Items where Division is "Music > Unit for Sound Practice Research"
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- Goldsmiths Departments, Centres and Research Units (23618)
- Music (1345)
- Unit for Sound Practice Research (238)
- Music (1345)
Jump to: Art Object | Article | Audio | Book | Book Section | Composition | Conference or Workshop Item | Digital | Edited Journal | Film/Video | Performance | Project | Report | Show/Exhibition | Thesis
Number of items at this level: 238.
Art Object
Article
Abtan, Freida.
2016.
Where is She: Find the Women in Electronic Music Culture.
Contemporary Music Review, 35(1),
pp. 53-60.
ISSN 0749-4467
[Article]
Adderley, W. Paul and Young, Michael W..
2009.
Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel.
Leonardo, 42(5),
pp. 404-411.
ISSN 0024-094X
[Article]
Alessandrini, Patricia.
2016.
Resisting reproduction in the digital age: notes on a sonic arts practice.
Nutida Musik,
[Article]
Bulley, James.
2016.
'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'.
Bricks From The Kiln(2),
[Article]
Bulley, James and Jones, Daniel.
2011.
Variable 4: A Dynamical Composition for Weather Systems.
Proceedings of International Computer Music Conference, (ICMC 2011),
[Article]
Bulley, James and Price, Astra.
2018.
The Talking Drum.
Leonardo Electronic Almanac, 22(1),
ISSN 1071-4391
[Article]
Drever, John L..
2013.
Impact on vulnerable sub-groups from ultra-rapid hand dryers.
Acoustics Bulletin, 38(6),
ISSN 0308-437X
[Article]
Drever, John L..
2019.
‘Primacy of the Ear’ – But Whose Ear?: the case for auraldiversity in sonic arts practice and discourse.
Organised Sound, 24(1),
pp. 85-95.
ISSN 1355-7718
[Article]
Drever, John L..
2002.
Sounding Dartmoor: A case study on the soundscapes of rural England at the opening of the 21st Century.
World Forum for Acoustic Ecology,
[Article]
Drever, John L..
2002.
Soundscape composition: the convergence of ethnography and
acousmatic music.
Organised Sound, 7(1),
pp. 21-27.
ISSN 1355-7718
[Article]
Drever, John L..
1999.
The exploitation of 'tangible ghosts': conjectures on soundscape recording and its reappropriation in sound art.
Organised Sound, 4(1),
pp. 25-29.
[Article]
Drever, John L.; Cobianchi, Mattia and Yildirim, Aysegul.
2021.
London Street Noises: A Ground-Breaking Field Recording Campaign from 1928.
Acoustics, 3(1),
pp. 118-136.
ISSN 2624-599X
[Article]
Drever, John L. and Oswald, Alice.
2021.
Listening In on a Dawn Springtime Walk by the River Dart with John Levack Drever and Alice Oswald.
Interim, 38(3),
ISSN 2475-8191
[Article]
Garrelfs, Iris.
2019.
override: An experiment in interrupting the congruity of audio-visual relationships.
SoundEffects: An Interdisciplinary Journal of Sound and Sound Experience, 8(1),
pp. 104-121.
[Article]
Young, Michael W..
2009.
Creative Computers, Improvisation and Intimacy.
Dagstuhl Seminar Proceedings(09291),
pp. 1-7.
[Article]
Young, Michael W..
2010.
Identity and Intimacy in Human-Computer Improvisation.
Leonardo Music Journal, 20(n/a),
p. 97.
ISSN 0961-1215
[Article]
Young, Michael W. and Adderley, Paul.
2007.
Here is Now and There the Sound of the Land: 'Ground-breaking'.
MutaMorphosis: Challenging Arts and Sciences Conference Proceedings,
p. 1.
[Article]
Young, Michael W. and Bown, Oliver.
2010.
Clap-along: A negotiation strategy for creative musical interaction with computational systems.
Proceedings of the International Conference on Computational Creativity 2010,
pp. 215-222.
[Article]
Young, Michael W.; Drever, John L.; Grierson, Mick and Stonehouse, Ian.
2008.
Goldsmiths Electronic Music Studios: 40 Years.
International Computer Music Conference Proceedings 2008,
pp. 315-318.
[Article]
Audio
Book
Book Section
Bulley, James.
2018.
'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'.
In: Geoffrey Cox, ed.
Soundings: Documentary Film and the Listening Experience.
Huddersfield: Huddersfield University Press, pp. 125-150.
ISBN 9781862181540
[Book Section]
Bulley, James and Gray, Andrew.
2017.
RDM in the Performing Arts: Living Symphonies by Daniel Jones & James Bulley (Unit for Sound Practice Research, Goldsmiths, University of London).
In: , ed.
LEARN Toolkit of Best Practice for Research Data Management.
London: University College London, pp. 59-65.
[Book Section]
Drever, John L..
2020.
Listening as Methodological Tool: Sounding Soundwalking Methods.
In: Michael Bull and Marcel Cobussen, eds.
The Bloomsbury Handbook of Sonic Methodologies.
London: Bloomsbury Academic, pp. 599-613.
ISBN 9781501338779
[Book Section]
Drever, John L..
2014.
SHIZENGAKU [BIWA/BIWAKO]: SONIC COMPLEMENT, COUNTERPOINT OR INTERPENETRATION?
In: Kazuto Yamamoto and Naomi Matsumoto, eds.
SHIZENGAKU: the Search for a Coming Aestethetic.
Kyoto: Nakanishiya, pp. 52-61.
ISBN 978-4-7795-0791-5
[Book Section]
Drever, John L..
2021.
Sound Art: Hearing in Particular.
In: Jane Grant; John Matthias and David Prior, eds.
The Oxford Handbook of Sound Art.
Oxford: Oxford University Press.
ISBN 9780190274054
[Book Section]
Drever, John L..
2019.
Soundscape Composition: Listening to Context and Contingency.
In: Michael Filimowicz, ed.
Foundations in Sound Design for Linear Media: A Multidisciplinary Approach.
New York: Routledge, pp. 358-379.
ISBN 9781138093966
[Book Section]
Drever, John L..
2009.
Soundwalking: Aural Excursions into the Everyday.
In: James Saunders, ed.
The Ashgate Research Companion to Experimental Music.
Aldershot: Ashgate, pp. 163-192.
ISBN 0754662822
[Book Section]
Composition
Conference or Workshop Item
Abtan, Freida.
2009.
'A Phenomenological Time-Based Approach to Videomusic Composition'.
In: Proceedings of the Toronto Electroacoustic Symposium. Toronto, Canada.
[Conference or Workshop Item]
Birnbaum, David; Xin Wei, Sha; Abtan, Freida and Wanderley, Marcelo M..
2007.
'Mapping and Dimensionality of a Cloth-based Sound Instrument.'.
In: Proceedings of the 4th Sound and Music Computing Conference. Lefkada, Greece.
[Conference or Workshop Item]
Bulley, James.
2017.
'Living Symphonies'.
In: Sound and Environment. University of Huddersfield, United Kingdom 29 June—1 July 2017.
[Conference or Workshop Item]
Bulley, James.
2017.
''Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'.'.
In: Sound and Music in Documentary Film. University of Huddersfield, United Kingdom 23—24 February 2017.
[Conference or Workshop Item]
Bulley, James.
2016.
'Tactus: Sound Scores for the Blind and Visually Impaired'.
In: 'Make:Shift': Crafts Council Conference 2016. Museum of Science and Industry, Manchester, United Kingdom 10 November 2016.
[Conference or Workshop Item]
Drever, John L..
2017.
'The Case For Auraldiversity In Acoustic Regulations And Practice: The Hand Dryer Noise Story'.
In: 24th International Congress on Sound and Vibration (ICSV24). Westminster, London, United Kingdom 23-27 July 2017.
[Conference or Workshop Item]
Drever, John L..
2013.
'Sanitary Soundscapes: the noise effects from ultra-rapid “ecological” hand dryers on vulnerable subgroups in publicly accessible toilets'.
In: AIA-DAGA 2013, the joint Conference on Acoustics, European Acoustics Association Euroregio, 39th annual congress of the Deutsche Gesellschaft für Akustik and the 40th annual congress of the Associazione Italiana di Acustica. Marano, Italy.
[Conference or Workshop Item]
Drever, John L..
2013.
'Silent Soundwalking: an urban pedestrian soundscape methodology'.
In: AIA-DAGA 2013, the joint Conference on Acoustics, European Acoustics Association Euroregio, 39th annual congress of the Deutsche Gesellschaft für Akustik and the 40th annual congress of the Associazione Italiana di Acustica. Merano, Italy.
[Conference or Workshop Item]
Drever, John L..
2011.
'Soundwalking in the City: a socio-spatio-temporal sound practice'.
In: 5th International Symposium on Temporal Design. Sheffield, United Kingdom 21-22 July 2011.
[Conference or Workshop Item]
Drever, John L..
2001.
'The Sublime in Acousmatic Music: Listening to the Unpresentable'.
In: Music Without Walls? Music Without Instruments?. De Montfort, United Kingdom 21-23 June.
[Conference or Workshop Item]
Drever, John L.; Melo, Andres and Wiggins, Geraint.
2005.
'Electroacoustic performance interfaces that learn from their users'.
In: International Computer Music Conference. Barcelona, Spain.
[Conference or Workshop Item]
Garrelfs, Iris.
2019.
'bodily interaction in vocal performance'.
In: Electropixel 2019. Goldsmiths, University of London, United Kingdom 11 July 2019.
[Conference or Workshop Item]
Digital
Edited Journal
Garrelfs, Iris, ed.
2014.
Reflections on Process in Sound Issue 3,
Reflection on Process in Sound Issue 3, 3.
[Edited Journal]
Garrelfs, Iris, ed.
2015.
Reflections on Process in Sound Issue 4,
Reflections on Process in Sound Issue 4, 4.
[Edited Journal]
Garrelfs, Iris, ed.
2017.
Reflections on Process in Sound Issue 5,
Reflections on Process in Sound Issue 5, 5.
[Edited Journal]
Film/Video
Young, Michael W. and Adderley, Paul.
2012.
Exposure: Living in Extreme Environments: Video.
[Film/Video]
Performance
Alessandrini, Patricia and Abtan, Freida.
2014.
Mondgewächse.
In: "World Premiere: Mondgewächse", Gothenburg Concert Hall, Sweden, May - October 2014.
[Performance]
Bulley, James and Feshareki, Shiva.
2018.
Still Point.
In: "BBC Prom 13", Royal Albert Hall, London, United Kingdom, 23 July 2018.
[Performance]
Bulley, James and Jones, Daniel.
2013.
Radio Reconstructions.
In: "Sound Arts", Queen Elizabeth Hall, United Kingdom, 9 May 2013.
[Performance]
Garrelfs, Iris.
2020.
"Breathing Through Wires" at BEASTdome/ CrossCurrents+ The Dome mini festival, The Bramall, Birmingham University.
In: "BEASTdome/ CrossCurrents+ The Dome mini festival", The Bramall, Birmingham University, United Kingdom.
[Performance]
Garrelfs, Iris.
2019.
"Lauschen" at Iklectik.
In: ""Lauschen" at Iklectik", Iklectik, London, United Kingdom.
[Performance]
Garrelfs, Iris.
2018.
Live voice/laptop performance.
In: "</CODING in GE> Festival", IKLECTIK, London, United Kingdom.
[Performance]
Garrelfs, Iris.
2018.
Performance of Lauschen at Fusion Arts, Oxford, by Iris Garrelfs.
In: "Acquisition of Sorts", Fusion Arts, Oxford.
[Performance]
Young, Michael W..
2008.
oboe_prosthesis (live performance).
In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom.
[Performance]
Young, Michael W..
2008.
piano_prosthesis (live performance).
In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom.
[Performance]
Young, Michael W..
2010.
piano_prosthesis2 (live performance).
In: "Australasian Computer Music Conference 2010", Canberra, Australia.
[Performance]
Project
Bulley, James; Sahin, Ozden; Spinelli, Emmanuel; Tanaka, Atau; Hosang, Georgina M.; Cubitt, Sean; Drever, John L. and Kanngieser, Anja.
2014.
Sound and the City (Natural History Museum).
[Project]
Report
Bulley, James; Jones, Daniel; Forestry Commission England and Sound and Music.
2016.
Planning and Producing Artworks in the Natural Environment.
Project Report.
Forestry Commission England and Sound and Music, London.
[Report]
Show/Exhibition
Bulley, James.
2015.
Tactus No.1.
In: "Sonic Pattern, Mykolas Žilinskas Art Gallery, Kaunas Biennial", Kaunas, Lithuania, 18 September – 1 January 2016.
[Show/Exhibition]
Garrelfs, Iris.
2017.
"Listening Wall" at Supernormal Festival 2017.
In: "Supernormal Festival", Braziers Park, Oxfordshire, United Kingdom.
[Show/Exhibition]
Garrelfs, Iris.
2019.
The Listening Wall, at Musikkens Hus, Aalborg, Denmark.
In: "of 8th International Conference on the Histories of Media Art, Science and Technology –RE:SOUND", Musikkens Hus, Aalborg, Denmark, Denmark.
[Show/Exhibition]
Garrelfs, Iris.
2020.
"Virtual Listening Wall" at the 56th RMA annual conference, part of the "Listening Wall" project..
In: "Royal Musical Association 56th Annual Conference", Online, United Kingdom, 8 - 10 September 2020.
[Show/Exhibition]
Thesis
Bulley, James.
2018.
Sounding Materiality : Explorations In Resonant Practice.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Chung, Hsiang Ying.
2014.
A Sound Encounter of En Creux: in-between Roni Horn, Alvin Lucier, and Robert Smithson.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
DeLaurenti, Christopher.
2020.
Activist Sound: Field Recording, Phonography, and Soundscapes of Protest.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Drever, John L..
2001.
Phonographies: Practical and Theoretical Explorations into Composing with Disembodied Sound.
Doctoral thesis, University of Plymouth
[Thesis]
Fontaine, Gregorio.
2019.
Vacilar: The Entanglement of Self-expression and its Outside.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Ikeshiro, Ryo.
2013.
Studio Composition: Live Audiovisualisation Using Emergent Generative Systems.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Keenan, Jeremy.
2011.
The Aural and the Quotidian: Everyday Experience in Listening and Practice.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Martinho, Claudia.
2019.
Aural Architecture Practice: Creative Approaches for an Ecology of Affect.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Perego, Tommaso.
2017.
Sonic Choreosophia: a cross-disciplinary investigation on sound and
movement practices.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Sandys, Kathrine.
2012.
I Thought I Grew An Ear in My Stomach:
The Phenomenological Experience of the Art Event
as Sublime Encounter.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Scarfe, Dawn.
2011.
Resonating bodies: an artist's enquiry into sympathies between the audible and the material.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Weleminsky, Carter Joseph.
2021.
Sonic Diaspora: Exploring Migration Through Interdisciplinary Soundscape
Composition.
Doctoral thesis, Goldsmiths, University of London
[Thesis]