Browse by Goldsmiths authors: Rogers, Holly
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Number of items: 42.
Article
Rogers, Holly.
2020.
Sonic Elongation: Creative Audition in Documentary Film.
JCMS: Journal of Cinema and Media Studies, 59(2),
pp. 88-113.
ISSN 0009-7101
[Article]
Rogers, Holly.
2016.
‘“The public will only believe the truth if it is shot in 3D”: Michel van der Aa, “Nine Years in an Ophanage” (Zenna), Sunken Garden, Scene 6’.
Cambridge Opera Journal, 28(2),
pp. 277-282.
ISSN 0954-5867
[Article]
Rogers, Holly; Vernallis, Carol and Perott, Lisa.
2016.
Beyoncé’s Lemonade: She Dreams in Both Worlds.
Film International,
[Article]
Rogers, Holly.
2014.
‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’.
Animation Journal, 22,
pp. 68-84.
[Article]
Rogers, Holly.
2013.
Composing with Reality: Digital Sound and Music in Documentary Film.
ZKOD, 13,
pp. 1-13.
[Article]
Rogers, Holly.
2006.
Acoustic Architecture: Music and Space in the Video Installations of Bill Viola.
twentieth-century music, 2(02),
pp. 197-219.
ISSN 1478-5722
[Article]
Book
Rogers, Holly.
2013.
Sounding the Gallery: Video and the Rise of Art Music.
Oxford: Oxford University Press.
ISBN 978-0-19-986142-2
[Book]
Book Section
Rogers, Holly.
2019.
The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch.
In: Carol Vernallis; Holly Rogers and Lisa Perrott, eds.
Transmedia Directors: Artistry, Industry and the New Audiovisual Aesthetics.
New York: Bloomsbury, pp. 241-270.
ISBN 9781501341007
[Book Section]
Rogers, Holly.
2019.
Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre.
In: Robert Adlington, ed.
New Music Theatre in Europe: Transformations Between 1955-1975.
Abingdon: Routledge, pp. 79-100.
ISBN 9781138323018
[Book Section]
Rogers, Holly.
2017.
‘Audio-Visual Dissonance in Found Footage Films’.
In: Holly Rogers and Jeremy Barham, eds.
The Sound and Music of Experimental Film.
New York: Oxford University Press.
ISBN 9780190469900
[Book Section]
Rogers, Holly.
2015.
‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’.
In: Michael Spitzer, ed.
Beethoven.
Farnham: Ashgate, pp. 509-521.
ISBN 978-1-4724-4030-3
[Book Section]
Rogers, Holly.
2014.
‘Music, Sound and the Nonfiction Aesthetic’.
In: Holly Rogers, ed.
Music and Sound in Documentary Film.
New York: Routledge, pp. 1-19.
[Book Section]
Rogers, Holly.
2014.
‘Twisted Synaesthesia: Visual Artists and the Music Video’.
In: Germano Celant, ed.
Music or Art.
Milan: Fondazione Prada, pp. 281-288.
[Book Section]
Rogers, Holly.
2013.
‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’.
In: Claudia Gorbman; John Richardson and Carol Vernallis, eds.
The Oxford Handbook of New Audiovisual Aesthetics.
New York: Oxford University Press, pp. 525-542.
ISBN 9780199733866
[Book Section]
Rogers, Holly.
2013.
Multimedia Art: Video Art-Music.
In: Tim Shepherd and Anne Leonard, eds.
Routledge Companion to Music and Visual Art.
New York: Routledge, pp. 367-375.
ISBN 9780415629256
[Book Section]
Rogers, Holly.
2013.
‘Spatial Reconfiguration in Interactive Video Art-Music’.
In: Karen Collins; Bill Kapralos and Holly Tessler, eds.
The Oxford Handbook of Interactive Audio.
Oxford: Oxford University Press, pp. 15-30.
ISBN 9780199797226
[Book Section]
Rogers, Holly.
2012.
‘Death for Five Voices: Gesualdo’s “poetic truth”’.
In: Brad Prager, ed.
A Companion to Werner Herzog.
Hoboken, N.J: Wiley-Blackwell, pp. 187-207.
ISBN 978-1-4051-9440-2
[Book Section]
Digital
Edited Book
Rogers, Holly; Vernallis, Carol and Perrott, Lisa, eds.
2020.
Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics.
London: Bloomsbury Academic.
ISBN 9781501341007
[Edited Book]
Rogers, Holly and Barham, Jeremy, eds.
2017.
The Music and Sound of Experimental Film.
New York: Oxford University Press.
ISBN 9780190469900
[Edited Book]
Rogers, Holly, ed.
2014.
Music and Sound in Documentary Film.
New York: Routledge.
ISBN 9780415728669
[Edited Book]
Edited Journal
Exhibition Catalogue
Rogers, Holly.
2015.
‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’.
[Exhibition Catalogue]
Thesis
Other