta, ed. 2009. Eighteenth-Century Music, Eighteenth-Century Music, . 1478-5706 [Edited Journal]

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Abtan, Freida. 2009. 'A Phenomenological Time-Based Approach to Videomusic Composition'. In: Proceedings of the Toronto Electroacoustic Symposium. Toronto, Canada. [Conference or Workshop Item]

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Adderley, W. Paul and Young, Michael W.. 2009. Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel. Leonardo, 42(5), p. 404. ISSN 0024-094X [Article]

Alessandrini, Patricia. 2009. For cARRASCo+zEa=gUITAr+electronics. [Composition]

Baily, John S.. 2009. The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films. Ethnomusicology Forum, 18(1), pp. 55-64. ISSN 1741-1912 [Article]

Baily, John S.. 2009. Crossing the Boundary: From Experimental Psychology to Ethnomusicology. Empirical Musicology Review, 4(2), pp. 82-88. ISSN 1559-5749 [Article]

Baily, John S.. 2009. Music and censorship in Afghanistan, 1973-2003. In: Laudan Nooshin, ed. Music and the Play of Power: Music, Politics and Ideology in the Middle East, North Africa and Central Asia. Aldershot: Ashgate, pp. 143-163. ISBN 9780754634577 [Book Section]

Baily, John S.. 2009. Rebuilding Kabul’s art music culture in the post-Taliban era. In: Michael Schramm, ed. Musik in Fremdwahrnehmung. Bonn: Militärmusikdienst der Bundeswehr, pp. 125-136. ISBN 9783000282089 [Book Section]

Drever, John L.. 2009. Sound effect – object – event. Endemic and exogenous electro-acoustic sound practices in theatre. In: Ross Brown, ed. Sound: a reader in theatre practice. Hampshire: Palgrave Macmillan Ltd., pp. 188-205. ISBN 9780230551886 [Book Section]

Driver, Danny. 2009. The Piano Music of York Bowen. In: "Various", Various, 2009-11. [Performance]

Exarchos, Dimitris. 2009. The Sieves of Iannis Xenakis. In: Timour Klouche and Thomas Noll, eds. Mathematics and Computation in Music First International Conference, MCM - Revised Selected Papers. Berlin, Germany: Springer Berlin Heidelberg, pp. 419-429. ISBN 978-3-642-04578-3 [Book Section]

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Gardiner, Ian R.. 2009. listen . . . move . . . dance. [Composition]

Gardiner, Ian R. and Diabaté, Toumani. 2009. Kaira - recording of orchestral version. In: "Concert at Royal Northern College of Music", Royal Northern College of Music, United Kingdom. [Performance]

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Gardiner, Ian R. and Diabaté, Toumani. 2009. Kaira - score of orchestral version. [Composition]

Graham, Stephen. 2009. August Halm, A Critical and Creative Life in Music (University of Rochester Press, 2009) (Book Review). The Musicology Review(6), [Article]

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Ivashkin, Alexander V.. 2009. Alfred Schnittke: Concerto for Electric Instruments. In: "London Philharmonic Orchestra Schnittke Festival", Southbank Centre, United Kingdom. [Performance]

Ivashkin, Alexander V.. 2009. Alfred Schnittke: cello concerto no 2 performed with London Philharmonic Orchestra. In: "Between two worlds: festival of music by Alfred ASchnittke", Royal Festival Hall, London, United Kingdom. [Performance]

Ivashkin, Alexander V.. 2009. Cooling the volcano: Prokofiev's Cello Concerto Op. 58 and Symphony-Concerto Op. 125. Three Oranges: Journal of the Serge Prokofiev Foundation, 18, pp. 7-14. ISSN 1472-9946 [Article]

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Ivashkin, Alexander V.. 2009. Symbols, Metaphors and Irrationalities in Twentieth-Century Music. In: Rafael Jimenez Catano and Ignacio Yarza, eds. Mimesi, Verità e Fiction. 3 Rome: Edusc, pp. 69-88. ISBN 88-8333-220-3 [Book Section]

Ivashkin, Alexander V.; Barlow, Ora and Halliday, Kim. 2009. Pacific voyage. [Audio]

Joncus, Berta. 2009. Building a Library: Handel’s 'Messiah'. [Broadcast]

Joncus, Berta. 2009. Communications: on Ballad Operas Online (BOPO). Eighteenth-Century Music, 6(2), pp. 302-303. ISSN 1478-5706 [Article]

Joncus, Berta. 2009. 'Handel's 'Arianna in Creta''. In: Handel's 'Arianna in Creta'. Barbican Centre, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2009. “A Likeness Where None Was To Be Found”: Imagining Kitty Clive (1711–1785). Music in Art: International Journal for Music Iconography, 34(1-2), pp. 89-106. ISSN 1522-7464 [Article]

Joncus, Berta. 2009. Liner notes, 'Handel in the playhouse'. Oppella Nova Records, London. [Other]

Joncus, Berta. 2009. 'The Monthly Mask of Vocal Music, 1702-1711: a Facsimile Edition', edited by Olive Baldwin and Thelma Wilson (Aldershot: Ashgate, 2007) [Book Review]. Eighteenth-Century Music, 6(1), pp. 133-135. ISSN 1478-5706 [Article]

Joncus, Berta. 2009. Music Matters: Bach’s 'Sacred Cantatas'. [Broadcast]

Joncus, Berta. 2009. Music Matters: Handel’s 'Cantatas'. [Broadcast]

Joncus, Berta. 2009. ‘Olive Baldwin and Thelma Wilson, eds, The Monthly Mask of Vocal Music, 1702-1711: A Facsimile Edition’. Eighteenth-Century Music, 6(1), pp. 133-135. ISSN 1478-5706 [Article]

Joncus, Berta. 2009. Performance on Radio 3: Handel’s Italian cantatas. [Broadcast]

Joncus, Berta. 2009. Private Music in Public Spheres: Chamber Cantata and Song. In: Simon Keefe, ed. The Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 513-540. ISBN 9780521663199 [Book Section]

Joncus, Berta. 2009. Proms on Radio 3: Handel’s 'Samson'. [Broadcast]

Joncus, Berta. 2009. ''This glorious Approbation of Sounds': Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Purcell, Handel & Literature. Institute of Musical Research, London, United Kingdom 20-21 November 2009. [Conference or Workshop Item]

Joncus, Berta. 2009. 'Women's Song in Georgian England' [Book Review]. Early Music, 37(3), pp. 479-481. ISSN 0306-1078 [Article]

Joncus, Berta; Rogers, Vanessa and Ozmo, Žak. 2009. 'Music for the Common Man: Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Seventy-fifth Annual Meeting of the American Musicological Society. Philadelphia, United States. [Conference or Workshop Item]

Matsumoto, Naomi. 2009. The dating of MS, GB-Lcm: n. 927, The Dragon of Wantley. The Journal of the Musicological Society of Japan, 54(1), pp. 75-77. [Article]

McVeigh, Simon. 2009. Concerto of the Individual. In: Simon P. Keefe, ed. Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 583-612. ISBN 9780521663199 [Book Section]

Norton, Barley. 2009. Review of the CD 'Saiyuki' by Nguyen Le, ACT 9483-2. Songlines: The World Music Magazine, 64, p. 97. [Article]

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Norton, Barley. 2009. Songs for the Spirits: Music and Mediums in Modern Vietnam. Urbana and Chicago: University of Illinois Press. ISBN 9780252033995 [Book]

Norton, Barley and Blackburn, Philip. 2009. Vietnam: Music on the Move. In: Simon Broughton, ed. The Rough Guide to World Music: Europe and Asia. 2 London: Rough Guides, pp. 778-797. ISBN 1843538660 [Book Section]

Perchard, Tom. 2009. 'Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism'. In: Invited research seminar. University of Sheffield. [Conference or Workshop Item]

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Perchard, Tom. 2009. Lee Morgan: La vita, la musica e il suo tempo. Bologna: Odoya. ISBN 978-88-6288-014-5 [Book]

Perchard, Tom. 2009. Programme guest, BBC Radio 3, 'Jazz Library: Booker Little'. [Broadcast]

Perchard, Tom. 2009. Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review). Jazz Research Journal, 3(2), pp. 212-219. ISSN 1753-8637 [Article]

Perchard, Tom. 2009. 'Thelonious Monk Meets the French Critics: Improvisation and its Simulacra'. In: Mediating Jazz. University of Salford. [Conference or Workshop Item]

Pryer, Anthony J.. 2009. Review of 'Jessica Waldoff, Recognition in Mozart’s Operas' (New York: Oxford University Press, 2006). Eighteenth-Century Music, pp. 270-273. [Article]

Redgate, Roger. 2009. Concerto for Improvising Soloist and Two Ensembles. [Composition]

Redgate, Roger. 2009. TAG for soprano sax and guitar. [Composition]

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Young, Michael W.. 2009. Creative Computers, Improvisation and Intimacy. Dagstuhl Seminar Proceedings(09291), pp. 1-7. [Article]

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Young, Michael W.. 2009. piano_prosthesis: indicative score. [Composition]

2008

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Abtan, Freida. 2008. The hands of the dancer. [Film/Video]

Alessandrini, Patricia. 2008. Dynamic Physical Modelling Synthesis Piloted by Instruments and Voices. [Composition]

Alessandrini, Patricia. 2008. Work for Ensemble Vortex with live electronics. [Composition]

Baily, John S.. 2008. Ethnomusicology, Intermusability, and Performance Practice. In: Henry Stobart, ed. The New (Ethno)musicologies. Chicago: Scarecrow Press, pp. 117-134. [Book Section]

Baily, John S.. 2008. Ustad Rahim. Heart’s Rubab Maestro. [Film/Video]

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Busby, Lisa. 2008. Moths Wings/The Incredible Adventures of M. Courage, or What if you were already as important as the person you’re trying to be?. In: "Various", Various, United Kingdom. [Performance]

Diabaté, Toumani and Gardiner, Ian R.. 2008. Manchester. In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, 28 October 2008. [Performance]

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Gardiner, Ian R. and Al Kawas, Hiba. 2008. Araftu Beirut. [Composition]

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Gardiner, Ian R. and Al Kawas, Hiba. 2008. Li Anni Ahiya. [Composition]

Gardiner, Ian R. and Diabaté, Toumani. 2008. Kaira. In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, United Kingdom, 28 October 2008. [Performance]

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Gardiner, Ian R. and Diabaté, Toumani. 2008. Mamadou Boutiquier. [Composition]

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Gerber, Anzél. 2008. Critical success factors in cello training – a comparative study. Doctoral thesis, Goldsmiths, University of London [Thesis]

Joncus, Berta. 2008. Academic Advisor. Handel and the Divas, Handel House Museum, 30 April–16 Nov 2008. [Professional Activity]

Joncus, Berta. 2008. Building a Library: Bach’s 'Partitas for Solo Violin'. [Broadcast]

Joncus, Berta. 2008. CD Review: Handel’s 'Riccardo Primo'. [Broadcast]

Joncus, Berta. 2008. CD Review: J.S Bach’s 'Sacred Cantatas'. [Broadcast]

Joncus, Berta. 2008. "Curse them all for a Parcel of Italian Bitches": The Prima Donna versus the English Singer-Actress. [Exhibition Catalogue]

Joncus, Berta. 2008. 'Diva Thursday Live: Kitty Clive (15 May 2008)'. In: Diva Thursday live: Kitty Clive. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Divas Off-stage, 6 July 2008'. In: Divas Off-stage. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. Handel and the Divas. [Professional Activity]

Joncus, Berta. 2008. '"Of all the arts that sooth": Imagining Kitty Clive (1711-1785)'. In: Twelfth Conference of the Répertoire International d'Iconographie Musicale. New York, United States. [Conference or Workshop Item]

Joncus, Berta. 2008. 'The Polly Row, 25 May 2008'. In: The Polly Row. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. '"To propagate Sound for Sense": Music for Diversion and Seduction at Ranelagh Gardens'. In: Vauxhall Revisited: Pleasure Gardens and their Publics, 1660-1880. Tate Britain, London, United Kingdom 14-16 July 2008. [Conference or Workshop Item]

Joncus, Berta; Burden, Michael; Rogers, Vanessa L. and Lipinski, Thaddeus. 2008 to present Ballad Opera Online. [Project]

Matsumoto, Naomi. 2008. The Identity of the librettist of Monteverdi’s Il ritorno d’Ulisse in patria. The Journal of the Musicological Society of Japan, 53(2), pp. 134-137. [Article]

Matsumoto, Naomi. 2008. Motoo Ohtaguro interviews Prokofiev. Three Oranges: the Journal of the Sergey Prokofiev Foundation, 15, pp. 9-13. [Article]

McVeigh, Simon. 2008. The Constrained Entrepreneur: Concert Promotion in Eighteenth-Century London. In: Hans Erich Bödeker; Patrice Veit and Michael Werner, eds. Organisateurs et formes d’organisation du concert en Europe 1700–1920: Institutionnalisation et pratiques. Berlin: Berliner Wissenschafts-Verlag, pp. 47-56. ISBN 9783830515517 [Book Section]

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Negus, Keith. 2008. Bob Dylan. London: Equinox London. ISBN 13 978 1 904768 25 8 [Book]

Norton, Barley. 2008. Book review of P’ungmul: South Korean Drumming and Dance by Nathan Hesselink, University of Chicago Press. World of Music, 50(1), pp. 120-121. [Article]

Norton, Barley. 2008. CD Review: Huong Thanh, Cai Luong Music. Songlines: The World Music Magazine., 53, p. 77. [Article]

Norton, Barley. 2008. Ca Tru Restoration: Issues and Challenges. In: . Vietnamese Institute for Musicology, ed. Ca Tru Singing of the Viet People. Hanoi: Vietnamese Institute for Musicology, pp. 187-192. ISBN No ISBN [Book Section]

Norton, Barley. 2008. Review of the CD "Fragile Beauty" by Huong Thanh and Nguyen Le. ACT 94512. Songlines: The World Music Magazine., 50, p. 101. [Article]

Perchard, Tom. 2008. Programme guest, BBC Radio 3, 'Jazz Library: Lee Morgan'. [Broadcast]

Potter, Keith. 2008. Philip Glass: the compositions and some contexts. Glass: a Nonesuch Retrospective Box, pp. 49-72. ISSN Nonesuch 424508-2 [Article]

Potter, Keith. 2008. Programme Notes. BBC Symphony Orchestra/Mikhail Agrest, [Article]

Redgate, Roger. 2008. Chamber Music by Brian Ferneyhough. [Audio]

Redgate, Roger. 2008. Roger Redgate: works for piano solo. [Composition]

Redgate, Roger. 2008. String Quartet No 3. [Composition]

Rogers, Holly. 2008. ‘Audio-Visual Biography: Music and Image in Derek Jarman’s Caravaggio’. The Journal of Musicological Research, 27(2), pp. 134-168. ISSN 0141-1896 [Article]

Rogers, Holly. 2008. ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. In: David Cooper, ed. Cinemusic: Constructing the Film Score. Cambridge: Cambridge Scholar's Publishing, pp. 141-164. [Book Section]

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Smirnov, Dmitri. 2008. “Beethoven Op18 and six more” Brodsky Quartet: Smirnov: Quartet No 6. [Audio]

Young, Michael W.. 2008. Listening/Learning Improv System. [Software]

Young, Michael W.. 2008. oboe_prosthesis (live performance). In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom. [Performance]

Young, Michael W.. 2008. piano_prosthesis (live performance). In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom. [Performance]

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Young, Michael W.; Drever, John L.; Grierson, Mick and Stonehouse, Ian. 2008. Goldsmiths Electronic Music Studios: 40 Years. International Computer Music Conference Proceedings 2008, pp. 315-318. [Article]

2007

Joncus, Berta and Bucciarelli, Melania, eds. 2007. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer. ISBN 9781843833178 [Edited Book]

Abtan, Freida. 2007. Heartstrings: A String Quartet. Sample Culture, Vague Terrain Online Journal of Digital Culture(7), [Article]

Alessandrini, Patricia. 2007. Work for Arditti Quartet with live electronics. [Composition]

Alessandrini, Patricia. 2007. Work for cellist Séverine Ballon with live electronics. [Composition]

Baily, John S.. 2007. Scenes of Afghan Music: London, Kabul, Hamburg, Dublin. [Film/Video]

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Baily, John S.. 2007. 'The circulation of ‘New Music’ between Afghanistan and its transnational community'. In: Conference on Music in the world of Islam. Assilah, Morocco 8-13 August 2007. [Conference or Workshop Item]

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Birnbaum, David; Xin Wei, Sha; Abtan, Freida and Wanderley, Marcelo M.. 2007. 'Mapping and Dimensionality of a Cloth-based Sound Instrument.'. In: Proceedings of the 4th Sound and Music Computing Conference. Lefkada, Greece. [Conference or Workshop Item]

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Cottrell, Stephen J.. 2007. Local bimusicality among London's freelance musicians. Ethnomusicology, 51(1), pp. 85-105. ISSN 0014-1836 [Article]

Crawford, Tim. 2007. Transcription of the Dresden Manuscript of the lute works of S. L. Weiss (1687-1750), Parts 1 and 2. Other. Baerenreiter. [Report]

Drever, John L.. 2007. Nostophonics: approaches to grasping everyday sounds from a British perspective. In: Ros Bandt; Michelle Duffy and Dolly MacKinnon, eds. Hearing Places. Newcastle upon Tyne: Cambridge Scholars Press, pp. 161-173. ISBN 9781847182555 [Book Section]

Drever, John L.. 2007. audience : hearing. [Composition]

Eichner, Barbara. 2007. Gottlieb Freiherr von Tuchers 'Kirchengesaenge der beruehmtesten aelteren italiaenischen Meister' (1827/28) und die Wiederentdeckung der Alten Musik [Gottlieb Freiherr von Tucher's 'Kirchengesaenge der beruehmtesten aelteren italiaenischen Meister' (1827/28) and the Rediscovery of Early Music]. Musicologica Austriaca, 23, pp. 57-80. ISSN 10161066 [Article]

Eichner, Barbara. 2007. In traeumerischer Entrueckung auf pfadlosen Wegen: Verwandlungsmusiken in Der Ring des Nibelungen und Parsifal [In dreamlike transport on pathless ways: transformation music in The Ring of the Nibelung and Parsifal]. In: A. Dorschel, ed. Verwandlungsmusik: Ueber komponierte Transfigurationen. Universal Edition, pp. 273-307. ISBN 9783702465537 [Book Section]

Eichner, Barbara and Houghton, Guy. 2007. Rose Oil and Pineapples: Julius Cyriax's Friendship with Wagner and the Early Years of the London Wagner Society. The Wagner Journal, 1(2), pp. 19-49. ISSN 17550173 [Article]

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Exarchos, Dimitris. 2007. Injecting Periodicities: Sieves as Timbres. 4th Sound and Music Computing Conference, [Article]

Gardiner, Ian R.. 2007. L'escalier en spirale. [Composition]

Gardiner, Ian R.. 2007. ROSE HOBART (score for the 1936 film by Joseph Cornell). [Composition]

Gardiner, Ian R.. 2007. VORMITTAGSSPUK. [Composition]

Grierson, Mick. 2007. 'NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT'. In: International Computer Music Conference 2007. UNDEFINED 8/1/2007. [Conference or Workshop Item]

Ivashkin, Alexander V.. 2007. CD recording and other projects relating to Alfred Schnittke. Various. [Other]

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Ivashkin, Alexander V.. 2007. Rostropovich. Tokyo: Shunjusha Publishing Company. ISBN 978-4-393-93518-7 [Book]

Joncus, Berta. 2007. '"And Fashion makes me Sing": Eighteenth-century English Ballad Opera and the Birth of a Popular Music Industry'. In: British Academy Postdoctoral Fellowship Symposium 2007. London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2007. 'Musicological choices: Gender, Prestige, and the Power of Subject Specialization'. In: Seventy-third Annual Meeting of the American Musicological Society. Quebec City, Canada. [Conference or Workshop Item]

Joncus, Berta. 2007. Producing Stars in dramma per musica. In: Berta Joncus and Melania Bucciarelli, eds. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer, pp. 275-293. ISBN 9781874833178 [Book Section]

Langley, Leanne. 2007. Agency and Change: Berlioz in Britain, 1870-1920. Journal of the Royal Musical Association, 132(2), pp. 306-348. ISSN 02690403 [Article]

Langley, Leanne. 2007. Building an Orchestra, Creating an Audience: Robert Newman and The Queen's Hall Promenade Concerts, 1895-1926. In: N. Kenyon; J. Doctor and D. Wright, eds. The Proms: A New History. Thames and Hudson, pp. 32-73. ISBN 9780500513521 [Book Section]

Matsumoto, Naomi. 2007. 1001 Classical Recordings. In: Matthew Rye, ed. 1001 Classical Recordings. London: Quintessence, 24-34, 38, 42-48, 50-54, 56-59, 62-64. [Book Section]

McVeigh, Simon. 2007. A Free Trade in Music: London during the Long 19th Century in a European Perspective. Journal of Modern European History, 5(1), pp. 67-94. ISSN 16118944 [Article]

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Negus, Keith. 2007. Living, Breathing Songs: Singing Along With Bob Dylan. Oral Tradition, 22(1), pp. 71-83. ISSN 0883-5365 [Article]

Nielinger-Vakil, Carola. 2007. Own version of 'Improvvisazione finale' of Luigi Nono's Das Atmende Klarsein. In: "Own version of 'Improvvisazione finale' of Luigi Nono's Das Atmende Klarsein", Corso d'interpretazione sulle opere di Luigi Nono con live electronics e con nastro magnetico, 11/3/2007 - 11/7/2007. [Performance]

Norton, Barley. 2007. CD Review: Que Huong (Homeland). Songlines: The World Music Magazine., 44, p. 75. [Article]

Norton, Barley. 2007. CD Review: The Rough Guide to the Music of Vietnam. Songlines: The World Music Magazine, 46, p. 67. [Article]

Norton, Barley. 2007. CD Review: Vietnam: Vocal music from the Northern Plains. Songlines: The World Music Magazine, 41, p. 75. [Article]

Norton, Barley. 2007. Feature article "Postcard from Hanoi, Vietnam". Songlines: The World Music Magazine., 45, p. 51. [Article]

Norton, Barley. 2007. A Review Essay on Recordings of Music from Vietnam. World of Music, 49(1), pp. 215-222. [Article]

Perchard, Tom. 2007. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History, 2(2), pp. 119-145. ISSN ISSN: 1740-7133 [Article]

Potter, Keith. 2007. '1976 and All That: Minimalism and Postminimalism, Analysis and Listening Strategies.'. In: Proceedings of the First International Conference on Music and Minimalism. Bangor, United Kingdom 11/1/2007. [Conference or Workshop Item]

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Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.. 2007. An Objective Basis for Music Theory: Information-Dynamic Analysis of Minimalist Music. Musicae Scientiae, 11(2), pp. 295-324. ISSN 1029 8649 [Article]

Pryer, Anthony J.. 2007. Approaching Monteverdi: His Cultures and Ours, Chapter 1. In: J. Whenham and R. Wistreich R, eds. The Cambridge Companion to Monteverdi. Cambridge University Press, pp. 1-19. ISBN 9780521875257 [Book Section]

Redgate, Roger. 2007. Koan. [Composition]

Rogers, Holly. 2007. ‘Review: EcoMedia (Sean Cubitt)’. Scope: Journal of Film Studies, 7, [Article]

Rogers, Holly. 2007. ‘Review: The Museum of Modern Art and the Birth of Art Cinema (Haidee Wasson)’. Scope: Journal of Film Studies, 9, [Article]

Wilshere, Brian. 2007. Brian Wilshere: The Drummer as Composer. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Young, Michael W.. 2007. 'NN Music: Improvising with a 'Living' Computer'. In: International Computer Music Conference. San Francisco 2007. [Conference or Workshop Item]

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Young, Michael W. and Adderley, Paul. 2007. Here is Now and There the Sound of the Land: 'Ground-breaking'. MutaMorphosis: Challenging Arts and Sciences Conference Proceedings, p. 1. [Article]

Zolinsky, Andrew. 2007. Schoenberg: Complete Piano Music (also Organ Music). Mollterz. [Other]

2006

Ayrey, Craig L.. 2006. Jankélévitch the obscure(d). Music Analysis, 25(iii), pp. 343-357. ISSN 0262-5245 [Article]

Cottrell, Stephen J.. 2006. Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. twentieth-century music, 3(1), pp. 73-96. ISSN 14785722 [Article]

Crawford, Tim; Pickens, J. and Wiggins, Geraint. 2006. Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. In: Richard Kronland-Martinet; Thierry Voinier and Sylvi Ystad, eds. Computer Music Modeling and Retrieval. Lecture Notes in Computer Science, pp. 233-248. ISBN 03029743 [Book Section]

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Dobbins, Frank. 2006. Charles Tessier, Oeuvres completes/Complete Works: Chansons, Airs, Villanelles. Turnhout: Brepols. ISBN 9782503515946 [Book]

Dobbins, Frank. 2006. Strophic and Epigrammatic Forms in the French Chanson and Air of the Sixteenth Century. Acta Musicologica, 78(2), pp. 197-234. ISSN 00016241 [Article]

Drever, John L.. 2006. -scape. [Composition]

Halstead, Jill. 2006. Ruth Gipps: Anti-Modernism, Nationalism and Difference in English Music. Ashgate. ISBN 0754601781 [Book]

Joncus, Berta. 2006. ''Charm’d with the sprightly Innocence of Nell’: Re-Reading The Devil to Pay'. In: Twelfth Biennial International Conference on Baroque Music. Warsaw, Poland. [Conference or Workshop Item]

Joncus, Berta. 2006. 'Curse them all for a parcel of Italian bitches’: the seduction of mimicry on the mid-eighteenth-century London stage'. In: Thirty-fifth annual conference of the British Society for Eighteenth-Century Studies. Oxford, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2006. Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), pp. 179-226. ISSN 0269-0403 [Article]

Kivy, Peter. 2006. Ars Perfecta: toward perfection in musical performance? The British Journal of Aesthetics, 46(2), pp. 111-132. ISSN 14682842 [Article]

Kivy, Peter. 2006. The Performance of Reading: an essay in the philosophy of literature. Blackwell. ISBN 1405146923 [Book]

Matsumoto, Naomi. 2006. An anonymous setting of L’Ospedale and the question of an “asylum opera” genre. The Journal of the Musicological Society of Japan, pp. 45-61. [Article]

McVeigh, Simon. 2006. Viotti and London Violinists during the 1790s: A Calendar of Performances. In: Massimiliano Sala, ed. Giovanni Battista Viotti: A Composer between the Two Revolutions. Turnhout: Brepols, pp. 87-119. ISBN 8881094576 [Book Section]

Negus, Keith. 2006. Musicians on Television: Visible, Audible and Ignored. Journal of the Royal Musical Association, 131(2), pp. 310-330. ISSN 02690403 [Article]

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Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Pieces, 1951-1966'. In: International Nono Conference. Padova 2006. [Conference or Workshop Item]

Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Works, 1951-1966'. In: International Conference 'Presenza storica di Luigi Nono'. UNDEFINED 12/1/2006. [Conference or Workshop Item]

Nielinger-Vakil, Carola. 2006. Intolleranza 1960. In: , ed. Intolleranza 1960. UNSPECIFIED, pp. 8-17. ISBN 00000000 [Book Section]

Nielinger-Vakil, Carola. 2006. 'The Song Unsung': Luigi Nono's Il canto sospeso. Journal of the Royal Musical Association, 131(1), pp. 83-150. ISSN 14716933 [Article]

Norton, Barley. 2006. Effeminate’ Men and ‘Hot-Tempered’ Women: The Performance of Music and Gender in Vietnamese Mediumship. In: Karen Fjelstad and Hien Thi Nguyen, eds. Possessed by the Spirits: Mediumship in Contemporary Vietnamese Communities. Ithaca, NY: Cornell University Press, pp. 55-75. ISBN 0877271410 [Book Section]

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Perchard, Tom. 2006. Lee Morgan: His Life, Music and Culture. London: Equinox. ISBN 1845532058 [Book]

Perchard, Tom. 2006. Writer and presenter, Resonance FM series, 'Memoir City'. [Broadcast]

Potter, Keith. 2006. Obituary: 'James Tenney; Musical Maverick'. The Independent, [Article]

Potter, Keith. 2006. Programme notes for works by Steve Reich (London Symphony Orchestra and Chorus/Xian Zhang). Barbican Centre, [Article]

Potter, Keith. 2006. Programme notes for works by Steve Reich (Los Angeles Master Chorale/Grant Gershon). Lincoln Center, New York, [Article]

Rogers, Holly. 2006. Acoustic Architecture: Music and Space in the Video Installations of Bill Viola. twentieth-century music, 2(02), pp. 197-219. ISSN 1478-5722 [Article]

Rogers, Holly. 2006. 'Beethoven’s Myth Sympathy: Hollywood’s Biographical Reconstruction'. British Postgraduate Musicology, 8, ISSN 1460-9231 [Article]

Smirnov, Dmitri. 2006. My Shostakovich (English). DSCH(24), pp. 13-17. [Article]

Smirnov, Dmitri. 2006. My Shostakovich (Russian). Muzykal’naya Akademia(3), pp. 30-34. [Article]

Young, Michael W.. 2006. Ebbs. [Composition]

Zolinsky, Andrew. 2006. Unsuk Chin: Piano Concerto. In: "Unsuk Chin: Piano Concerto", Piano Concerto: BBC Maida Vale Studios, London, 4/13/2006 - 10/7/2007. [Performance]

2005

Alessandrini, Patricia. 2005. Festival Acanthes. [Composition]

Alessandrini, Patricia. 2005. La Nuit de l’Itinéraire. [Composition]

Ayrey, Craig L.. 2005. 'Pousseur’s Scambi (1957), and the new problematics of the open work'. In: The 'Scambi Project'. Goldsmiths 18 Feb 2005. [Conference or Workshop Item]

Baily, John S.. 2005. So Near, So Far: Kabul's Music in Exile. Ethnomusicology Forum, 14(2), pp. 213-233. ISSN 17411912 [Article]

Dobbins, Frank. 2005. The Chansons of Thomas Crecquillon - Literary and Musical Sources and "Thomas Crecquillon: Chansons Principal Sources and Concordances". In: E. Jas, ed. Beyond Contemporary Fame: Reassessing the Art of Clemens non Papa and Thomas Crecquillon. Turnhout: Brepols, p. 83. ISBN 2503518842 [Book Section]

Dobbins, Frank. 2005. Jacotin, Chansons. Turnhout: Brepols. ISBN 9782503515939 [Book]

Drever, John L.. 2005. Close to the Literal. [Composition]

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Exarchos, Dimitris. 2005. Inside/Outside Time: Metabolae in Xenakis’s Tetora. Definitive Proceedings of the “International Symposium Iannis Xenakis” (Athens, May 2005), [Article]

Gardiner, Ian R.. 2005. Toccata, Canzona, Ricercare. [Composition]

Halstead, Jill. 2005. The Night Mrs Baker Made History: Conducting, Display and the Interruption of Masculinity. Women a Cultural Review, 16(2), pp. 222-235. ISSN 14701367 [Article]

Halstead, Jill. 2005. She Composes in the Kitchen: Ruth Gipps 1921-1999: An English Reactionary and Radical. In: Christa Brustle, ed. Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland, 1920-1950. Olms Verlag, pp. 1-9. ISBN 3487129620 [Book Section]

Ivashkin, Alexander V.. 2005. Giya Kancheli: Simi and Mourned by the Wind (for cello and orchestra). [Audio]

Joncus, Berta. 2005. ''Charm’d with the sprightly innocence of Nell’: Re-reading The Devil to Pay'. In: Seventy-first annual meeting of the American Musicological Society. Washington D.C, United States. [Conference or Workshop Item]

Joncus, Berta. 2005. "His Spirit is in Action Seen": Milton, Mrs. Clive and the Simulacra of the Pastoral in Comus. Eighteenth-Century Music, 2(1), pp. 7-40. ISSN 1478-5706 [Article]

Joncus, Berta. 2005. One God, so many Farinellis: Mythologising the Star Castrato. Journal for Eighteenth-Century Studies (formerly British Journal for Eighteenth-Century Studies), 28(3), pp. 437-496. [Article]

Norton, Barley. 2005. Review of 6 CD Box Set , “Vietnam – Mother Mountain and Father Sea, an Introduction to the Traditional Music of Vietnam”. White Cliffs Media WCM 9991. Ethnomusicology Forum, 14(1), pp. 121-123. [Article]

Norton, Barley. 2005. Singing the Past: Vietnamese Ca Tru, Memory and Mode. Asian Music, 36(2), pp. 27-56. [Article]

Norton, Barley. 2005. Website on Vietnamese Ca Tru. [Digital]

Perchard, Tom. 2005. Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review). Popular Music, 24(3), pp. 459-462. [Article]

Potter, Keith. 2005. Obituary: 'Carla Hinrichsen; Music Publisher at Peters Music'. The Independent, [Article]

Potter, Keith. 2005. Obituary: 'Hugh Davies; Iconoclastic innovator in electronic music'. The Independent, [Article]

Redgate, Roger. 2005. +R. [Audio]

Rogers, Holly. 2005. 'Acoustic Architecture: Music and Space in the Video Installations of Bill Viola'. Twentieth Century Music, 2(2), pp. 197-219. ISSN 1478-5722 [Article]

Rogers, Holly. 2005. Alternative Models of Music-Image Interaction in Film. Doctoral thesis, Magdalene College, Cambridge University [Thesis]

Rogers, Holly. 2005. ‘Review: Cinema’s Illusions, Opera’s Allure (David Schroeder) / Hollywood Theory, Non-Hollywood Practice (Annette Davison)’. Scope: Journal of Film Studies, 2, [Article]

Silkstone, Francis. 2005. Duo for Violin and Bass Clarinet. [Composition]

Silkstone, Francis. 2005. Is this Raag? and Is this Raag too?. [Composition]

Smirnov, Dmitri. 2005. Melos of Prokofiev’s Visions: On the thematic patterns of his “Visions fugitives”. In: Ernst Kuhn, ed. “Schraeg zur Linie des Sozialistichen Realismus?” Prokofjew-Studien, Band 3. SSM 37 Studia Slavica Musicologica. Berlin: Verlag. ISBN 3-9366637-03-2 [Book Section]

Smirnov, Dmitri. 2005. “Prokofjew and Schostakowich (in German). In: Ernst Kuhn, ed. “Schraeg zur Linie des Sozialistichen Realismus?” Prokofjew-Studien, Band 3. SSM 37 Studia Slavica Musicologica. Berlin: Verlag. ISBN 3-9366637-03-2 [Book Section]

Smirnov, Dmitri. 2005. String Quartet No. 7. [Composition]

2004

Wollenberg, Susan and McVeigh, Simon, eds. 2004. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate. ISBN 0754638685 [Edited Book]

Alessandrini, Patricia. 2004. Syntono Project. [Composition]

Preview

Blackwell, Tim M. and Young, Michael W.. 2004. Self-Organised Music. Organised sound, 9(2), pp. 123-136. ISSN 1355-7718 [Article]

Preview

Cottrell, Stephen J.. 2004. Professional Music-Making in London. Ashgate. ISBN 0754608891 [Book]

Gisler, Priska; Guggenheim, Michael; Maranta, Alessandro; Nowotny, Helga and Pohl, Christian. 2004. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. ISBN 978-3934730793 [Book]

Grierson, Mick. 2004. Third World Warhol. Noisefilm. [Other]

Guggenheim, Michael. 2004. Von Nah und Fern. Wie sich Umweltdienstleistungsfirmen Laien vorstellen. In: Priska Gisler; Michael Guggenheim; Alessandro Maranta; Helga Nowotny and Christian Pohl, eds. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. [Book Section]

Hirshberg, Jehoash and McVeigh, Simon. 2004. The 'Virtuosi Instromenti' and the Milanese Concerto in the Early Eighteenth Century. In: Anna Cattoretti, ed. Giovanni Battista Sammartini and his Musical Environment. Turnhout: Brepols, pp. 203-244. ISBN 250351233X [Book Section]

Ivashkin, Alexander V.. 2004. Rachmaninov - Complete Works for Cello and Piano. [Audio]

Joncus, Berta. 2004. 'Eating Pigeon-Pye: Handel and the 'Sweet Bird' of Drury Lane'. In: Fortieth Annual Conference of the Royal Musical Association. Birmingham, United Kingdom 12-14 November 2004. [Conference or Workshop Item]

Kivy, Peter. 2004. Music, Language and Cognition: which doesn't belong? In: K. Korta and J. Larrazabal J, eds. Truth, Rationality, Cognition and Music, Proceedings of the Seventh International Colloquium on Cognitive Science. Kluwer, pp. 157-174. ISBN 1402019122 [Book Section]

McFarlane, Meredith and McVeigh, Simon. 2004. The String Quartet in London Concert Life, 1769–1799. In: Susan Wollenberg and Simon McVeigh, eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 161-190. ISBN 0754638685 [Book Section]

McVeigh, Simon. 2004. An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London. In: W. Weber, ed. The Musician as Entrepreneur, 1700-1914: Managers, Charlatans and Idealists. Indiana University Press, pp. 162-182. ISBN 0253344565 [Book Section]

Preview

McVeigh, Simon and Hirshberg, J.. 2004. The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History. Boydell Press. ISBN 1843830922 [Book]

Norton, Barley. 2004. Lên đồng Việt Nam: Cấu tạo âm nhạc của thần thánh (Vietnamese mediumship rituals: the musical construction of the spirits). In: Đức Thịnh Ngô, ed. Đạo Mẫu và các hình thức Shaman trong các tộc người ở Việt Nam và châu Á (The Mother Religion and Forms of Shamanism among Ethnic Groups in Vietnam and Asia). Hanoi: Social Science Publishing House, pp. 310-341. [Book Section]

Preview

Pickering, M. and Negus, Keith. 2004. Creativity, Communication & Cultural Value. Sage. ISBN 0761970754 [Book]

Potter, Keith. 2004. What's The Score? The Independent, [Article]

Pryer, Anthony J.. 2004. Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. Eighteenth Century Music, 1(2), pp. 265-288. ISSN 14785706 [Article]

Preview

Pryer, Anthony J.. 2004. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: International Congress in Shizuoka. Shizuoka, Japan 2-4 November, 2002. [Conference or Workshop Item]

Redgate, Roger. 2004. Mirlitonnades. [Composition]

Redgate, Roger. 2004. écart. [Composition]

Redgate, Roger. 2004. ruins true refuge. [Composition]

Redgate, Roger. 2004. …still…. [Composition]

Rogers, Holly. 2004. 'Fitzcarraldo’s Search for Aguirre: Music and Text in the Amazonian Films of Herzog'. Journal of the Royal Musical Association, 129(1), pp. 77-99. ISSN 0269-0403 [Article]

Silkstone, Francis. 2004. Double Raaga, Double Taala for String Quartet and Tabla. [Composition]

Silkstone, Francis. 2004. Sharing The Cooking Times: Alap-Jor-Jhala Concerto for Large Ensemble in Raga Chameleon. [Composition]

Preview

Smirnov, Dmitri. 2004. “Four generations of Russian composers” Aurelia Saxophone Quartet: Smirnov: Fantasia. [Audio]

Smirnov, Dmitri. 2004. Tri-o-Tri (Piano Trio No 3). [Composition]

Young, Michael W.. 2004. Argrophylax. [Composition]

2003

Abtan, Freida. 2003. An Evening with Sound and Radio Artist Christian Calon. Electroacoustic Activities in Quebec, CEC – eContact!, [Article]

Alessandrini, Patricia. 2003. Chœur de Chambre de Strasbourg. [Composition]

Baily, John S.. 2003. A Kabul Music Diary. [Film/Video]

Cottrell, Stephen J.. 2003. The Future of the Symphony Orchestra. In: C. Lawson, ed. The Cambridge Companion to the Orchestra. Cambridge University Press, pp. 251-264. ISBN 0521001323 [Book Section]

Drever, John L.. 2003. Phonographies of Exeter. [Composition]

Eichner, Barbara. 2003. Singing the Songs of Scotland: the German Musician Johann Rupprecht Durrner and Musical Life in Nineteenth-Century Edinburgh. In: Horton and B. Zon, eds. Nineteenth-Century British Music Studies. Ashgate, pp. 171-191. ISBN 0754636143 [Book Section]

Grierson, Mick. 2003. Structure Interne. Noisefilm. [Other]

Ivashkin, Alexander V. and Lazareva, T.. 2003. Prokofiev: Complete Cello/piano Music. [Audio]

Joncus, Berta. 2003. 'A Star is Born: Kitty Clive and Female Representation in Eighteenth-Century English Musical Theatre'. In: Sixty-ninth Annual Meeting of the American Musicological Society. Houston, Texas, United States. [Conference or Workshop Item]

Langley, Leanne. 2003. Roots of a Tradition: The First Dictionary of Music and Musicians. In: M. Musgrave, ed. George Grove, Music and Victorian Culture. Palgrove, pp. 168-215. ISBN 0004707729 [Book Section]

Pickens, Jeremy; Bello, Juan Pablo; Monti, Giuliano; Sandler, Mark; Crawford, Tim and Dovey, Matthew. 2003. Polyphonic Score Retrieval Using Polyphonic Audio Queries: A Harmonic Modeling Approach. Journal of New Music Research, 32(2), pp. 223-236. ISSN 09298215 [Article]

Potter, Keith. 2003. A Conversation with James Dillon. In: P. O'Hagan, ed. Aspects of British Music of the 1990's. Ashgate, pp. 131-140. ISBN 0004707729 [Book Section]

Smirnov, Dmitri. 2003. “Dodecamania” of Pierre Boulez or The notes on his “Notations”. In: Various, ed. SATOR TENET OPERA ROTAS: Yuri Kholopov and His School. Moscow, pp. 238-253. [Book Section]

Smirnov, Dmitri. 2003. “Dodecamania” of Pierre Boulez or The notes on his “Notations”. Muzykalnaya Academia(4), pp. 112-119. ISSN 0869–4516 [Article]

Preview

Smirnov, Dmitri. 2003. A Geometer of Sound Crystals: a book on Philip Herschkowitz. Verlag Ernst Kuhn. ISBN 3928864998 [Book]

Smirnov, Dmitri. 2003. Marginalia quasi una Fantasia: on the Second Violin Sonata by Alfred Schnittke in “Shostakovich and the Consequences”. In: Ernst Kuhn, ed. Schostakowitsch-Studien. (220) Berlin: Band 6, SSM 32 Studia Slavica Musicologica, Verlag, p. 1. ISBN 3-928864-93-9 [Book Section]

Smirnov, Dmitri. 2003. Song from Underground, Booklet of the Festival "Masterpieces of the Russian Underground" (in English). The Masterpieces of Russian Underground, [Article]

Smirnov, Dmitri. 2003. Triple Concerto No. 2 for violin, harp, double bass and orchestra, op.139. [Composition]

2002

Harris, Rachel and Norton, Barley, eds. 2002. Red Ritual: Ritual Music and Communism, British Journal of Ethnomusicology, . 0968-1221 [Edited Journal]

Ivashkin, Alexander V., ed. 2002. A Schnittke Reader. Bloomington and Indianapolis: Indiana University Press. ISBN 0-253-33818-2 [Edited Book]

Alessandrini, Patricia. 2002. Music for the series Carnet de Bals. [Composition]

Ayrey, Craig L.. 2002. Nomos/Nomos: Law, Melody and the Deconstructive in Webern's 'Leichteste Bürden der Bäume' Cantata II Op. 31. Music Analysis, 21(3), pp. 259-305. ISSN 02625245 [Article]

Ayrey, Craig L.. 2002. Stravinsky in analysis: the anglophone traditions. In: J. Cross, ed. The Cambridge Companion to Stravinsky. Cambridge University Press, pp. 203-229. ISBN 9780521663779 [Book Section]

Crawford, Tim. 2002. Facsimile and introductory study of the Dresden Manuscript of lute works by S. L. Weiss, Parts 1 and 2. Other. Baerenreiter. [Report]

Dobbins, Frank. 2002. Claudio Montiverdi, Scherzi musicali a tre voci (1607). Cremona: Fondazione Claudio Monteverdi. ISBN 8886288275 [Book]

Dobbins, Frank and Vacchelli, A.. 2002. Claudio Monteverdi, Scherzi musicali a una e due voci (1632). Cremona: Fondazione Claudio Monteverdi. ISBN 978-88-86288-28-6 [Book]

Guggenheim, Michael and Heller, Florian. 2002. Über Parallelen zwischen Kochen und Denken oder weshalb schlechte Symposien gute Esser zeitigen. In: Anja Eichelberg and Helga Nowotny, eds. Jahrbuch 2002 des Collgeium Helveticum der ETH Zürich. Zurich: vdf Hochschulverlag AG, 2003, pp. 337-347. ISBN 9783728128669 [Book Section]

Harris, Rachel and Norton, Barley. 2002. Introduction: Ritual Music and Communism. British Journal of Ethnomusicology, 11(1), pp. 1-8. ISSN 1741-1912 [Article]

Matsumoto, Naomi. 2002. 'Global Presentations of Madness in Musical Theatres: a Comparative Study of Britten’s Curlew River and Juro Motomasa’s Sumidagawa'. In: Musicology and Globalization: Proceedings of the International Congress. Shizuoka, Japan. [Conference or Workshop Item]

McVeigh, Simon. 2002. Clementi, Viotti and the London Philharmonic Society. In: Roberto Illiano; Luca Sala and Massimiliano Sala, eds. Muzio Clementi: Studies and Projects. Bologna: Ut Orpheus, pp. 67-80. ISBN 8881094487 [Book Section]

McVeigh, Simon. 2002. The Musician as Concert-Promoter in London, 1780-1850. In: Hans-Erich Bödeker; Patrice Veit and Michael Werner, eds. Le concert et son public. Paris: Editions Maison des Sciences de l’Homme, pp. 71-92. ISBN 2735109143 [Book Section]

McVeigh, Simon and Ehrlich, C.. 2002. The Modernisation of London Concert Life Around 1900. In: M. Talbot, ed. The Business of Music. Liverpool University Press, pp. 96-120. ISBN 0853235287 [Book Section]

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Negus, Keith. 2002. Belonging and detachment - musical experience and the limits of identity. Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30(1-2), pp. 133-145. ISSN 00484571 [Article]

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Negus, Keith. 2002. The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. Cultural Studies, 16(4), pp. 501-515. ISSN 09502386 [Article]

Norton, Barley. 2002. The Moon Remembers Uncle Ho: The Politics of Music and Mediumship in Northern Vietnam. British Journal of Ethnomusicology, 11(1), pp. 71-100. ISSN 1741-1912 [Article]

Potter, Keith. 2002. Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge University Press. ISBN 9780521015011 [Book]

Potter, Keith. 2002. 'Hi-tech tales for a weird, wired world'. The Independent, [Article]

Potter, Keith. 2002. Obituary: 'Earle Brown: Innovative and Influential Composer.'. The Independent, [Article]

Pryer, Anthony J.. 2002. Review of 'Collean Reardon, Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575-1700' (Oxford: Oxford University Press, 2002). The Times literary Supplement(5184), p. 26. [Article]

Pryer, Anthony J.. 2002. Review of 'Reinhard Strohm and Bonnie Blackburn, eds., Music as Concept and Practice in the Late Middle Ages, The New Oxford History of Music, Vol.III, part 1' (Oxford: Oxford Uiversity Press, 2002). BBC Music Magazine, p. 112. [Article]

Pryer, Anthony J.. 2002. Thirty items for the revised edition of the Oxford Companion to Music: Braille Notation, Chironomy, Coloration, Corona, Degree, Durum, Diastematic Neumes, Franconian Notation, Graphic Notation, Half-Coloration, Ligatures, Mensural Music, Mensural Notation, Middle C Modus, Mollis, Prolatio, Shape Note, Tempus, Accidental, Clef, Dot, Intabulation, Intavolatura, Liquescent Nuemes, Mensurstrich, Musica Ficta, Notation, Tablature, Time Signature. In: Alison Latham, ed. The Oxford Companion to Music. Oxford: Oxford University Press, p. 159. ISBN 0198662122 [Book Section]

Smirnov, Dmitri. 2002. Marginalia quasi una Fantasia: on the Second Violin Sonata by Alfred Schnittke. Tempo (New Series)(220), pp. 2-10. ISSN 0040-2982 [Article]

Smirnov, Dmitri. 2002. Musical Idea: About the Mystery of creation processes in music. Muzykalnaya Academia, 2, ISSN 0869–4516 [Article]

Young, Michael W. and Goto, J.. 2002. 1. Loss of Face and 2. New World Circus. In: "1. Loss of Face and 2. New World Circus", 1. Loss of Face. Norwich Gallery, Wolsey Art Gallery, Hartlepool Art Gallery 2002. 2. New World Circus Mercer Art Gallery, Harrogate. Focal Point Gallery, Southend on Sea. Stephen Lawrence Gallery, London. 4U of Brighton Gallery. Ovada Gallery, Oxford., 6/30/2006 - 11/3/2007. [Show/Exhibition]

2001

Preview

Baily, John S.. 2001. Can You Stop the Birds Singing? The Censorship of Music in Afghanistan. Copenhagen: Freemuse. ISBN 0004707729 [Book]

Ivashkin, Alexander V.. 2001. Sofia Gubaidulina and Cello: In croce, Quaternion, Ten Preludes. [Audio]

Ivashkin, Alexander V.. 2001. The Unknown Prokofiev. [Audio]

Ivashkin, Alexander V.; Kopachinskaya, P.; Raiskin, D. and Sokolov, I.. 2001. Nikolai Korndorf: IN HONOUR OF ALFRED SCHNITTKE, PASSACAGLIA, ARE YOU READY, BROTHER. [Audio]

Ivashkin, Alexander V. and Lazareva, T.. 2001. Roslavets: Complete Music for Cello and Piano. [Audio]

Ivashkin, Alexander V. and Vesmas, T.. 2001. Sergei Prokofiev: Complete Music for Cello and Piano. [Audio]

Preview

Kivy, Peter. 2001. The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. New Haven: Yale University Press. ISBN 0300087586 [Book]

Langley, Leanne. 2001. Dictionary entries on English music critics and criticism. In: Sadie Stanley, ed. The New Grove Dictionary of Music and Musicians. Macmillan, p. 57. ISBN 0333608003 [Book Section]

McVeigh, Simon. 2001. Italian Violinists in Eighteenth-Century London. In: Reinhard Strohm, ed. The Eighteenth-Century Diaspora of Italian Music and Musicians. Turnhout: Brepols, pp. 139-176. ISBN 2503510205 [Book Section]

Norton, Barley. 2001. Ca tru: the music of north Vietnam. Nimbus Records NI5626, Wyastone. [Other]

Potter, Keith. 2001. Entries on 20th-century British composers and other subjects: 'Minimalism'; 'Bedford, David', 'Bryars, Gavin', 'Fitkin, Graham', 'Martland, Steve', 'Montague Stephen', 'Skempton, Howard'. In: Stanley Sadie and John Tyrell, eds. The New Grove Dictionary of Music and Musicians. London: Macmillan. [Book Section]

Potter, Keith. 2001. Entry on David Bedford. In: L. Finscher, ed. Die Musik in Geschichte und Gegenwart. Kassel: Barenreiter. [Book Section]

Potter, Keith. 2001. Four revised articles on contemporary American composers: 'Adams, John', 'Glass, Philip', 'Monk, Meredith' and 'Reich, Steve'; also versions of previously published entries on 'Kagel, Mauricio' and 'Schnittke, Alfred'. In: Amanda Holden, ed. The New Penguin Opera Guide. London: Penguin Books. [Book Section]

Potter, Keith. 2001. 'Klinghoffer Resurrected' (Concert Review). The Independent, [Article]

Potter, Keith. 2001. Programme notes for the British premieres of Philip Glass's Second and Third Symphonies (BBC Symphony Orchestra/Marin Alsop). Barbican Centre, [Article]

Pryer, Anthony J.. 2001. Review of 'Fiona Kisby, ed., Music and Musicians in Renaissance Cities and Towns' (Cambridge: Cambridge University Press, 2001). The Times Literary Supplement(5124), p. 37. [Article]

Pryer, Anthony J.. 2001. Review of 'Ian Spink, Henry Lawes: Cavalier Songwriter' (Oxford, Oxford University Press; 2001). The Times Literary Supplement(5114), p. 33. [Article]

Redgate, Roger. 2001. Brian Ferneyhough's etudes transcendantales. Contemporary Music Review, 20(1), pp. 79-100. ISSN 0749-4467 [Article]

Preview

Smirnov, Dmitri. 2001. “An Introduction to Dmitri Smirnov”: Elegy, String of Destiny, Es ist…, Piano Trio 1, Cello sonata, Postlude. [Audio]

Smirnov, Dmitri. 2001. Postlude in memory of Schnittke Op112 – Composer's note (Russian). Muzykalnaya Academia(2), pp. 21-24. ISSN 0869–4516 [Article]

Smirnov, Dmitri. 2001. Schnittke’s choral music of 70-80s – Sleeve note for the CD Schnittke, Choir Concerto, Minnesang, Voices of Nature, Holst Singers, Stephen Layton, Hyperion, 2001. Schnittke, Choir Concerto, [Article]

Zolinsky, Andrew. 2001. Old, new, borrowed, blue: a series of three solo piano recitals. In: "Old, new, borrowed, blue: a series of three solo piano recitals", Purcell Room, London (first recital); The Warehouse, London (second and third recitals), 2/3/2001 - 6/6/2001. [Performance]

2000

Hirshberg, Jehoash and McVeigh, Simon. 2000. The Making of a Ritornello Movement: Compositional Strategy and Selection in Tessarini’s 'Opera prima'. Informazioni e Studi Vivaldiani, 21, pp. 35-73. ISSN 0393-2915 [Article]

McVeigh, Simon. 2000. Freemasonry and Musical Life in London in the late Eighteenth Century. In: David Wyn Jones, ed. Music in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 72-100. ISBN 1840146885 [Book Section]

McVeigh, Simon. 2000. The Society of British Musicians (1834-1865) and the Campaign for Native Talent. In: Christina Bashford and Leanne Langley, eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 145-168. ISBN 019816730 [Book Section]

Norton, Barley. 2000. Vietnamese Mediumship Rituals: The Musical Construction of the Spirits. The World of Music, 42(2), pp. 75-97. [Article]

Potter, Keith. 2000. Booklet essay for Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company (Naxos 8 554568). Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company, p. 1. [Article]

Potter, Keith. 2000. 'Notes on Cage'. 'John Cage: The Seasons' (ECM New Series 1696), [Article]

Potter, Keith. 2000. A ripe harvest of Eastern promise. The Independent, p. 16. [Article]

Pryer, Anthony J.. 2000. Machaut and the Moderns: A Distant Mirror. BBC Music Magazine, pp. 26-28. [Article]

Pryer, Anthony J.. 2000. Review of 'John Whenham, Monteverdi Vespers 1610 (Cambridge University Press, 1998)' and 'Claudio Monteverdi: Songs and Madrigals, trans. Denis Stevens, (Long Barn Books, 1999)'. BBC Music Magazine, p. 93. [Article]

Pryer, Anthony J.. 2000. Review of 'Julie E. Cumming, The Motet in the Age of Du Fay' (Cambridge University Press, 1999). The Times Literary Supplement(5054), p. 33. [Article]

Pryer, Anthony J.. 2000. Review of 'Robert Spaethling, editor and translator, Mozart's Letters, Mozart's Life (London: Faber and Faber, 2000)'. The Times Literary Supplement, p. 32. [Article]

Pryer, Anthony J.. 2000. Review of 'Victor Crowther, The Oratorio in Bologna, 1650-1730 (Oxford: Oxford University Press, 2000)'. The Times Literary Supplement(5095), p. 37. [Article]

Pryer, Anthony J.. 2000. Review of Der Stein der Weisen, singspiel by Mozart, Henneberg, Schack, Gerl and Schikaneder, performed at St Jude on the Hill, Hampstead. The Times Literary Supplement(5071), [Article]

Redgate, Roger. 2000. Marginalisierung und Subversion. Musik & Asthetik, 13, pp. 94-98. [Article]

Rogers, Holly. 2000. Beethoven on Film. Masters thesis, King's College, London [Thesis]

Preview

Smirnov, Dmitri. 2000. “Etude Philharmonique” Peter Sheppard Skærved (Violin): Smirnov: Two Fugues. [Audio]

1999

McVeigh, Simon. 1999. The Benefit Concert in Nineteenth-Century London: From 'tax on the nobility' to 'monstrous nuisance'. In: Bennett Zon, ed. Nineteenth-Century British Music Studies 1. Aldershot: Ashgate, pp. 242-266. ISBN 1840142596 [Book Section]

Preview

Negus, Keith. 1999. Music Genres and Corporate Cultures. London: Routledge. ISBN 0-415-17399-X [Book]

Pryer, Anthony J.. 1999. Review of 'Dolores Pesce, ed., Hearing the Motet: Essays on the Motet of the Middle Ages and the Renaissance' (Oxford: Oxford University Press, 1998). The Times Literary Supplement(5046), p. 29. [Article]

Pryer, Anthony J.. 1999. Review of 'Jerrold Levinson, Music in the Moment (Ithaca, NY; Cornell University Press, 1999)'. The Times Literary Supplement(5035), p. 20. [Article]

Pryer, Anthony J.. 1999. Review of 'Jessie Ann Owens, Composers at Work: the Craft of Musical Composition 1450-1600' (Oxford University Press, 1998). The Times Literary Supplement(5039), p. 33. [Article]

Pryer, Anthony J.. 1999. Trouble in Arcadia: Music Aesthetics and the Bounds of Culture. Journal of the Royal Musical Association, 124(1), pp. 134-152. ISSN 0269-0403 [Article]

Redgate, Roger. 1999. IGLOO (Film Soundtrack). [Composition]

Redgate, Roger. 1999. Neue Musik in Grossbritannien: Ein Situationsbericht. Musik & Asthetik, 10, pp. 59-66. [Article]

Redgate, Roger. 1999. arc. [Composition]

Smirnov, Dmitri. 1999. The Panic in the United Kingdom: On music by Harrison Birtwistle. Muzykalnaya Academia(2), pp. 145-150. ISSN 0869–4516 [Article]

Smirnov, Dmitri. 1999. Symbolism in the Flute Concerto by Edison Denisov (Russian). In: Various, ed. SVET. DOBRO. VECHNOST. Moscow: Moskovskaja Gosudarstvennaja konservatorija, pp. 369-381. ISBN 978-5895980521 [Book Section]

1998

Negus, Keith. 1998. Cultural production and the corporation: musical genres and the strategic management of creativity in the US recording industry. Media, Culture and Society, 20(3), pp. 359-379. ISSN 0163-4437 [Article]

Pryer, Anthony J.. 1998. 'Curators and Creators'. Review of 'Bernard Sherman, Inside Early Music (New York and Oxford, 1997)', and 'Paul Henry Lang, Musicology and Performance (New Haven, 1997)'. The Times Literary Supplement(4964), p. 18. [Article]

Pryer, Anthony J.. 1998. 'Groomed for Notoriety'. Review of 'Margaret Bent and Andrew Wathey, eds., Fauvel Studies (Oxford, 1998)', and 'Timothy McGee,The Sound of Medieval Song (Oxford, 1998)'. The Times Literary Supplement(4985), p. 18. [Article]

Pryer, Anthony J.. 1998. Review of 'Kenneth Levy, Gregorian Chant and the Carolingians (Princeton, 1998)'. The Times Literary Supplement(4978), p. 32. [Article]

Pryer, Anthony J.. 1998. Review of 'Nicholas Cook, Music: A Very Short Introduction (Oxford, 1998)'. BBC Music Magazine, p. 107. [Article]

Redgate, Roger. 1998. Informer (Film Soundtrack). [Composition]

Redgate, Roger. 1998. Michael Finnissy: The Chamber Music, in Uncommon Ground: The Music of Michael Finnissy. In: Henrietta Brougham; Christopher Fox and Ian Pace, eds. Uncommon Ground: The Music of Michael Finnissy. Aldershot: Ashgate, pp. 135-168. ISBN ISBN 1 85928365 X [Book Section]

Redgate, Roger. 1998. SLEEP (Film Soundtrack). [Composition]

Smirnov, Dmitri. 1998. On the Symphony by Anton Webern (Russian). “I svet vo t’me svetit” About music by Webern, 25, pp. 91-116. [Article]

Smirnov, Dmitri. 1998. Shostakovich, Symphony No, 1. BBC Music Magazine, p. 21. [Article]

1997

Preview

Ivashkin, Alexander V. and Oerhlein, Josef. 1997. Rostrospektive: zum Leben und Werk von Mstislaw Rostropowitsch. On the life and achievement of Mstislav Rostropovich. Frankfurt-Schweinfurth: Reimund Maier Verlag. ISBN 3-926300-30-2 [Book]

Preview

Negus, Keith; Du Gay, Paul; Hall, Stuart; Janes, Linda and Mackay, Hugh. 1997. Doing Cultural Studies: The Story of the Sony Walkman. London: Sage. ISBN 0-7619-5402-3 [Book]

Pryer, Anthony J.. 1997. Introduction to the Complete Secular Music of Guillaume Dufay (c. 1400-1474). Complete recording of the secular music of Guillaume Dufay (c. 1400-1474) by the Medieval Ensemble of London, [Article]

Pryer, Anthony J.. 1997. Monteverdi, two sonnets and a letter. Early Music, 25(3), pp. 357-371. ISSN 0306-1078 [Article]

Pryer, Anthony J.. 1997. Review of 'Lawrence Kramer, Classical Music and Postmodern Knowledge (University of Claifornia Press, 1995)'. The British Journal of Aesthetics, 37(1), pp. 90-92. [Article]

Pryer, Anthony J.. 1997. Review of 'Luis Gasser, Luis Milan on Sixteenth-Century Performance Practice (Bloomington, Indiana University Press; 1997)'. The Times Literary Supplement(4926), [Article]

Pryer, Anthony J.. 1997. Review of 'Robert L Kendrick Celestial Sirens: Nun's Music in Early Modern Milan (Clarendon Press, Oxford; 1996)'. The Times Literary Supplement, p. 19. [Article]

Pryer, Anthony J.. 1997. Review of 'Roger Scruton, The Aesthetics of Music (Oxford, 1997)'. BBC Music Magazine, 6(4), p. 22. [Article]

Redgate, Roger. 1997. moments and contacts (Film Soundtrack). [Composition]

1996

Preview

Ivashkin, Alexander V.. 1996. Alfred Schnittke. London: Phaidon. ISBN 0714831697 [Book]

McVeigh, Simon. 1996. London Newspapers 1750 to 1800: a Checklist and Guide for Musicologists. In: Michael Burden and Irena Cholij, eds. A Handbook for Studies in 18th-Century English Music VI. Oxford: Burden & Cholij, pp. 1-60. ISBN 0951278584 [Book Section]

Preview

Negus, Keith. 1996. Globalization and the Music of the Public Spheres. In: Sandra Braman and Annabelle Sreberny-Mohammadi, eds. Globalisation, Communication and Transnational Civil Society. Cresskill, New Jersey: Hampton Press, pp. 179-195. ISBN 1-57273-020-X [Book Section]

Potter, Keith. 1996. The pursuit of the unimaginable by the unnarratable, or some potentially telling developments in non-developmental music. Contemporary Music Review, 3-4, pp. 3-11. [Article]

Pryer, Anthony J.. 1996. Authentic Performance, Authentic Experience and "Pur ti miro" from Poppea. In: Raffaello Monterosso, ed. Performing Practice in Monteverdi's Music: the Historic-Philological Background. Cremona: Fondazione Claudio Monteverdi, pp. 191-213. ISBN 88-86288-25-5 [Book Section]

Pryer, Anthony J.. 1996. Nattiez's 'Music and Discourse': Situating the Philosophy. Music Analysis, 15(1), pp. 101-116. ISSN 0262-5245 [Article]

Pryer, Anthony J.. 1996. Review of 'Iain Fenlon, Music, Print and Culture in Early Sixteenth-Century Italy (British Library, 1994)'. The Times Literary Supplement(4860), p. 23. [Article]

Pryer, Anthony J.. 1996. Settling Old Scores: The Authentic Performance Argument. In: Erik Levy and Calum MacDonald, eds. BBC Music Magazine Top 1000 CDs Guide. London: BBC Worldwide, pp. 19-22. ISBN 0-563-38709-2 [Book Section]

Pryer, Anthony J.. 1996. 'That Quality of Charm and Grace'. Review of 'Martha Feldman, City Culture and the Madrigal at Venice (California UP, 1996)' and 'Iain Fenlon and Tim Carter (eds.), Con che soavità: studies in Italian opera, song and dance, 1580-1740 (Oxford, Clarendon Press, 1995)'. The Times Literary Supplement(4870), p. 20. [Article]

Redgate, Roger. 1996. trace. [Composition]

Smirnov, Dmitri. 1996. Going beyond the borders – On Brian Ferneyhough (Russian). Muzykalnaya Academia, 2, pp. 202-208. ISSN 0869–4516 [Article]

Preview

d'Inverno, Mark and Luck, Michael. 1996. A formal view of social dependence networks. In: Dickson Lukose and Chengqi Zhang, eds. Distributed Artificial Intelligence Architecture and Modelling. 1087 Berlin, Germany: Springer, pp. 115-129. ISBN 9783540613145 [Book Section]

1995

Ivashkin, Alexander V. and Vesmas, T.. 1995. Alfred Schnittke, Music for Cello and Piano. [Audio]

Potter, Keith. 1995. 'Cornelius Cardew: some (Postmodern?) reflections on Experimental Music and political music. In: Mark Delaere, ed. New Music, Aesthetics and Ideology/Neue Musik, Asthetik und Ideologie. Wilhelshaven: Germany: Florian Noetzel, pp. 152-169. [Book Section]

Redgate, Roger. 1995. Atemkristall. [Composition]

Redgate, Roger. 1995. Ferneyhough as teacher. Contemporary Music Review, 13(1), pp. 19-21. [Article]

Redgate, Roger. 1995. Mangetout (Film Soundtrack). [Composition]

Smirnov, Dmitri. 1995. On the Symphony by Anton Webern (Russian). Muzykalnaya Academia(3), pp. 204-220. [Article]

Smirnov, Dmitri. 1995. “Winter Journey” Peter Sheppard Skærved (Violin): Smirnov: Partita. [Audio]

1994

Pryer, Anthony J.. 1994. Re-thinking History. The Musical Times, 135(1), pp. 682-690. ISSN 0027-4666 [Article]

Redgate, Roger. 1994. Blue Scars (Film Soundtrack). [Composition]

Redgate, Roger. 1994. Celan Songs. [Composition]

Redgate, Roger. 1994. Small Gestures (Film Soundtrack). [Composition]

1993

Preview

McVeigh, Simon. 1993. Concert Life in London from Mozart to Haydn. Cambridge: Cambridge University Press. ISBN 0521413532 [Book]

Potter, Keith. 1993. The Current Musical Scene. In: Robert P. Morgan, ed. Modern Times: from World War I to the present. Englewood Cliffs, NJ/Basingstoke: Prentice Hall/Macmillan, pp. 349-387. ISBN 0 13 590159 6 [Book Section]

1992

McVeigh, Simon. 1992. The Violinists of the Baroque and Classical Periods. In: Robin Stowell, ed. The Cambridge Companion to the Violin. Cambridge: Cambridge University Press, pp. 46-60. ISBN 0521399238 [Book Section]

Redgate, Roger. 1992. Beuys. [Composition]

1991

Preview

Preview

Smirnov, Dmitri. 1991. “Moscow Contemporary Music Ensemble, Vol.2”: Smirnov: Sonata for flute and harp. [Audio]

1990

Redgate, Roger. 1990. Inventio. [Composition]

1989

McVeigh, Simon. 1989. The Professional Concert and Rival Subscription Series in London, 1783-93. Royal Musical Association Research Chronicle, 22, pp. 1-135. ISSN 00804460 [Article]

Preview

McVeigh, Simon. 1989. The Violinist in London’s Concert Life, 1750-1784: Felice Giardini and his Contemporaries. New York: Garland. ISBN 0824020189 [Book]

1988

McVeigh, Simon. 1988. Music and Lock Hospital in the 18th Century. Musical Times, 129, pp. 235-240. ISSN 0027-4666 [Article]

Redgate, Roger. 1988. Eperons. [Composition]

1987

Preview

Smirnov, Dmitri. 1987. “Works By Modern Composers Of Moscow”: Smirnov: Solo For Harp. [Audio]

1985

Redgate, Roger. 1985. Eidos. [Composition]

1983

McVeigh, Simon. 1983. Felice Giardini: a Violinist in Late Eighteenth-Century London. Music and Letters, 64, pp. 162-172. ISSN 0027-4224 [Article]

1977

Pryer, Anthony J.. 1977. Guillaume de Machaut, c. 1300-1377. Music and Musicians, pp. 26-30. [Article]

This list was generated on Wed Aug 15 02:39:08 2018 BST.

Goldsmiths - University of London

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