Items where Division is "Visual Cultures > Centre for Research Architecture"

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Number of items at this level: 208.

Sökmen, Müge G. and Ertür, Başak, eds. 2010. Barbarları Beklerken: Edward W. Said Anısına. Istanbul, Turkey: Metis. ISBN 9789753426817 [Edited Book]

Segal, Rafi; Tartakover, David and Weizman, Eyal, eds. 2003. A Civilian Occupation: The Politics of Israeli Architecture. London; New York: Verso. ISBN 9781859845493 [Edited Book]

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Duncan, Ifor and Vallerani, Francesco, eds. 2023. Coastal Waterways, Cultural Heritage and Environmental Planning, Shima, 17(2). 1834-6057 [Edited Journal]

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Najafi, Sina and Weizman, Eyal, eds. 2021. Forensic Architecture Reports #1: The Police Shooting of Mark Duggan. Brooklyn, NY / London: Cabinet Books / Institute of Contemporary Art London. ISBN 9781932698855 [Edited Book]

Weizman, Eyal, ed. 2014. Forensis: The Architecture of Public Truth. Berlin: Sternberg. ISBN 978-3-95679-011-9 [Edited Book]

Ertür, Başak, ed. 2011. Manual for conspiracy. Sharjah, UAE: Sharjah Art Foundation, pp. 29-40. [Edited Book]

Keenan, Thomas and Weizman, Eyal, eds. 2011. Mengele’s Skull: Special Issue of Cabinet Journal, Cabinet, (43). [Edited Journal]

Ertür, Başak and Martel, James, eds. 2016. Something is Rotten in the State, Theory & Event, 19(1). 2572-6633 [Edited Journal]

Sökmen, Müge G. and Ertür, Başak, eds. 2008. Waiting for the Barbarians: A Tribute to Edward W. Said. London: Verso. ISBN 9781844672462 [Edited Book]

Sökmen, Müge G. and Ertür, Başak, eds. 2017. Warten auf die Barbaren: Zum Gedenken an Edward W. Said. Engelschoff, Germany: Verlag auf dem Ruffel. ISBN 9783933847515 [Edited Book]

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Abu Hamdan, Lawrence. 2018. Aural Contract: Investigations at the Threshold of Audibility. Doctoral thesis, Goldsmiths, University of London [Thesis]

Ahmed, Nabil. 2015. Earth Poison. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Andrews, Jorella G.. 2019. 'Making our way in semi-obscurity'. In: Extending the Image Workshop with Susan Sentler (LASALLE) for MA Design Expanded Practice students. Goldsmiths, University of London, United Kingdom 14 June 2019. [Conference or Workshop Item]

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Barber, Simon. 2018. Geometries of Life. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal. 2016. On Forensic Architecture: A Conversation with Eyal Weizman. October(156), pp. 116-140. ISSN 0162-2870 [Article]

Butler, Judith and Ertür, Başak. 2017. In Turkey, academics asking for peace are accused of terrorism. The Guardian, London. [Other]

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Caine, Ariel. 2020. Granular realism: Ontology and counter-dominant practices of spatial photography. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina. 2014. New Keywords: Migration and Borders. Cultural Studies, 29(1), pp. 55-87. ISSN 0950-2386 [Article]

Dadak, Zeynep; Ertür, Başak; Köstepen, Enis and Lebow, Alisa. 2007. For the record: The World Tribunal on Iraq. [Film/Video]

Duncan, Ifor. 2022. Drought in the Rivers of Forgetting. In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona, pp. 140-147. ISBN 9788494938870 [Book Section]

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Duncan, Ifor. 2023. Fugitive Rivers: Maroon Ecologies and Édouard Glissant’s La Lézarde. Green Letters: Studies in Ecocriticism, ISSN 1468-8417 [Article] (In Press)

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Duncan, Ifor. 2021. Hydrology of the Powerless. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Duncan, Ifor. 2021. The Meteorological Occult: Submergences in the Venetian Fog. Lagoonscapes. The Venice Journal of Environmental Humanities, 1(1), pp. 37-58. ISSN 2785-2709 [Article]

Duncan, Ifor. 2023. Necro-Hydrology. e-flux Architecture, [Article]

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Duncan, Ifor. 2024. River Cinema I. In: "River Cinema I", Goldsmiths, University of London, United Kingdom, 14 March 2024. [Show/Exhibition]

Duncan, Ifor. 2019. Undercurrents: Submergence and the Hidroituango Megadam. In: Lindsay Bremner, ed. Monsoon [+ other] Waters. London: A Monsoon Assemblages Publication, pp. 19-27. ISBN 9780992965709 [Book Section]

Duncan, Ifor and Levidis, Stefanos. 2022. 'Arcifinious'. In: José Roca and Juan Francisco Salazar, eds. Rīvus: A Glossary of Water. Sydney, Australia: Biennale of Sydney Ltd 2022, pp. 47-48. ISBN 9780958040327 [Book Section]

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Duncan, Ifor and Levidis, Stefanos. 2024. 'Weaponising a river / Median Line: a century of border violence and the alluvial geopolitics of the Evros/Meric/Maritsa River border'. In: War & Water: A seminar on toxicity, multispecies politics and waterways. Centre for Research in the Arts, Humanities and Social Sciences, University of Cambridge, United Kingdom 7 March 2024. [Conference or Workshop Item]

Duncan, Ifor and Levidis, Stefanos. 2020. Weaponizing a River. e-flux Architecture, [Article]

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Ertür, Başak. 2016. Barricades: resources and residues of resistance. In: Judith Butler; Zeynep Gambetti and Leticia Sabsay, eds. Vulnerability in Resistance. Durham, North Carolina: Duke University Press, pp. 97-121. ISBN 9780822362906 [Book Section]

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Ertür, Başak. 2019. Conscription and Critique. Critical Times, 2(2), pp. 270-284. ISSN 2641-0478 [Article]

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Ertür, Başak. 2014. The Gezi Uprising and Particularities of Discontent. Law and Critique, 25(1), pp. 3-7. ISSN 0957-8536 [Article]

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Ertür, Başak. 2020. La barricade. Techniques & Culture(74), pp. 72-73. ISSN 0248-6016 [Article]

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Ertür, Başak. 2019. Law of Denial. Law and Critique, 30(1), pp. 1-20. ISSN 0957-8536 [Article]

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Ertür, Başak. 2016. "Le Chevalier d'Éon": wagering in a wilderness of mirrors (English) / "Le Chevalier d'Éon": Aynaların Yabanında Bahse Tutuşmak (Turkish). In: Süreyyya Evren, ed. Nil Yalter: Off the Record. Istanbul, Turkey: Arter, pp. 92-105. ISBN 9786059606028 [Book Section]

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Ertür, Başak. 2012. Plenty of History. Manifesta Journal #15, Amsterdam. [Other]

Ertür, Başak. 2009. Report on the First Ergenekon Indictment. Technical Report. Amnesty International. [Report] (Submitted)

Ertür, Başak. 2022. Spectacles and specters: a performative theory of political trials. New York: Fordham University Press. ISBN 9781531501877 [Book]

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Ertür, Başak. 2016. The conspiracy archive: Turkey's deep state on trial. In: Stewart Motha and Honni van Rijswijk, eds. Law, Violence, Memory: Uncovering the Counter-Archive. Abingdon: Routledge, pp. 177-194. ISBN 9781138830639 [Book Section]

Ertür, Başak. 2017. The onus of thought in the War on Terror. Theory & Event, 20(1), pp. 66-75. ISSN 2572-6633 [Article]

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Ertür, Başak; Butler, Judith and Athanasiou, Athena. 2017. Türkçe Basıma Sunuş: Çeviride Mülksüzleşme. In: Judith Butler and Athena Athanasiou, eds. Mülksüzleşme Siyasaldaki Performatif. Istanbul, Turkey: Metis, pp. 9-21. [Book Section]

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Ertür, Başak and Lebow, Alisa. 2014. Coup de Genre: The Trials and Tribulations of Bülent Ersoy. Theory & Event, 17(1), ISSN 2572-6633 [Article]

Ertür, Başak and Martel, James. 2016. Introduction. Theory & Event, 19(1), ISSN 1092-311X [Article]

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Fernandez Pascual, Daniel. 2018. Financial Littorals: The Architecture of Profit Margins and Ambiguous Lands. Doctoral thesis, Goldsmiths, University of London [Thesis]

Franceschini, Silvia; Gigliotti, Roberto; Guidi, Emanuele and Pezzani, Lorenzo. 2020. Hostile Environment(s) – Designing Hostility, Building Refugia. [Digital]

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Franke, Anselm. 2021. The Third House: The Language of the Essay- Exhibition. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Heller, Charles. 2015. Liquid Trajectories : Documenting Illegalised Migration and the Violence of Borders. Doctoral thesis, Goldsmiths, University of London [Thesis]

Heller, Charles. 2014. Perception management – Deterring potential migrants through information campaigns. Global Media and Communication, 10(3), pp. 303-318. ISSN 1742-7665 [Article]

Heller, Charles and Pezzani, Lorenzo. 2014. 'All they did was taking pictures': Photography and the violence of borders. Philosophy of Photography, 5(2), pp. 93-97. ISSN 2040-3682 [Article]

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Heller, Charles and Pezzani, Lorenzo. 2019. Contentious Crossings: Struggles and Alliances for Freedom of Movement across the Mediterranean Sea. South Atlantic Quarterly, 118(3), pp. 644-653. ISSN 0038-2876 [Article]

Heller, Charles and Pezzani, Lorenzo. 2018. The Crime of Rescue. In: "Transmediale 2018. Face Value", Berlin, Germany, 31 January – 4 February 2018. [Show/Exhibition]

Heller, Charles and Pezzani, Lorenzo. 2018. Forensic Oceanography. In: "Counter Investigations", ICA, London, United Kingdom, 7 March – 13 May 2018. [Show/Exhibition]

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Heller, Charles and Pezzani, Lorenzo. 2020. Intervention: Forensic Oceanography—Tracing Violence Within and Against the Mediterranean Frontier’s Aesthetic Regime. In: Peter Adey; Janet C. Bowstead; Katherine Brickell; Vandana Desai; Mike Dolton; Alasdair Pinkerton and Ayesha Siddiqi, eds. The Handbook of Displacement. Cham, Switzerland: Palgrave Macmillan, pp. 453-458. ISBN 9783030471781 [Book Section]

Heller, Charles and Pezzani, Lorenzo. 2021. Liquid Violence. In: "17 Venice Architecture Biennale", Venice, Italy, 22 May – 21 November 2021. [Show/Exhibition]

Heller, Charles and Pezzani, Lorenzo. 2018. Liquid Violence. In: "Manifesta 12", Palermo, Italy, 16 June – 4 November 2018. [Show/Exhibition]

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Heller, Charles and Pezzani, Lorenzo. 2020. The Perils of Migration. Countervailing Mediations of Risk at the EU’s Maritime Frontier. In: Bishnupriya Ghosh and Bhaskar Sarkar, eds. The Routledge Companion to Media and Risk. New York: Routledge. ISBN 9781138638938 [Book Section]

Heller, Charles and Pezzani, Lorenzo. 2019. Sea Watch vs the Libyan Coast Guard. n/a. [Other]

Heller, Charles and Pezzani, Lorenzo. 2018. The Seizure of the Iuventa. n/a. [Other]

Heller, Charles and Pezzani, Lorenzo. 2014. Traces liquides : enquête sur la mort de migrants dans la zone-frontière maritime de l’Union européenne. Revue européenne des migrations internationales, 30(3-4), pp. 71-107. ISSN 0765-0752 [Article]

Heller, Charles; Pezzani, Lorenzo; Mann, Itamar; Moreno-Lax, Violeta and Weizman, Eyal. 2018. ‘It’s an Act of Murder’: How Europe Outsources Suffering as Migrants Drown. New York Times, ISSN 0362-4331 [Article]

Heller, Charles; Pezzani, Lorenzo; Stierl, Maurice and Saint-Saëns, Isabelle. 2019. Vers une politique de la liberté de mouvement. Communications, 2019/1(104), pp. 79-93. ISSN 0588-8018 [Article]

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Hernández Velázquez, Y. M.. 2023. 'Looking for the Exhibition in all the Wrong Places'. In: Symposium – QUESTIONS OF EXHIBITING. Kunsthochschule Kassel, Germany 14 - 15 July 2023. [Conference or Workshop Item]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2008. Decolonizing Architecture. In: "Decolonizing Architecture", Nottingham Contemporary, United Kingdom, 2008-2013. [Show/Exhibition]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2014. Dheisheh (Cisjordanie). Retours. Penser le futur dans l’extraterritorialité (un projet architectural). In: Michel Agier, ed. Un monde de camps. Paris: La Découverte. ISBN 9782707183224 [Book Section]

Hilal, Sandi; Petti, Alessandro; Weizman, Eyal and Perugini, Nicola. 2013. The lawless line. London Review of International Law, 1(1), pp. 201-209. ISSN 2050-6325 [Article]

Kastner, Jeffrey; McCarthy, Tom; Thompson, Nato and Weizman, Eyal. 2009. The New Geography: A Roundtable. Bookforum, [Article]

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Kazan, Helene. 2019. (De)Constructing Risk: The Weaponised and Commodified Home. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Keenan, Thomas and Weizman, Eyal. 2012. Mengele's Skull: The Advent of a Forensic Aesthetics. Berlin: Sternberg and Portikus. ISBN 978-1-934105-91-7 [Book]

Lebow, Alisa and Ertür, Başak. 2021. ‘Wo beginnen’ [‘Where to Begin? Revision as Method’]. In: Nicole Wolf, ed. Grenzfälle:Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner [Borderline Cases: Documentary practice between film and literature with Merle Kröger and Philip Scheffner]. Berlin: Verlag Vorwerk 8. ISBN 9783947238354 [Book Section]

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Levidis, Stefanos. 2021. BORDER NATURES. The Environment as Weapon at the Edges of Greece. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Licha, Jacques Emanuel. 2015. War Hotels. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Martinon, Jean-Paul. 2016. Between Earth and Sky. Journal of French and Francophone Philosophy, 24(1), pp. 25-44. ISSN 1936-6280 [Article]

Martinon, Jean-Paul. 2005. Strategies of (In)visibility. Republicart - EIPCP Web Journal, pp. 1-6. ISSN 1811-1696 [Article]

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Melitopoulos, Angela. 2016. Ways of Meaning: Machinic animims and the revolutionary practice of geo-psychiatry. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Miessen, Markus. 2017. Crossbenching : towards a proactive mode of participation as a Critical Spatial Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Moreno, Louis. 2018. Always crashing in the same city: real estate, psychic capital and planetary desire. CITY, 22(1), pp. 152-168. ISSN 1360-4813 [Article]

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Moreno, Louis. 2017. David Harvey. In: A Latham and R Kock, eds. Key Thinkers on Cities. Sage Publishing. ISBN 9781473907751 [Book Section]

Moreno, Louis. 2014. Mob deep: The underground current of urban revolution. Dialogues in Human Geography, 4(2), pp. 238-242. ISSN 2043-8206 [Article]

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Moreno, Louis. 2021. The Presence of the Past in the Platform, or the Cultural Logic of Absolute Rent. In: Peter Mörtenböck and Helge Mooshammer, eds. Platform Urbanism and Its Discontents. Rotterdam: nai010 uitgevers, pp. 63-72. ISBN 9789462086159 [Book Section]

Moreno, Louis. 2012. A Review of “Henri Lefebvre on Space: Architecture, Urban Research and the Production of Theory”. Annals of the Association of American Geographers, 102(4), pp. 885-890. ISSN 0004-5608 [Article]

Moreno, Louis. 2014. The urban process under financialised capitalism. City, 18(3), pp. 244-268. ISSN 1360-4813 [Article]

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Moreno, Louis and Bang Shin, Hyun. 2018. The Urban Process Under Planetary Accumulation by Dispossession. CITY, 22(1), pp. 78-87. ISSN 1360-4813 [Article]

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Moreno, Louis and Brar, Dhanveer Singh. 2022. 'Seven Theses on P-Funk'. In: eleven theses on p-funk. Nottingham Contemporary, United Kingdom 9 June 2022. [Conference or Workshop Item]

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Moreno, Louis and Vishmidt, Marina. 2019. 'End-of-the-World Trade: On the Speculative Economies of Art and Extraction'. In: End-of-the-World Trade: On the Speculative Economies of Art and Extraction. Goldsmiths, University of London, United Kingdom 21 - 22 June 2019. [Conference or Workshop Item]

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Nestler, Gerald. 2017. The Derivative Condition: A Present Inquiry into the History of Futures. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Pedalo, Mirna. 2019. The Gulf in Bosnia and Herzegovina: An (Un)Intentional Consequence of Peace. Doctoral thesis, Goldsmiths, University of London [Thesis]

Pereira, Godofredo Nobre Enes. 2015. The Underground Frontier : technoscience and resource extraction. Doctoral thesis, Goldsmiths, University of London [Thesis]

Petti, Alessandro; Hilal, Sandi and Weizman, Eyal. 2013. Architecture after Revolution. Berlin: Sternberg. ISBN 978-3-943365-79-5 [Book]

Petti, Alessandro; Perugini, Nicola; Hilal, Sandi and Weizman, Eyal. 2011. Linea verde, il limes senza legge. Limes, [Article]

Pezzani, Lorenzo. 2019. 'Hostile Environment'(s). In: "'Hostile Environment'(s)", ar/ge Kunst, Bolzano, Italy. [Show/Exhibition]

Pezzani, Lorenzo. 2020. 'Hostile Environment'(s). In: "Le Deracinement", Z33 – House of Contemporary Art, Design & Architecture, Belgium. [Show/Exhibition]

Pezzani, Lorenzo. 2020. Hostile Environments. e-flux Architecture, [Article]

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Pezzani, Lorenzo and Heller, Charles. 2019. AIS Politics: The Contested Use of Vessel Tracking at the EU’s Maritime Frontier. Science, Technology, & Human Values, 44(5), pp. 881-899. ISSN 0162-2439 [Article]

Pezzani, Lorenzo and Heller, Charles. 2013. A disobedient gaze: strategic interventions in the knowledge(s) of maritime borders. Postcolonial Studies, 16(3), pp. 289-298. ISSN 1368-8790 [Article]

Prendeville, Brendan. 2012. 'Modernism and figuration'. In: Steve Edwards and Paul Wood, eds. Art & Visual Culture 1850 – 2010: Modernity to Globalization. London, England: Open University / Yale, pp. 175-209. ISBN 9781849760973 [Book Section]

Prendeville, Brendan. 2009. Seurat and the act of sensing: perception as artefact. In: Paul Smith, ed. Seurat re-viewed. Pennsylvania: Pennsylvania State University Press, pp. 149-162. ISBN 978-0-271-03545-1 [Book Section]

Saadawi, Ghalya. 2022. Critical Incision: Hypochondria, Autotheory, and the Health-Illness Dialectic. philoSOPHIA, 12(1-2), pp. 57-83. ISSN 2155-0891 [Article]

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Saadawi, Ghalya. 2021. Hypochondriacal with the World. The Derivative, [Article]

Saadawi, Ghalya. 2012. Not, not Contemporary: The Eye of the Storm. Third Text, 26(4), pp. 379-382. ISSN 0952-8822 [Article]

Saadawi, Ghalya. 2022. Tactics of Alienation. In: Beate Söntgen and Julia Voss, eds. Why Art Criticism? A Reader. Berlin: Hatje Cantz, pp. 309-310. ISBN 9783775750745 [Book Section]

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Saadawi, Ghalya. 2022. Vapid Virtues, Real Stakes: Diagnosis for Left Art Protocols. In: Bassam El Baroni, ed. Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art. Berlin: Sternberg Press and Edith-Russ-Haus für Medienkunst, pp. 71-92. ISBN 9783956796005 [Book Section]

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Schuppli, Susan. 2015. 10th Shanghai Biennale. In: "The Social Factory", Shanghai, China, November 23 2014 – March 31 2015. [Show/Exhibition]

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Schuppli, Susan. 2015. Allegory of the Cave Painting. In: "Allegory of the Cave Painting", Extra City, Belgium, Sept 20 - Dec 7 2015. [Show/Exhibition]

Schuppli, Susan. 2014. Animism. In: "Animism", Ilmin Museum of Art, Seoul, Korea, Republic of, 6 Dec 2013 - 16 Mar 2014. [Show/Exhibition]

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Schuppli, Susan. 2019. Arguments: Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY. In: Richard K. Sherwin and Danielle Celermajer, eds. A Cultural History of Law in the Modern Age. London: Bloomsbury Academic, pp. 99-128. ISBN 9781474212854 [Book Section]

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Schuppli, Susan. 2021-22 COLD POLITICS. [Project]

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Schuppli, Susan. 2022. COLD RIGHTS. [Film/Video]

Schuppli, Susan. 2014. Can the Sun Lie? In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 56-64. ISBN 9783956790119 [Book Section]

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Schuppli, Susan. 2014. Can the Sun Lie?. [Film/Video]

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Schuppli, Susan. 2021. Cold Cases. [Film/Video]

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Schuppli, Susan. 2017. Computing the Law / Searching for Justice. In: Boris Buden,; Maria Hlavajova and Simon Sheikh, eds. Former West Art and the Contemporary after 1989. MIT Press: MIT Press. ISBN 9780262533836 [Book Section]

Schuppli, Susan. 2017. Consultant to the V&A. [Professional Activity]

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Schuppli, Susan. 2016. Delay Decay. [Art Object]

Schuppli, Susan. 2016. Dirty Pictures. In: Mirna Belina, ed. Living Earth: Field Notes from the Dark Ecology Project 2014-2016. Amsterdam: Sonic Acts Press, pp. 190-208. ISBN 978-90-823216-2-3 [Book Section]

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Schuppli, Susan. 2019. Disaster Film. [Art Object]

Schuppli, Susan. 2018. Eavesdropping. In: "Eavesdropping", Melbourne, Australia, 24 July – 20 Oct 2018. [Show/Exhibition]

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Schuppli, Susan. 2014. Entering Evidence: Cross-Examining the Court Records of the ICTY. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 279-314. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2018. 'Evidence in 74 million million million tons'. In: Evidence in 74 million million million tons. New York, United States April 29, 2018. [Conference or Workshop Item]

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Schuppli, Susan. 2014. Evidence on Trial. [Art Object]

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Schuppli, Susan. 2017. Ex-Ante. In: "Ex-Ante", Auckland, New Zealand, 27 October – 22 December 2017. [Show/Exhibition]

Schuppli, Susan. 2018. External Assessor. [Professional Activity]

Schuppli, Susan. 2016. Forensic Architecture. In: "Reporting from the Front", Venice, Italy, May 25 – November 27 2016. [Show/Exhibition]

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Schuppli, Susan. 2013-22 GEO-MEDIA. [Project]

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Schuppli, Susan. 2022. Gondwana. [Film/Video]

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Schuppli, Susan. September - October 2021 initial period of fieldwork HEAR: Himalayan Experiments in Acoustic Research. [Project]

Schuppli, Susan. 2014. Hlysnan: On the Notion & Politics of Listening. In: "Hlysnan: On the Notion & Politics of Listening", Casino Luxembourg, Luxembourg, May 17 – September 7 2014. [Show/Exhibition]

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Schuppli, Susan. 2017. The Images of War. In: "The Images of War", Stockholm, Sweden, 20 September 2017 – 14 January 2018. [Show/Exhibition]

Schuppli, Susan. 2019 - 2021 LEARNING FROM ICE. [Project]

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Schuppli, Susan. 2015. Law and Disorder. In: Christoph Cox; Jenny Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin: Sternberg Press, pp. 137-143. ISBN 9783956791260 [Book Section]

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Schuppli, Susan. 2023. Listening to Ice. [Film/Video] (Forthcoming)

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Schuppli, Susan. 2017. Material Truths. In: "Material Truths", Site Gallery, Sheffield, United Kingdom. [Show/Exhibition]

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Schuppli, Susan. 2015. Material Witness. [Film/Video]

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Schuppli, Susan. 2020. Material Witness: Media, Forensics, Evidence. Cambridge, MA: The MIT Press. ISBN 9780262043571 [Book]

Schuppli, Susan. 2017. Moscow Biennale. In: "Clouds ⇄ Forests", Moscow, Russian Federation, 19 September 2017 – 18 January 2018. [Show/Exhibition]

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Schuppli, Susan. 2024. Moving Ice. [Film/Video]

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Schuppli, Susan. 2016-2023 NUCLEAR COMMONS. [Project]

Schuppli, Susan. 2017. Resolution is not the Point. In: "London Art Fair", London, United Kingdom. [Show/Exhibition]

Schuppli, Susan. 2018. 'Shapes of Decay: A Discussion about Art and Ecology'. In: Shapes of Decay: A Discussion about Art and Ecology. Tate Modern, United Kingdom 24 APRIL 2018. [Conference or Workshop Item]

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Schuppli, Susan. 2016. Sound of Sand. [Audio]

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Schuppli, Susan. 2018. Space of Flows. In: "Space of Flows", Krakow, Poland, 24.05.2018 – 24.06.2018. [Show/Exhibition]

Schuppli, Susan. 2018. Stretching the Truth. In: "Stretching the Truth", Ian Potter Museum of Art, Australia, 28 July 2018. [Performance]

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Schuppli, Susan. 2016. The Sun Placed in the Abyss. In: "The Sun Placed in the Abyss", Columbus, Ohio, United States, October 7, 2016 to January 8, 2017. [Show/Exhibition]

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Schuppli, Susan. 2016. Trace Evidence. [Film/Video]

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Schuppli, Susan. 2015. Uneasy Listening. [Art Object]

Schuppli, Susan. 2014. Uneasy Listening. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 381-392. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2018. 'Unpacking the Processes of Artistic Knowledge'. In: Unpacking the Processes of Artistic Knowledge. Amsterdam, Netherlands 24.02.2018. [Conference or Workshop Item]

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Schuppli, Susan. 2017. Ural Industrial Biennial. In: "New Literacy", Ural, Russian Federation, 14.09 - 12.11.2017. [Show/Exhibition]

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Schuppli, Susan and Kraemer, Steffen. 2012. The Architecture of Conflict. In: "The Architecture of Conflict", Praque, Czech Republic, 28 February – 21 April 2018. [Show/Exhibition]

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Sebregondi, Francesco. 2020. The Smart City of Gaza Technologies of Containment and the Urban Condition. Doctoral thesis, Goldsmiths, University of London [Thesis]

Walters, William; Heller, Charles and Pezzani, Lorenzo. 2021. Viapolitics: Borders, Migration, and the Power of Locomotion. Durham, North Carolina: Duke University Press. ISBN 9781478013372 [Book]

Weizman, Eyal. 2014. Arafat’s Tomb. London Review of Books, 36(1), p. 26. [Article]

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Weizman, Eyal. 2023. Archaeology, Architecture and the Politics of Verticality. In: Ian Parker, ed. For Palestine: Essays from the Tom Hurndall Memorial Lecture Group. Cambridge: Open Book Publishers, pp. 123-142. ISBN 9781805110262 [Book Section]

Weizman, Eyal. 2014. The Architecture of Ariel Sharon. Al Jazeera English, [Article]

Weizman, Eyal. 2012. The Book of Destruction. London Review of Books, 34(23), p. 28. [Article]

Weizman, Eyal. 2012. Forensic Architecture. In: David Chipperfield; Kieran Long and Shumi Bose, eds. Common Ground: A Critical Reader. Venice: Marsilio. ISBN 978-88-3171-435-8 [Book Section]

Weizman, Eyal. 2012. Forensic Architecture. In: Meg McLagan and Yates Mckee, eds. Sensible Politics: The Visual Culture of Non-Governmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

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Weizman, Eyal. 2017. Forensic Architecture: Towards an Investigative Aesthetics. In: "Forensic Architecture: Towards an Investigative Aesthetics", Museu d’Art Contemporani de Barcelona (MACBA), Barcelona, Spain, 28 April - 15 October 2017. [Show/Exhibition]

Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. Brooklyn, NY: Zone Books. ISBN 9781935408864 [Book]

Weizman, Eyal. 2014. Holey Land. In: Stephen Shore, ed. Stephen Shore: From Galilee to the Negev. London; New York: Phaidon. ISBN 9780714867069 [Book Section]

Weizman, Eyal. 2013. The Image is the Bone. In: Thomas Keenan and Tirdad Zolghadr, eds. The Human Snapshot. Berlin: Sternberg Press. ISBN 978-3-943365-63-4 [Book Section]

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Weizman, Eyal. 2011. The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza. London: Verso Books. ISBN 9781844676477 [Book]

Weizman, Eyal. 2010. Legislative Attack. Theory, Culture & Society, 21(6), pp. 11-32. ISSN 0263-2764 [Article]

Weizman, Eyal. 26 September 2018 - 6 January 2019 The Long Duration of a Split Second. [Project]

Weizman, Eyal. 2013. The Matter of Memory. In: Adrián Villa Roja and Sophie O'Brien, eds. Today We Reboot the Planet: Adrián Villar Rojas catalogue. London: Serpentine Galleries. ISBN 9781908617156 [Book Section]

Weizman, Eyal. 2010. Political Plastic (Interview). Collapse, 6, pp. 257-303. [Article]

Weizman, Eyal. 2015. The Roundabout Revolutions. Berlin: Sternberg. ISBN 978-3-95679-098-0 [Book]

Weizman, Eyal. 2000. Yellow Rhythms. A Roundabout for London. Rotterdam: nai010. ISBN 978-90-6450-392-4 [Book]

Weizman, Eyal and Brauman, Rony. 2009. Humanitarian Support. In: Céline Condorelli, ed. Support Structures. Berlin: Sternberg. ISBN 978-1-933128-45-0 [Book Section]

Weizman, Eyal and Di Carlo, Tina. 2010. Dying to Speak: Forensic Spatiality (Interview). Log(20), [Article]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Morning After: Profaning colonial Architecture. In: Meg McLagan and Yates McKee, eds. Sensible Politics: The Visual Culture of Nongovernmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Return to the Common: DAAR: Decolonizing Architecture Art Residency. Manifesta, [Article]

Weizman, Eyal; Nankivell, Sarah; Varvia, Christina; Saraj, Sarah and Moafi, Samaneh. 2020. Forensic Architecture: True to scale. In: "Forensic Architecture: True to scale", Miami Dade College Museum of Art and Design (MOAD), United States, 20 February - 27 September 2020. [Show/Exhibition]

Weizman, Eyal and Sheikh, Fazal. 2015. The Conflict Shoreline: Colonialism as Climate Change. Göttingen: Steidl. ISBN 9783958290358 [Book]

Weizman, Ines and Weizman, Eyal. 2012. Mobilizing Dissent: The Possible Architecture of the Governed’. In: C. Greig Crysler; Stephen Cairns and Hilde Heynen, eds. The SAGE Handbook of Architectural Theory. London; Thousand Oaks, California: SAGE Publications. ISBN 9781446282632 [Book Section]

This list was generated on Fri Mar 29 03:03:35 2024 GMT.