Browse by Goldsmiths authors: Rogers, Holly

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Number of items: 36.

Article

Rogers, Holly. 2016. ‘“The public will only believe the truth if it is shot in 3D”: Michel van der Aa, “Nine Years in an Ophanage” (Zenna), Sunken Garden, Scene 6’. Cambridge Opera Journal, 28(2), pp. 277-282. ISSN 0954-5867 [Article]

Preview

Rogers, Holly; Vernallis, Carol and Perott, Lisa. 2016. Beyoncé’s Lemonade: She Dreams in Both Worlds. Film International, [Article]

Rogers, Holly. 2014. ‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’. Animation Journal, 22, pp. 68-84. [Article]

Rogers, Holly. 2014. ‘Review: Unruly Media: YouTube, Music Video and the New Digital Cinema (Carol Vernallis); and An Eye for Music: Popular Music and the Audiovisual Surreal (John Richardson)’. Twentieth Century Music, 11(2), pp. 8-14. ISSN 1478-5722 [Article]

Rogers, Holly. 2011. ‘Review: A History of Film Music (Mervyn Cooke)’. Twentieth Century Music, 7(2), pp. 245-248. ISSN 1478-5722 [Article]

Rogers, Holly. 2011. ‘The Unification of the Senses: Intermediality in Video Art-Music’. The Journal of the Royal Music Association, 136(2), pp. 399-428. ISSN 0269-0403 [Article]

Rogers, Holly. 2008. ‘Audio-Visual Biography: Music and Image in Derek Jarman’s Caravaggio’. The Journal of Musicological Research, 27(2), pp. 134-168. ISSN 0141-1896 [Article]

Rogers, Holly. 2007. ‘Review: EcoMedia (Sean Cubitt)’. Scope: Journal of Film Studies, 7, [Article]

Rogers, Holly. 2007. ‘Review: The Museum of Modern Art and the Birth of Art Cinema (Haidee Wasson)’. Scope: Journal of Film Studies, 9, [Article]

Rogers, Holly. 2006. Acoustic Architecture: Music and Space in the Video Installations of Bill Viola. twentieth-century music, 2(02), pp. 197-219. ISSN 1478-5722 [Article]

Rogers, Holly. 2006. 'Beethoven’s Myth Sympathy: Hollywood’s Biographical Reconstruction'. British Postgraduate Musicology, 8, ISSN 1460-9231 [Article]

Rogers, Holly. 2005. 'Acoustic Architecture: Music and Space in the Video Installations of Bill Viola'. Twentieth Century Music, 2(2), pp. 197-219. ISSN 1478-5722 [Article]

Rogers, Holly. 2005. ‘Review: Cinema’s Illusions, Opera’s Allure (David Schroeder) / Hollywood Theory, Non-Hollywood Practice (Annette Davison)’. Scope: Journal of Film Studies, 2, [Article]

Rogers, Holly. 2004. 'Fitzcarraldo’s Search for Aguirre: Music and Text in the Amazonian Films of Herzog'. Journal of the Royal Musical Association, 129(1), pp. 77-99. ISSN 0269-0403 [Article]

Book

Rogers, Holly; Vernallis, Carol and Perrott, Lisa. 2016. New Approaches to Sound, Music and Media. Bloomsbury. [Book]

Preview

Rogers, Holly. 2013. Sounding the Gallery: Video and the Rise of Art Music. Oxford: Oxford University Press. ISBN 978-0-19-986142-2 [Book]

Rogers, Holly. 2010. Visualising Music: Audio-Visual Relationships in Avant-Garde Film and Video Art. Amsterdam: Lambert. ISBN 3838350561 [Book]

Book Section

Rogers, Holly. 2017. ‘Audio-Visual Dissonance in Found Footage Films’. In: Holly Rogers and Jeremy Barham, eds. The Sound and Music of Experimental Film. New York: Oxford University Press. ISBN 9780190469900 [Book Section]

Rogers, Holly. 2015. ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. In: Michael Spitzer, ed. Beethoven. Farnham: Ashgate, pp. 509-521. ISBN 978-1-4724-4030-3 [Book Section]

Rogers, Holly. 2014. ‘Music, Sound and the Nonfiction Aesthetic’. In: Holly Rogers, ed. Music and Sound in Documentary Film. New York: Routledge, pp. 1-19. [Book Section]

Rogers, Holly. 2014. ‘Twisted Synaesthesia: Visual Artists and the Music Video’. In: Germano Celant, ed. Music or Art. Milan: Fondazione Prada, pp. 281-288. [Book Section]

Rogers, Holly. 2013. ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. In: Claudia Gorbman; John Richardson and Carol Vernallis, eds. The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, pp. 525-542. ISBN 9780199733866 [Book Section]

Rogers, Holly. 2013. Multimedia Art: Video Art-Music. In: Tim Shepherd and Anne Leonard, eds. Routledge Companion to Music and Visual Art. New York: Routledge, pp. 367-375. ISBN 9780415629256 [Book Section]

Rogers, Holly. 2013. ‘Spatial Reconfiguration in Interactive Video Art-Music’. In: Karen Collins; Bill Kapralos and Holly Tessler, eds. The Oxford Handbook of Interactive Audio. Oxford: Oxford University Press, pp. 15-30. ISBN 9780199797226 [Book Section]

Rogers, Holly. 2012. ‘Death for Five Voices: Gesualdo’s “poetic truth”’. In: Brad Prager, ed. A Companion to Werner Herzog. Hoboken, N.J: Wiley-Blackwell, pp. 187-207. ISBN 978-1-4051-9440-2 [Book Section]

Rogers, Holly. 2008. ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. In: David Cooper, ed. Cinemusic: Constructing the Film Score. Cambridge: Cambridge Scholar's Publishing, pp. 141-164. [Book Section]

Rogers, Holly. "Audiovisual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre". In: R Adlington and G Borio, eds. New Music Theatre in Europe: Transformations Between 1955-1975. Venice: Fondazione Georgio Cini, Venice. [Book Section] (Submitted)

Digital

Preview

Rogers, Holly. 2013. Video Art Primer. [Digital]

Preview

Rogers, Holly. 2013. Early Music Videos and the Visual Music Scene. [Digital]

Edited Book

Rogers, Holly and Barham, Jeremy, eds. 2017. The Music and Sound of Experimental Film. New York: Oxford University Press. ISBN 9780190469900 [Edited Book]