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Items where Division is "Music"

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Number of items at this level: 423.

A

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Abtan, Freida. 2012. Fear of Flight. [Composition]

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Abtan, Freida. 2008. The hands of the dancer. [Film/Video]

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Adderley, W. Paul and Young, Michael W.. 2009. Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel. Leonardo, 42(5), p. 404. ISSN 0024-094X [Article]

Alessandrini, Patricia and Carreño, Juan Pablo. 2012. ICElab. [Composition]

Alvarez Munoz, Pedro. 2012. Portfolio of compositions. Masters thesis, Goldsmiths, University of London. [Thesis]

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Artamonova, Elena. 2014. Alexander Grechaninov and the Viola. Alexander Grechaninov: Complete Music for Viola and Piano, pp. 2-10. [Article]

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Artamonova, Elena. 2012. Unknown Sergey Vasilenko and his Viola compositions. Journal of American Viola Society, 28(1), pp. 33-47. [Article]

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Ayrey, Craig L.. 2006. Jankélévitch the obscure(d). Music Analysis, 25(iii), pp. 343-357. ISSN 0262-5245 [Article]

Ayrey, Craig L.. 2005. 'Pousseur’s Scambi (1957), and the new problematics of the open work '. In: The 'Scambi Project'. Goldsmiths 18 Feb 2005. [Conference or Workshop Item]

Ayrey, Craig L.. 2002. Stravinsky in analysis: the anglophone traditions. In: J. Cross, ed. The Cambridge Companion to Stravinsky. Cambridge University Press, pp. 203-229. ISBN 9780521663779 [Book Section]

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Baily, John S.. 2010. Afghan Music in Australia. Migracoes: Journal of the Portuguese Immigration Observatory, 7, pp. 157-176. ISSN 1646-8104 [Article]

Baily, John S.. 2009. The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films. Ethnomusicology Forum, 18(1), pp. 55-64. ISSN 1741-1912 [Article]

Baily, John S.. 2010. The Circulation of Music Between Afghanistan and the Afghan Diaspora. In: Angela Schlenkhoff and Ceri Oeppen, eds. Beyond the 'Wild Tribes': Understanding Modern Afghanistan and Its Diaspora. London: Hurst & Co., pp. 157-171. ISBN 9781849040556 [Book Section]

Baily, John S.. 2009. Crossing the Boundary: From Experimental Psychology to Ethnomusicology. Empirical Musicology Review, 4(2), pp. 82-88. ISSN 1559-5749 [Article]

Baily, John S.. 2008. Ethnomusicology, Intermusability, and Performance Practice. In: Henry Stobart, ed. The New (Ethno)musicologies. Chicago: Scarecrow Press, pp. 117-134. [Book Section]

Baily, John S.. 2010. Modi operandi in the making of 'world music' recordings. In: Amanda Bayley, ed. Recorded Music: Society, Technology and Performance. Cambridge: Cambridge University Press, pp. 107-124. ISBN 9780521863094 [Book Section]

Baily, John S.. 2010. Mosiqi Afghanistan wa Honarmandan Herfawai shaehre Herat. Kabul: Ministry of Information and Culture. [Book]

Baily, John S.. 2009. Music and censorship in Afghanistan, 1973-2003. In: Laudan Nooshin, ed. Music and the Play of Power: Music, Politics and Ideology in the Middle East, North Africa and Central Asia. Aldershot: Ashgate, pp. 143-163. ISBN 9780754634577 [Book Section]

Baily, John S.. 2011. "Music is in Our Blood": Gujarati Muslim Musicians in the UK. In: Lucy Green, ed. Learning, Teaching, and Musical Identity: Voices across Cultures. Bloomington, IN: Indiana University Press, pp. 109-127. ISBN 978-0-253-22293-0 [Book Section]

Baily, John S.. 2011. Music, migration and war: the BBC’s interactive music broadcasting to Afghanistan and the Afghan diaspora. In: Jason Toynbee and Byron Dueck, eds. Migrating Music. London: Routledge, pp. 180-194. ISBN 978-0-415-59448-6 [Book Section]

Baily, John S.. 2009. Rebuilding Kabul’s art music culture in the post-Taliban era. In: Michael Schramm, ed. Musik in Fremdwahrnehmung. Bonn: Militärmusikdienst der Bundeswehr, pp. 125-136. ISBN 9783000282089 [Book Section]

Baily, John S.. 2005. So Near, So Far: Kabul's Music in Exile. Ethnomusicology Forum, 14(2), pp. 213-233. ISSN 17411912 [Article]

Baily, John S.. 2011. Songs from Kabul: The Spiritual Music of Ustad Amir Mohammad. Aldershot: Ashgate. ISBN 978-0-7546-5776-7 [Book]

Baily, John S.. 2010. Tools of the Trade: The Afghan Rubab. Songlines, 71, pp. 43-46. [Article]

Baily, John S.. 2010. Two Different Worlds: Afghan Music for Afghanistanis and Kharejis. Ethnomusicology Forum, 19(1), pp. 69-88. ISSN 1741-1912 [Article]

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Baily, John S.. 2007. 'The circulation of ‘New Music’ between Afghanistan and its transnational community'. In: Conference on Music in the world of Islam. Assilah, Morocco 8-13 August 2007. [Conference or Workshop Item]

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Blackwell, Tim M. and Young, Michael W.. 2004. Self-Organised Music. Organised sound, 9(2), pp. 123-136. ISSN 1355-7718 [Article]

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Brafman, Ricardo. 2011. Portfolio of Compositions and Accompanying Commentary. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Brinkhurst, Emma. 2012. Music, Memory and Belonging: Oral Tradition and Archival Engagement Among the Somali Community of London’s King’s Cross. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Bulley, James and Jones, Daniel. 2011. Variable 4: A Dynamical Composition for Weather Systems. Proceedings of International Computer Music Conference, (ICMC 2011), [Article]

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Busby, Lisa. 2013. Dancing on my own. In: "PureGold Launch", Southbank Centre, London, United Kingdom. [Performance]

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Busby, Lisa. 2009. Editions of You. [Project]

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Busby, Lisa. 2010. Face Off. In: "Entangled Practice", Art Jericho, Oxford, United Kingdom. [Performance]

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Busby, Lisa. 2012. I vote the young lady tells us a story. In: "Wonderland", O3 Gallery, Oxford, United Kingdom. [Performance]

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Busby, Lisa. 2013. Moths Wings. In: "Obsessions", Modern Art Oxford, United Kingdom. [Performance]

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Busby, Lisa. Noise Relay. [Composition]

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Busby, Lisa. 2009. Shit! I can DJ. [Project]

Busby, Lisa. 2010. Shit! I can DJ. In: "Various", Various, 2010-2013. [Performance]

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Busby, Lisa. 2007. Song for Nettie. In: "Paisley: The Teardrop Explodes", Pitz-Hanger Manor Gallery, Ealing, United Kingdom. [Performance]

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Busby, Lisa. 2012. Two people in a clock by the digital sea. [Art Object]

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Busby, Lisa. 2009. The incredible adventures of M.Courage, or What if you were already as important as the person you are trying to be?. In: "Plus 1", Dray Walk Gallery, Brick Lane , United Kingdom. [Performance]

Busby, Lisa and Harries, John. 2011. Sleeps in Oysters: Lo!. [Composition]

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Busby, Lisa and Harries , John. 2011. Lo! . [Audio]

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Busby, Lisa, Harries , John, Hearn , Paul, Saez , Carlos, McClure, Bruce, Tovey, Ray and Horne, Christopher. Don't drum for other girls. [Audio]

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Chrysakis, Thanos. 2010. The Structural and Aesthetic Capacity of Sonic Matter: Remarks on Sonic Dramaturgy. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Chung, Yu-Chiao . 2012. Schools at Home: Parental Support for Learning Mandarin as a Second or Foreign Language. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Cline, David. 2011. Morton Feldman: Dimensions of Graph Music. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Cottrell, Stephen J. . 2003. The Future of the Symphony Orchestra. In: C. Lawson, ed. The Cambridge Companion to the Orchestra. Cambridge University Press, pp. 251-264. ISBN 0521001323 [Book Section]

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Cottrell, Stephen J. . 2007. Local bimusicality among London's freelance musicians. Ethnomusicology, 51(1), pp. 85-105. ISSN 0014-1836 [Article]

Cottrell, Stephen J. . 2006. Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. twentieth-century music, 3(1), pp. 73-96. ISSN 14785722 [Article]

Cottrell, Stephen J. . 2004. Professional Music-Making in London. Ashgate. ISBN 0754608891 [Book]

Crawford, Tim, ed. 2011. Silvius Leopold Weiss (1687-1750): Sämtliche Were für Laute, vol. 10 (transcription). Cassel, Germany: Das Erbe deutscher Musik, Sonderreihe, Bände 16, Bärenreiter Verlag. ISBN 9790006018079 [Edited Book]

Crawford, Tim, Pickens, J. and Wiggins, Geraint. 2006. Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. In: Richard Kronland-Martinet, Thierry Voinier and Sylvi Ystad, eds. Computer Music Modeling and Retrieval. Lecture Notes in Computer Science, pp. 233-248. ISBN 03029743 [Book Section]

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Diabaté, Toumani and Gardiner, Ian R.. 2008. Manchester. In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, 28 October 2008. [Performance]

Dobbins, Frank. 2005. The Chansons of Thomas Crecquillon - Literary and Musical Sources and "Thomas Crecquillon: Chansons Principal Sources and Concordances". In: E. Jas, ed. Beyond Contemporary Fame: Reassessing the Art of Clemens non Papa and Thomas Crecquillon. Turnhout: Brepols, p. 83. ISBN 2503518842 [Book Section]

Dobbins, Frank. 2002. Claudio Montiverdi, Scherzi musicali a tre voci (1607). Cremona: Fondazione Claudio Monteverdi. ISBN 8886288275 [Book]

Dobbins, Frank. 2005. Jacotin, Chansons. Turnhout: Brepols. ISBN 9782503515939 [Book]

Dobbins, Frank. 2006. Strophic and Epigrammatic Forms in the French Chanson and Air of the Sixteenth Century. Acta Musicologica, 78(2), pp. 197-234. ISSN 00016241 [Article]

Dobbins, Frank and Vacchelli, A.. 2002. Claudio Monteverdi, Scherzi musicali a una e due voci (1632). Cremona: Fondazione Claudio Monteverdi. ISBN 978-88-86288-28-6 [Book]

Drever, John L.. 2007. Nostophonics: approaches to grasping everyday sounds from a British perspective. In: Ros Bandt, Michelle Duffy and Dolly MacKinnon, eds. Hearing Places. Newcastle upon Tyne : Cambridge Scholars Press, pp. 161-173. ISBN 9781847182555 [Book Section]

Drever, John L.. 2009. Sound effect – object – event. Endemic and exogenous electro-acoustic sound practices in theatre. In: Ross Brown , ed. Sound: a reader in theatre practice. Hampshire: Palgrave Macmillan Ltd., pp. 188-205. ISBN 9780230551886 [Book Section]

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Drever, John L.. 2009. Sound walking: creative listening beyond the concert hall. In: James Saunders, ed. The Ashgate Research Companion to Experimental Music. Surrey: Ashgate, pp. 163-192. ISBN 978-0-7546-6282-2 [Book Section]

Drever, John L.. 2006. -scape. [Composition]

Drever, John L., Ishikawa, Ryo and Okada, Shuji. 2012. Shizengaku. In: "SHIZENGAKU", Menier Gallery, United Kingdom, March 2012. [Show/Exhibition]

Driver, Danny. 2009. The Piano Music of York Bowen. In: "Various", Various, 2009-11. [Performance]

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d'Inverno, Mark and Luck, Michael. 1996. A formal view of social dependence networks. In: Dickson Lukose and Chengqi Zhang, eds. Distributed Artificial Intelligence Architecture and Modelling. 1087 Berlin, Germany: Springer, pp. 115-129. ISBN 9783540613145 [Book Section]

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Eichner, Barbara. 2003. Singing the Songs of Scotland: the German Musician Johann Rupprecht Durrner and Musical Life in Nineteenth-Century Edinburgh. In: Horton and B. Zon, eds. Nineteenth-Century British Music Studies. Ashgate, pp. 171-191. ISBN 0754636143 [Book Section]

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Foster, Stephen Charles. 2014. 'To Entertain the Fancy': The Orchestral Concert song in England, 1740-1800 . Doctoral thesis, Goldsmiths, University of London. [Thesis]

Foulds, Rachel. 2010. Forging the 'Lady's Hammer': A Profile of Influence in the Life and Music of Galina Ustvolskaya. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Gardiner, Ian R.. 2013. Charing X. [Composition]

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Gardiner, Ian R.. 2013. Kaira - Ensemble version. [Composition]

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Gardiner, Ian R.. 2012. spinning and weaving (1st version). [Composition]

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Gardiner, Ian R. and Al Kawas, Hiba. 2008. Araftu Beirut. [Composition]

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Gardiner, Ian R. and Al Kawas, Hiba. 2008. Li Anni Ahiya. [Composition]

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Gardiner, Ian R. and Diabaté, Toumani. 2008. Kaira. In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, United Kingdom, 28 October 2008. [Performance]

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Gardiner, Ian R. and Diabaté, Toumani. 2009. Kaira - recording of orchestral version. In: "Concert at Royal Northern College of Music", Royal Northern College of Music, United Kingdom. [Performance]

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Gardiner, Ian R. and Diabaté, Toumani. 2009. Kaira - score of orchestral version. [Composition]

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Gardiner, Ian R. and Diabaté, Toumani. 2008. Mamadou Boutiquier. [Composition]

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Gardiner, Ian R. and Diabaté, Toumani. Mamadou Boutiquier. In: "Mamadou Boutiquier Live", Barbican, United Kingdom. [Performance]

Gardiner, Ian R. and Diabaté, Toumani. 2013. Toumani Diabaté Adaptations. [Project]

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Gerber, Anzél . 2008. Critical success factors in cello training – a comparative study. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Gisler, Priska, Guggenheim, Michael, Maranta, Alessandro, Nowotny, Helga and Pohl, Christian. 2004. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. ISBN 978-3934730793 [Book]

Grierson, Mick. 2007. 'NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT'. In: International Computer Music Conference 2007. UNDEFINED 8/1/2007. [Conference or Workshop Item]

Guggenheim, Michael. 2004. Von Nah und Fern. Wie sich Umweltdienstleistungsfirmen Laien vorstellen. In: Priska Gisler, Michael Guggenheim, Alessandro Maranta, Helga Nowotny and Christian Pohl, eds. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. [Book Section]

Guggenheim, Michael and Heller, Florian. 2002. Über Parallelen zwischen Kochen und Denken oder weshalb schlechte Symposien gute Esser zeitigen. In: Anja Eichelberg and Helga Nowotny, eds. Jahrbuch 2002 des Collgeium Helveticum der ETH Zürich. Zurich: vdf Hochschulverlag AG, 2003, pp. 337-347. ISBN 9783728128669 [Book Section]

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Halstead, Jill. 2005. The Night Mrs Baker Made History: Conducting, Display and the Interruption of Masculinity. Women a Cultural Review, 16(2), pp. 222-235. ISSN 14701367 [Article]

Halstead, Jill. 2006. Ruth Gipps: Anti-Modernism, Nationalism and Difference in English Music. Ashgate. ISBN 0754601781 [Book]

Halstead, Jill. 2005. She Composes in the Kitchen: Ruth Gipps 1921-1999: An English Reactionary and Radical. In: Christa Brustle, ed. Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland, 1920-1950. Olms Verlag, pp. 1-9. ISBN 3487129620 [Book Section]

Harris, Rachel and Norton, Barley. 2002. Introduction: Ritual Music and Communism. British Journal of Ethnomusicology, 11(1), pp. 1-8. ISSN 1741-1912 [Article]

Hirshberg, Jehoash and McVeigh, Simon. 2000. The Making of a Ritornello Movement: Compositional Strategy and Selection in Tessarini’s 'Opera prima'. Informazioni e Studi Vivaldiani, 21, pp. 35-73. ISSN 0393-2915 [Article]

Hirshberg, Jehoash and McVeigh, Simon. 2004. The 'Virtuosi Instromenti' and the Milanese Concerto in the Early Eighteenth Century. In: Anna Cattoretti, ed. Giovanni Battista Sammartini and his Musical Environment. Turnhout: Brepols, pp. 203-244. ISBN 250351233X [Book Section]

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Hong, Ju-Lee. 2014. An Empirical Analysis of Musical Expression in Recordings by Selected Cellists. Masters thesis, Goldsmiths, University of London. [Thesis]

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Ikeshiro, Ryo. 2014. Audification and Non-Standard Synthesis in Construction in Self. Organised Sound, 19(1), pp. 78-89. ISSN 1355-7718 [Article]

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Ikeshiro, Ryo. 2013. Studio Composition: Live Audiovisualisation Using Emergent Generative Systems. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Ivashkin, Alexander V.. 2011. Alexander Raskatov's 'A Dog's Heart'. Tempo, 65(256), pp. 54-56. ISSN 0040-2982 [Article]

Ivashkin, Alexander V.. 1996. Alfred Schnittke. London: Phaidon. ISBN 0714831697 [Book]

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Ivashkin, Alexander V.. 2009. Alfred Schnittke: Concerto for Electric Instruments. In: "London Philharmonic Orchestra Schnittke Festival", Southbank Centre, United Kingdom. [Performance]

Ivashkin, Alexander V.. 2009. Alfred Schnittke: cello concerto no 2 performed with London Philharmonic Orchestra. In: "Between two worlds: festival of music by Alfred ASchnittke", Royal Festival Hall, London, United Kingdom. [Performance]

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Ivashkin, Alexander V.. 2011. Amerikanskii vzgliad na Sovetskuiu muzyku [American View on Soviet Music]. Muzykal'naia Zhizn' [Musical Life], 2011(1), pp. 56-57. [Article]

Ivashkin, Alexander V.. 2013. Benjamin Britten: The Complete Music for Cello Solo and Cello with Piano. In: "Recording", Brilliant Classics, Netherlands, 2012-2013. [Performance]

Ivashkin, Alexander V.. 2010. Concert in memory of Noelle Mann at Queen Elizabeth Hall, London . In: "Concert in Memory Noelle Mann", Queen Elizabeth Hall, London, United Kingdom. [Performance]

Ivashkin, Alexander V.. 2009. Cooling the volcano: Prokofiev's Cello Concerto Op. 58 and Symphony-Concerto Op. 125. Three Oranges: Journal of the Serge Prokofiev Foundation, 18, pp. 7-14. ISSN 1472-9946 [Article]

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Ivashkin, Alexander V.. 2011. Dmitrii Shostakovich. Cello Concerto N0. 1 . The New Collected Works Edition of Dmitrii Shostakovich Works. Critical Edition., 46, pp. 63-113. ISSN 979-0-706364-29-2 [Article]

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Ivashkin, Alexander V.. 2013. John Cage in Soviet Russia 'Tempo', 66 ( 266), 2013: 1- 10. Tempo, 66(3), pp. 1-10. ISSN 0040-2982 [Article]

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Ivashkin, Alexander V.. 2011. 'Kod Schnittke' ['The Schnittke Code']. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011: 13-24. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011, 8, pp. 13-24. ISSN 978-5-4254-0037-6 [Article]

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Ivashkin, Alexander V.. 2012. Live Performance . In: "Concerto Performance", The Mariinsky Concert Hall, St Petersburg, Russian Federation. [Performance]

Ivashkin, Alexander V.. 2007. Rostropovich. Tokyo: Shunjusha Publishing Company. ISBN 978-4-393-93518-7 [Book]

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Ivashkin, Alexander V.. 2012. Shostakovich, old believers and new minimalists. In: Alexander V. Ivashkin and Andrew Kirkman, eds. Contemplating Shostakovich. Farnham: Ashgate, pp. 19-45. ISBN 978-1-4094-3937-0 [Book Section]

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Ivashkin, Alexander V.. 2012. ‘Shostakovich. Second Cello Concerto.’ In D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124. D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124., 49, pp. 83-124. [Article]

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Ivashkin, Alexander V.. 2013. Stravinsky and Khrennikov: An Unlikely Alliance. Mittelungen der Paul Sacher Stiftung, 26, April 2013, 12- 16(26), pp. 12-16. ISSN 1015-0536 [Article]

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Ivashkin, Alexander V.. 2009. Symbols, Metaphors and Irrationalities in Twentieth-Century Music. In: Rafael Jimenez Catano and Ignacio Yarza, eds. Mimesi, Verità e Fiction. 3 Rome: Edusc, pp. 69-88. ISBN 88-8333-220-3 [Book Section]

Ivashkin, Alexander V., Barlow, Ora and Halliday, Kim. 2009. Pacific voyage. [Audio]

Ivashkin, Alexander V. and Oerhlein, Josef. 1997. Rostrospektive: zum Leben und Werk von Mstislaw Rostropowitsch. On the life and achievement of Mstislav Rostropovich. Frankfurt-Schweinfurth: Reimund Maier Verlag. ISBN 3-926300-30-2 [Book]

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Joncus, Berta. 2007. '"And Fashion makes me Sing": Eighteenth-century English Ballad Opera and the Birth of a Popular Music Industry'. In: British Academy Postdoctoral Fellowship Symposium 2007. London, United Kingdom. [Conference or Workshop Item]

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Joncus, Berta. 2012. 'The Assemblage of every female Folly': Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. In: Tiffany Potter, ed. Women of Fashion: Popular Culture in the Eighteenth Century and the eighteenth century in popular culture. Toronto: University of Toronto Press, pp. 25-51. ISBN 9781442641815 [Book Section]

Joncus, Berta. 2006. ''Charm’d with the sprightly Innocence of Nell’: Re-Reading The Devil to Pay'. In: Twelfth Biennial International Conference on Baroque Music. Warsaw, Poland. [Conference or Workshop Item]

Joncus, Berta. 2005. ''Charm’d with the sprightly innocence of Nell’: Re-reading The Devil to Pay'. In: Seventy-first annual meeting of the American Musicological Society. Washington D.C, United States. [Conference or Workshop Item]

Joncus, Berta. 2009. Communications: on Ballad Operas Online (BOPO). Eighteenth-Century Music, 6(2), pp. 302-303. ISSN 1478-5706 [Article]

Joncus, Berta. 2008. "Curse them all for a Parcel of Italian Bitches": The Prima Donna versus the English Singer-Actress. In: , ed. Handel and the Divas [Exhibition catalogue]. London: Handel House. [Book Section]

Joncus, Berta. 2006. 'Curse them all for a parcel of Italian bitches’: the seduction of mimicry on the mid-eighteenth-century London stage'. In: Thirty-fifth annual conference of the British Society for Eighteenth-Century Studies. Oxford, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Diva Thursday Live: Kitty Clive (15 May 2008)'. In: Diva Thursday live: Kitty Clive. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Divas Off-stage, 6 July 2008'. In: Divas Off-stage. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2004. 'Eating Pigeon-Pye: Handel and the 'Sweet Bird' of Drury Lane'. In: Fortieth Annual Conference of the Royal Musical Association. Birmingham, United Kingdom 12-14 November 2004. [Conference or Workshop Item]

Joncus, Berta. 2012. Editorial. Eighteenth-Century Music, 9(1), pp. 5-8. ISSN 1478-5706 [Article]

Joncus, Berta. 2006. Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), pp. 179-226. ISSN 0269-0403 [Article]

Joncus, Berta. 2009. 'Handel's 'Arianna in Creta''. In: Handel's 'Arianna in Creta'. Barbican Centre, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2005. "His Spirit is in Action Seen": Milton, Mrs. Clive and the Simulacra of the Pastoral in Comus. Eighteenth-Century Music, 2(1), pp. 7-40. ISSN 1478-5706 [Article]

Joncus, Berta. 2011. “In Wit Superior as in Fighting”: Kitty Clive and the Conquest of a Rival Queen. Huntington Library Quarterly, 74(1), pp. 23-42. ISSN 0018-7895 [Article]

Joncus, Berta. 2009. "A Likeness where None was to be Found": Imagining Kitty Clive (1711–1785). Music in Art, 34(1-2), pp. 89-106. ISSN 1522-7464 [Article]

Joncus, Berta. 2009. Liner notes, 'Handel in the playhouse'. Oppella Nova Records, London.

Joncus, Berta. 2011. 'Listening to portraits: music and the eighteenth-century opera celebrity'. In: The first actresses: celebrity, performance and representation in 'the long eighteenth century'. National Portrait Gallery, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2011. London Stage Music in Transition [Review]. Early Music, 39(1), pp. 100-102. ISSN 0306-1078 [Article]

Joncus, Berta. 2007. 'Musicological choices: Gender, Prestige, and the Power of Subject Specialization'. In: Seventy-third Annual Meeting of the American Musicological Society. Quebec City, Canada. [Conference or Workshop Item]

Joncus, Berta. 2012. 'Nectar if you taste and go, poison if you stay': struggling with the Orient in eighteenth-century British musical theatre. (Forthcoming). In: Marina Warner and Philip F. Kennedy, eds. The Arabian Nights: Encounters and Translations in Literature and the Arts. New York: New York University Press. [Book Section]

Joncus, Berta. 2008. '"Of all the arts that sooth": Imagining Kitty Clive (1711-1785)'. In: Twelfth Conference of the Répertoire International d'Iconographie Musicale. New York, United States. [Conference or Workshop Item]

Joncus, Berta. 2005. One God, so many Farinellis: Mythologising the Star Castrato. Journal for Eighteenth-Century Studies (formerly British Journal for Eighteenth-Century Studies), 28(3), pp. 437-496. [Article]

Joncus, Berta. 2010. '"Poison if you taste and go, Nectar if you stay": Struggling with the Orient in Eighteenth-Century British Musical Theatre'. In: Staging the East: Oriental Masking in the British Theatre, 1660-1830. Theatre Royal, Bury St. Edmunds, United Kingdom 11-12 June 2010. [Conference or Workshop Item]

Joncus, Berta. 2008. 'The Polly Row, 25 May 2008'. In: The Polly Row. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2009. Private Music in Public Spheres: Chamber Cantata and Song. In: Simon Keefe, ed. The Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 513-540. ISBN 9780521663199 [Book Section]

Joncus, Berta. 2007. Producing Stars in dramma per musica. In: Berta Joncus and Melania Bucciarelli, eds. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer, pp. 275-293. ISBN 9781874833178 [Book Section]

Joncus, Berta. 2013. Review: Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. Eighteenth-Century Music, 10(1), pp. 136-139. ISSN 1478-5706 [Article]

Joncus, Berta and Barlow, Jeremy, eds. 2011. "The Stage's Glory": John Rich (1692-1761). Newark, Delaware: University of Delaware Press. ISBN 9781611490329 [Edited Book]

Joncus, Berta. 2003. 'A Star is Born: Kitty Clive and Female Representation in Eighteenth-Century English Musical Theatre'. In: Sixty-ninth Annual Meeting of the American Musicological Society. Houston, Texas, United States. [Conference or Workshop Item]

Joncus, Berta. 2009. ''This glorious Approbation of Sounds': Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Purcell, Handel & Literature. Institute of Musical Research, London, United Kingdom 20-21 November 2009. [Conference or Workshop Item]

Joncus, Berta. 2013. ‘To Propagate Sound for Sense’: Music for Diversion and Seduction at Ranelagh Gardens. The London Journal, 38(1), pp. 34-66. ISSN 0305-8034 [Article]

Joncus, Berta. 2008. '"To propagate Sound for Sense": Music for Diversion and Seduction at Ranelagh Gardens'. In: Vauxhall Revisited: Pleasure Gardens and their Publics, 1660-1880. Tate Britain, London, United Kingdom 14-16 July 2008. [Conference or Workshop Item]

Joncus, Berta. 2009. 'Women's Song in Georgian England' [Review]. Early Music, 37(3), pp. 479-481. ISSN 0306-1078 [Article]

Joncus, Berta, Burden, Michael, Rogers, Vanessa L. and Lipinski, Thaddeus. 2008. Ballad Opera Online. [Project]

Joncus, Berta, Rogers, Vanessa and Ozmo, Žak. 2009. 'Music for the Common Man: Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Seventy-fifth Annual Meeting of the American Musicological Society. Philadelphia, United States. [Conference or Workshop Item]

Joncus, Berta and Rogers, Vanessa . 2013. 'United voices formed the very perfection of harmony': Music and the invention of Harriett Abrams (c1758-1821). In: Baerbel Czennia, ed. Celebrity: the idiom of a modern era. 70 New York: AMS Press. ISBN 978-0-404-64870-1 [Book Section]

Joncus, Berta and Rogers, Vanessa L.. 2011. Beyond 'The Beggar’s Opera': John Rich and English Ballad Opera. In: Berta Joncus and Jeremy Barlow, eds. 'The Stage’s Glory’: John Rich (1692-1761). Newark, Delaware: University of Delaware Press, pp. 184-204. ISBN 9781611490329 [Book Section]

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Keenan, Jeremy. 2011. The Aural and the Quotidian: Everyday Experience in Listening and Practice. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Kivy, Peter. 2006. Ars Perfecta: toward perfection in musical performance? The British Journal of Aesthetics, 46(2), pp. 111-132. ISSN 14682842 [Article]

Kivy, Peter. 2004. Music, Language and Cognition: which doesn't belong? In: K. Korta and J. Larrazabal J, eds. Truth, Rationality, Cognition and Music, Proceedings of the Seventh International Colloquium on Cognitive Science. Kluwer, pp. 157-174. ISBN 1402019122 [Book Section]

Kivy, Peter. 2006. The Performance of Reading: an essay in the philosophy of literature. Blackwell. ISBN 1405146923 [Book]

Kivy, Peter. 2001. The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. New Haven: Yale University Press. ISBN 0300087586 [Book]

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Koren, Réka and Gingras, Bruno. 2014. Perceiving individuality in harpsichord performance. Frontiers in Psychology, 5(FEB), pp. 1-13. ISSN 16641078 [Article]

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Langley, Leanne. 2007. Agency and Change: Berlioz in Britain, 1870-1920. Journal of the Royal Musical Association, 132(2), pp. 306-348. ISSN 02690403 [Article]

Langley, Leanne. 2007. Building an Orchestra, Creating an Audience: Robert Newman and The Queen's Hall Promenade Concerts, 1895-1926. In: N. Kenyon, J. Doctor and D. Wright, eds. The Proms: A New History. Thames and Hudson, pp. 32-73. ISBN 9780500513521 [Book Section]

Langley, Leanne. 2001. Dictionary entries on English music critics and criticism. In: Sadie Stanley, ed. The New Grove Dictionary of Music and Musicians. Macmillan, p. 57. ISBN 0333608003 [Book Section]

Langley, Leanne. 2003. Roots of a Tradition: The First Dictionary of Music and Musicians. In: M. Musgrave, ed. George Grove, Music and Victorian Culture. Palgrove, pp. 168-215. ISBN 0004707729 [Book Section]

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McFarlane, Meredith and McVeigh, Simon. 2004. The String Quartet in London Concert Life, 1769–1799. In: Susan Wollenberg and Simon McVeigh, eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 161-190. ISBN 0754638685 [Book Section]

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McVeigh, Simon. 2010. 'As the Sand on the Sea Shore': Women Violinists in London’s Concert Life around 1900. In: Emma Hornby and David Maw, eds. Essays on the History of English Music in Honour of John Caldwell. Woodbridge: Boydell & Brewer, pp. 232-258. ISBN 9781843835356 [Book Section]

McVeigh, Simon. 2004. An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London. In: W. Weber, ed. The Musician as Entrepreneur, 1700-1914: Managers, Charlatans and Idealists. Indiana University Press, pp. 162-182. ISBN 0253344565 [Book Section]

McVeigh, Simon. 1999. The Benefit Concert in Nineteenth-Century London: From 'tax on the nobility' to 'monstrous nuisance'. In: Bennett Zon, ed. Nineteenth-Century British Music Studies 1. Aldershot: Ashgate, pp. 242-266. ISBN 1840142596 [Book Section]

McVeigh, Simon. 2002. Clementi, Viotti and the London Philharmonic Society. In: Roberto Illiano, Luca Sala and Massimiliano Sala, eds. Muzio Clementi: Studies and Projects. Bologna: Ut Orpheus, pp. 67-80. ISBN 8881094487 [Book Section]

McVeigh, Simon. 1993. Concert Life in London from Mozart to Haydn. Cambridge: Cambridge University Press. ISBN 0521413532 [Book]

McVeigh, Simon. 2009. Concerto of the Individual. In: Simon P. Keefe, ed. Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 583-612. ISBN 9780521663199 [Book Section]

McVeigh, Simon. 2008. The Constrained Entrepreneur: Concert Promotion in Eighteenth-Century London. In: Hans Erich Bödeker, Patrice Veit and Michael Werner, eds. Organisateurs et formes d’organisation du concert en Europe 1700–1920: Institutionnalisation et pratiques. Berlin: Berliner Wissenschafts-Verlag, pp. 47-56. ISBN 9783830515517 [Book Section]

McVeigh, Simon. 1983. Felice Giardini: a Violinist in Late Eighteenth-Century London. Music and Letters, 64, pp. 162-172. ISSN 0027-4224 [Article]

McVeigh, Simon. 2007. A Free Trade in Music: London during the Long 19th Century in a European Perspective. Journal of Modern European History, 5(1), pp. 67-94. ISSN 16118944 [Article]

McVeigh, Simon. 2000. Freemasonry and Musical Life in London in the late Eighteenth Century. In: David Wyn Jones, ed. Music in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 72-100. ISBN 1840146885 [Book Section]

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McVeigh, Simon. 2010. Industrial and Consumer Revolutions in Instrumental Music: Markets, Efficiency, Demand. In: Roberto Illiano and Luca Sala, eds. Instrumental Music and the Industrial Revolution. Bologna: Ut Orpheus, pp. 3-35. ISBN 9788881094684 [Book Section]

McVeigh, Simon. 2001. Italian Violinists in Eighteenth-Century London. In: Reinhard Strohm, ed. The Eighteenth-Century Diaspora of Italian Music and Musicians. Turnhout: Brepols, pp. 139-176. ISBN 2503510205 [Book Section]

McVeigh, Simon. 1996. London Newspapers 1750 to 1800: a Checklist and Guide for Musicologists. In: Michael Burden and Irena Cholij, eds. A Handbook for Studies in 18th-Century English Music VI. Oxford: Burden & Cholij, pp. 1-60. ISBN 0951278584 [Book Section]

McVeigh, Simon. 2013. The London Symphony Orchestra: the First Decade Revisited. Journal of the Royal Musical Association, 138(2), pp. 313-376. ISSN 0269-0403 [Article]

McVeigh, Simon. 1988. Music and Lock Hospital in the 18th Century. Musical Times, 129, pp. 235-240. ISSN 0027-4666 [Article]

McVeigh, Simon. 2002. The Musician as Concert-Promoter in London, 1780-1850. In: Hans-Erich Bödeker, Patrice Veit and Michael Werner, eds. Le concert et son public. Paris: Editions Maison des Sciences de l’Homme, pp. 71-92. ISBN 2735109143 [Book Section]

McVeigh, Simon. 2012. Performance in the 'Long Eighteenth Century': an Overview. In: Colin Lawson and Robin Stowell, eds. The Cambridge History of Musical Performance. Cambridge: Cambridge University Press, pp. 473-505. ISBN 9780521896115 [Book Section]

McVeigh, Simon. 1989. The Professional Concert and Rival Subscription Series in London, 1783-93. Royal Musical Association Research Chronicle, 22, pp. 1-135. ISSN 00804460 [Article]

McVeigh, Simon. 2000. The Society of British Musicians (1834-1865) and the Campaign for Native Talent. In: Christina Bashford and Leanne Langley, eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 145-168. ISBN 019816730 [Book Section]

McVeigh, Simon. 2012. The Symphony in Britain. In: Mary Sue Morrow and Bathia Churgin, eds. The Symphonic Repertoire: The Eighteenth-Century Symphony. Bloomington: Indiana University Press, pp. 629-661. ISBN 9780253356406 [Book Section]

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McVeigh, Simon. 2012. Trial by Dining Club: the Instrumental Music of Haydn, Clementi and Mozart at London's Anacreontic Society. In: Bennett Zon, ed. Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley. Farnham: Ashgate, pp. 105-138. ISBN 9781409495536 [Book Section]

McVeigh, Simon. 1992. The Violinists of the Baroque and Classical Periods. In: Robin Stowell, ed. The Cambridge Companion to the Violin. Cambridge: Cambridge University Press, pp. 46-60. ISBN 0521399238 [Book Section]

McVeigh, Simon. 2006. Viotti and London Violinists during the 1790s: A Calendar of Performances. In: Massimiliano Sala, ed. Giovanni Battista Viotti: A Composer between the Two Revolutions. Turnhout: Brepols, pp. 87-119. ISBN 8881094576 [Book Section]

McVeigh, Simon and Ehrlich, C.. 2002. The Modernisation of London Concert Life Around 1900. In: M. Talbot, ed. The Business of Music. Liverpool University Press, pp. 96-120. ISBN 0853235287 [Book Section]

McVeigh, Simon and Hirshberg, J.. 2004. The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History. Boydell Press. ISBN 1843830922 [Book]

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Minou, Andriana. 2010. Sibyl's Leaves: Understanding Musical Performance Issues in Jani Christou's Anaparastasis III: The Pianist. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Nalimova, Elena. 2012. Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation.. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Negus, Keith. 2011. Authorship and the Popular Song. Music and Letters, 92(4), pp. 607-629. ISSN 0027-4224 [Article]

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Negus, Keith. 2002. Belonging and detachment - musical experience and the limits of identity. Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30(1-2), pp. 133-145. ISSN 00484571 [Article]

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Negus, Keith. 2008. Bob Dylan. London: Equinox London. ISBN 13 978 1 904768 25 8 [Book]

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Negus, Keith. 2010. Bob Dylan's Phonographic Imagination. Popular Music, 29(2), pp. 213-228. ISSN 0261-1430 [Article]

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Negus, Keith. 1996. Globalization and the Music of the Public Spheres. In: Sandra Braman and Annabelle Sreberny-Mohammadi, eds. Globalisation, Communication and Transnational Civil Society. Cresskill, New Jersey: Hampton Press, pp. 179-195. ISBN 1-57273-020-X [Book Section]

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Negus, Keith. 2007. Living, Breathing Songs: Singing Along With Bob Dylan. Oral Tradition, 22(1), pp. 71-83. ISSN 0883-5365 [Article]

Negus, Keith. 1999. Music Genres and Corporate Cultures. London: Routledge. ISBN 0-415-17399-X [Book]

Negus, Keith. 2006. Musicians on Television: Visible, Audible and Ignored. Journal of the Royal Musical Association, 131(2), pp. 310-330. ISSN 02690403 [Article]

Negus, Keith. 2012. Narrative Time and the Popular Song. Popular Music and Society, 35(4), pp. 483-500. ISSN 0300-7766 [Article]

Negus, Keith. 2012. Narrative, Interpretation and the Popular Song. Musical Quarterly, 95(2-3), pp. 368-395. ISSN 1741-8399 [Article]

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Negus, Keith. 2002. The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. Cultural Studies, 16(4), pp. 501-515. ISSN 09502386 [Article]

Negus, Keith, Du Gay, Paul, Hall, Stuart, Janes, Linda and Mackay, Hugh. 1997. Doing Cultural Studies: The Story of the Sony Walkman. London: Sage. ISBN 0-7619-5402-3 [Book]

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Nex, Jennifer Susan. 2013. The Business of Musical-Instrument Making in Early Industrial London. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Pieces, 1951-1966'. In: International Nono Conference. Padova 2006. [Conference or Workshop Item] (In Press)

Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Works, 1951-1966'. In: International Conference 'Presenza storica di Luigi Nono'. UNDEFINED 12/1/2006. [Conference or Workshop Item]

Nielinger-Vakil, Carola. 2006. Intolleranza 1960. In: , ed. Intolleranza 1960. UNSPECIFIED, pp. 8-17. ISBN 00000000 [Book Section]

Nielinger-Vakil, Carola. 2007. Own version of 'Improvvisazione finale' of Luigi Nono's Das Atmende Klarsein. In: "Own version of 'Improvvisazione finale' of Luigi Nono's Das Atmende Klarsein", Corso d'interpretazione sulle opere di Luigi Nono con live electronics e con nastro magnetico, 11/3/2007 - 11/7/2007. [Performance]

Nielinger-Vakil, Carola. 2006. 'The Song Unsung': Luigi Nono's Il canto sospeso. Journal of the Royal Musical Association, 131(1), pp. 83-150. ISSN 14716933 [Article]

Norton, Barley. 2008. CD Review: Huong Thanh, Cai Luong Music. Songlines: The World Music Magazine., 53, p. 77. [Article]

Norton, Barley. 2007. CD Review: Que Huong (Homeland). Songlines: The World Music Magazine., 44, p. 75. [Article]

Norton, Barley. 2007. CD Review: The Rough Guide to the Music of Vietnam. Songlines: The World Music Magazine, 46, p. 67. [Article]

Norton, Barley. 2007. CD Review: Vietnam: Vocal music from the Northern Plains. Songlines: The World Music Magazine, 41, p. 75. [Article]

Norton, Barley. 2008. Ca Tru Restoration: Issues and Challenges. In: . Vietnamese Institute for Musicology, ed. Ca Tru Singing of the Viet People. Hanoi: Vietnamese Institute for Musicology, pp. 187-192. ISBN No ISBN [Book Section]

Norton, Barley. 2001. Ca tru: the music of north Vietnam. Nimbus Records NI5626, Wyastone.

Norton, Barley. 2006. Effeminate’ Men and ‘Hot-Tempered’ Women: The Performance of Music and Gender in Vietnamese Mediumship. In: Karen Fjelstad and Hien Thi Nguyen, eds. Possessed by the Spirits: Mediumship in Contemporary Vietnamese Communities. Ithaca, NY: Cornell University Press, pp. 55-75. ISBN 0877271410 [Book Section]

Norton, Barley. 2013. Engendering Emotion and the Environment in Vietnamese Music and Ritual. In: Fiona Magowan and Louise Wrazen, eds. Performing Gender, Place and Emotion in Music: Global Perspectives. Rochester, New York: Rochester University Press, pp. 29-59. ISBN 9781580464642 [Book Section]

Norton, Barley. 2007. Feature article "Postcard from Hanoi, Vietnam". Songlines: The World Music Magazine., 45, p. 51. [Article]

Norton, Barley. 2011. Huong Thanh - Vietnam's Song Bird. Songlines, 80, p. 27. [Article]

Norton, Barley. 2004. Lên đồng Việt Nam: Cấu tạo âm nhạc của thần thánh (Vietnamese mediumship rituals: the musical construction of the spirits). In: Đức Thịnh Ngô , ed. Đạo Mẫu và các hình thức Shaman trong các tộc người ở Việt Nam và châu Á (The Mother Religion and Forms of Shamanism among Ethnic Groups in Vietnam and Asia). Hanoi: Social Science Publishing House, pp. 310-341. [Book Section]

Norton, Barley. 2002. The Moon Remembers Uncle Ho: The Politics of Music and Mediumship in Northern Vietnam. British Journal of Ethnomusicology, 11(1), pp. 71-100. ISSN 1741-1912 [Article]

Norton, Barley. 2014. Music Revival, Ca Trù Ontologies, and Intangible Cultural Heritage in Vietnam. In: Caroline Bithell and Juniper Hill, eds. The Oxford Handbook of Music Revival. New York: Oxford University Press, pp. 158-179. ISBN 9780199765034 [Book Section]

Norton, Barley. 2010. “Nhân Học Âm Nhạc Việt?” (“The Anthropology of Vietnamese Music?”). In: Hy Van Luong, ed. Hiện Đậi và Động Thái của Truyền Thống Ở Việt Nam: Những Cách Tiếp Cận Nhân Học (Modernities and the Dynamics of Tradition in Vietnam: Anthropological Approaches). 2 Ho Chi Minh City: National University of Ho Chi Minh Press, pp. 623-636. [Book Section]

Norton, Barley. 2007. A Review Essay on Recordings of Music from Vietnam. World of Music, 49(1), pp. 215-222. [Article]

Norton, Barley. 2011. Review of the CD "Burma: Classical Theatre Music". VDE-Gallo. Songlines: The World Music Magazine, 74, p. 78. [Article]

Norton, Barley. 2008. Review of the CD "Fragile Beauty" by Huong Thanh and Nguyen Le. ACT 94512. Songlines: The World Music Magazine., 50, p. 101. [Article]

Norton, Barley. 2009. Review of the CD 'Saiyuki' by Nguyen Le, ACT 9483-2. Songlines: The World Music Magazine, 64, p. 97. [Article]

Norton, Barley. 2012. Review of the CD 'Song Hanh' by Onno Krijn and Ngo Hong Quang. Noon Records. Songlines: The World Music Magazine. , 84, p. 94. [Article]

Norton, Barley. 2012. Review of the CD 'Tree of Dreams' by Huong Thanh. Buda Musique. Songlines: The World Music Magazine. , 83, p. 88. [Article]

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Norton, Barley. 2005. Singing the Past: Vietnamese Ca Tru, Memory and Mode. Asian Music, 36(2), pp. 27-56. [Article]

Norton, Barley. 2009. Songs for the Spirits: Music and Mediums in Modern Vietnam. Urbana and Chicago: University of Illinois Press. ISBN 9780252033995 [Book]

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Norton, Barley. 2013. Vietnamese Popular Song in ‘1968’: War, Protest and Sentimentalism. In: Beate Kutschke and Barley Norton, eds. Music and Protest in 1968. Cambridge: Cambridge University Press, pp. 97-118. ISBN 9781107007321 [Book Section]

Norton, Barley and Blackburn, Philip. 2009. Vietnam: Music on the Move. In: Simon Broughton, ed. The Rough Guide to World Music: Europe and Asia. 2 London: Rough Guides, pp. 778-797. ISBN 1843538660 [Book Section]

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Pavlopoulou, Argyro. 2012. Musical tradition and change on the island of Crete. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Perchard, Tom. 2011. 'Four Histories of 20th-Century Music.'. In: Cabaret Voltaire art foundation course. GBS University, St. Gallen, Switzerland. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’ '. In: Invited research seminar. King’s College London. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s '. In: Unofficial Histories. Bishopsgate Institute, London. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s '. In: Invited research seminar, ‘Directions in Musical Research’ series. . Institute of Musical Research, School of Advanced Study. [Conference or Workshop Item]

Perchard, Tom. 2009. 'Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism'. In: Invited research seminar. University of Sheffield. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud'. In: Invited research seminar. University of York. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Jazz Trumpet and the Semiotics of Vulnerability'. In: 19th International Congress of the International Musicological Society. Rome, Italy. [Conference or Workshop Item]

Perchard, Tom. 2006. Lee Morgan: His Life, Music and Culture. London: Equinox. ISBN 1845532058 [Book]

Perchard, Tom. 2009. Lee Morgan: La vita, la musica e il suo tempo. Bologna: Odoya. ISBN 978-88-6288-014-5 [Book]

Perchard, Tom. 2012. 'Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology'. In: Perspectives on Musical Improvisation. University of Oxford. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Monk Meets the French Critics'. In: Piacenza Jazz Fest study day. Piacenza, Italy. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Re-reading Primitivism in Hugues Panassié’s Writing on Jazz '. In: Jazz and Race, Past and Present. Open University. [Conference or Workshop Item]

Perchard, Tom. 2009. Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ [review]. Jazz Research Journal, 3(2), pp. 212-219. ISSN 1753-8637 [Article]

Perchard, Tom. 2011. 'Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum'. In: Salford Jazz Research Seminar. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2009. 'Thelonious Monk Meets the French Critics: Improvisation and its Simulacra'. In: Mediating Jazz. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2007. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History, 2(2), pp. 119-145. ISSN ISSN: 1740-7133 [Article]

Peyton Jones, Jeremy. 2013. Composing music for The Zero Hour. In: Andrew Quick, ed. Theatricalising Cinema: imitating the dog's The Zero Hour and 6 Degrees Below the Horizon. Lancaster: Live at LICA, n/a-n/a. ISBN 978-1-86220-308-2 [Book Section]

Pickens, Jeremy, Bello, Juan Pablo, Monti, Giuliano, Sandler, Mark, Crawford, Tim and Dovey, Matthew. 2003. Polyphonic Score Retrieval Using Polyphonic Audio Queries: A Harmonic Modeling Approach. Journal of New Music Research, 32(2), pp. 223-236. ISSN 09298215 [Article]

Pickering, M. and Negus, Keith. 2004. Creativity, Communication & Cultural Value. Sage. ISBN 0761970754 [Book]

Potter, Keith S.. 2003. A Conversation with James Dillon. In: P. O'Hagan, ed. Aspects of British Music of the 1990's. Ashgate, pp. 131-140. ISBN 0004707729 [Book Section]

Potter, Keith S.. 2013. Le Minimalisme. In: Nicolas Donin and Laurent Feneyrou, eds. Théories de la composition musicale au xxe siècle. 2 Lyon, France: Symétrie, pp. 777-802. ISBN 978-2-914373-60-9 [Book Section]

Potter, Keith S.. 2013. Mapping Early Minimalism. In: Keith S. Potter, Kyle Gann and Pwyll ap Siôn, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham, UK: Ashgate, pp. 19-38. ISBN 9781409435495 [Book Section]

Potter, Keith S.. 2010. Philip Glass: First Classics, 1968-1969. London and New York: Chester Music. ISBN 0-521-48250 [Book]

Potter, Keith S.. 2008. Philip Glass: the compositions and some contexts. Glass: a Nonesuch Retrospective Box, pp. 49-72. ISSN Nonesuch 424508-2 [Article]

Pryer, Anthony J.. 2007. Approaching Monteverdi: His Cultures and Ours, Chapter 1. In: J. Whenham and R. Wistreich R, eds. The Cambridge Companion to Monteverdi. Cambridge University Press, pp. 1-19. ISBN 9780521875257 [Book Section]

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Pryer, Anthony J.. 2012. Claudio Monteverdi: Sacrae Cantiunculae; Madrigali Spirituali; Canzonette a 3 Voci. Cremona (Italy): Fondazione Claudio Monteverdi. ISBN 978-88-86288-36-1 [Book]

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Pryer, Anthony J.. 2013. Hanslick, Legal Processes and Scientific Methodologies: How Not to Construct an Ontology of Music. In: Nicole Grimes, Siobhán Donovan and Wolfgang Marx, eds. Rethinking Hanslick: Music, Formalism and Expression. Rochester New York: University of Rochester Press, pp. 52-69. ISBN 9781580464321 [Book Section]

Pryer, Anthony J.. 2011. Monteverdi, Two Sonnets and a Letter. In: Richard Wistreich, ed. Monteverdi. 5 Farnham: Ashgate, pp. 337-352. ISBN 9780754629023 [Book Section]

Pryer, Anthony J.. 2004. Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. Eighteenth Century Music, 1(2), pp. 265-288. ISSN 14785706 [Article]

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Pryer, Anthony J.. 2010. 'The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the "Text"'. In: The Embodiment of Authority: Perspectives on Performance. Sibelius Academy, Helsinki, Finland. [Conference or Workshop Item]

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Pryer, Anthony J.. 2013. 'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration. In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: A Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN 978-4-7795-0791-5 [Book Section]

Pryer, Anthony J.. 2002. Seventeen new articles (and eight revised articles) in music dictionary. Please see further information below. In: A. Latham, ed. The Oxford Companion to Music. Oxford University Press, p. 159. ISBN 0198662122 [Book Section]

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Pryer, Anthony J.. 2004. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: International Congress in Shizuoka. Shizuoka, Japan 2-4 November, 2002. [Conference or Workshop Item]

Pryer, Anthony J.. 2002. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: Proceedings of the International Congress in Shizuoka, 2002. UNDEFINED 8/1/2002. [Conference or Workshop Item]

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Pyke, Cameron. 2011. Benjamin Britten's Creative Relationship with Russia. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Redgate, Roger. 1998. Michael Finnissy: The Chamber Music, in Uncommon Ground: The Music of Michael Finnissy. In: Henrietta Brougham, Christopher Fox and Ian Pace, eds. Uncommon Ground: The Music of Michael Finnissy. Aldershot: Ashgate, pp. 135-168. ISBN ISBN 1 85928365 X [Book Section]

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Sandys, Kathrine. 2012. I Thought I Grew An Ear in My Stomach: The Phenomenological Experience of the Art Event as Sublime Encounter. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Sarcich, Paul. 2010. Commentary on the Submitted Portfolio of Compositions. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Sarlo, Dario. 2010. Investigating Performer Uniqueness: The Case of Jascha Heifetz. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Scarfe, Dawn. 2011. Resonating bodies: an artist's enquiry into sympathies between the audible and the material. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Sledmere, Adrian. 2010. Interrogating Talent: Struggles and Strategies in the Popular Music Industry. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Sleeps, Lisa, Saez , Carlos and Romano, Carolina. Ice Cream. [Audio]

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Sophocleous, Charalambos. 2013. Portfolio and Exegesis: Composing Through a Spectral Scope. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Statherou, Stamatia. 2014. Forming a Musical Discourse: ‘Voice Interchangeability’ and Prolongation as Structural Devices and Means of Development. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Stavlas, Nikolaos. 2012. Reconstructing Beethoven: Mauricio Kagel’s Ludwig van. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Toledo, Alejandro. 2013. World Music, Creative Reinterpretation, and the East Moldavian Roma Tradition . Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Wigens, Jeremy. 2014. Portfolio of Compositions for Creative Musicians and Accompanying Commentary. Doctoral thesis, Goldsmiths, University of London. [Thesis]

Wilshere, Brian. 2007. Brian Wilshere: The Drummer as Composer. Doctoral thesis, Goldsmiths, University of London. [Thesis]

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Young, Michael W.. 2004. Argrophylax. [Composition]

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Young, Michael W.. 2009. Creative Computers, Improvisation and Intimacy. Dagstuhl Seminar Proceedings(09291), pp. 1-7. [Article]

Young, Michael W.. 2006. Ebbs. [Composition]

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Young, Michael W.. 2010. Identity and Intimacy in Human-Computer Improvisation. Leonardo Music Journal, 20(n/a), p. 97. ISSN 0961-1215 [Article]

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Young, Michael W.. 2007. 'NN Music: Improvising with a 'Living' Computer'. In: International Computer Music Conference. San Francisco 2007. [Conference or Workshop Item]

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Young, Michael W.. 2008. oboe_prosthesis (live performance). In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom. [Performance]

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Young, Michael W.. 2008. piano_prosthesis (live performance). In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom. [Performance]

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Young, Michael W.. 2010. piano_prosthesis2 (live performance). In: "Australasian Computer Music Conference 2010", Canberra, Australia. [Performance]

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Young, Michael W. and Adderley, Paul. 2012. Exposure: Living in Extreme Environments: Video. [Film/Video]

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Young, Michael W. and Adderley, Paul. 2007. Here is Now and There the Sound of the Land: 'Ground-breaking'. MutaMorphosis: Challenging Arts and Sciences Conference Proceedings, p. 1. [Article]

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Young, Michael W. and Bown, Oliver. 2010. Clap-along: A negotiation strategy for creative musical interaction with computational systems. Proceedings of the International Conference on Computational Creativity 2010, pp. 215-222. [Article]

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Young, Michael W., Drever, John L., Grierson, Mick and Stonehouse, Ian. 2008. Goldsmiths Electronic Music Studios: 40 Years. International Computer Music Conference Proceedings 2008, pp. 315-318. [Article]

Young, Michael W. and Goto, J.. 2002. 1. Loss of Face and 2. New World Circus. In: "1. Loss of Face and 2. New World Circus", 1. Loss of Face. Norwich Gallery, Wolsey Art Gallery, Hartlepool Art Gallery 2002. 2. New World Circus Mercer Art Gallery, Harrogate. Focal Point Gallery, Southend on Sea. Stephen Lawrence Gallery, London. 4U of Brighton Gallery. Ovada Gallery, Oxford. , 6/30/2006 - 11/3/2007. [Show/Exhibition]

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Zolinsky, Andrew. 2001. Old, new, borrowed, blue: a series of three solo piano recitals. In: "Old, new, borrowed, blue: a series of three solo piano recitals", Purcell Room, London (first recital); The Warehouse, London (second and third recitals), 2/3/2001 - 6/6/2001. [Performance]

Zolinsky, Andrew. 2006. Unsuk Chin: Piano Concerto. In: "Unsuk Chin: Piano Concerto", Piano Concerto: BBC Maida Vale Studios, London, 4/13/2006 - 10/7/2007. [Performance]

This list was generated on Fri Oct 24 22:30:29 2014 BST.