Items Authored/Edited by Rogers, Holly
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Number of items: 62.
2024
Rogers, Holly.
2024.
“The Shock of Time”: Hauntological Echoes of La Folia in Max Richter’s Woolf Works.
In: Delphine Vincent and Holly Rogers, eds.
Max Richter: History, Memory, Nostalgia.
Turnhout, Belgium: Brepols.
ISBN 978-2-503-61185-3
[Book Section]
2023
Rogers, Holly.
2023.
“I feel like I’ve heard it before”: The Audiovisual Echoes of YouTube.
In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds.
Remediating Sound: Repeatable Culture, YouTube and Music.
London: Bloomsbury, pp. 1-34.
ISBN 9781501387326
[Book Section]
Rogers, Holly.
2023.
Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation.
In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds.
Remediating Sound: Repeatable Culture, YouTube and Music.
London: Bloomsbury Academic, pp. 113-144.
ISBN 9781501387326
[Book Section]
Goddard, M N.
2023.
Sincere, Authentic, Remediated: The Affective Labour and Cross Cultural Remediations of Music Video Reaction Videos on YouTube.
In: Holly Rogers; Joana Freitas and João Francisco Porfirio, eds.
Remediating Sound: Repeatable Culture, YouTube and Music.
London: Bloomsbury Academic, pp. 73-92.
[Book Section]
Rogers, Holly; Freitas, Joana and Porfírio, João Francisco, eds.
2023.
Remediating Sound: Repeatable Culture, YouTube and Music.
London: Bloomsbury Academic.
ISBN 9781501387340
[Edited Book]
Rogers, Holly.
2023.
“Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers.
In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds.
YouTube and Music: Online Culture and Everyday Life.
London: Bloomsbury Academic, pp. 1-38.
ISBN 9781501387272
[Book Section]
Rogers, Holly; Freitas, Joana and Porfírio, João, eds.
2023.
YouTube and Music: Online Culture and Everyday Life.
London: Bloomsbury Academic.
ISBN 9781501387272
[Edited Book]
2022
Rogers, Holly; Alvim, Luíza and Paiva Chaves, Renan.
2022.
Contemporary Audiovisualities, Intermediality and Remediation.
Revista Eco-Pós, 21(1),
pp. 320-341.
ISSN 2175-8689
[Article]
Rogers, Holly and Britton, Heather.
2022.
The Spaces Beyond: Experimenting with the Theory of Audiovisual Concrète.
[in]Transition: Journal of Videographic Film & Moving Image Studies, 9(1),
ISSN 2469-4312
[Article]
2021
Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale.
2021.
Ben Salisbury: Scoring Science for Alex Garland.
In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds.
Cybermedia: Explorations in Science, Sound, and Vision.
New York: Bloomsbury, pp. 130-137.
ISBN 9780190853617
[Book Section]
Rogers, Holly; Vernallis, Carol; Kara, Selmin and Leal, Jonathan, eds.
2021.
Cybermedia: Explorations in Science, Sound, and Vision.
New York: Bloomsbury Academic.
ISBN 9781501357053
[Edited Book]
Rogers, Holly and Vernallis, Carol.
2021.
Terence Nance: Random Acts of Flyness.
In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds.
Cybermedia: Explorations in Science, Sound, and Vision.
New York: Bloomsbury, pp. 311-328.
ISBN 9780190853617
[Book Section]
Rogers, Holly.
2021.
Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film.
In: Carlo Cenciarelli, ed.
The Oxford Handbook of Cinematic Listening.
Oxford: Oxford University Press, pp. 427-449.
ISBN 9780190853617
[Book Section]
2020
Rogers, Holly.
2020.
Locked Down Listening / Communal Re-Imagination.
Flow: A Critical Forum on Media and Culture,
[Article]
Vernallis, Carol; Rogers, Holly and Perrott, Lisa, eds.
2020.
Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics.
London: Bloomsbury Academic.
ISBN 9781501341007
[Edited Book]
Rogers, Holly.
2020.
Sonic Elongation: Creative Audition in Documentary Film.
JCMS: Journal of Cinema and Media Studies, 59(2),
pp. 88-113.
ISSN 0009-7101
[Article]
2019
Rogers, Holly.
2019.
The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch.
In: Carol Vernallis; Holly Rogers and Lisa Perrott, eds.
Transmedia Directors: Artistry, Industry and the New Audiovisual Aesthetics.
New York: Bloomsbury, pp. 241-270.
ISBN 9781501341007
[Book Section]
Rogers, Holly.
2019.
Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre.
In: Robert Adlington, ed.
New Music Theatre in Europe: Transformations Between 1955-1975.
Abingdon: Routledge, pp. 79-100.
ISBN 9781138323018
[Book Section]
2017
Rogers, Holly.
2017.
‘Audio-Visual Dissonance in Found Footage Films’.
In: Holly Rogers and Jeremy Barham, eds.
The Sound and Music of Experimental Film.
New York: Oxford University Press.
ISBN 9780190469900
[Book Section]
Rogers, Holly and Barham, Jeremy, eds.
2017.
The Music and Sound of Experimental Film.
New York: Oxford University Press.
ISBN 9780190469900
[Edited Book]
2016
Rogers, Holly.
2016.
‘The Public Will Only Believe the Truth If It Is Shot in 3D’ Michel van der Aa, ‘Nine Years in an Ophanage’ (Zenna), Sunken Garden, Scene 6.
Cambridge Opera Journal, 28(2),
pp. 277-282.
ISSN 0954-5867
[Article]
Rogers, Holly; Vernallis, Carol and Perott, Lisa.
2016.
Beyoncé’s Lemonade: She Dreams in Both Worlds.
Film International,
[Article]
2015
Rogers, Holly.
2015.
‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’.
In: Michael Spitzer, ed.
Beethoven.
Farnham: Ashgate, pp. 509-521.
ISBN 978-1-4724-4030-3
[Book Section]
Rogers, Holly.
2015.
‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’.
[Exhibition Catalogue]
2014
Rogers, Holly, ed.
2014.
Music and Sound in Documentary Film.
New York: Routledge.
ISBN 9780415728669
[Edited Book]
Rogers, Holly.
2014.
‘Music, Sound and the Nonfiction Aesthetic’.
In: Holly Rogers, ed.
Music and Sound in Documentary Film.
New York: Routledge, pp. 1-19.
[Book Section]
Rogers, Holly.
2014.
‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’.
Animation Journal, 22,
pp. 68-84.
[Article]
Rogers, Holly.
2014.
‘Twisted Synaesthesia: Visual Artists and the Music Video’.
In: Germano Celant, ed.
Music or Art.
Milan: Fondazione Prada, pp. 281-288.
[Book Section]
2013
Rogers, Holly.
2013.
‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’.
In: Claudia Gorbman; John Richardson and Carol Vernallis, eds.
The Oxford Handbook of New Audiovisual Aesthetics.
New York: Oxford University Press, pp. 525-542.
ISBN 9780199733866
[Book Section]
Rogers, Holly.
2013.
Composing with Reality: Digital Sound and Music in Documentary Film.
ZDOK: Zürcher Hochschule der Künste, 13,
pp. 1-13.
[Article]
Rogers, Holly.
2013.
Multimedia Art: Video Art-Music.
In: Tim Shepherd and Anne Leonard, eds.
Routledge Companion to Music and Visual Art.
New York: Routledge, pp. 367-375.
ISBN 9780415629256
[Book Section]
Rogers, Holly.
2013.
Sounding the Gallery: Video and the Rise of Art Music.
Oxford: Oxford University Press.
ISBN 978-0-19-986142-2
[Book]
Rogers, Holly.
2013.
‘Spatial Reconfiguration in Interactive Video Art-Music’.
In: Karen Collins; Bill Kapralos and Holly Tessler, eds.
The Oxford Handbook of Interactive Audio.
Oxford: Oxford University Press, pp. 15-30.
ISBN 9780199797226
[Book Section]
2012
Rogers, Holly.
2012.
‘Death for Five Voices: Gesualdo’s “poetic truth”’.
In: Brad Prager, ed.
A Companion to Werner Herzog.
Hoboken, N.J: Wiley-Blackwell, pp. 187-207.
ISBN 978-1-4051-9440-2
[Book Section]
2011
2010
2008
2007
2006
Rogers, Holly.
2006.
Acoustic Architecture: Music and Space in the Video Installations of Bill Viola.
twentieth-century music, 2(02),
pp. 197-219.
ISSN 1478-5722
[Article]
2005
2004
2000