Logo
Logo

Goldsmiths - University of London

Items where Division is "Music > Contemporary Music Research Unit"

Up a level
Export as [feed] Atom [feed] RSS
Group by: Date | Creators | Item Type | No Grouping
Jump to: 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2002 | 2001 | 2000 | 1999 | 1998 | 1997 | 1996 | 1995 | 1994 | 1993 | 1992 | 1991 | 1990 | 1989 | 1988 | 1985 | 1984 | 1982 | 1980
Number of items at this level: 101.

2017

Exarchos, Dimitris. 2017. On The Evolution of Xenakis’s Compositional Thinking. In: Eva Mantzourani; Costas Tsougras and Petros Vouvaris, eds. Perspectives on Greek Musical Modernism. London; New York: Routledge. [Book Section] (Forthcoming)

2016

Exarchos, Dimitris. 2016. 'Indeterminism in Cage & Xenakis'. In: Anglo-Hellenic Modernism Workshop. School of Advanced Study, Institute of English Studies, University of London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Exarchos, Dimitris. 2016. Temporality in Xenakis and Ferneyhough. The Journal of Music and Meaning, ISSN 1603-7170 [Article]

[img]
Preview
Spillane, Jeremiah; Givan, Benjamin; Hannum, Andrew and Bulley, James. 2016. 'Open in Action: Music, Computing and Open Data'. In: Open in Action: Music, Computing and Open Data. Special Collections Reading Room, Goldsmiths, United Kingdom 24/10/2016. [Conference or Workshop Item]

2015

[img]
Preview
Peyton Jones, Jeremy. 2015. 'Hierarchies of creative interaction – the political aspects of collaboration between composer and improvising musicians in Against Oblivion, Part 3'. In: COMPOSITIONAL AESTHETICS AND THE POLITICAL. Goldsmiths, University of London, United Kingdom 20-22 Feb 2015. [Conference or Workshop Item]

Peyton Jones, Jeremy. 2015. The Train. [Composition]

[img]
Preview
[img]
Peyton Jones, Jeremy. 2015. The Train. In: "The Train", Marche Teatro, Ancona, Italy, 30.9.15-25.10.15. [Performance]

2014

Exarchos, Dimitris. 2014. Xenakis, Sound, and the City. SNÆ #3. Papay Gyro Nights Art Festival Boogazine, [Article]

Peyton Jones, Jeremy. 2014. Against Oblivion Part 3. In: "Against Oblivion Part 3", Teatro Garibaldi, Palermo, Italy, 3 April 2014 - 4 April 2014. [Performance]

[img]
Preview
[img]
Peyton Jones, Jeremy. 2014. A Farewell to Arms. In: "A Farewell to Arms", The Dukes, Lancaster, United Kingdom, 10.10.14 - 25.10.14. [Performance]

Redgate, Roger. 2014. Runa. [Composition]

Redgate, Roger. 2014. Sgraffito. [Composition]

2013

Exarchos, Dimitris. 2013. 'Sonority and Proportionality in Xenakis’s Dikhthas'. In: Empirics, Computation, Mathematics, Science & Technology in Music and Acoustical Signal Analysis III. Berlin, Germany 04 July - 1 September 2013. [Conference or Workshop Item]

Exarchos, Dimitris and Antoniadis, Pavlos. 2013. 'Notation and Temporality in Ferneyhough and Xenakis'. In: Notation in Contemporary Music: Composition, Performance, Improvisation. Contemporary Music Research Unit, Goldsmiths, University of London, United Kingdom 18-20. [Conference or Workshop Item]

Peyton Jones, Jeremy. 2013. Accommodating the threat of the machine: the act of repetition in live performance. In: Pwyll Ap Sion; Kyle Gann and Keith S. Potter, eds. Research Companion to Minimalist and Postminimalist Music. Farnham: Ashgate, pp. 141-160. ISBN 9781409435495 [Book Section]

Peyton Jones, Jeremy. 2013. Composing music for The Zero Hour. In: Andrew Quick, ed. Theatricalising Cinema: imitating the dog's The Zero Hour and 6 Degrees Below the Horizon. Lancaster: Live at LICA, n/a-n/a. ISBN 978-1-86220-308-2 [Book Section]

Peyton Jones, Jeremy. 2013. 'Liveness (for Curating Sound)'. In: Curating Sound. Nottingham Contemporary, United Kingdom 11 Dec 2013. [Conference or Workshop Item]

Peyton Jones, Jeremy; Brooks, Pete; Quick, Andrew and Wainwright, Simon. 2013. The Zero Hour (aka Stunde Null). In: "The Zero Hour", West Yorkshire Playhouse, Leeds, United Kingdom, 14-16 February 2013. [Performance]

2012

Bernard, Emma; Gough, Orlando; Pappenheim, Melanie and Askew, Rebecca. 2012. Jilted. In: "Bloomsbury Festival, Foundling Museum", London, United Kingdom, 20 Oct - 21 Oct 2012. [Performance]

Peyton Jones, Jeremy. 2012. 'Beyond Opera - sound production as theatrical action'. In: Research Forum, Dept of Music, University of Surrey. Music DEpt, University of Surrey. [Conference or Workshop Item]

Peyton Jones, Jeremy. 2012. 'Composition, interaction and collaboration'. In: CADRE 2012-13 Public Lecture Series, Centre for Art, Design, Research and Experimentation. University of Wolverhampton, United Kingdom. [Conference or Workshop Item]

Peyton Jones, Jeremy; Brooks, Pete; Quick, Andrew and Wainwright, Simon. 2012. The Zero Hour (aka Stunde Null). In: "The Zero Hour", Platform Theatre, London, United Kingdom, 9 Jan 2012. [Performance]

Peyton Jones, Jeremy and Matthews, Kaffe. 2012. Endings. In: "Endings", Southbank Centre, London, United Kingdom, 26 May 2012. [Performance]

Peyton Jones, Jeremy and Matthews, Kaffe. 2012. Endings. In: "Endings", De La Warr Pavilion, Bexhill, United Kingdom, 24 May 2012. [Performance]

Peyton Jones, Jeremy and Matthews, Kaffe. 2012. Endings. In: "Endings", Arnolfini, Bristol, United Kingdom, 31 May 2012. [Performance]

Peyton Jones, Jeremy and Matthews, Kaffe. 2012. Endings. [Composition]

Peyton Jones, Jeremy and Matthews, Kaffe. 2012. Endings (Live recording). [Audio]

2011

[img]
Preview
[img]
Exarchos, Dimitris and Jones, Daniel. 2011. Sieve Analysis and Construction: Theory and Implementation. Xenakis International Symposium, [Article]

Peyton Jones, Jeremy. 2011. 'Accommodating the threat of the machine: the act of repetition in live performance'. In: Third Colloquiuum of the Society for Minimalist Music. University of Wolverhampton, United Kingdom. [Conference or Workshop Item]

Peyton Jones, Jeremy. 2011. 'Repetition, narrative, and the concept of ‘endings’ (musical and metaphorical)'. In: Goldsmiths Graduate Forum, Centre for Contemporary Music Cultures. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Peyton Jones, Jeremy. 2011. Sounding Boxes. In: "Massed Pianos. Performance by Keynote+", Royal Festival Hall, United Kingdom, 20 May 2011. [Performance]

Peyton Jones, Jeremy. 2011. Sounding Boxes. In: "Connect Festival, Malmo", Inter Arts Center, Malmo, Sweden, 17 November 2011. [Performance]

2010

[img]
Preview
Exarchos, Dimitris. 2010. Notation, improvisation, writing: The early music of Roger Redgate. Beyond the Centres: Musical Avant-gardes since 1950, [Article]

Exarchos, Dimitris. 2010. 'Symmetry and Periodicity in the Sieves of Xenakis’s Shaar'. In: Empirics, Computation, Mathematics, Science & Technology in Music and Acoustical Signal Analysis II. Berlin, Germany 9-28 August 2010. [Conference or Workshop Item]

2009

Peyton Jones, Jeremy. 2009. 18 Guitars. [Composition]

Peyton Jones, Jeremy. 2009. Against Oblivion (Part 1). In: "Against Oblivion (Part 1)", Toynbee Studios Theatre, London, United Kingdom, 29/3/07 - 30/3/07. [Performance]

Peyton Jones, Jeremy. 2009. The Multiplier: Jeremy Peyton Jones Guitar Ensemble works for multiple electric guitars. In: "The Multiplier", Kings Place, London, United Kingdom, 19 May 2009. [Performance]

[img] [img]
Preview
Peyton Jones, Jeremy; Gale, David and Hayward, Charles. 2009. Against Oblivion (Part 2). [Composition]

Peyton Jones, Jeremy; Gale, David and Hayward, Charles. 2009. Against Oblivion (Part 2), Tete a Tete Opera Festival: Regular Music II. In: "Tete a Tete Opera Festival: Against Oblivion (Part 2)", Riverside Studios, London, United Kingdom, 30/7/09 - 31/7/09. [Performance]

2008

Exarchos, Dimitris. 2008. Iannis Xenakis and Sieve Theory: An Analysis of the Late Music (1984-1993). Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Exarchos, Dimitris and Stamos, Yannis. 2008. Iannis Xenakis’s Writing and Outside-Time Musical Structures. 4th Conference on Interdisciplinary Musicology, [Article]

Peyton Jones, Jeremy. 2008. Sounding Boxes. In: "Concert by Keynote+", Goldsmiths, University of London, United Kingdom, 7 March 2008. [Performance]

2007

Peyton Jones, Jeremy. 2007. Halelujah. [Composition]

Redgate, Roger. 2007. Monk. [Composition]

2006

Exarchos, Dimitris. 2006. 'Concerning Sieve-based Composition'. In: The Creative and Scientific Legacies of Iannis Xenakis Conference. University of Guelph/Fields Institute/Perimeter Institute, Canada 8-10 June 2006. [Conference or Workshop Item]

Exarchos, Dimitris. 2006. 'Iannis Xenakis as Composer and Theorist'. In: Society for Music Analysis TAGS Day. Southampton, United Kingdom. [Conference or Workshop Item]

2005

Redgate, Roger. 2005. Oboe Quintet. [Composition]

Redgate, Roger. 2005. Residua. [Composition]

2004

Redgate, Roger. 2004. Mirlitonnades. [Composition]

Redgate, Roger. 2004. écart. [Composition]

Redgate, Roger. 2004. …still…. [Composition]

2002

2001

Redgate, Roger. 2001. Brian Ferneyhough's etudes transcendantales. Contemporary Music Review, 20(1), pp. 79-100. ISSN 0749-4467 [Article]

2000

Redgate, Roger. 2000. Marginalisierung und Subversion. Musik & Asthetik, 13, pp. 94-98. [Article]

1999

Redgate, Roger. 1999. Neue Musik in Grossbritannien: Ein Situationsbericht. Musik & Asthetik, 10, pp. 59-66. [Article]

Redgate, Roger. 1999. arc. [Composition]

1998

1997

1996

Redgate, Roger. 1996. trace. [Composition]

1995

Redgate, Roger. 1995. Atemkristall. [Composition]

Redgate, Roger. 1995. Ferneyhough as teacher. Contemporary Music Review, 13(1), pp. 19-21. [Article]

1994

Redgate, Roger. 1994. Celan Songs. [Composition]

1993

Redgate, Roger. 1993. Graffiti. [Composition]

1992

Redgate, Roger. 1992. Beuys. [Composition]

Redgate, Roger. 1992. Feu la cendre. [Composition]

1991

Redgate, Roger. 1991. +R. [Composition]

1990

Redgate, Roger. 1990. Inventio. [Composition]

Redgate, Roger. 1990. Vers-Glas. [Composition]

1989

Redgate, Roger. 1989. Pas au-delà. [Composition]

1988

Redgate, Roger. 1988. Eperons. [Composition]

1985

Redgate, Roger. 1985. Eidos. [Composition]

1984

Redgate, Roger. 1984. Eos. [Composition]

1982

Redgate, Roger. 1982. Ausgangspunkte. [Composition]

1980

Redgate, Roger. 1980. Genoi Hoios Essi. [Composition]

This list was generated on Sat Sep 23 04:41:18 2017 BST.