Items where Division is "Music"
Number of items at this level: 944. 2021
2020
Rogers, Holly; Vernallis, Carol and Perrott, Lisa, eds.
2020.
Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics.
New York: Bloomsbury.
ISBN 9781501341007
[Edited Book]
(In Press)
Rogers, Holly.
2020.
Sonic Elongation: Creative Audition in Documentary Film.
JCMS: Journal of Cinema and Media Studies, 59(2),
pp. 88-113.
ISSN 0009-7101
[Article]
(In Press)
2019
Norton, Barley and Matsumoto, Naomi, eds.
2019.
Music as Heritage: Historical and Ethnographic Perspectives.
London: Taylor and Francis.
ISBN 9781138228047
[Edited Book]
Bennett, Alexis.
2019.
Cultural Crossroads: British Film Music in the 1930s.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Blom, Tine.
2019.
Nature, wilderness and ecological awareness:
Exploration, experience and the creation of audiovisual artworks of a mountain.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Cobianchi, Mattia; Drever, John L. and Lavia, Lisa.
2019.
Adaptive soundscape design for liveable urban spaces: a hybrid methodology across environmental acoustics and sonic art.
Cities & Health,
ISSN 2374-8834
[Article]
(In Press)
Gardiner, Ian R..
2019.
Danses des Adolescentes (version for 2 pianos, 8 hands).
[Composition]
Garrelfs, Iris.
2019.
'bodily interaction in vocal performance'.
In: Electropixel 2019. Goldsmiths, University of London, United Kingdom 11 July 2019.
[Conference or Workshop Item]
Garrelfs, Iris.
2019.
override: An experiment in interrupting the congruity of audio-visual relationships.
oundEffects: An Interdisciplinary Journal of Sound and Sound Experience, 8(1),
pp. 104-121.
[Article]
Graham, Stephen.
2019.
From Microphone to the Wire: Cultural change in 1970s and 1980s music writing.
Twentieth-Century Music, 16(3),
pp. 531-555.
ISSN 1478-5722
[Article]
Hutchinson, Catherine Lucy Jean.
2019.
Naturalising Semiramide in 1842: Adaptation, Spectacle and English Prima Donnas.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Matsumoto, Naomi.
2019.
The Mad Scene: Portrayals of Insanity in Opera.
Japanese Journal of Clinical Psychiatry, 48(3),
ISSN 0300-032X
[Article]
(In Press)
Norton, Barley.
2019.
Feature article “Dispatch from Vietnam”.
Songlines: The World Music Magazine, 144,
p. 85.
[Article]
Norton, Barley.
2019.
Review of the CD 'Saigon Supersound, 1964-75 Volume 2', INFRACom!
Songlines: The World Music Magazine, 144,
p. 68.
[Article]
Norton, Barley.
2019.
Review of the CD 'Streams' by Nguyên Lê Quartet, ACT.
Songlines: The World Music Magazine(147),
p. 65.
ISSN 2059-6782
[Article]
Norton, Barley.
2019.
Review of the CD 'The Art of the Vietnamese Zither: Đàn Tranh' by Tri Nguyen, ARC Music.
Songlines: The World Music Magazine(147),
p. 60.
ISSN 1464-8113
[Article]
Potter, Keith.
2019.
Sketching a New Tonality: a preliminary assessment of Steve Reich’s sketches for Music for 18 Musicians in telling the story of this work’s approach to tonality.
In: Pwyll ap Sion and Sumanth Gopinath, eds.
Rethinking Reich.
New York: Oxford University Press.
ISBN 9780190605292
[Book Section]
Redhead, L.
2019.
The Medium is Now the Material: The ‘Folklore’ of Chris Newman and Michael Finnissy.
In: I Pace and N McBride, eds.
Critical Perspectives on the Music of Michael Finnissy: Bright Futures, Dark Pasts.
Routledge.
ISBN 9781138491977
[Book Section]
Rodrigues, Indioney Carneiro.
2019.
The Rhythmic Idea and the Musical Representation of Time.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Rogers, Holly.
2019.
Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre.
In: Robert Adlington, ed.
New Music Theatre in Europe: Transformations Between 1955-1975.
Abingdon: Routledge, pp. 79-100.
ISBN 9781138323018
[Book Section]
Rogers, Holly.
2019.
The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch.
In: Carol Vernallis; Holly Rogers and Lisa Perrott, eds.
Transmedia Directors: Artistry, Industry and the New Audiovisual Aesthetics.
New York: Bloomsbury, pp. 241-270.
ISBN 9781501341007
[Book Section]
Roy, Anupam.
2019.
Re-Contextualising Beethoven’s Violin Concerto, Op. 61.
Other thesis, Goldsmiths, University of London
[Thesis]
Spillane, Jeremiah.
2019.
'Codifying Jazz Manouche: A Brief History and Definition of Jazz Manouche in Relation to the Belgian and Dutch Manouche community.'.
In: Jazz and Cultural Identity: In and Out of Europe. UCLAN, Preston, United Kingdom 07/06/2019.
[Conference or Workshop Item]
Spillane, Jeremiah.
2019.
'Documenting jazz manouche: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through community and performance online.'.
In: Music Research Series. Goldsmiths, University of London, United Kingdom 5 Feb 2019.
[Conference or Workshop Item]
Spillane, Jeremiah.
2019.
'Documenting ‘Gypsy jazz’: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through pedagogy and performance online.'.
In: Documenting Jazz. TU, Dublin, Ireland 17-19 January 2019.
[Conference or Workshop Item]
Wyers, Marilyn.
2019.
Exploring pre-professional musicians’ experiences of a somatic movement approach as a practice method for musical phrasing.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2018
Bulley, James.
2018.
'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'.
In: Geoffrey Cox, ed.
Soundings: Documentary Film and the Listening Experience.
Huddersfield: Huddersfield University Press, pp. 125-150.
ISBN 9781862181540
[Book Section]
Bulley, James and Feshareki, Shiva.
2018.
Still Point.
In: "BBC Prom 13", Royal Albert Hall, London, United Kingdom, 23 July 2018.
[Performance]
Bulley, James and Price, Astra.
2018.
The Talking Drum.
Leonardo Electronic Almanac, 22(1),
ISSN 1071-4391
[Article]
Garrelfs, Iris.
2018.
Live voice/laptop performance.
In: "</CODING in GE> Festival", IKLECTIK, London, United Kingdom.
[Performance]
Garrelfs, Iris.
2018.
Performance of Lauschen at Fusion Arts, Oxford, by Iris Garrelfs.
In: "Acquisition of Sorts", Fusion Arts, Oxford.
[Performance]
Glover, R and Redhead, L.
2018.
Collaborative and Distributed Processing in Contemporary Music-Making: Overview.
In: L Redhead and R Glover, eds.
Collaborative and Distributed Processes in Contemporary Music-Making.
Newcastle: Cambridge Scholars, pp. 1-9.
ISBN 978-1-5275-1398-3
[Book Section]
Graham, Stephen.
2018.
Modernism for and of the Masses? On Popular Modernisms.
In: Bjorn Heile and Charles Wilson, eds.
The Routledge Research Companion to Modernism in Music.
Routledge.
ISBN 9781472470409
[Book Section]
Grmusa, Verica.
2018.
Creating Art Song in the South Slav Territories (1900-1930s): Femininity, Nation and Performance.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Matsumoto, Naomi.
2018.
L'opera dei pupi, Torneo, and Early Opera: Shared Traditions and Intangible Experiences.
In: Barley Norton and Naomi Matsumoto, eds.
Music as Heritage: Historical and Ethnographic Perspectives.
Routledge-Taylor and Francis.
ISBN 9781138228047
[Book Section]
Matsumoto, Naomi.
2018.
Pio Enea Obizzi: Power and Authorship.
In: R Rasch, ed.
Music and Power in the Baroque Era.
6
Turnhout: Brepols, pp. 275-298.
ISBN 978-2-503-58071-5
[Book Section]
Negus, Keith.
2018.
Musicians on Television at the BBC, 1936-1972.
Discussion Paper,
[Article]
Norton, Barley.
2018.
Filming Music as Heritage.
In: Hui Yu, ed.
Ethnomusicology in Audiovisual Time.
Zheijang: Zheijang University Press, pp. 78-90.
ISBN 978-7-308-18210-2
[Book Section]
Potter, Keith.
2018.
‘New Chaconnes for Old?’: Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with some thoughts on their significance for the analysis of the composer’s harmonic language in the late 1970s.
Contemporary Music Review, 36(5),
pp. 436-439.
ISSN 0749-4467
[Article]
Redhead, L.
2018.
The Avant Garde as Exform.
Tempo, 72(286),
pp. 7-16.
ISSN 0040-2982
[Article]
Redhead, L.
2018.
A Common Method? Distributed Creativity in Composition and/as Practice Research.
In: L Redhead and R Glover, eds.
Collaborative and Distributed Processes in Contemporary Music-Making.
Newcastle: Cambridge Scholars, pp. 27-44.
ISBN 978-1-5275-1398-3
[Book Section]
Redhead, L.
2018.
ijereja and entoptic landscape: Music as an Iterative Process.
pan y rosas discos.
[Other]
Scovell, Adam.
2018.
The Audio-Visuality Of Transcendental Style in Film.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Tsiris, Giorgos.
2018.
Performing spirituality in music therapy:
Towards action, context and the everyday.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2017
Rogers, Holly and Barham, Jeremy, eds.
2017.
The Music and Sound of Experimental Film.
New York: Oxford University Press.
ISBN 9780190469900
[Edited Book]
Alexander, Tamsin.
2017.
'Illuminating Gustavus the Third and the Art of Spectacle in 1830s London'.
Cambridge Opera Journal, 29(1),
pp. 33-52.
ISSN 0954-5867
[Article]
Barden, Mark.
2017.
Composing in and through the Body.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Bulley, James.
2017.
'Living Symphonies'.
In: Sound and Environment. University of Huddersfield, United Kingdom 29 June—1 July 2017.
[Conference or Workshop Item]
Bulley, James.
2017.
'Progress Music I' [Screening].
In: "Sound and Music in Documentary Film", University of Huddersfield, United Kingdom, 23 February 2017.
[Show/Exhibition]
Bulley, James.
2017.
''Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'.'.
In: Sound and Music in Documentary Film. University of Huddersfield, United Kingdom 23—24 February 2017.
[Conference or Workshop Item]
Bulley, James and Frosi, Helen.
2017.
Longplayer Day 2017.
In: "Longplayer Day 2017", Various venues between Goldsmiths and Trinity Buoy Wharf, London, United Kingdom, 21 June 2017.
[Show/Exhibition]
Bulley, James and Gray, Andrew.
2017.
RDM in the Performing Arts: Living Symphonies by Daniel Jones & James Bulley (Unit for Sound Practice Research, Goldsmiths, University of London).
In: , ed.
LEARN Toolkit of Best Practice for Research Data Management.
London: University College London, pp. 59-65.
[Book Section]
Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus.
2017.
Perception of Rhythmic Similarity is Asymmetrical, and is Influenced by Musical Training, Expressive Performance, and Musical Context.
Timing & Time Perception, 5(3-4),
pp. 211-227.
ISSN 2213-445X
[Article]
Gilgunn, Paul.
2017.
Distillation and Synthesis: Aesthetics and Practice in Rhys Chatham's Music for Electric Guitar.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Gillis-Furutaka, Amanda.
2017.
The Consumption of English-language Music Videos on YouTube in Japan.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Graham, Stephen.
2017.
The X Factor and Reality Television: Beyond Good and Evil.
Popular Music, 36(1),
pp. 6-20.
ISSN 0261-1430
[Article]
Matsumoto, Naomi.
2017.
Giovanni Vittorio Rosi's Musical Theatre: Opera, Operetta and the Westernisation of Modern Japan.
In: Clair Rowden and Michela Niccolai, eds.
Musical Theatre in Europe 1830-1945.
Turnout: Brepols.
ISBN 978-2-503-57766-1
[Book Section]
Matsumoto, Naomi.
2017.
Goldsmiths Research Questions: How does opera represent madness?.
[Film/Video]
Perchard, Tom.
2017.
Growing Old Together: Pop Studies and Music Sociology Today.
Twentieth-Century Music, 14(2),
pp. 335-343.
ISSN 1478-5722
[Article]
Potter, Keith.
2017.
Harmonic Progressions as a Gradual Process: towards an understanding of the development of tonality in the music of Steve Reich.
In: Felix Woerner and Philip Rupprecht, eds.
Tonality Since 1950.
Stuttgart: Franz Steiner Verlag, pp. 189-207.
ISBN 978-3-515-11582-7
[Book Section]
Powers, Devon and Perchard, Tom.
2017.
Introduction: The Critical Imperative.
Popular Music, 36(1),
pp. 1-5.
ISSN 0261-1430
[Article]
Redhead, L.
2017.
entoptic landscape and ijereja: music as an iterative process.
New Sound International Journal of Music, 49,
pp. 97-113.
ISSN 0354-818X
[Article]
Redhead, L; Zaldua, Alistair; Gisby, S and Stone, S.
2017.
Performing Temporal Processes.
New Sound International Journal of Music, 50,
pp. 113-127.
ISSN 0354-818X
[Article]
Rogers, Holly.
2017.
‘Audio-Visual Dissonance in Found Footage Films’.
In: Holly Rogers and Jeremy Barham, eds.
The Sound and Music of Experimental Film.
New York: Oxford University Press.
ISBN 9780190469900
[Book Section]
Smith, Bethan Evie.
2017.
The Pianoforte at the Great Exhibition of 1851: Investigating Cultural Value.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Spillane, Jeremiah.
2017.
[Book Review] Blue Rhythm Fantasy: Big Band jazz Arranging in the Swing Era, by John Wriggle. University of Illinois Press.
Journal of the International Association for the Study of Popular Music (IASPM), 7(2),
ISSN 2079-3871
[Article]
Welbanks, Valerie.
2017.
Foundations of Modern Cello Technique; Creating the Basis for a Pedagogical Method.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Winston, Emma.
2017.
Nightcore and the Virtues of Virtuality.
Brief Encounters, 1(1),
ISSN 2514-0612
[Article]
Zora, Viktoria.
2017.
Sergei Prokofiev’s Violin Sonatas Op. 80 and 94bis: a historical and comparative study of manuscripts, early editions and interpretations by David Oistrakh and Joseph Szigeti.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2016
Abtan, Freida.
2016.
Where is She: Find the Women in Electronic Music Culture.
Contemporary Music Review, 35(1),
pp. 53-60.
ISSN 0749-4467
[Article]
Alessandrini, Patricia.
2016.
Resisting reproduction in the digital age: notes on a sonic arts practice.
Nutida Musik,
[Article]
Alexander, Tamsin.
2016.
Review: 'Wagner in Russia, Poland and the Czech Lands: Musical, Literary, and Cultural Perspectives, ed. by Stephen Muir and Anastasia Beiina-Johnson'.
Music and Letters, 97(2),
pp. 351-353.
ISSN 0027-4224
[Article]
Antoniou, Antonis.
2016.
Aural Auras and Haunting Echoes: Places with complex biographies.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Bulley, James.
2016.
Othello Suite.
In: "Well Said!", Royal Shakespeare Theatre, United Kingdom, 19 March — 18 September 2016.
[Show/Exhibition]
Bulley, James.
2016.
'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'.
Bricks From The Kiln(2),
[Article]
Bulley, James.
2016.
'Tactus: Sound Scores for the Blind and Visually Impaired'.
In: 'Make:Shift': Crafts Council Conference 2016. Museum of Science and Industry, Manchester, United Kingdom 10 November 2016.
[Conference or Workshop Item]
Bulley, James; Jones, Daniel; Forestry Commission England and Sound and Music.
2016.
Planning and Producing Artworks in the Natural Environment.
Project Report.
Forestry Commission England and Sound and Music, London.
[Report]
Crawford, Tim and Lewis, Richard.
2016.
Music Encoding Initiative (Digital and Multimedia Scholarship).
Journal of the American Musicological Society, 69(1),
pp. 273-285.
ISSN 0003-0139
[Article]
Graham, Stephen.
2016.
Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music.
Michigan: University of Michigan Press.
ISBN 978-0-472-11975-2
[Book]
Hawes, V and Redhead, L.
2016.
Introduction.
In: V Hawes and L Redhead, eds.
Music and/as Process.
Newcastle: Cambridge Scholars, pp. 1-8.
ISBN 978-1-4438-9491-3
[Book Section]
Hornabrook, Jasmine.
2016.
'Becoming One Again': Music and Transnationalism in London's Sri Lankan Tamil Diaspora.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Kirk, Pedro; Grierson, Mick; Bodak, Rebeka; Ward, Nick; Brander, Fran; Kelly, Kate; Newman, Nicholas and Stewart, Lauren.
2016.
'Motivating Stroke Rehabilitation Through Music: A Feasibility Study Using Digital Musical Instruments in the Home'.
In: Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems. San Francisco, United States.
[Conference or Workshop Item]
Kounadi, Anna.
2016.
Scriabin Sonata-Fantasy op. 19 n. 2 on Record: A Comparative Study of Sound Recordings and Piano Rolls.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Matsumoto, Naomi.
2016.
"Ghost Writing”: an Exploration of Presence and Absence in Lucia di Lammermoor (1835)’.
Word and Music Studies, 15,
pp. 63-84.
ISSN 1566-0958
[Article]
Mosley, Kathryn J.
2016.
The Cadenzas to Beethoven’s Piano Concertos: Compositional Processes and Early Performance Traditions..
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Negus, Keith and Street, John.
2016.
The Mediations of Music and Alcohol.
Popular Music, 35(02),
pp. 161-165.
ISSN 0261-1430
[Article]
Norton, Barley.
2016.
'Music, Ethnicity and Heritage: A Comparison of Then and Lên đồng Rituals in Vietnam (Âm nhạc, Tộc người và Di Sản: So sánh giữa nghi lễ Then và Lên đồng của Việt Nam)'.
Thông Báo Khoa Học Viện Âm Nhạc (Bulletin of Vietnamese Institute for Musicology),
[Article]
Norton, Barley.
2016.
Review of "Sounding Out Heritage: Cultural Politics and the Social Practice of Quan Ho Folk Song in Northern Vietnam" by Lauren Meeker (University of Hawaii Press, 2013).
Journal of Vietnamese Studies, 11(2),
pp. 122-124.
ISSN 1559-372X
[Article]
Olowe, Ireti; Barthet, Mathieu; Grierson, Mick and Bryan-Kinns, Nick.
2016.
'FEATUR.UX: exploiting multitrack information for artistic visualization'.
In: Proceedings of the International Conference on Technologies for Music Notation and Representation - TENOR2016. TENOR, United Kingdom.
[Conference or Workshop Item]
Potter, Keith; Wilkins, Suzie and Wiggins, Geraint.
2016.
On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass.
In: Lauren Redhead and Vanessa Hawes, eds.
Music and/as Process.
Newcastle: Cambridge Scholars Publishing, pp. 34-55.
ISBN 978-1-4438-9491-3
[Book Section]
Redhead, L.
2016.
Notation as Process:
Interpretation of Open Scores
and the ‘Journey Form’.
In: V Hawes and L Redhead, eds.
Music and/as Process.
Newcastle: Cambridge Scholars, pp. 116-134.
ISBN 978-1-4438-9491-3
[Book Section]
Rogers, Holly.
2016.
‘“The public will only believe the truth if it is shot in 3D”: Michel van der Aa, “Nine Years in an Ophanage” (Zenna), Sunken Garden, Scene 6’.
Cambridge Opera Journal, 28(2),
pp. 277-282.
ISSN 0954-5867
[Article]
Rogers, Holly; Vernallis, Carol and Perott, Lisa.
2016.
Beyoncé’s Lemonade: She Dreams in Both Worlds.
Film International,
[Article]
Rosani, Silvia.
2016.
Intermezzo 1, for live electronics.
In: "White Masks", Great Hall, Goldsmiths, United Kingdom.
[Performance]
Rosani, Silvia.
2016.
Intermezzo 2, for live electronics..
In: "White Masks", Great Hall, Goldsmiths, United Kingdom.
[Performance]
Rosani, Silvia.
2016.
Intermezzo 3, for live electronics.
In: "White Masks", Great Hall, Goldsmiths, United Kingdom.
[Performance]
Rosani, Silvia.
2016.
Li Rin, for soprano and piano.
In: "Confessions", Theaterhaus (Stuttgart), Germany.
[Performance]
Rosani, Silvia.
2016.
No doubt they can feel pain.
In: "Concert presenting the eight new pieces of the participants of the Composition Summer School 2016", Neimëister, United Kingdom.
[Performance]
Rosani, Silvia.
2016.
T-O for five voices, performed at Onassis Cultural Centre in Athens by the Neue Vocalsolisten.
In: "Voices in Space", Athens, United Kingdom, 13/05/16.
[Performance]
Rosani, Silvia.
2016.
White Mask, for solo cello.
In: "White Masks", Goldsmiths, Great Hall, United Kingdom, 24/11/2016.
[Performance]
Rosani, Silvia; Tóth, Kinga and Bolm, Andreas.
2016.
'Controller, video and stereo fixed media'.
In: WISWOS 2016. Lancaster Institute for the Contemporary Arts, United Kingdom.
[Conference or Workshop Item]
Spillane, Jeremiah; Givan, Benjamin; Hannum, Andrew and Bulley, James.
2016.
'Open in Action: Music, Computing and Open Data'.
In: Open in Action: Music, Computing and Open Data. Special Collections Reading Room, Goldsmiths, United Kingdom 24/10/2016.
[Conference or Workshop Item]
Spinelli, Emmanuel.
2016.
Composing with Schizo-narratives and Sonic Chorographies:
The Territory of Disembodied Voices and the Perception of
Acousmatic Identities.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2015
Matsumoto, Naomi, ed.
2015.
Staging Verdi and Wagner.
Turnhout: Brepols.
ISBN 9782503564821
[Edited Book]
Alexander, Tamsin.
2015.
'Decentralising via Russia: Glinka’s A Life for the Tsar in Nice, 1890'.
Cambridge Opera Journal, 27(01),
pp. 35-62.
ISSN 0954-5867
[Article]
Alexander, Tamsin.
2015.
Review: 'A Musician Divided: Andre Tchaikowsky in his own words'.
Music & Letters, 96(3),
pp. 491-494.
[Article]
Armstrong, R and Redhead, L.
2015.
/’(h)weTH: VOICE - BREATH - BODY - FORM/S.
New Sound International Journal of Music, 46,
pp. 155-167.
ISSN 0354-818X
[Article]
Artamonova, Elena.
2015.
Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II.
Journal of the American Viola Society, 31(1),
pp. 19-30.
ISSN 0898-5987
[Article]
Assiter, Ben.
2015.
Basic Channel and Timelessness: Negotiating Canonisation, Resemblance and Repetition in House and Techno.
International Association for the Study of Popular Music,
[Article]
Bosnic, Maja.
2015.
Re-question, Reset : Portfolio of compositions accompanied by a written commentary..
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Bulley, James.
2015.
Tactus No.1.
In: "Sonic Pattern, Mykolas Žilinskas Art Gallery, Kaunas Biennial", Kaunas, Lithuania, 18 September – 1 January 2016.
[Show/Exhibition]
Exarchos, Dimitris.
2015.
Listening Outside of Time.
In: M. Solomos, ed.
Xenakis. La musique électroacoustique.
L'harmattan.
[Book Section]
Graham, Stephen.
2015.
Boogie Nights: Joe Cutler, Danserye: Michael Wolters, Kathrine and Peter Play the Recorder: Michael Wolters (CD Review).
Tempo, 69(272),
pp. 80-83.
ISSN 0040-2982
[Article]
Graham, Stephen.
2015.
Frank Zappa and the And. Edited by Paul Carr (Book Review).
Popular Music, 34(1),
pp. 147-150.
ISSN 0261-1430
[Article]
Karantonis, Pamela.
2015.
" 'Punk's Dead, Michael': Artifice, independence and authenticity in Leigh Bowery's self-fashioned post-punk performative".
Punk & Post Punk, 4(2-3),
pp. 205-222.
ISSN 2044-1983
[Article]
Karantonis, Pamela.
2015.
"Transcribing Vocality: Voice at the Border of Music After Modernism".
In: Ben MacPherson; Amanda Smallbone and Konstantinos Thomaidis, eds.
Voice Studies: Critical Approaches to Process, Performance and Experience.
Abingdon, United Kingdom: Routledge, pp. 162-176.
ISBN 978-1-13880-9352
[Book Section]
Katan, Simon; Grierson, Mick and Fiebrink, Rebecca.
2015.
'Using Interactive Machine Learning to Support Interface Development Through Workshops with Disabled People'.
In: CHI 2015. Seoul, Korea, Republic of.
[Conference or Workshop Item]
Leadley, Marcus.
2015.
In Situ Listening:Soundscape, Site and Transphonia.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Lewis, Matt.
2015.
Ventriloquial Acts: Critical reflections on the art of Foley and the role of sound in social space.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
March, Neil.
2015.
Developing an Urban Art Music.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Matsumoto, Naomi.
2015.
Book Review: James Kennaway (ed.), Music and the Nerves, 1700–1900 (Basingstoke: Palgrave Macmillan, 2014),.
Medical History, LIX(2),
pp. 333-335.
ISSN 0025-7273
[Article]
Matsumoto, Naomi.
2015.
Charles Marshall’s “Dioramic” Scenery: Staging Verdi in Victorian London.
In: UNSPECIFIED, ed.
Staging Verdi and Wagner.
Turnhout: Brepols, pp. 53-80.
ISBN 9782503564821
[Book Section]
Redhead, L.
2015.
The Beautiful and the Political.
Contemporary Music Review, 34(2-3),
pp. 247-255.
ISSN 0749-4467
[Article]
Redhead, L.
2015.
'New Music' as Patriarchal Category.
In: C Haworth and L Colton, eds.
Gender, Age and Musical Creativity.
London: Routledge, pp. 171-184.
[Book Section]
Rogers, Holly.
2015.
‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’.
In: Michael Spitzer, ed.
Beethoven.
Farnham: Ashgate, pp. 509-521.
ISBN 978-1-4724-4030-3
[Book Section]
Rogers, Holly.
2015.
‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’.
[Exhibition Catalogue]
Wilson, Tara Jane.
2015.
Russian Post-Minimalist Music: A Semiological Investigation into the Narrative Approaches employed by Alexander Knaifel between 1978 and 1994.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Yerosimou, Maria.
2015.
Jani Christou’s Strychnine Lady (1967): the development of an interpretative strategy in the context of the interdisciplinary ideas surrounding its genesis.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Zaldua, Alistair.
2015.
The Concept of the Meta-Instrument and its Implementation in Pre-Composition.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2014
Karantonis, Pamela; Placanica, Francesca; Verstraete, Pieter and Sivuoja-Kauppala, Anne, eds.
2014.
Cathy Berberian: Pioneer of Contemporary Vocality.
Farnham, United Kingdom: Ashgate (Routledge).
ISBN 978-1-4094-6983-4
[Edited Book]
Perchard, Tom, ed.
2014.
From Soul to Hip Hop (The Library of Essays on Popular Music).
Ashgate.
ISBN 978-1-4094-2719-3
[Book]
Rogers, Holly, ed.
2014.
Music and Sound in Documentary Film.
New York: Routledge.
ISBN 9780415728669
[Edited Book]
Alexander, Tamsin.
2014.
'Too Russian for British Ears: La Vita per lo Czar at Covent Garden, 1887'.
Tekst. Kniga. Knigoizdaniye (Text. Book. Publishing), 2(6),
pp. 30-48.
[Article]
Artamonova, Elena.
2014.
Alexander Grechaninov and the Viola.
Alexander Grechaninov: Complete Music for Viola and Piano,
pp. 2-10.
[Article]
Artamonova, Elena.
2014.
Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part I.
Journal of the American Viola Society, 30(2),
pp. 27-36.
ISSN 0898-5987
[Article]
Bulley, James; Sahin, Ozden; Spinelli, Emmanuel; Tanaka, Atau; Hosang, Georgina M.; Cubitt, Sean; Drever, John L. and Kanngieser, Anja.
2014.
Sound and the City (Natural History Museum).
[Project]
Chung, Hsiang Ying.
2014.
A Sound Encounter of En Creux: in-between Roni Horn, Alvin Lucier, and Robert Smithson.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert.
2014.
Authority and Judgement in the Digital Archive.
The 1st International Digital Libraries for Musicology workshop (DLfM 2014),
pp. 1-8.
[Article]
Exarchos, Dimitris.
2014.
A Theory of Music Analysis: On Segmentation and Associative Organization by Dora A. Hanninen (review).
Notes, 71(2),
pp. 320-322.
[Article]
Foster, Stephen Charles.
2014.
'To Entertain the Fancy': The Orchestral Concert song in England, 1740-1800.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Graham, Stephen.
2014.
Justin Timberlake’s Two-Part Complementary Forms: Groove, Extension, and Maturity in Twenty-First-Century Popular Music.
American Music, 32(4),
pp. 448-474.
ISSN 0734-4392
[Article]
Hadjiandreou, Andri.
2014.
Intentions and Interpretations: Form, Narrativity and Performance Approaches to the 19th-Century Piano Ballade.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Hong, Ju-Lee.
2014.
An Empirical Analysis of Musical Expression in Recordings by Selected Cellists.
Masters thesis, Goldsmiths, University of London
[Thesis]
Kalodiki, Georgia.
2014.
Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities.
In: G. Kouroupetroglou and A. Georgaki, eds.
Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos.
UNSPECIFIED, pp. 314-317.
ISBN 978-960466137-4
[Book Section]
Koren, Réka and Gingras, Bruno.
2014.
Perceiving individuality in harpsichord performance.
Frontiers in Psychology, 5(FEB),
pp. 1-13.
ISSN 16641078
[Article]
Matsumoto, Naomi.
2014.
Il plagio vs "una piacevole reminiscenza al nostro orecchio". The Siege of Rochelle (1835) di Michael Balfe e il "lavoro culturale" della critica estetica.
Estetica Studi e Ricerche, iv(1),
pp. 83-100.
ISSN 2039-6635
[Article]
Matsumoto, Naomi.
2014.
Michael Costa at the Haymarket: the Establishment of the Modern Role of "The Director of Music".
In: Roberto Illiano and Michela Niccolai, eds.
Orchestral Conducting in the Nineteenth Century.
Turnhout: Brepols, pp. 25-60.
ISBN 9782503552477
[Book Section]
Matsumoto, Naomi.
2014.
Nature in Music, Music in Nature: Imitation, Quotation and Representation.
In: Naomi Matsumoto and Kazuto Yamamoto, eds.
SHIZENGAKU: the Search for a Coming Aesthetic.
Kyoto, Japan: Nakanishiya, pp. 124-133.
ISBN 9784779507915
[Book Section]
Norton, Barley.
2014.
Exhibition catalogue text for the installation - "Homelands: Working the Rice, Working the Forest" by the Landscape Quartet featuring Nguyen Thanh Thuy..
[Printed Ephemera]
Peyton Jones, Jeremy.
2014.
Sound Production as Theatrical Action.
In: Marilyn Wyers and Osvaldo Gileca, eds.
Sound, Music and the Moving Thinking Body.
Cambridge Scholars Publishing.
[Book Section]
Redhead, L.
2014.
Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello.
Contemporary Music Review, 33(2),
pp. 148-166.
ISSN 0749-4467
[Article]
Rogers, Holly.
2014.
‘Music, Sound and the Nonfiction Aesthetic’.
In: Holly Rogers, ed.
Music and Sound in Documentary Film.
New York: Routledge, pp. 1-19.
[Book Section]
Rogers, Holly.
2014.
‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’.
Animation Journal, 22,
pp. 68-84.
[Article]
Rogers, Holly.
2014.
‘Twisted Synaesthesia: Visual Artists and the Music Video’.
In: Germano Celant, ed.
Music or Art.
Milan: Fondazione Prada, pp. 281-288.
[Book Section]
Rosani, Silvia.
2014.
Silvia Rosani: T-O for two sopranos, countertenor, tenor and bass (2013). Premiere. The composition has been created within a cooperation scholarship of the Akademie Schloss Solitude.
In: "ECLAT Festival 2014", Stuttgart, Germany, February 2014.
[Performance]
Statherou, Stamatia.
2014.
Forming a Musical Discourse: ‘Voice Interchangeability’ and Prolongation as Structural Devices and Means of Development.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Turner, Rebecca.
2014.
New Approaches to Performance and the Practical Application of Techniques from Non-Western and Electro-acoustic Musics in Compositions for Solo Cello since 1950: A Personal Approach and Two Case Studies.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Wigens, Jeremy.
2014.
Portfolio of Compositions for Creative Musicians and Accompanying Commentary.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
ap Sion, Pwyll and Redhead, L.
2014.
Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries.
Contemporary Music Review, 34(2),
pp. 125-127.
ISSN 0749-4467
[Article]
2013
Garrelfs, Iris, ed.
2013.
Reflections on Process in Sound Issue 2,
Reflection on Process in Sound, 2.
[Edited Journal]
Brand, Jennifer May.
2013.
From Design to Decline: Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Bulley, James and Jones, Daniel.
2013.
Radio Reconstructions.
In: "Sound Arts", Queen Elizabeth Hall, United Kingdom, 9 May 2013.
[Performance]
Ikeshiro, Ryo.
2013.
Studio Composition: Live Audiovisualisation Using Emergent Generative Systems.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Ivashkin, Alexander V..
2013.
John Cage in Soviet Russia
'Tempo', 66 ( 266), 2013: 1- 10.
Tempo, 66(3),
pp. 1-10.
ISSN 0040-2982
[Article]
Ivashkin, Alexander V..
2013.
Stravinsky and Khrennikov: An Unlikely Alliance.
Mittelungen der Paul Sacher Stiftung, 26, April 2013, 12- 16(26),
pp. 12-16.
ISSN 1015-0536
[Article]
Nex, Jennifer Susan.
2013.
The Business of Musical-Instrument Making in Early Industrial London.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Potter, Keith.
2013.
Mapping Early Minimalism.
In: Keith S. Potter; Kyle Gann and Pwyll ap Siôn, eds.
The Ashgate Research Companion to Minimalist and Postminimalist Music.
Farnham, UK: Ashgate, pp. 19-37.
ISBN 9781409435495
[Book Section]
Potter, Keith; Gann, Kyle and ap Sion, Pwyll.
2013.
Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities.
In: Keith S. Potter; Kyle Gann and Pwyll ap Sion, eds.
The Ashgate Research Companion to Minimalist and Postminimalist Music.
Farnham: Ashgate, pp. 1-16.
ISBN 9781 409435495
[Book Section]
Pryer, Anthony J..
2013.
Hanslick, Legal Processes and Scientific Methodologies: How Not to Construct an Ontology of Music.
In: Nicole Grimes; Siobhán Donovan and Wolfgang Marx, eds.
Rethinking Hanslick: Music, Formalism and Expression.
Rochester New York: University of Rochester Press, pp. 52-69.
ISBN 9781580464321
[Book Section]
Pryer, Anthony J..
2013.
'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration.
In: Kazuto Yamamoto and Naomi Matsumoto, eds.
Shizengaku: A Search for the Coming Aesthetic.
Kyoto: Nakanishiya, pp. 6-26.
ISBN 978-4-7795-0791-5
[Book Section]
Rogers, Holly.
2013.
‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’.
In: Claudia Gorbman; John Richardson and Carol Vernallis, eds.
The Oxford Handbook of New Audiovisual Aesthetics.
New York: Oxford University Press, pp. 525-542.
ISBN 9780199733866
[Book Section]
Rogers, Holly.
2013.
Multimedia Art: Video Art-Music.
In: Tim Shepherd and Anne Leonard, eds.
Routledge Companion to Music and Visual Art.
New York: Routledge, pp. 367-375.
ISBN 9780415629256
[Book Section]
Rogers, Holly.
2013.
Sounding the Gallery: Video and the Rise of Art Music.
Oxford: Oxford University Press.
ISBN 978-0-19-986142-2
[Book]
Rogers, Holly.
2013.
‘Spatial Reconfiguration in Interactive Video Art-Music’.
In: Karen Collins; Bill Kapralos and Holly Tessler, eds.
The Oxford Handbook of Interactive Audio.
Oxford: Oxford University Press, pp. 15-30.
ISBN 9780199797226
[Book Section]
Rosani, Silvia.
2013.
Resistance music finds new shapes.
Political Perspectives, 7(2),
pp. 61-84.
[Article]
Yamamoto, Mizuka.
2013.
Forming an interpretation of the violin works of Boulez, Cage,
Nono : a comparative study.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2012
Ivashkin, Alexander V. and Kirkman, Andrew, eds.
2012.
Contemplating Shostakovich: Life, Music and Film.
Farnham: Ashgate.
ISBN 978-1-4094-3937-0
[Edited Book]
Ivashkin, Alexander V. and Kirkman, Andrew, eds.
2012.
Contemplating Shostakovich: Life, Music and Film.
Farnham: Ashgate.
ISBN 978-1-4094-3937-0
[Edited Book]
Garrelfs, Iris, ed.
2012.
Reflections on Process in Sound Issue 1,
Reflections on Process in Sound, .
[Edited Journal]
Artamonova, Elena.
2012.
Unknown Sergey Vasilenko and his Viola compositions.
Journal of American Viola Society, 28(1),
pp. 33-47.
[Article]
Brinkhurst, Emma.
2012.
Music, Memory and Belonging: Oral Tradition and Archival Engagement Among the Somali Community of London’s King’s Cross.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Bulley, James and Jones, Daniel.
2012.
51°32'36, -0°3'25.
In: "Where We Meet, Volumes 1 and 2 by Ella Finer", Galerie 8, London, 6—9 September 2012.
[Show/Exhibition]
Bulley, James and Sandys, Kathrine.
2012.
SHO-ZYG.
In: "SHO-ZYG", St. James' Hatcham, New Cross, United Kingdom, 21—27 September 2012.
[Show/Exhibition]
Cameron, Daniel; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep.
2012.
'Entrainment of Premotor Cortex Activity by Ambiguity in Musical Metre'.
In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28.
[Conference or Workshop Item]
Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus T..
2012.
'Perception of Rhythmic Similarity in Reich’s Clapping Music: Factors and Models'.
In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28.
[Conference or Workshop Item]
Chung, Yu-Chiao.
2012.
Schools at Home: Parental Support for Learning Mandarin as a Second or Foreign Language.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Graham, Stephen.
2012.
Notes from the underground: a cultural, political, and aesthetic mapping of underground music.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Ivashkin, Alexander V..
2012.
'Italiani in Russia: Presenza fisica e influenza virtuale sulla Musica'
[ Italians in Russia: Physical Presence and Virtual Influence on Music], in Rinascimento e Antirinascimento, Gabinetto Scientifico Letterario G.P. Vieusseux. Studi, vol. 22, ed. Lucia Tonini. Firenze: Casa Editrice Leo S.Olschki, 2012, 209-218.
Rinascimento e Antirinascimento. Firenze nella cultura russa fra Otto e Novecento,
pp. 209-218.
[Article]
Ivashkin, Alexander V..
2012.
Live Performance.
In: "Concerto Performance", The Mariinsky Concert Hall, St Petersburg, Russian Federation.
[Performance]
Ivashkin, Alexander V..
2012.
‘Shostakovich. Second Cello Concerto.’ In D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124.
D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124., 49,
pp. 83-124.
[Article]
Nalimova, Elena.
2012.
Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation..
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Negus, Keith.
2012.
Narrative, Interpretation and the Popular Song.
Musical Quarterly, 95(2-3),
pp. 368-395.
ISSN 1741-8399
[Article]
Pavlopoulou, Argyro.
2012.
Musical tradition and change on the island of Crete.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Rogers, Holly.
2012.
‘Death for Five Voices: Gesualdo’s “poetic truth”’.
In: Brad Prager, ed.
A Companion to Werner Herzog.
Hoboken, N.J: Wiley-Blackwell, pp. 187-207.
ISBN 978-1-4051-9440-2
[Book Section]
Sandys, Kathrine.
2012.
I Thought I Grew An Ear in My Stomach:
The Phenomenological Experience of the Art Event
as Sublime Encounter.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Stavlas, Nikolaos.
2012.
Reconstructing Beethoven: Mauricio Kagel’s Ludwig van.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Young, Michael W. and Adderley, Paul.
2012.
Exposure: Living in Extreme Environments: Video.
[Film/Video]
2011
Baily, John S..
2011.
Songs from Kabul: The Spiritual Music of Ustad Amir Mohammad.
Aldershot: Ashgate.
ISBN 978-0-7546-5776-7
[Book]
Brafman, Ricardo.
2011.
Portfolio of Compositions and Accompanying Commentary.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Brkić, Aleksandar.
2011.
Mogućnost društvene promene i popularna muzika
u Srbiji: Studija slučaja - Šobaja i "Tri poljupca".
Etnoantropološki problemi, 6(2),
pp. 443-455.
[Article]
Bulley, James and Jones, Daniel.
2011.
Variable 4: A Dynamical Composition for Weather Systems.
Proceedings of International Computer Music Conference, (ICMC 2011),
[Article]
Cline, David.
2011.
Morton Feldman: Dimensions of Graph Music.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Ivashkin, Alexander V..
2011.
Alexander Raskatov's 'A Dog's Heart'.
Tempo, 65(256),
pp. 54-56.
ISSN 0040-2982
[Article]
Ivashkin, Alexander V..
2011.
Amerikanskii vzgliad na Sovetskuiu muzyku [American View on Soviet Music].
Muzykal'naia Zhizn' [Musical Life], 2011(1),
pp. 56-57.
[Article]
Ivashkin, Alexander V..
2011.
Dmitrii Shostakovich. Cello Concerto N0. 1 .
The New Collected Works Edition of Dmitrii Shostakovich Works. Critical Edition., 46,
pp. 63-113.
ISSN 979-0-706364-29-2
[Article]
Ivashkin, Alexander V..
2011.
'Kod Schnittke' ['The Schnittke Code']. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011: 13-24.
Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011, 8,
pp. 13-24.
ISSN 978-5-4254-0037-6
[Article]
Keenan, Jeremy.
2011.
The Aural and the Quotidian: Everyday Experience in Listening and Practice.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Matsumoto, Naomi.
2011.
Manacled Freedom: 19th-Century Vocal Improvisation and the Flute-Accompanied Cadenza in Donizetti’s Lucia di Lammermoor.
In: Rudolf Rasch, ed.
Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries.
Turnhout: Brepols, pp. 295-316.
ISBN 978-2503542447
[Book Section]
Matsumoto, Naomi.
2011.
Pio Enea degli Obizzi and the Opera Torneo Genre – Towards an Understanding of the Commercialisation of Early Italian Opera’.
The Journal of the Musicological Society of Japan, lvii(1),
pp. 56-68.
ISSN 00302597
[Article]
Negus, Keith.
2011.
Authorship and the Popular Song.
Music and Letters, 92(4),
pp. 607-629.
ISSN 0027-4224
[Article]
Negus, Keith.
2011.
Producing Pop: Culture and Conflict in the Popular Music Industry.
London: Edward Arnold.
ISBN 0340575123
[Book]
Pyke, Cameron.
2011.
Benjamin Britten's Creative Relationship with Russia.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Scarfe, Dawn.
2011.
Resonating bodies: an artist's enquiry into sympathies between the audible and the material.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2010
Baily, John S..
2010.
Afghan Music in Australia.
Migracoes: Journal of the Portuguese Immigration Observatory, 7,
pp. 157-176.
ISSN 1646-8104
[Article]
Chrysakis, Thanos.
2010.
The Structural and Aesthetic Capacity of Sonic Matter: Remarks on Sonic Dramaturgy.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Minou, Andriana.
2010.
Sibyl's Leaves: Understanding Musical Performance Issues in Jani Christou's Anaparastasis III: The Pianist.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Negus, Keith.
2010.
Bob Dylan's Phonographic Imagination.
Popular Music, 29(2),
pp. 213-228.
ISSN 0261-1430
[Article]
Potter, Keith.
2010.
Philip Glass: First Classics, 1968-1969.
London and New York: Chester Music.
ISBN 0-521-48250
[Book]
Pryer, Anthony J..
2010.
'The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the "Text"'.
In: The Embodiment of Authority: Perspectives on Performance. Sibelius Academy, Helsinki, Finland.
[Conference or Workshop Item]
Sarlo, Dario.
2010.
Investigating Performer Uniqueness: The Case of Jascha Heifetz.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Sledmere, Adrian.
2010.
Interrogating Talent: Struggles and Strategies in the Popular Music Industry.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Young, Michael W..
2010.
Identity and Intimacy in Human-Computer Improvisation.
Leonardo Music Journal, 20(n/a),
p. 97.
ISSN 0961-1215
[Article]
Young, Michael W..
2010.
piano_prosthesis2 (live performance).
In: "Australasian Computer Music Conference 2010", Canberra, Australia.
[Performance]
Young, Michael W. and Bown, Oliver.
2010.
Clap-along: A negotiation strategy for creative musical interaction with computational systems.
Proceedings of the International Conference on Computational Creativity 2010,
pp. 215-222.
[Article]
2009
Abtan, Freida.
2009.
'A Phenomenological Time-Based Approach to Videomusic Composition'.
In: Proceedings of the Toronto Electroacoustic Symposium. Toronto, Canada.
[Conference or Workshop Item]
Adderley, W. Paul and Young, Michael W..
2009.
Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel.
Leonardo, 42(5),
p. 404.
ISSN 0024-094X
[Article]
Gardiner, Ian R. and Diabaté, Toumani.
2009.
Kaira - recording of orchestral version.
In: "Concert at Royal Northern College of Music", Royal Northern College of Music, United Kingdom.
[Performance]
Ivashkin, Alexander V..
2009.
Alfred Schnittke: Concerto for Electric Instruments.
In: "London Philharmonic Orchestra Schnittke Festival", Southbank Centre, United Kingdom.
[Performance]
Ivashkin, Alexander V..
2009.
Symbols, Metaphors and Irrationalities in Twentieth-Century Music.
In: Rafael Jimenez Catano and Ignacio Yarza, eds.
Mimesi, Verità e Fiction.
3
Rome: Edusc, pp. 69-88.
ISBN 88-8333-220-3
[Book Section]
Norton, Barley.
2009.
Songs for the Spirits: Music and Mediums in Modern Vietnam.
Urbana and Chicago: University of Illinois Press.
ISBN 9780252033995
[Book]
Perchard, Tom.
2009.
Lee Morgan: La vita, la musica e il suo tempo.
Bologna: Odoya.
ISBN 978-88-6288-014-5
[Book]
Young, Michael W..
2009.
Creative Computers, Improvisation and Intimacy.
Dagstuhl Seminar Proceedings(09291),
pp. 1-7.
[Article]
2008
Diabaté, Toumani and Gardiner, Ian R..
2008.
Manchester.
In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, 28 October 2008.
[Performance]
Gardiner, Ian R. and Diabaté, Toumani.
2008.
Kaira.
In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, United Kingdom, 28 October 2008.
[Performance]
Smirnov, Dmitri.
2008.
“Beethoven Op18 and six more” Brodsky Quartet: Smirnov: Quartet No 6.
[Audio]
Young, Michael W..
2008.
oboe_prosthesis (live performance).
In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom.
[Performance]
Young, Michael W..
2008.
piano_prosthesis (live performance).
In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom.
[Performance]
Young, Michael W.; Drever, John L.; Grierson, Mick and Stonehouse, Ian.
2008.
Goldsmiths Electronic Music Studios: 40 Years.
International Computer Music Conference Proceedings 2008,
pp. 315-318.
[Article]
2007
Baily, John S..
2007.
'The circulation of ‘New Music’ between Afghanistan and its transnational community'.
In: Conference on Music in the world of Islam. Assilah, Morocco 8-13 August 2007.
[Conference or Workshop Item]
Birnbaum, David; Xin Wei, Sha; Abtan, Freida and Wanderley, Marcelo M..
2007.
'Mapping and Dimensionality of a Cloth-based Sound Instrument.'.
In: Proceedings of the 4th Sound and Music Computing Conference. Lefkada, Greece.
[Conference or Workshop Item]
Cottrell, Stephen J..
2007.
Local bimusicality among London's freelance musicians.
Ethnomusicology, 51(1),
pp. 85-105.
ISSN 0014-1836
[Article]
Exarchos, Dimitris.
2007.
Injecting Periodicities: Sieves as Timbres.
4th Sound and Music Computing Conference,
[Article]
Ivashkin, Alexander V..
2007.
Rostropovich.
Tokyo: Shunjusha Publishing Company.
ISBN 978-4-393-93518-7
[Book]
Negus, Keith.
2007.
Living, Breathing Songs: Singing Along With Bob Dylan.
Oral Tradition, 22(1),
pp. 71-83.
ISSN 0883-5365
[Article]
Potter, Keith; Wiggins, Geraint and Pearce, Marcus T..
2007.
An Objective Basis for Music Theory: Information-Dynamic Analysis of Minimalist Music.
Musicae Scientiae, 11(2),
pp. 295-324.
ISSN 1029 8649
[Article]
Young, Michael W..
2007.
'NN Music: Improvising with a 'Living' Computer'.
In: International Computer Music Conference. San Francisco 2007.
[Conference or Workshop Item]
Young, Michael W. and Adderley, Paul.
2007.
Here is Now and There the Sound of the Land: 'Ground-breaking'.
MutaMorphosis: Challenging Arts and Sciences Conference Proceedings,
p. 1.
[Article]
2006
Ayrey, Craig L..
2006.
Jankélévitch the obscure(d).
Music Analysis, 25(iii),
pp. 343-357.
ISSN 0262-5245
[Article]
Dobbins, Frank.
2006.
Charles Tessier, Oeuvres completes/Complete Works: Chansons, Airs, Villanelles.
Turnhout: Brepols.
ISBN 9782503515946
[Book]
Nielinger-Vakil, Carola.
2006.
'Between Memorial and Political Manifesto: Nono's Anti-fascist Pieces, 1951-1966'.
In: International Nono Conference. Padova 2006.
[Conference or Workshop Item]
Perchard, Tom.
2006.
Lee Morgan: His Life, Music and Culture.
London: Equinox.
ISBN 1845532058
[Book]
Rogers, Holly.
2006.
Acoustic Architecture: Music and Space in the Video Installations of Bill Viola.
twentieth-century music, 2(02),
pp. 197-219.
ISSN 1478-5722
[Article]
2005
Exarchos, Dimitris.
2005.
Inside/Outside Time: Metabolae in Xenakis’s Tetora.
Definitive Proceedings of the “International Symposium Iannis Xenakis” (Athens, May 2005),
[Article]
Norton, Barley.
2005.
Singing the Past: Vietnamese Ca Tru, Memory and Mode.
Asian Music, 36(2),
pp. 27-56.
[Article]
2004
Blackwell, Tim M. and Young, Michael W..
2004.
Self-Organised Music.
Organised sound, 9(2),
pp. 123-136.
ISSN 1355-7718
[Article]
Cottrell, Stephen J..
2004.
Professional Music-Making in London.
Ashgate.
ISBN 0754608891
[Book]
McVeigh, Simon and Hirshberg, J..
2004.
The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History.
Boydell Press.
ISBN 1843830922
[Book]
Pickering, M. and Negus, Keith.
2004.
Creativity, Communication & Cultural Value.
Sage.
ISBN 0761970754
[Book]
Pryer, Anthony J..
2004.
'Vivaldi's Four Seasons and the Globalization of Musical Taste'.
In: Musicology and Globalization: International Congress in Shizuoka. Shizuoka, Japan 2-4 November, 2002.
[Conference or Workshop Item]
Smirnov, Dmitri.
2004.
“Four generations of Russian composers” Aurelia Saxophone Quartet: Smirnov: Fantasia.
[Audio]
2003
Smirnov, Dmitri.
2003.
A Geometer of Sound Crystals: a book on Philip Herschkowitz.
Verlag Ernst Kuhn.
ISBN 3928864998
[Book]
2002
Negus, Keith.
2002.
Belonging and detachment - musical experience and the limits of identity.
Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30(1-2),
pp. 133-145.
ISSN 00484571
[Article]
Negus, Keith.
2002.
The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption.
Cultural Studies, 16(4),
pp. 501-515.
ISSN 09502386
[Article]
2001
Baily, John S..
2001.
Can You Stop the Birds Singing? The Censorship of Music in Afghanistan.
Copenhagen: Freemuse.
ISBN 0004707729
[Book]
Kivy, Peter.
2001.
The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius.
New Haven: Yale University Press.
ISBN 0300087586
[Book]
Smirnov, Dmitri.
2001.
“An Introduction to Dmitri Smirnov”: Elegy, String of Destiny, Es ist…, Piano Trio 1, Cello sonata, Postlude.
[Audio]
2000
Smirnov, Dmitri.
2000.
“Etude Philharmonique” Peter Sheppard Skærved (Violin): Smirnov: Two Fugues.
[Audio]
1999
Negus, Keith.
1999.
Music Genres and Corporate Cultures.
London: Routledge.
ISBN 0-415-17399-X
[Book]
1998
1997
Ivashkin, Alexander V. and Oerhlein, Josef.
1997.
Rostrospektive: zum Leben und Werk von Mstislaw Rostropowitsch. On the life and achievement of Mstislav Rostropovich.
Frankfurt-Schweinfurth: Reimund Maier Verlag.
ISBN 3-926300-30-2
[Book]
Negus, Keith; Du Gay, Paul; Hall, Stuart; Janes, Linda and Mackay, Hugh.
1997.
Doing Cultural Studies: The Story of the Sony Walkman.
London: Sage.
ISBN 0-7619-5402-3
[Book]
Pryer, Anthony J..
1997.
Introduction to the Complete Secular Music of Guillaume Dufay (c. 1400-1474).
Complete recording of the secular music of Guillaume Dufay (c. 1400-1474) by the Medieval Ensemble of London,
[Article]
1996
Negus, Keith.
1996.
Globalization and the Music of the Public Spheres.
In: Sandra Braman and Annabelle Sreberny-Mohammadi, eds.
Globalisation, Communication and Transnational Civil Society.
Cresskill, New Jersey: Hampton Press, pp. 179-195.
ISBN 1-57273-020-X
[Book Section]
d'Inverno, Mark and Luck, Michael.
1996.
A formal view of social dependence networks.
In: Dickson Lukose and Chengqi Zhang, eds.
Distributed Artificial Intelligence Architecture and Modelling.
1087
Berlin, Germany: Springer, pp. 115-129.
ISBN 9783540613145
[Book Section]
1995
1994
1993
McVeigh, Simon.
1993.
Concert Life in London from Mozart to Haydn.
Cambridge: Cambridge University Press.
ISBN 0521413532
[Book]
Wiltshire, Christopher Robin.
1993.
The British Male Voice Choir: A History and Contemporary Assessment.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
1992
1991
Smirnov, Dmitri.
1991.
“Moscow Contemporary Music Ensemble, Vol.2”: Smirnov: Sonata for flute and harp.
[Audio]
1990
1989
McVeigh, Simon.
1989.
The Violinist in London’s Concert Life, 1750-1784: Felice Giardini and his Contemporaries.
New York: Garland.
ISBN 0824020189
[Book]
1988
1987
1985
1983
1977
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