Items where Division is "Theatre and Performance (TAP)"

Goldsmiths Departments, Centres and Research Units (27969)
- Theatre and Performance (TAP) (1082)
  - The Pinter Centre for Performance and Creative Writing (PCPCW) (72)

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Number of items at this level: 1055.

Morosetti, Tiziana, ed. 2018. Africa on the Contemporary London Stage. Cham, Switzerland: Palgrave Macmillan. ISBN 9783319945071 [Edited Book]

Okagbue, Osita, ed. 2007. African Performance Review, African Performance Review, . 1753-5964 [Edited Journal]

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Okagbue, Osita and Matzke, Christine, eds. 2009. African Theatre: Diasporas. Woodbridge, UK and Rochester, NY: James Currey. ISBN 9781847015013, 1847015018 [Book]

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Osborne, Deirdre, ed. 2016. The Cambridge Companion to British Black and Asian Literature (1945–2010). Cambridge and New York: Cambridge University Press. ISBN 9781107139244 [Edited Book]

Karantonis, Pamela; Placanica, Francesca; Sivuoja-Kauppala, Anne and Verstraete, Pieter, eds. 2014. Cathy Berberian: Pioneer of Contemporary Vocality. Farnham, United Kingdom: Ashgate Publishing (Routledge). ISBN 9781409469834 [Edited Book]

Osborne, Deirdre, ed. 2009. Contemporary Black British Women’s Writing Special Issue for Women: A Cultural Review, Women: A Cultural Review, 10(3). 0957-4042 [Edited Journal]

London, John and George, David, eds. 1996. Contemporary Catalan Theatre: An Introduction. Sheffield: Anglo-Catalan Society. ISBN 978-0950713786 [Edited Book]

Hilevaara, Katja and Orley, E, eds. 2018. The Creative Critic: Writing As/About Practice. London and New York: Routledge. ISBN 978113867482 / 9781138674837 [Edited Book]

Kelly, Kathryn; Meyrick, Julian; Graham, Fiona; Nepia, Moana and Coleman, Emily, eds. 2023. Critical Stages Issue 28: Postmillennial Dramaturgies in Australia and Aotearoa / New Zealand, Critical Stages, (28). 2409-7411 [Edited Journal]

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Alston, Adam and Desmarais, Jane H., eds. 2024. Decadent Plays, 1890-1930. London: Bloomsbury. ISBN 9781350171824 [Edited Book]

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Okagbue, Osita and Igweonu, Kene, eds. 2013. Diaspora Representations and the Interweaving of Cultures: Performative Inter-Actions in African Theatre Volume 1. Newcastle, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-5378-1 [Edited Book]

Molina, Victor and London, John, eds. 2013. El desig teatral d'Europa. Lleida: Punctum. [Edited Book]

Finburgh Delijani, Clare, ed. 2023. Face au passé colonial, Théâtre/Public, 246. 0335-2927 [Edited Journal]

Furse, Anna F. D., ed. 2010. Gender Forum: Gender and Performance, Gender Forum, 31. [Edited Journal]

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Furse, Anna F. D., ed. 2010. Gender and Performance: Theatre / Dance / Technology, Gender Forum: An Internet Journal for Gender Studies, 31. [Edited Journal]

Rubino, Nina and Shevtsova, Maria, eds. 1989. Gramsci: His Thoughts and Influence. Sydney: FILEF Italo-Australian Publications. ISBN 0958993742 [Edited Book]

Finburgh, Clare and Boenisch, Peter, eds. 2018. The Great Stage Directors, volume 6: Littlewood, Planchon, Strehler. London: Bloomsbury Methuen. ISBN 9781474254168 [Edited Book]

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Osborne, Deirdre, ed. 2008. Hidden Gems. London: Oberon Books. ISBN 1-84002-843-0 [Edited Book]

Osborne, Deirdre, ed. 2012. Hidden Gems Volume II. London: Oberon Books. ISBN 9781849431484 [Edited Book]

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Okagbue, Osita and Igweonu, Kene, eds. 2013. Innovation, Creativity & Social Change: Performative Inter-Actions in African Theatre 2. Newcastle, UK: Cambridge Scholars Publishing. ISBN 978-1-4438-5380-4 [Edited Book]

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Biet, Christian; De Simone, Cristina and Finburgh Delijani, Clare, eds. 2019. Internationale situationniste. Théâtre, Performance, Théâtre/Public, 231. 0335-2927 [Edited Journal]

Cave, Richard and Levitas, Ben, eds. 2007. Irish Theatre in England. Dublin: Carysford Press. ISBN ISBN-10 1-904505-26-0 [Edited Book]

Finburgh, Clare; Lavery, Carl and Shevtsova, Maria, eds. 2006. Jean Genet: Performance and Politics. Palgrave. ISBN 9780230595439 [Edited Book]

London, John; Sirera, Josep Lluís and Rosselló, Ramon, eds. 2010. La recepció del teatre contemporani, Quaderns de filologia. Estudis literaris, 15. 1135 4178 [Edited Journal]

London, John; Rossello, Ramon and Lluis Sirera, Josep, eds. 2010. La recepció del teatre contemporani,. València: Universitat de València. [Edited Book]

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Osborne, Deirdre, ed. 2011. Lorraine Hansberry: A Raisin in the Sun [Critical Edition]. London: Methuen Drama. ISBN 9781408140901 [Edited Book]

Okagbue, Osita and Igweonu, Kene, eds. 2013. Making Space, Rethinking Drama and Theatre in Africa: Performative Inter-Actions in African Theatre Volume 3. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-5250-0 [Edited Book]

Finburgh, Clare, ed. 2014. Migration, Comparative Critical Studies, 11(2-3). 1744-1854 [Edited Journal]

London, John and George, David, eds. 2000. Modern Catalan Plays: Quarrelsome Party; the Audition; Desire; Fourplay. London: Methuen. ISBN 978-0413744401 [Edited Book]

Osborne, Deirdre; Brewer, Mary F. and Goddard, Lynette, eds. 2014. Modern and Contemporary Black British Drama. London and New York: Palgrave Macmillan. ISBN 9780230303195 [Edited Book]

Finburgh Delijani, Clare, ed. 2024. A New History of Theatre in France. Cambridge: Cambridge University Press. ISBN 9781108908566 [Edited Book]

Twitchin, Mischa and Lavery, Carl, eds. 2019. On Animism, Performance Research, 24(6). 1352-8165 [Edited Journal]

Gordon, Robert J. and Jubin, Olaf, eds. 2024. The Oxford Handbook of the Global Stage Musical. Oxford: Oxford University Press. ISBN 9780190909734 [Edited Book]

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Morosetti, Tiziana and Okagbue, Osita, eds. 2021. The Palgrave Handbook of Theatre and Race. Cham, Switzerland: Palgrave Macmillan. ISBN 9783030439569 [Edited Book]

Okagbue, Osita and Igweonu, Kene, eds. 2014. Performative Inter-Actions in African Theatre 1, 2 and 3. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781443856119 [Edited Book]

Cunningham, David; Fisher, Andrew and May, Sas, eds. 2005. Photography and Literature in the Twentieth Century. Cambridge Scholars Publishing. ISBN 978-1-9043-0346-6 [Edited Book]

Platt, Len; Becker, Tobias and Linton, David, eds. 2014. Popular Musical Theatre in London and Berlin, 1890 to 1939. Cambridge: Cambridge University Press. ISBN 9781107051003 [Edited Book]

Osborne, Deirdre, ed. 2011. A Raisin in the Sun. London: Methuen Drama. ISBN 978-1408140901 [Edited Book]

Lavery, Carl and Finburgh, Clare, eds. 2015. Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. London: Bloomsbury Academic. ISBN 9781472513205 [Edited Book]

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Evans, Mark; Fleming, Cass and Reed, Sara, eds. 2020. Special Issue Theatre, Dance and Performance Training 'Against the Canon', Theatre, Dance and Performance Training, 11(3). 1944-3927 [Edited Journal]

Guarracino, Serena and Morosetti, Tiziana, eds. 2017. Stages of Embodiment in Postcolonial Theatre, Textus: English Studies in Italy, 2017(2). 1824-3967 [Edited Journal]

Morosetti, Tiziana, ed. 2016. Staging the Other in Nineteenth-Century British Drama. Oxford: Peter Lang. ISBN 9783034319287 [Edited Book]

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Furse, Anna F. D., ed. 2011. THEATRE IN PIECES: POLITICS, POETICS AND INTERDISCIPLINARY COLLABORATION. AN ANTHOLOGY OF PLAY TEXTS, 1966-2010. London: Methuen. ISBN 978-1-4081-3996-7 [Edited Book]

Alston, Adam and Welton, Martin, eds. 2017. Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. London: Bloomsbury. ISBN 9781474251181 [Edited Book]

London, John, ed. 2000. Theatre under the Nazis. Manchester: Manchester University Press. ISBN 978-0719059919 [Edited Book]

Mazzilli, Mary; Bergen-Aurand, Brian and Wai-Siam, Hee, eds. 2015. Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Los Angeles: Bridge21 Publications. ISBN 978-1626430105 [Edited Book]

London, John, ed. 1996. The Unknown Federico García Lorca: Dialogues, Dramatic Projects, Unfinished Plays & a Filmscript. London: Atlas Press. ISBN 978-0947757946 [Edited Book]

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Alston, Adam and Bickley Trott, Alexandra, eds. 2021. Volupté: Interdisciplinary Journal of Decadence Studies, Volume 4, Issue 2 (Winter 2021): Decadence and Performance, Volupté: Interdisciplinary Journal of Decadence Studies, 4(2). 2515-0073 [Edited Journal]

Levitas, Ben and Holdeman, David, eds. 2009. W. B. Yeats In Context. Cambridge: Cambridge University Press. ISBN 9780521897051 [Edited Book]

Holdeman, David and Levitas, Ben, eds. 2010. W. B. Yeats in Context. Cambridge: Cambridge University Press. ISBN 978-0-521-897705-1 [Edited Book]

Twitchin, Mischa, ed. 2024. Wittgenstein and Performance. Lanham, Maryland: Rowman & Littlefield. ISBN 9781538175095 [Edited Book]

Adebayo, Mojisola. 2010. 48 Minutes for Palestine. In: "Ashtar Theatre", Ramallah, Palestinian Territory, Occupied. [Performance]

Adebayo, Mojisola. 2010. Desert boy. In: "Desert boy", The Albany, London, United Kingdom, April-June 2010. [Performance]

Adebayo, Mojisola. 2012. I Stand Corrected. In: "I Stand Corrected", Artscape Theatre, Cape Town, South Africa, 2012-2013. [Performance]

Adebayo, Mojisola; Mason-John, Valerie and Osborne, Deirdre. 2009. ‘No Straight Answers’: Writing in the Margins, Finding Lost Heroes. New Theatre Quarterly, 25(1), pp. 6-21. ISSN 0266-464X [Article]

Adeyemi, Sola and Oni, Duro, eds. 2011. Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. Rochester: Alpha Crownes Publishers. ISBN 9780956683700 [Edited Book]

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Adeyemi, Sola. 2007. Agony, Antigone and the Dialectics of Resistance in African Performance. African Performance Review, pp. 25-37. ISSN 1750-4848 [Article]

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Adeyemi, Sola. 2021. Aspects of Intercultural Performance Aesthetics in Femi Òsófisán’s Drama. African Performance Review, 11(2), pp. 7-27. ISSN 1750-4848 [Article]

Adeyemi, Sola. 2013. Colonial Alienation and the Ideology of Resistance: Femi Osofisan's Tegonni (An African Antigone). African Performance Review, 7(2), pp. 18-34. ISSN 1750-4848 [Article]

Adeyemi, Sola. 2002. The Dictating Currents and the Questioning of Tyranny in Africa: An Intertextual Study of Fémi Osófisan's Yungba-Yungba and the Dance Contest. In: Sue Kossew and Dianne Schwerdt, eds. Re-Imagining Africa: New Critical Perspectives (Horizons in Post-Colonial Studies). New York: Nova Science, pp. 43-56. ISBN 9781590331002 [Book Section]

Adeyemi, Sola, ed. 1999. Goddess of the storm and other stories: — a compilation of short stories by Nigerian authors Vol. 1. London: Smart Image. ISBN 9780953573509 [Edited Book]

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Adeyemi, Sola. 2018. I write as a pan-African: A Conversation with Oladipo Agboluaje. African Performance Review, 10(1), pp. 8-30. ISSN 1750-4848 [Article]

Adeyemi, Sola. 2013. Interpreting the Interpreters: The Narratives of the Postcolony in Wole Soyinka's The Interpreters. In: Bernth Lindfors and Geoffrey Davis, eds. African Literatures and Beyond. Brill, pp. 29-38. ISBN 9789042037380 [Book Section]

Adeyemi, Sola. 2013. Itàn Ogìnìntìn, the winter's tale: Shakespeare meets Yoruba gods. In: Jane Plastow and Martin Banham, eds. African Theatre 12: Shakespeare in & out of Africa. Woodbridge: Boydell & Brewer, pp. 48-60. ISBN 9781847010803 [Book Section]

Adeyemi, Sola. 2011. Language and Accessibility in Femi Osofisan’s Drama. In: Sola Adeyemi and Duro Oni, eds. Developments in the Theory and Practice of Contemporary Nigerian Drama and Theatre: A Festschrift in Honour of Dapo Adelugba. Rochester, UK: Alpha Crownes Publishers, pp. 187-202. ISBN 9780956683700 [Book Section]

Adeyemi, Sola. 2004. Making Colours, Remaking Life: Subversion in the Writing of Femi Osofisan. Africa e Mediterraneo: Cultura e Società, 46, pp. 69-73. ISSN 1121-8495 [Article]

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Adeyemi, Sola. 2017. Many Colours of an African Performative Ritual. Alarinjo: Oye Journal of Theatre and Media Arts, 1(2), pp. 16-30. ISSN 2636-7238 [Article]

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Adeyemi, Sola. 2017. Mitlerin Sahnelenmesi, Cagdsligin Rituellesmesil: Performing Myths, Ritualising Modernity. HECE Ozel Sayi:34 – Africa: Beyond 500 Years of Colonialism and Conflicts 246/247/248, 246, pp. 647-657. ISSN 1301-210X [Article]

Adeyemi, Sola. 2017. Performing Arts. In: Toyin Falola and Akintunde Akinyemi, eds. Culture and Customs of the Yoruba. Austin, Texas: Pan-African University Press, pp. 249-258. ISBN 9781943533183 [Book Section]

Adeyemi, Sola. 2021. Representing and Re-presenting Others in Yorùbá Performance. In: Tiziana Morosetti and Osita Okagbue, eds. The Palgrave Handbook of Theatre and Race. Cham, Switzerland: Palgrave Macmillan, pp. 425-442. ISBN 9783030439569 [Book Section]

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Adeyemi, Sola. 2018. Review of Iyunolu Osagie, "African Modernity and the Philosophy of Culture in the Works of Femi Euba". African Theatre 17: Contemporary Dance, pp. 223-225. [Article]

Adeyemi, Sola. 2019. Vision of Change in African Drama: Fémi Osófisan's Dialectical Reading of History and Politics. UK: Cambridge Scholars Publishing. ISBN 9781527536371 [Book]

Adeyemi, Sola. 2014. Working with Wole Soyinka [Tunji Oyelana in conversation with Sola Adeyemi],. African Theatre 13: Ngugi wa Thiong'o and Wole Soyinka(13), pp. 17-23. [Article]

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Adeyemi, Sola and Olasope, Olakunbi. 2011. Fracturing the Insularity of the Global State: War and Conflict in Moira Buffini's Welcome to Thebes. Lagos Notes and Records, 17, pp. 99-110. ISSN 0075-7640 [Article]

Ajaykumar. 2008. Pages of madness. [Digital]

Ajaykumar. 2007. Radio play. [Audio]

Ajaykumar. 2007. Toward Other Epistemologies of Interface Culture: Dependent Origination, Tantra and Relational Being in an Age of Digital Reproduction. Leonardo, 40 (5)(5), pp. 475-481. ISSN 0024094X [Article]

Ajaykumar. 2003. Uses of 'ma': towards a methodology for transforming a Japanese aesthetic paradigm into trans-cultural forms.. In: ""Uses of 'ma': towards a methodology for transforming a Japanese aesthetic paradigm into trans-cultural forms."", Riverside Studios, London, United Kingdom, 11/8/2003 - 11/22/2003. [Show/Exhibition]

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Al-Bustan, Lamees Ahmed. 2002. Social and Moral Education Through Drama: A Force For Change. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Al-Ghaith, Abdullah Hassan Ahmed. 2002. Theatre Design at the Royal Shakespeare Theatre (Stratford upon-Avon) (1963-1977) with Special Reference to the Work of Abd’Elkader Farrah. Doctoral thesis, Goldsmiths, University of London [Thesis]

Alleyne, Sade; Alleyne, Kristina and Graham, Fiona. 2022. Alleyne Dance, Far From Home, Official Trailer 2023. In: "FAR FROM HOME", The Place, London, United Kingdom, November 2022 - ongoing. [Performance]

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Alston, Adam. 2013. Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre. Performance Research, 18(2), pp. 128-138. ISSN 1352-8165 [Article]

Alston, Adam. 2016. Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. London: Palgrave Macmillan. ISBN 9781137480446 [Book]

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Alston, Adam. 2021. ‘Burn the witch’: Decadence and the occult in contemporary feminist performance. Theatre Research International, 46(3), pp. 285-302. ISSN 0307-8833 [Article]

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Alston, Adam. 2021. Carnal acts: Decadence in theatre, performance and live art. Volupté: Interdisciplinary Journal of Decadence Studies, 4(2), ii-xxiii. ISSN 2515-0073 [Article]

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Alston, Adam. 2012. Damocles and the Plucked: Audience Participation and Risk in Half Cut. Contemporary Theatre Review, 22(3), pp. 344-354. ISSN 1048-6801 [Article]

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Alston, Adam. 2023. Decadence and the Antitheatrical Prejudice. In: Dustin Friedman and Kristin Mahoney, eds. Nineteenth-Century Literature in Transition: The 1890s. Cambridge: Cambridge University Press, pp. 264-284. ISBN 9781009063852 [Book Section]

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Alston, Adam. 2012. Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond. Studies in Theatre and Performance, 32(2), pp. 193-208. [Article]

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Alston, Adam. 2019. Holstein’s hair: The Politics of Decadence in The Famous Lauren Barri Holstein’s Splat! In: Peter Eckersall and Helena Grehan, eds. The Routledge Companion to Theatre and Politics. Routledge. ISBN 9781138303485 [Book Section]

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Alston, Adam. 2017. Immersive theatre and the aesthetics of decadence: on the ruined worlds of Punchdrunk, SHUNT and Hammer Film Productions. Theatre and Performance Design, 3(4), pp. 199-217. ISSN 2332-2551 [Article]

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Alston, Adam. 2019. Immersive theatre in austerity Britain: Les Enfants Terribles’ riot in the Saatchi Gallery and the liquidation of differencEngine. Contemporary Theatre Review, 29(3), pp. 238-255. ISSN 1048-6801 [Article]

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Alston, Adam. 2024. "It is the spectator, and not life, that art really mirrors": Dorian Gray 2.0. Cusp: Late 19th-/Early 20th-Century Cultures, 2(2), pp. 339-346. ISSN 2768-637X [Article]

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Alston, Adam. 2016. Making Mistakes in Immersive Theatre: Spectatorship and Errant Immersion. Journal of Contemporary Drama in English, 4(1), pp. 61-73. [Article]

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Alston, Adam. 2015. Performing labour in Look Left Look Right's Above and Beyond. Research in Drama Education: The Journal of Applied Theatre and Performance, 20(1), pp. 50-61. ISSN 1356-9783 [Article]

Alston, Adam. 2013. Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images. In: Nicola Shaughnessy, ed. Affective Performance and Cognitive Science Body, Brain and Being. Bloomsbury (Methuen Drama). ISBN 9781408193150 [Book Section]

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Alston, Adam. 2016. The Promise of Experience: Immersive Theatre in the Experience Economy. In: James Frieze, ed. Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Palgrave Macmillan. ISBN 978-1-137-36603-0 [Book Section]

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Alston, Adam. 2012. Reflections on Intimacy and Narcissism in Ontroerend Goed's Personal Trilogy. Performing Ethos: International Journal of Ethics in Theatre & Performance, 3(2), pp. 107-119. ISSN 1757-1979 [Article]

Alston, Adam. 2023. Staging Decadence: Dress to Kill. In: "Staging Decadence: Dress to Kill", Queen Mary, University of London, United Kingdom, 24 May 2023. [Performance]

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Alston, Adam. 2023. Staging Decadence: Theatre, Performance, and the Ends of Capitalism. London: Bloomsbury Academic. ISBN 9781350237049 [Book]

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Alston, Adam. 2021. Survival of the sickest: On decadence, disease and the performing body. Volupté: Interdisciplinary Journal of Decadence Studies, 4(2), pp. 130-156. ISSN 2515-0073 [Article]

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Alston, Adam. 2016. 'Tell no-one': Secret Cinema and the Paradox of Secrecy. In: Anna Harpin and Helen Nicholson, eds. Performance and Participation: Practices, Audiences, Politics. Red Globe Press (Macmillan International). ISBN 9781137393173 [Book Section]

Alston, Adam; Condé, Alice and Prashar-Savoie, Anjali. 2022. Decadence @ Iklectik. In: "Decadence @ Iklectik", Iklectik Arts Lab, London, United Kingdom, 29 July 2022. [Performance]

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Alston, Adam and Daker, Rebecca. 2012. Contemporary Theatre "Philanthropy" and the Purchase of Participatory Privilege. Contemporary Theatre Review, 22(3), pp. 433-437. ISSN 1048-6801 [Article]

Alston, Adam; Desmarais, Jane H. and Meth, Jonathan. 2021. Decadent Plays. In: "Decadent Plays", The Albany, London, United Kingdom, 10 November 2021. [Performance]

Alston, Adam and Ideh, Amelia. 2020. Staging Decadence (project website). [Digital]

Alston, Adam; Messias, Nando and Williams, Sam. 2023. Nando Messias: decadence, performance and the archive (Staging Decadence residency - Goldsmiths). [Film/Video]

Alston, Adam and Parry, Owen. 2022. Staging Decadence (Documentary). [Film/Video]

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Alston, Adam; Parry, Owen and HERE, Arts Centre. 2021. HERE RAW: Staging Decadence. In: "HERE RAW: Staging Decadence", HERE, New York, United States, 9 September 2021. [Performance]

Alston, Adam; Parry, Owen and Rich Mix, Arts Centre. 2022. Staging Decadence (salon). In: "Staging Decadence (London salon)", Rich Mix, London, United Kingdom, 21 January 2022. [Performance]

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Amidu, Maria; Andrews, Tom; Corri, Tina; Flynn, Liz; Fox, Sarah; Mayo, Sue and McGuiness, Janice. 2019. Taking Care: the Art of Kindness. Other. People United, Canterbury, Kent. [Report]

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Antoniou, Michaela. 2011. Acting Tragedy in Twentieth-Century Greece: The Case of Electra by Sophocles. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Barbieri, Donatella. 2022. Reading Feminism, New Materialism and Post-colonial thought through Costume in Performance: Materiality, Culture and the Body. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Barghouti, Dia. 2021. Performances of the Sufi Ascent in Ibn ‘Arabī’s Metaphysics, Tunisian Ḥaḍra and DhikrRituals, and Three Sufi Plays: Journeys in God’s Vast Earth. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bell, Marcus. 2022. Bell, M. (2022) Review of Gianvittorio-Ungar, L. and K. Schlapbach (eds.) Choreonarratives: dancing stories in Greek and Roman antiquity and beyond. Bryn Mawr Classical Review, ISSN 1055-7660 [Article]

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Bell, Marcus. 2024. ‘Dance against the void’: Derek Jarman, dance, queer classical receptions. Classical Receptions Journal, 16(2), pp. 178-193. ISSN 1759-5134 [Article]

Bell, Marcus. 2023. Encountering Absence: Queer Traces, Ghosts, and Performance Otherwise. In: Ella Haselswerdt; Sara H. Lindheim and Kirk Ormand, eds. The Routledge Handbook of Classics and Queer Theory. Abingdon: Routledge, pp. 138-152. ISBN 9781032026794 [Book Section]

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Bell, Marcus. 2021. INFERNO: Catastrophically Queer. Agôn. Revue des arts de la scène, 9, ISSN 1961-8581 [Article]

Bogart, Anne and Shevtsova, Maria. 2021. Covid Conversations 2: Anne Bogart. New Theatre Quarterly, 37(2), pp. 103-118. ISSN 0266-464X [Article]

Braverman, Danny. 2018. Danny Braverman - Spare Tyre Interview. [Audio]

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Braverman, Danny. 2016-2019 Dialogue Across Difference: A Dramaturgical Framework. [Project]

Braverman, Danny. 2020. A Different Way - Evaluation. Unpublished. [Other]

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Braverman, Danny. 2012. Inclusive Theatre for Young Audiences. Project Report. TYA-UK. [Report]

Braverman, Danny. 2016. The Making of Wot? No Fish!! - Translating Outsider Art Into Theatrical Storytelling. [Audio]

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Braverman, Danny. 2002. Playing a Part: Drama & Citizenship. Stoke-on-Trent: Trentham Books (Institute of Education). ISBN 9781858567181 [Book]

Braverman, Danny. 2019. Re-igniting the radical legacy in Theatre for Young Audiences (TYA): How the work of David Johnston and Theatre Centre in the 1980s can inform current practice. Drama, 25(2), pp. 37-43. ISSN 0967-4454 [Article]

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Braverman, Danny. 2013. The Secret's Out: How Deaf and disabled artists working outdoors can build on the successes of 2012. Documentation. Emergency Exit Arts. [Report]

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Braverman, Danny. 2016. Something Inside So Strong. In: "Something Inside So Strong", Arcola Theatre, United Kingdom, 2016. [Performance]

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Braverman, Danny. 2013. Standing on the Shoulders of Giants. In: Susan Croft; Jessica Higgs and UNSPECIFIED, eds. Re-Staging Revolutions: Alternative Theatre in Lambeth and Camden 1968-88. London: Unfinished Histories, pp. 42-43. [Book Section]

Braverman, Danny. 2013. Storyteller, Medic or Missionary. Huffington Post, [Article]

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Braverman, Danny. 2022. "This Island's Mine": University Teaching as Inclusive Dramaturgy. In: Abby Day; Lois Lee; David S. P. Thomas and James Spickard, eds. Diversity, Inclusion, and Decolonization: Practical Tools for Improving Teaching, Research and Scholarship. Bristol: Bristol University Press, pp. 64-80. ISBN 9781529216646 [Book Section]

Braverman, Danny. 2013. Wot? No Fish!!. In: "The Knowledge Arts Festival", Summerhall, Edinburgh, United Kingdom, 2013-2019. [Performance]

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Braverman, Danny. 2021. Young People, Musical Theatre and Identity. In: Nicholas McGuinn; Norio Ikeno; Ian Davies and Edda Sant, eds. International Perspectives on Drama and Citizenship: Acting Globally. Abingdon: Routledge, pp. 29-38. ISBN 9780367524876 [Book Section]

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Braverman, Danny and Cassenbaum, Nick. 2016. Bubble Schmeisis. In: "Bubble Schmeissis", JW3, United Kingdom, 2015-2019. [Performance]

Braverman, Danny and Cassenbaum, Nick. 2018. My Kind of Michael. In: "My Kind of Michael", Yard Theatre, United Kingdom. [Performance]

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Braverman, Danny and Hunt, Ava. 2020. Creating Community Resilience: Theatre for Young Audiences and the Mental Health Crisis. Drama Research, ISSN 2040-2228 [Article]

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Braverman, Danny and Hunt, Ava. 17 November 2018 Pushing The Boundaries. [Project]

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Braverman, Danny and Hunt, Ava. 2019. 'Towards Community Resilience: Theatre for Young Audiences and the Mental Health Crisis'. In: Confronting the Present: (Re-)presenting Childhood. Kristainsand, Norway 2 - 5 September 2019. [Conference or Workshop Item]

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Braverman, Danny and Siffre, Labi. 2016. Something Inside So Strong. [Project]

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Braverman, Danny and Siffre, Labi. 2016. Something Inside So Strong - Script. Unpublished. [Other]

Brewer, Mary F.; Goddard, Lynette and Osborne, Deirdre. 2015. Framing Black British Drama: Past to Present. In: Mary F. Brewer; Lynette Goddard and Deirdre Osborne, eds. Modern and Contemporary Black British Drama. London: Palgrave Macmillan, pp. 1-15. ISBN 9780230303195 [Book Section]

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Burt, Philippa. 2023. American 'Invasions'. In: Helen E. M Brooks and Michael Hammond, eds. The Cambridge Companion to British Theatre of the First World War. Cambridge: Cambridge University Press, pp. 160-178. ISBN 9781108673778 [Book Section]

Burt, Philippa. 2017. 'Barker, Euripides and the War Effort in North America'. In: Dramaturgies of War: Institutional Dramaturgy, Politics and Conflict in the Nineteenth and Twentieth Centuries. University of Glasgow/Goethe-Institut Glasgow, United Kingdom 25 – 26 January 2018. [Conference or Workshop Item]

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Burt, Philippa. 2022. ‘The Best Thing I Ever Did on the Stage’: Edward Gordon Craig and the Purcell Operatic Society. New Theatre Quarterly, 38(3), pp. 258-269. ISSN 0266-464X [Article]

Burt, Philippa. 2018. 'Colluding to Protect the State? The Case of the Arts Council, Special Branch and Theatre Workshop'. In: Theatricality, Performance and the State. Queen Mary, University of London, United Kingdom 7 - 8 June, 2018. [Conference or Workshop Item]

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Burt, Philippa. 2024. Edward Gordon Craig as Teacher-Dictator. New Theatre Quarterly, 40(4), ISSN 0266-464X [Article] (In Press)

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Burt, Philippa. 2024. 'Embodying Performance Histories in everything that rises must dance'. In: TaPRA Annual Conference. Northumbria University, United Kingdom 4 - 6 September 2024. [Conference or Workshop Item]

Burt, Philippa. 2024. Ensembles and Companies. In: Claire Cochrane; Lynette Goddard; Catherine Hindson and Trish Reid, eds. The Routledge Companion to Twentieth Century British Theatre and Performance - Volume One: 1900–1950. Abingdon: Routledge. ISBN 9780367487898 [Book Section]

Burt, Philippa. 2018. From the Western Front to the East Coast: Barker's Trojan Women in the USA. New Theatre Quarterly, 34(4), pp. 326-338. ISSN 0266-464X [Article]

Burt, Philippa. 2012. Granville Barker’s Ensemble as a Model of Fabian Theatre. New Theatre Quarterly, 28(4), pp. 307-324. ISSN 0266-464X [Article]

Burt, Philippa. 2019. 'Harley Granville Barker as Director-Teacher'. In: Granville Barker: The New Research. Royal Central School of Speech and Drama, United Kingdom 23 February 2019. [Conference or Workshop Item]

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Burt, Philippa. 2015. The Ideal of Ensemble Practice in Twentieth-century British Theatre, 1900-1968.. Doctoral thesis, Goldsmiths, University of London [Thesis]

Burt, Philippa. 2021. 'The Meaning of Ensemble in the History of British Theatre'. [Audio]

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Burt, Philippa. 2016. The Merry Wives of Moscow: Komisarjevsky, Shakespeare, and Russophobia in the British Theatre. New Theatre Quarterly, 32(4), pp. 375-390. ISSN 0266-464X [Article]

Burt, Philippa. 2014. Punishing the Outsiders: Theatre Workshop and the Arts Council. Theatre, Dance and Performance Training, 5(2), pp. 119-130. ISSN 1944-3927 [Article]

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Burt, Philippa. 2019. Waste. Literary Encyclopedia, 1.2.08, ISSN 1747-678X [Article]

Burt, Philippa. 2018. 'The mind goes back to the golden fairies...' Granville Barker's Choral Work. In: Michael Patterson, ed. The Great European Stage Directors, Volume 4: Reinhardt, Jessner, Barker. London: Bloomsbury Academic. ISBN 9781474253970 [Book Section]

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Burt, Philippa and Shevtsova, Maria. 2024. Dialogue: The Role of the Editor. New Theatre Quarterly, 40(4), ISSN 0266-464X [Article] (In Press)

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Butusov, Yury and Shevtsova, Maria. 2023. In Conversation in Apocalyptic Times. New Theatre Quarterly, 39(4), pp. 283-306. ISSN 0266-464X [Article]

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Chakraborthy, Sudip. 2021. Performing the Nation: Identity, Violence and The Search for Plurality in Bangladesh. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Choi, Bo Ram. 2019. (Re)Shaping The Body: Reinventing Traditions in Contemporary Shakespeare Performances in Asia. Doctoral thesis, Goldsmiths, University of London [Thesis]

Clare, Ysabel. 2016. Stanislavsky’s quest for the Ideal Actor: the System as Socratic encounter. Theatre, Dance and Performance Training, 7(2), pp. 148-164. ISSN 1944-3927 [Article]

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Clare, Ysabel. 2017. Stanislavsky’s system as an enactive guide to embodied cognition? Connection Science, 29(1), pp. 43-63. ISSN 0954-0091 [Article]

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Clare, Ysabel. 2014. A Study of the Structure of Subjective Experience in Stanislavsky’s 'An Actor Prepares'. Doctoral thesis, Goldsmiths, University of London [Thesis]

Clare, Ysabel. 2016. A system behind the system: but is it Stanislavski? Stanislavski Studies, 4(2), pp. 89-109. [Article]

Clements, Paul. 2007. The Cultural Aspects of Social Exclusion ands the Stereotyping of Adolescent Males. Youth & Policy, 94, pp. 61-77. ISSN 02629798 [Article]

Clements, Paul. 2006. The Excluded Terms of Culture: Cultural Exclusion as Spectacle. Journal for Cultural Research, 10(4)(4), pp. 323-342. ISSN 14797585 [Article]

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Couch, Amanda and Alston, Adam. 2019. Digesting Ritual. [Artist's Book]

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Coupe, Alexander. 2020. The Gender Politics of Performance in Post-Agreement Northern Ireland: Reckoning with Interdependence. Doctoral thesis, Goldsmiths, University of London [Thesis]

Coupe, Alexander. 2017. Performing trauma in post-conflict Northern Ireland: ethics, representation and the witnessing body. Études irlandaises, 42(1), pp. 105-121. ISSN 0183-973X [Article]

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Crecis, Jorge. 2018. Towards Vivencia: A dance training methodology that generates a peak performative state through the ritualisation of actions. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Curpan, Gabriela. 2019. Stanislavsky’s Creative State on the Stage. A spiritual approach to the ‘system’ through practice as research. Doctoral thesis, Goldsmiths, University of London [Thesis]

Cusumano, Andrea. 2009. The Bitter Belief of Cotrone the Magician. In: "Area 10", London, United Kingdom, 2009-2011. [Performance]

Cusumano, Andrea. 2011. Clover's Lost Petal. In: "Graham Cartledge Pavilion Official Opening", Leicester, United Kingdom. [Performance]

Cusumano, Andrea. 2013. Dramaturgical use of sound in the work of Hermann Nitsch: Havana, Cuba 2012/Leipzig, Germany, 2013. In: "Havana Biennial", Havana, Cuba. [Performance]

Cusumano, Andrea. 2013. Petit Cheval Blanc. In: "5th International Theatre Festival of Kerala (ITFoK)", Thrissur, India, 2011-2013. [Performance]

Cusumano, Andrea and Formenti, Marino. 2009. Le ali della farfalla [The Wings of a Butterfly]. In: "Italia Teatro Festival", Naples, Italy, 2009-2011. [Performance]

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De Freitas, Paulo Luís. 2002. Shakespeare's Shrew: Orthodoxy and Carnival. Doctoral thesis, Goldsmiths, University of London [Thesis]

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De Roza, Elizabeth. 2020. The Embodied Practitioner: Towards A Decolonised Cross-Cultural Performance Practice Within A Glocal Singapore Context. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ekumah-Asamoah, Rachel Ekua. 2015. Theatre, Performance and Representation: African Diasporic Identity on the British Stage. Doctoral thesis, Goldsmiths, University of London [Thesis]

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El Ansary, Chirine. 2024. Performing in a Dominated Body: Redefining The One Thousand and One Nights' Narrative Identity through Praxis. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Evangelatou, Aphrodite. 2019. Awakening the Actor’s Emotional Expressivity: A Psychophysical Approach. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Evangelatou, Aphrodite. 2019. 'Awakening the Actor’s Emotional Expressivity: A Work Demonstration'. In: The Makings of the Actor | Towards Contemporary Acting Techniques, Practices & Methodologies. Athens, Greece 17-26 July 2019. [Conference or Workshop Item]

Evangelatou, Aphrodite. 2019. 'Beyond Exercise: The Pedagogy of Actor Training'. In: Theatre & Performance Research Association (TaPRA) Annual Conference. University of Exeter, United Kingdom 4 – 6 September 2019. [Conference or Workshop Item]

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Evangelatou, Aphrodite. 2021. Konstantin Stanislavski and Michael Chekhov: tracing the two practitioners’ “lures” for emotional activation. Stanislavski Studies, 9(1), pp. 21-39. ISSN 2056-7790 [Article]

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Evangelatou, Aphrodite. 2019. 'On Actor Training and Pedagogy: Enhancing Students’ Learning Though Encouraging the Accessing of the Flow State'. In: TaP Postgraduate Panel: Aphrodite Evangelatou and Dafne Louzioti. Goldsmiths, University of London, United Kingdom 12 March 2019. [Conference or Workshop Item]

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Evangelatou, Aphrodite. 2014. 'The Pleasure of Performing Grief: A Study on the Connections between Erotic Pleasure and Sadness in Performance'. In: Performing Grief International Conference. Paris-Sorbonne, France 17-18 October 2014. [Conference or Workshop Item]

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Evangelatou, Aphrodite. 2018. Reflections on the IPPT Ghent 2018. [Digital]

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Evangelatou, Aphrodite. 2019. 'Rhythm and Musicality as Tools for Accessing Acted Emotion'. In: International Conference: Rhythm and Resonance in Acting Practice. Copenhagen International School of Performing Arts, Denmark 8-10 March 2019. [Conference or Workshop Item]

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Evans, David. 2022. A Theatre of Applied Performativity: Play and the aesthetics of the Scripted Performance Workshop in Peer-facilitated Relationships and Sex Education. Doctoral thesis, Goldsmiths, University of London [Thesis]

Evans, Mark; Fleming, Cass; Loukes, Rebecca; Reed, Sara and Russell, Amy. 2020. Teaching with the Special Issue ‘Against the Canon’. Theatre, Dance and Performance Training Journal Blog. [Digital]

Evans, Mark; Fleming, Cass and Reed, Sara. 2020. Editorial, Special Issue 'Against the Canon'. Theatre, Dance and Performance Training, 11(3), pp. 245-252. ISSN 1944-3927 [Article]

Finburgh Delijani, Clare. 2022. Absence: Chloé Déchery’s A Duet Without You and Marguerite Duras. In: Chloé Déchery, ed. Performing Collaboration in Solo Performance: A Duet Without You and Practice as Research. Bristol: Intellect, pp. 122-136. ISBN 9781783209958 [Book Section]

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Finburgh Delijani, Clare. 2022. The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre. Modern Drama, 65(4), pp. 471-498. ISSN 0026-7694 [Article]

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Finburgh Delijani, Clare. 2020. The Anti-Monumental Cemetery: Ghosts in Jean Genet’s ‘Quatre heures à Chatila’. French Studies, 74(4), pp. 587-604. ISSN 0016-1128 [Article]

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Finburgh Delijani, Clare. 2019. “‘Ces portes entrouvertes qui filtrent le monde’. Graeme Miller : Entretien avec Clare Finburgh Delijani”. Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 231, pp. 82-92. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2023. Countering the Colonial Exhibition: Contemporary Performance in France. Modern Languages Open, ISSN 2052-5397 [Article] (Forthcoming)

Finburgh Delijani, Clare. 2022. The Ghosts of Slavery in Contemporary Theatre from the Francosphere. L'Esprit Créateur special issue, Replaying the Francophone Early Modern in the Twenty-First Century, 62(2), pp. 32-49. ISSN 0014-0767 [Article]

Finburgh Delijani, Clare. 2020. In Memoriam: Christian Biet (1952-2020). Contemporary Theatre Review, 30(4), pp. 595-598. ISSN 1048-6801 [Article]

Finburgh Delijani, Clare. 2024. In the Ruins of Tragedy: Action, Inactivity and Ecology in the Césaires’ Theatre and Thought. In: Ezra Baudou and Anne-Violaine Houcke, eds. Poetics, Politics and the Ruin in Cinema and Theatre since 1945. Oxford: Oxford University Press. [Book Section] (Forthcoming)

Finburgh Delijani, Clare. 2024. ‘“I’m gonna tap you in the face with this hammer”: Torture and the Ethics of Spectatorship in Dennis Kelly’s Works’. In: Jacqueline Bolton and Nicholas Holden, eds. Beautiful Doom: The Works of Dennis Kelly on Stage and in Television. Manchester: Manchester University Press. [Book Section] (In Press)

Finburgh Delijani, Clare. 2021. « Je cherche une langue non pas réaliste mais très écrite » Entretien avec Marie NDiaye. Théâtre/Public, 239, pp. 4-18. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2021. Jean Genet and the Sanctuary of the Sea. In: Florian Mussgnug; Mathelinda Nabugodi and Thea Petrou, eds. Thinking Through Relation: Encounters in Creative Critical Writing. Oxford: Peter Lang, pp. 133-156. ISBN 9781789976397 [Book Section]

Finburgh Delijani, Clare. 2024. “La Puissance de la présence et de l’action me flingue toujours”, entretien avec Rébecca Chaillon réalisé par Clare Finburgh Delijani. Théâtre/Public, 252, pp. 4-18. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2021. Le Passage du milieu dans le théâtre britannique. Théâtre/Public, 241, pp. 52-58. ISSN 0335-2927 [Article]

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Finburgh Delijani, Clare. 2023. Le « grin » de Fanon et le théâtre postcolonial en France. Théâtre/Public, 246, ISSN 0335-2927 [Article]

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Finburgh Delijani, Clare. 2022. “Nobody’s ever held the door open and invited women, Black people or disabled people in”: confronting discrimination in Marie NDiaye’s theater. CFC Intersections, 1(1), pp. 43-58. ISSN 2752-552X [Article]

Finburgh Delijani, Clare. 2022. Portes fermées, possibilités ouvertes dans le théâtre de Marie NDiaye. Parages, 11, pp. 105-115. ISSN 2494-8268 [Article]

Finburgh Delijani, Clare. 2021. Rire orchestré et révolte dans Les Nègres de Jean Genet. In: Florence Leca Mercier and Élise Nottet-Chedeville, eds. Jean qui rit et Jean qui leurre: Les rires de Genet: approches stylistiques et rhétoriques. Louvain-la-Neuve, Belgium: Éditions Academia, pp. 39-51. ISBN 9782806105998 [Book Section]

Finburgh Delijani, Clare. 2019. “Un metteur en scène, un théâtre, un continent, un monde. Thomas Ostermeier et la Schaubühne. Entretien réalisé par Clare Finburgh”. Théâtre/Public, 230, pp. 4-23. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2024. ‘A knotted primitive unity’. Negritude and Theatre as Ecological Rite. In: Carl Lavery, ed. The Cambridge Companion to Theatre and Ecology. Cambridge: Cambridge University Press. [Book Section] (In Press)

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Finburgh Delijani, Clare. 2019. “‘Élargir la part non médiocre de la vie’. La situation construite et le théâtre Contemporain”. Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 230, pp. 46-56. ISSN 0335-2927 [Article]

Finburgh Delijani, Clare. 2024. « Élargir le cercle » Le Public théâtral au XVIe siècle et aujourd’hui. In: Tiphaine Karsenti; Olivier Neveux and Christophe Triau, eds. Éloge du désordre : Pour Christian Biet. Paris: Classiques Garnier, pp. 45-64. ISBN 240615808X [Book Section]

Finburgh Delijani, Clare and Kelly, Dennis. 2021. Introduction to Dennis Kelly's DNA. In: Clare Finburgh Delijani, ed. DNA. London: Bloomsbury Academic, pp. 1-44. ISBN 9781350188044 [Book Section]

Finburgh, Clare and Lavery, Carl, eds. 2011. Contemporary French Theatre and Performance. Palgrave. ISBN 9780230305663 [Edited Book]

Finburgh, Clare. 2010. Croisements. In: Michel Corvin, ed. Noëlle Renaude : Un atlas alphabétique. Paris: Éditions Théâtrales, pp. 136-138. ISBN 9782842603267 [Book Section]

Finburgh, Clare. 2014. Derrière l’écran : La Guerre à la télévision sur la scène anglaise. Théâtre/Public, 212, pp. 99-108. ISSN 978-2-84260-660-2 [Article]

Finburgh, Clare. 2011. “Display and Disguise in Michel Vinaver’s 11 septembre 2001”. In: Manon Mathias; Maria O'Sullivan and Ruth Vortsman, eds. Essays in French Literature, Thought and Culture. Peter Lang, pp. 183-203. [Book Section]

Finburgh, Clare. 2014. Entries on Jean Genet, Eugène Ionesco and Michel Vinaver. In: Maggie B. Gale and John F. Deeney, eds. Fifty Modern and Contemporary Dramatists. London: Routledge. ISBN 9780415630368 [Book Section]

Finburgh, Clare. 2002. Facets of Artifice: Rhythms in the Theater of Jean Genet, and the Painting, Drawing and Sculpture of Alberto Giacometti. French Forum, 27(3), pp. 73-98. ISSN 0098-9355 [Article]

Finburgh, Clare. 2012. French Theatre ‘dans la merde’. Contemporary Theatre Review, 22(2), p. 287. ISSN 1048-6801 [Article]

Finburgh, Clare. 2016. Genet mis en scène : Table ronde avec Philippe Adrien, Antoine Bourseiller, Frédéric Fisbach et Sébastien Rajon. In: Agnès Vannouvong, ed. Genet et les arts. Dijon: Les Presses du Réel, pp. 147-160. ISBN 9782840666837 [Book Section]

Finburgh, Clare. 2010. Internal and External Dramaturgies: The French Context. Contemporary Theatre Review, 20(2), pp. 203-213. ISSN 1048-6801 [Article]

Finburgh, Clare. 2014. Jean Genet Eugène Ionesco, Michel Vinaver. In: Maggie Gale and John Deeney, eds. Fifty Contemporary and Modern Dramatists. Routledge, pp. 101-116. ISBN 9780415630351 [Book Section]

Finburgh, Clare. 2002. Jean Genet and the Poetics of Palestinian Politics: Statecraft as Stagecraft in 'Quatre heures a Chatila'. French Studies, 56(4), pp. 495-509. ISSN 0016-1128 [Article]

Finburgh, Clare. 2011. Jean Genet et le théâtre de l’‘ornement’. In: Hadrien Laroche, ed. Pour Genet. Editions MEET. ISBN 9782911686719 [Book Section]

Finburgh, Clare. 2016. Jean Genet et l’art du comédien: Un jeu maladroit. In: Agnès Vannouvong, ed. Genet et les arts. Les Presses du Réel, pp. 119-132. ISBN 9782840666837 [Book Section]

Finburgh, Clare. 2011. La Théâtralisation de l’attentat : la représentation du terrorisme dans le théâtre britannique contemporain. In: Christine Douxami, ed. Théâtres politiques en mouvement. Besançon: Les Cahiers de la MSHE, pp. 17-27. ISBN 9782848673943 [Book Section]

Finburgh, Clare. 2010. La Vue d'ailleurs. In: Michel Corvin, ed. Noëlle Renaude : Un atlas alphabétique. Paris: Éditions Théâtrales, pp. 162-163. ISBN 9782842603267 [Book Section]

Finburgh, Clare. 2011. Le théâtre britannique contemporain post-11 septembre 2001: du théâtre verbatim à l’allégorie. In: David Lescot and Laurent Véray, eds. Les mises en scène de la guerre au XXè siècle Théâtre et cinéma. Paris: Presses Universitaires de Paris Ouest, pp. 583-603. ISBN 2847365761 [Book Section]

Finburgh, Clare. 2007. Les Mille plateaux de Noëlle Renaude : Par les routes. Théâtre/Public, 183, pp. 26-31. ISSN 0335-2927 [Article]

Finburgh, Clare. 2006. 'Micro-treatise on a Mini-politics': Genet, Individualism and Collectivity. In: Clare Finburgh; Carl Lavery and Maria Shevtsova, eds. Jean Genet: Performance and Politics. Basingstoke: Palgrave Macmillan, pp. 79-91. ISBN 9780230595439 [Book Section]

Finburgh, Clare. 2015. Mises en scène de l’événement historique: la Terreur dans le théâtre anglais contemporain. In: Catherine Courtet; Mireille Besson; Françoise Lavocat and Alain Viala, eds. Corps en scènes. CNRS, pp. 189-200. ISBN 9782271086747 [Book Section]

Finburgh, Clare. 2014. Press, Patrols and Power: The British Army in Recent UK Theatre. Double jeu - Figurations du pouvoir, pp. 45-55. ISSN 1762 -0597 [Article]

Finburgh, Clare. 2012. Quel est le rôle des Nègres de Genet à Londres en 2007 ? The Blacks Remixed au Theatre Royal Stratford East. In: Eden Martin, ed. L'Héritage de Genet. Méthode !, pp. 91-98. ISBN 9782906591610 [Book Section]

Finburgh, Clare. 2004. Speech Without Acts: Politics and Speech-Act Theory in Genet's The Balcony. Paragraph, 27(2), pp. 113-129. ISSN 0264-8334 [Article]

Finburgh, Clare. 2014. Theatre’s Other: Event and Testimony in British Verbatim Plays. Sillages critiques, 18, ISSN 1969-6302 [Article]

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Finburgh, Clare. 2017. Théâtres de violence : Les nouvelles écritures théâtrales britanniques. Théâtre/Public, 223, pp. 31-64. [Article]

Finburgh, Clare. 2005. The Tragedy of Optimism: Kateb Yacine's Le cadavre encercle and Les ancetres redoublent de ferocite. Research in African Literatures, 36(1), pp. 115-129. ISSN 0034-5210 [Article]

Finburgh, Clare. 2011. Translating Contemporary French Theatre: How ‘Linguistic Translation’ becomes ‘Stage Translation’. In: Roger Baines; Cristina Marinetti and Manuela Perteguella, eds. Staging and Performing Translation. Basingstoke: Palgrave, pp. 230-249. ISBN 9780230228191 [Book Section]

Finburgh, Clare. 2007. Un monstre bariolé : Les Paravents de Jean Genet, mis en scène par Frédéric Fisbach. Alternatives théâtrales, 93(summer), pp. 24-27. ISSN 0774-4145 [Article]

Finburgh, Clare. 2004. Unveiling the Void: The Presence of Absence in the Scenography of Jean Genet's The Screens. Theatre Journal, 56(2), pp. 205-224. ISSN 0192-2882 [Article]

Finburgh, Clare. 2017. ‘Violence without Violence’: Spectacle, War and Lola Arias’s MINEFIELD (CAMPO MINADO). Theatre Research International, 42(2), pp. 163-178. ISSN 0307-8833 [Article]

Finburgh, Clare. 2007. Voix/Voie/Vie: The Voice in Contemporary French Theater. Yale French Studies, 112, pp. 99-115. ISSN 0044-0078 [Article]

Finburgh, Clare. 2011. “‘Vérité’ ou ‘mensonge’ ? Le Théâtre politique en Grande-Bretagne post-11 septembre”. Agôn (Special Issue), [Article]

Finburgh, Clare. 2008. Women in Howard Barker’s Theatre: Object or Subject? Études britanniques contemporaines, 35, pp. 127-139. ISSN 1168-4917 [Article]

Finburgh, Clare and Bradby, David. 2012. Jean Genet. Routledge. ISBN 9780415375061 [Book]

Fleming, Cass. 2016. 'Chekhov Technique for Catalyst Direction'. In: Chekhov Technique for Catalyst Direction - Paper. Young Vic Theatre, London, United Kingdom 26 April 2016. [Conference or Workshop Item]

Fleming, Cass. 2016. 'Chekhov Technique for Catalyst Direction. Practice Research Project Lecture, Young Vic Theatre'. In: Young Vic Theatre – Talk on the use of Chekhov Technique by Directors. Young Vic Theatre, London, United Kingdom 26 April 2016. [Conference or Workshop Item]

Fleming, Cass. 2023. 'Faculti - Playing Outside the Frame' film by Faculti Academic Streaming. [Film/Video]

Fleming, Cass. 2014. 'Genealogies of Actor Training: The work of Suzanne Bing'. In: QUORUM. Queen Mary, University of London, United Kingdom 26 February 2014. [Conference or Workshop Item]

Fleming, Cass. 2013. A Genealogy of the Embodied Theatre Practices of Suzanne Bing and Michael Chekhov: The Use of Play in Actor Training. Doctoral thesis, De Montfort University [Thesis]

Fleming, Cass. 2020. Introduction Chekhov Technique: Past, Present and Future. In: Cass Fleming and Tom Cornford, eds. Michael Chekhov in the Twenty First Century: New Pathways. London: Bloomsbury Methuen Drama. ISBN 9781474273183 [Book Section]

Fleming, Cass. 2013 - 2016 The Little Prince. [Project]

Fleming, Cass. 2019. 'MICHA and the Chekhov Matriarchy'. In: MICHA'S 20th Birthday Celebration. Connecticut College, United States 22 June 2019. [Conference or Workshop Item]

Fleming, Cass. 2013. 'Master Class and Research Presentation, Royal National Theatre Studio'. In: Royal National Theatre – Studio Workshop for Directors. Royal National Theatre Studio, London, United Kingdom 29 March 2013. [Conference or Workshop Item]

Fleming, Cass. 2016. 'Master Class and Research Presentation, Young Vic Theatre'. In: Young Vic Theatre – Workshop on the use of Chekhov Technique by Directors. Young Vic Theatre, London, United Kingdom 24 May 2016. [Conference or Workshop Item]

Fleming, Cass. 2021. 'Master-less: Women Teaching Physical Theatre'. In: Master-less: Women Teaching Physical Theatre. University of Mumbai, India 3 June 2021. [Conference or Workshop Item]

Fleming, Cass. 2013. ‘The Michael Chekhov Centre UK Past, Present and Future: an Inter-Generational Dialogue.’ An edited selection of interviews with Sarah Kane, Graham Dixon and Martin Sharp. Co authors: Tom Cornford, Cass Fleming and Sinéad Rushe in Franc Chamberlain and Andrey Kirillov (eds), ‘Michael Chekhov in the Twenty-first Century: New Sources, New Contexts, New Perspectives.’. Theatre, Dance & Performance Training, 4(2), pp. 316-324. ISSN 1944-3927 [Article]

Fleming, Cass and Cornford, Tom, eds. 2020. Michael Chekhov Technique in the Twenty-First Century: New Pathways. London: Bloomsbury Academic. ISBN 9781474273183 [Edited Book]

Fleming, Cass. 2009. 'Michael Chekhov's Embodied Play Methodology'. In: Department of Theatre and Performance Research Seminar Series. Goldsmiths, University of London, United Kingdom October 2009. [Conference or Workshop Item]

Fleming, Cass. 2021. 'Michael Chekhov: Imagination and Community'. In: Research Directions for Performing Arts in Times of Crisis II: Organizing Life - Living in Art. Universidade Estadual do Paraná. Curitiba: Research Group on Creative Processes in Performing Arts (UNESPAR-CNPq), Brazil 27 February. 2021. [Conference or Workshop Item]

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Fleming, Cass. 2020. Playing outside the frame: revealing the hidden contributions of the women in the French tradition of actor training. Theatre, Dance and Performance Training, 11(3), pp. 353-369. ISSN 1944-3927 [Article]

Fleming, Cass. 2013 - 2016 Practice Research: Master Classes and Research Presentations on Michael Chekhov Technique for Professional Directors (2013-2016). [Project]

Fleming, Cass. 2016. Public Research and Development Performance of The Little Prince. In: "The Little Prince", Goldsmiths, University of London, United Kingdom, September 2016. [Performance]

Fleming, Cass. 2016. Public scratch performance of The Little Prince. In: "The Little Prince", Queen Mary, University of London, United Kingdom, June 2016. [Performance]

Fleming, Cass. 2016. Public work in progress performance of The Little Prince. In: "The Little Prince", Goldsmiths, University of London, United Kingdom, July 2016. [Performance]

Fleming, Cass. 2024. 'Reflections on Jarman Garden'. In: Performance Research Forum. Goldsmiths, University of London, United Kingdom 6 February 2024. [Conference or Workshop Item]

Fleming, Cass. 2021. 'Suzanne Bing: The Interior Rhythm and Musicality of Play'. In: The Makings of the Actor: Rhythm in Acting and Performance Conference. Athens, Greece 26 -28 March 2021. [Conference or Workshop Item]

Fleming, Cass. 2020. Theatre of the Future: Chekhov Technique for Devised Theatre and Catalyst Directing. In: Cass Fleming and Tom Cornford, eds. Michael Chekhov in the Twenty First Century: New Pathways. London: Bloomsbury Methuen Drama. ISBN 9781474273206 [Book Section]

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Fleming, Cass. 2021. UM CONSTANTE PROCESSO DE EXPANSÃO [A Constant Process of Expansion]. Revista Científica/FAP, 24(1), ISSN 1679-4915 [Article]

Fleming, Cass and Cornford, Tom. 2020. Cross Currents and Conclusions. In: Cass Fleming and Tom Cornford, eds. Michael Chekhov in the Twenty First Century: New Pathways. London: Bloomsbury Methuen Drama. ISBN 9781474273206 [Book Section]

Fleming, Cass and Cornford, Tom. 2013-2016 Michael Chekhov in the 21st Century: New Pathways Project. [Project]

Fleming, Cass and Evans, Mark. 2018. 'Jacques Copeau' in The Great European Stage Directors, Vol 3, Copeau, Komisarjevsky and Guthrie. In: Jonathan Pitches, ed. The Great Directors. 3 London: Bloomsbury Methuen. ISBN 9781474254113 [Book Section]

Fleming, Cass and Gove, B.. 2004. Jarman Garden. In: "Jarman Garden", Riverside Studios, 2/17/2004 - 3/6/2004. [Performance]

Fleming, Cass and Mitchell, Roanna. 2023 - ongoing The Chekhov Collective Practice Research Centre - Research Object. [Project]

Fleming, Cass and Mitchell, Roanna. 2016. 'Michael Chekhov Technique for Devised Theatre and Catalyst Direction'. In: New Pathways Praxis Symposium. Goldsmiths, University of London, United Kingdom September 2016. [Conference or Workshop Item]

Fleming, Cass and Mitchell, Roanna. 2020 - 2022 The Third Space. [Project]

Fleming, Cass; Mitchell, Roanna and Cornford, Tom. 2015. 'Michael Chekhov in the Twenty First Century: New Pathways – The Little Prince in process'. In: Performance Research Forum Dis-Play. Goldsmiths, University of London, United Kingdom November 2015. [Conference or Workshop Item]

Fleming, Cass and SJ, G.. 2002. Passed Between Us. In: "Passed Between Us", Battersea Arts Centre, 3/1/2002 - 3/30/2002. [Performance]

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Francis, Benjamin. 2019. Careful the Spell You Cast: Disillusionment and Maturity in the Musical Theatre of Stephen Sondheim.. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Furse, Anna F. D.. 1997. AUGUSTINE (Big Hysteria). London: Routledge. ISBN 978-3718659357 [Book]

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Furse, Anna F. D.. 2016. The Anatomy Act. In: "The Anatomy Act", Live Collision Festival, Dublin, Ireland, November 2016. [Performance]

Furse, Anna F. D.. 2018. 'An Anatomy Act: On death, anatomy and the status of the cadaver'. In: Death and Culture II. University of York, United Kingdom 6-7 September 2018. [Conference or Workshop Item]

Furse, Anna F. D.. 2018. Anna Furse Performs An Anatomy Act: A Show and Tell. In: "Anna Furse Performs An Anatomy Act: A Show and Tell", Chisenhale Dance Space, London, United Kingdom. [Performance]

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Furse, Anna F. D.. 2018. Anna Furse Performs An Anatomy Act: A Show and Tell - UK and International Touring 2018. In: "Anna Furse Performs An Anatomy Act: A Show and Tell - UK and International Touring 2018", Trinity College, Dublin, Ireland, April-June 2018. [Performance]

Furse, Anna F. D.. 2014. Anna Furse on Leaving the Ballet for The Beatles. [Broadcast]

Furse, Anna F. D.. 2003. Art of A.R.T. Gender Forum: An Internet Journal for Gender Studies, 6, n/a-n/a. [Article]

Furse, Anna F. D.. 2014. 'Artist Talk on collaboration'. In: Success and failure in collaborative project and how they are measured from an artist, critics and participants perspective. Dublin, Ireland 1 December 2014. [Conference or Workshop Item]

Furse, Anna F. D.. 2014. 'Artist Talk: Createʼs National Networking Day'. In: Createʼs National Networking Day. Live Art Development Agency, United Kingdom December 1st 2014. [Conference or Workshop Item]

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Furse, Anna F. D.. 2002. Augustine (Big Hysteria). In: "Augustine (Big Hysteria)", The Lyric Theatre, Hammersmith, United Kingdom, 1991- 2002. [Performance]

Furse, Anna F. D.. 1994. Augustine (Big Hysteria): Writing the Body. Contemporary Theatre Review, 2(1), pp. 25-34. ISSN 1048-6801 [Article]

Furse, Anna F. D.. 2018. 'Being Touched - Theatre as Ethical Practice'. In: Encuentro Javeriano de Arte y Creatividad. Facultad de Artes Pontificia Universidad Javeriana, Bogota, Colombia 11th September 2018. [Conference or Workshop Item]

Furse, Anna F. D.. 2011. Being touched. In: John Matthews, ed. A life of ethics and performance. Cambridge: Cambridge scholars press, pp. 45-68. ISBN 978-1443828710 [Book Section]

Furse, Anna F. D.. 2020. Birth, Copulation and Death: Feminist Theatre and Performance Practice across Four Decades. In: Jan Sewell and Clare Smout, eds. The Palgrave Handbook of the History of Women on Stage. Cham, Switzerland: Palgrave Macmillan, pp. 487-506. ISBN 9783030238278 [Book Section]

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Furse, Anna F. D.. 2000. Bleeding, Sweating, Crying and Jumping. Performance Research, 5(1), pp. 16-31. [Article]

Furse, Anna F. D.. 2018. 'The Body Spectacular: Hysteria, Subfertility, Anatomy and the Prosthetic Gaze'. In: Neurohumanities Seminar Series. Trinity College, Dublin, Ireland. [Conference or Workshop Item]

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Furse, Anna F. D.. 2008. Committed to the Other: The Ethics of Puppetry. Puppet Notebook, 13, pp. 20-21. ISSN 1745-1086 [Article]

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Furse, Anna F. D.. 2016. Convulsive Beauty. In: Mark Long, ed. Nobody Knows But Everybody Remembers. Artsadmin. ISBN 978-0-9565621-7-3 [Book Section]

Furse, Anna F. D.. 2008. DON JUAN.WHO? / DON JUAN.KDO?. In: "FeEast 2008", Riverside Studios, London, United States, 2008-2011. [Performance]

Furse, Anna F. D.. 2021. Dear Body. [Digital]

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Furse, Anna F. D.. 2007. Don Juan Who?. In: "DON JUAN.WHO?/DON JUAN.KDO?", Mladinsko Theatre, Ljubljana, Slovenia, 2007-2008. [Performance]

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Furse, Anna F. D.. 2010. Don.Juan.Who?/ Don.Juan. Kdo?: From Cyberspace to Theatre Space. Gender Forum, 31(n/a), e-e. ISSN 1613-1878 [Article]

Furse, Anna F. D.. 2021. Ephemeral Arts in a world of Science. Communications. Media. Design, 5(4), pp. 105-119. ISSN 2542-1395 [Article]

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Furse, Anna F. D.. 2017. Eric Bentley at 100: on Brecht, Politics and Writing. [Digital]

Furse, Anna F. D.. 2018. Fertility Fest 2018. Fertility Fest, Bush Theatre, London. [Other]

Furse, Anna F. D.. 2020. Foreword. In: Maryclare Foá; Jane Grisewood; Birgitta Hosea and Carali McCall, eds. Performance Drawing: New Practices since 1945. London: Bloomsbury Visual Arts, viii-ix. ISBN 9781788313841 [Book Section]

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Furse, Anna F. D.. 2020. Foreword. In: Maryclare Foá; Jane Grisewood; Brigitta Hosea and Carali McCall, eds. Performance Drawing, New Practices Since 1945. London: Bloomsbury, viii-ix. ISBN 9781788313841 [Book Section]

Furse, Anna F. D.. 2006. GLASS BODY: Reflecting on Becoming Transparent. In: "GLASS BODY: Reflecting on Becoming Transparent", Chelsea and Westminster Hospital, 3/9/2006 - 4/1/2007. [Performance]

Furse, Anna F. D.. 2011. Gorgeous. In: "Gorgeous", Theatre Centre, United Kingdom, 1999-2011. [Performance]

Furse, Anna F. D.. 2003. Gorgeous: A Journey of the Body. In: Rosamunde Hutt, ed. Theatre Centre: Plays for Young People. Aurora Metro Publications, pp. 138-162. ISBN 0954233050 [Book Section]

Furse, Anna F. D.. 1997. Happy Days Beckett in Short. In: "Belfast Festival at Queens Catalogue", Belfast, United Kingdom. [Performance]

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Furse, Anna F. D.. 2018. 'Her Spectacular Body: hysteria, subfertility, anatomy and the prosthetic gaze'. In: Her Spectacular Body. Amsterdam University College, Netherlands 28th March 2018. [Conference or Workshop Item]

Furse, Anna F. D.. 2014. Hospital Drama: Visual Theatres of the Medical Rendezvous from Asylum to Hospital with Reference to Specific Works by Anna Furse. Interdisciplinary Science Reviews, 39(3), pp. 238-257. ISSN 0308-0188 [Article]

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Furse, Anna F. D.. 2018. I Am Not A Piece Of Meat. [Artist's Book]

Furse, Anna F. D.. 2011. In Every Litre of Seawater There are Two Tablespoons of Salt… On Making SEA/WOMAN. Women: A Cultural Review, 22(4), pp. 411-427. ISSN 0957-4042 [Article]

Furse, Anna F. D.. 2009. In the Realm of the Senses. In: "Suspense", London, United Kingdom, 2009-2011. [Performance]

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Furse, Anna F. D.. 2013. Independent Theatre as a Political Position. In: Rolf C. Hemke, ed. Theatre In The Arab World / Theater im arabischen Sprachraum. Gemany: Theater der Zeit, pp. 104-107. ISBN 978-3-943881-28-8 [Book Section]

Furse, Anna F. D.. 2018. 'Interiority: Workshop with Professor Anna Furse'. In: Interiority: Workshop with Professor Anna Furse. Crawford Art Gallery, Ireland. [Conference or Workshop Item]

Furse, Anna F. D.. 2018. 'Interiority: Writing the Body'. In: Interiority: Writing the Body. Trinity College, Dublin, Ireland. [Conference or Workshop Item]

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Furse, Anna F. D.. 2020. Jorge Crecis. In: Jo Butterworth and Lorna Sanders, eds. Fifty Contemporary Choreographers. London: Routledge. ISBN 9780367376789 [Book Section]

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Furse, Anna F. D.. 2018. 'Keynote Address: Performance in the Medical Gaze'. In: Arts + Health Check Up Check In 2018. Crawford Art Gallery, Cork, Ireland. [Conference or Workshop Item]

Furse, Anna F. D.. 2019. MUSCLE. In: "MUSCLE", Crawford Art Gallery, United Kingdom, 2019 -2020. [Show/Exhibition]

Furse, Anna F. D.. 2011. Making A Spectacle of Herself: Charcot’s Augustine and the Hysteric Dance. In: Johannes Birringer and Josephine (Hg.) Fenger, eds. Dance & Choreomania. Leipzig: Henschel, pp. 197-210. ISBN 978-3-89487-710-1 [Book Section]

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Furse, Anna F. D.. 2011. Making a Spectacle of Herself: Charcot’s Augustine and the hysteric dance. In: Johannes Birringer and Josephine Fenger, eds. Dance & Choreomania. Henschel. ISBN 9783894877101 [Book Section]

Furse, Anna F. D.. 2007. My Glass Body. [Audio]

Furse, Anna F. D.. 2019. OTHER MOTHERS. In: "OTHER MOTHERS", Cambridge Junction, United Kingdom, May 2019. [Show/Exhibition]

Furse, Anna F. D.. 1997. Open Page (Vol 2) Theatre Women Lives. In: , ed. Open Page. Denmark: Odin Teatrets Forlag. [Book Section]

Furse, Anna F. D.. 2017. Other People's Shoes. In: "Other People's Shoes", Javeriana, Colombia, 20/03/2017 - 25/03/2017. [Performance]

Furse, Anna F. D.. 2018. 'Our Bodies Our Selves'. In: Our Bodies Our Selves. Facultad de Artes Pontificia Universidad Javeriana, Bogota, Colombia 10th - 17th September 2018. [Conference or Workshop Item]

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Furse, Anna F. D.. 2008. The Peach Child. In: , ed. NT Connections 2008: New Plays for Young People. London: Faber and Faber, pp. 377-415. ISBN 978-0571244898 [Book Section]

Furse, Anna F. D.. 1999. The Peach Child. In: "The Peach Child", United Kingdom, 1999-2008. [Performance]

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Furse, Anna F. D.. 2016. Performance Making Intensive Laboratory with Anna Furse. In: "Other People's Shoes / Public Talk / Weekend Symposium on Activism", Michael Cacoyiannis Foundation, Greece, 7/7/2016-17/7/2016. [Performance]

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Furse, Anna F. D.. 2020. Performing Nerves: Four Plays, Four Essays, On Hysteria. Abingdon: Routledge. ISBN 9781138389366 [Book]

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Furse, Anna F. D.. 2006. Performing in Glass: Reproduction, Technology, Performance and the Bio-Spectacular. In: Geraldine Harris and Elaine Aston, eds. Feminist Futures? Theatre, Performance, Theory. Basingstoke; New York: Palgrave Macmillan, pp. 149-168. ISBN 9781403945327 HB 9781403945334 PB [Book Section]

Furse, Anna F. D.. 2018. Residency. Trinity College, Dublin. [Other]

Furse, Anna F. D.. 2013. Retracing Our Steps... On When We Were Birds, A Work in Progress. In: Nicola Shaughnessy, ed. Affective Performance and Cognitive Science: Body, Brain and Being. London: Bloomsbury Methuen Drama, pp. 57-68. ISBN 978-1-4081-8577-3 [Book Section]

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Furse, Anna F. D.. 2011. SEA/WOMAN. In: "SEA/WOMAN", Lakeside Theatre, University of Essex, United Kingdom, January - Feburary 2011. [Performance]

Furse, Anna F. D.. 2018. 'SHOCKS TO THE SYSTEM'. In: SHOCKS (TO THE SYSTEM) Symposium. Napier University, Edinburgh, United Kingdom November 2018. [Conference or Workshop Item]

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Furse, Anna F. D.. 2018. Shocks (To the System). In: "SHOCKS (TO THE SYSTEM)", Craiglockhart Campus, Napier, Edinburgh, United Kingdom, 18 November 2018. [Performance]

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Furse, Anna F. D.. 2009. Sick of Love. In: "SUSPENSE Adult Puppetry Festival", Rosemary Branch Theatre, London, United Kingdom, 2009. [Performance]

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Furse, Anna F. D.. 2000. A Spectacle of Suffering. In: Graham Coulter-Smith; James A. Walker and Maurice Owen, eds. The Visual-Narrative Matrix: Interdisciplinary Collisions and Collusions. Southampton: Southampton Institute of Higher Education, pp. 73-77. ISBN 978-1874011095 [Book Section]

Furse, Anna F. D.. 2018. Spectacular Body. [Digital]

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Furse, Anna F. D.. 2021. Staying in Touch. Teoriia Mody: Odezhda, Telo, Kulʹtura [Fashion Theory: Dress, Body and Culture](62), pp. 25-44. [Article]

Furse, Anna F. D.. 2018. 'Theatre as a Model of Collaborative Process and Ethical Framework'. In: Staging Europe - Europe on stage. Universite de Nantes, France 16th - 17th February 2018. [Conference or Workshop Item]

Furse, Anna F. D.. November 2016 - January 2019 The Theatre of Our Bodies. [Project]

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Furse, Anna F. D.. 2002. Those Who Can Do Teach. In: Maria M. Delgado and Caridad Svich, eds. Theatre in Crisis? Performance Manifestos for a New Century. Manchester; New York: University of Manchester Press, pp. 64-73. ISBN 978-0719062919 [Book Section]

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Furse, Anna F. D.. 2014. When We Were Birds. In: "When We Were Birds", Cantieri Culturali alla Zisa, Palermo, Italy, 28 July 2013 - April 2014. [Performance]

Furse, Anna F. D.. 2018. 'Workshop: I Am Not A Piece Of Meat: Writing the Body'. In: CAPP Practice and Power. Create Dublin, Ireland 20th - 23rd June 2018. [Conference or Workshop Item]

Furse, Anna F. D.. 2003. YERMA'S EGGS. In: "YERMA'S EGGS", Riverside Studios/UK science venue Explore-at-Bristol, 5/28/2003 - 10/1/2003. [Performance]

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Furse, Anna F. D.. 2016. Yerma's Eggs / Subfertility. In: Lena Simic and Emily Underwood-Lee, eds. Live Art & Motherhood: A Study Room Guide on Live Art and the Maternal. Live Art Development Agency, pp. 9-10. [Book Section]

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Furse, Anna F. D.. 2016. Yerma's Eggs 2003. In: Lena Šimić and Emily Underwood-Lee, eds. Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal. London: Live Art Development Agency, pp. 9-11. [Book Section]

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Furse, Anna F. D.. 2011. Your Essential Infertility Companion. London: Thorsons. ISBN 978-0-00-711954-7 [Book]

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Furse, Anna F. D. and Kemp, Dawn. 2017. 'Interiority: an exploration of the inward gaze 3 interdisciplinary talks'. In: INTERIORITY An Exploration of the Inward Gaze. The Old Operating Theatre Museum, United Kingdom 15 - 16 September 2017. [Conference or Workshop Item]

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Furse, Anna F. D. and Plahuta, Marko. 2006-2008 Cyber Studio. [Project]

Fusini, Letizia. 2016. The Dao of writing: transcultural literary identity in Gao Xingjian's novel Soul Mountain. In: Irene Gilsenan Nordin; Chatarina Edfeldt; Lung-Lung Ho; Herbert Jonsson and Andre Leblanc, eds. Transcultural identity constructions in a changing world. Frankfurt: Peter Lang Publishing Group. ISBN 9783653971149 [Book Section]

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Fusini, Letizia. 2013. Estrangement techniques with Chinese characteristics. The dialectics of Ver/Ent-fremdung in the drama of Gao Xingjian: Brechtian reminiscences in existentialist disguise. In: Rui Oliveira Lopes, ed. Face to Face. The transcendence of the arts in China and beyond. Approaches to modern and contemporary art. Portugal: Artistic Studies Research Centre (CIEBA/FBAUL), pp. 158-184. ISBN 978-9898300478 [Book Section]

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Fusini, Letizia. 2014. World Humanism(s), the Divine Comedy, Lao She's "灵的文学与佛教" ("Literature of the Soul and Buddhism"), and Gao's Soul Mountain. CLCWeb: Comparative Literature and Culture, 15(5), [Article]

Gbadamosi, Gabriel. 2007. Hydroponic: Ivan, Safe, For One Night Only, The Ressurection of Rosco Powell, Shah Mat or The King is Dead, Thirteen Months, Four Seasons. In: "Hydroponic: Ivan, Safe, For One Night Only, The Ressurection of Rosco Powell, Shah Mat or The King is Dead, Thirteen Months, Four Seasons", Soho Theatre London, South Street Reading and West Yorkshire Playhouse, 7/1/2005 - 7/9/2007. [Show/Exhibition]

Gbadamosi, Gabriel. 2007. Wetin Dey. [Film/Video]

Gbadamosi, Gabriel; Foix, A. and Ghazali, A.. 2007. Liberty, Equality, Fraternity. In: "Liberty, Equality, Fraternity", Soho Theatre, 11/9/2007 - 11/10/2007. [Performance]

Ginman, John. 2011. The vital importance of being present: writer development for theatre in a mediatised age. Contemporary Theatre Review, tba-tba. ISSN 1048-6801 [Article]

Gordon, Robert J.. 2003. Family Voices: Pirandello and Pinter. Pirandello Studies, 23, pp. 22-34. ISSN 14719363 [Article]

Gordon, Robert J.. 2012. Fugard, Kani, Ntshona's The Island: Antigone as South African Drama. Comparative Drama, 46(3), pp. 379-399. ISSN 0010-4078 [Article]

Gordon, Robert J.. 2007. Guilty secrets and cultural blind spots: Miller's plays in South Africa. In: Enoch Brater, ed. Arthur Miller's Global Theater. Ann Arbor: University of Michigan Press, pp. 66-76. ISBN 9780472115938 [Book Section]

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Gordon, Robert J.. 2012. Harold Pinter: The Theatre of Power. Ann Arbor, Michigan: University of Michigan Press. ISBN 978-0-472-07124-1 [Book]

Gordon, Robert J.. 2009. Iago and the Swart Gevaar: The Problems and Pleasures of a (Post)colonial Othello. In: Graham Bradshaw; Tom Bishop and Laurence Wright, eds. South African Shakespeare in the Twentieth Century. 9 Farham, Surrey, and Burlington, VT: Ashgate, pp. 131-151. ISBN 9780754669166 [Book Section]

Gordon, Robert J.. 2002. Le città invisibili. In: "Le città invisibili", 30 sites in Rapallo, 8/23/2002 - 8/27/2002. [Performance]

Gordon, Robert J.. 2011. Pinter: In Other Rooms. In: "Pinter: In Other Rooms", University of Maribor, Slovenia, September - December, 2011. [Performance]

Gordon, Robert J.. 2006. The Purpose of Playing: Modern Acting Theories in Perspective. University of Michigan Press. ISBN 9780472068876 [Book]

Gordon, Robert J.. 2024. That Special Relationship: Dolores Gray, Mary Martin, and Elaine Stritch on the Postwar London Stage. In: Robert J. Gordon and Olaf Jubin, eds. The Oxford Handbook of the Global Stage Musical. Oxford: Oxford University Press, pp. 371-402. ISBN 9780190909734 [Book Section]

Gordon, Robert J.; Jackuliak, Ján and Formánková, Anna Marie. 2013. Dance Marathon at Steel Pier. In: "Theatre World Brno", Brno, Czech Republic. [Performance]

Gordon, Robert J. and Peimer, David. 2011. Shylock’s Ghosts: The Afterlife of Shakepeare’s Jew. In: "9th World Shakespeare Congress", Jewish Museum, Prague, Czech Republic. [Performance]

Graham, Fiona. 2018. Catalysing Change: The Creative Interventions of the Dramaturge Project. [Project]

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Graham, Fiona. 2009. 'Dramaturge as Midwife: The Writing Process within a New Zealand community theatre project'. Journal of Writing in Creative Practice, 2(2), pp. 209-216. ISSN 1753-5190 [Article]

Graham, Fiona. 2013. Dramaturge for HUSH and BE/LONGING. [Project]

Graham, Fiona. 2017. Dramaturge for LOST AND FOUND (DANCES OF EXILE). In: "Tempo Dance Festival", Q Theatre, Auckland, New Zealand. [Performance]

Graham, Fiona. 2015. Dramaturge for PAH. [Project]

Graham, Fiona. 2011. Dramaturge for Slip: I am not Falling, I am Just Hanging on for as long as You Can Hold Me. [Project]

Graham, Fiona. 2015. Dramaturge for THE MOONCAKE AND THE KUMARA. In: "Auckland Festival", Auckland, New Zealand. [Performance]

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Graham, Fiona. 2023. Liquid Dramaturgy in Aotearoa: Interview with Nisha Madhan and Julia Croft. Critical Stages(28), ISSN 2409-7411 [Article]

Graham, Fiona. 2017. The Nomadic Dramaturge: Negotiating Subjectivity, Multicultural Translation, and Dramaturgical Composition. In: Emer O'Toole; Andrea Pelegrí Kristić and Stuart Young, eds. Ethical Exchanges in Translation, Adaptation and Dramaturgy. Leiden; Boston: Rodopi. ISBN 9789004346338 [Book Section]

Graham, Fiona. 2017. Performing Dramaturgy. Wellington, New Zealand: Playmarket. ISBN 9780908607648 [Book]

Graham, Fiona. 2017. Performing Dramaturgy. [Project]

Graham, Fiona. 2019. Triptych: Three Plays for Young People Inspired by the Art of Paula Rego. London: Aurora. ISBN 978-1-921430-23-9 [Book]

Graham, Fiona and Brown, Carol. 2017. 'The Pā Collective: Developing Dramaturgical Intersections, Collaborations and Performing Layers of Place Post-Empire'. Contemporary Theatre Review, 27(2), pp. 263-274. ISSN 1048-6801 [Article]

Graham, Fiona; McDowell, Miriama and Su'a, Denise. 2018. SIGHTINGS. In: "SIGHTINGS", Q Theatre and other venues, New Zealand, July-August 2018. [Performance]

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Greatorex, Francesca Mary. 2016. The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960s. Doctoral thesis, Goldsmiths, University of London [Thesis]

Guarracino, Serena and Morosetti, Tiziana. 2017. Introduction. Postcolonial Embodiments in Contemporary Performance. Textus: English Studies in Italy: Stages of Embodiment in Postcolonial Theatre, 2017(2), pp. 7-26. ISSN 1824-3967 [Article]

Hilevaara, Katja. 2022. 'The Archangel Gabriel's Flight Training'. In: What is the Creative Critical?: Launch Event. School of Advanced Study, University of London, United Kingdom 24 September 2022. [Conference or Workshop Item]

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Hilevaara, Katja. 2024. 'An Experiment in Six Voices'. In: Conversing Otherwise at Out of Practice Seminar (Oops). School of Advanced Study, University of London, United Kingdom 28 May 2024. [Conference or Workshop Item]

Hilevaara, Katja. 2023. The Finch Girl Project. [Digital]

Hilevaara, Katja. 2025. Girlspeak. In: Julieanna Preston and Anna Brown, eds. Performing Punctuation. Bristol: Intellect. [Book Section] (Forthcoming)

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Hilevaara, Katja. 2024. 'Girlspeak in Six Voices: A performed reading'. In: Words and Worlds: Languages and Ecologies Symposium. Royal Holloway, University of London, United Kingdom 22 March 2024. [Conference or Workshop Item]

Hilevaara, Katja. 2016. Orange Dogs and Memory Responses: Creativity in Spectating and Remembering. In: Matthew Reason and Anja-Molle Lindelof, eds. Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives. Abingdon: Routledge, pp. 34-47. ISBN 9780367513566 [Book Section]

Hilevaara, Katja and Orley, E. 2018. The Creative Critic Companion Site. [Digital]

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Hilevaara, Katja and Orley, E. 2015-2018 The Creative Critic and Selected Writings. [Project]

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Hilevaara, Katja and Orley, E. 2018. An Introduction in Five Acts. In: Katja Hilevaara and E Orley, eds. The Creative Critic: Writing as/about Practice. London and New York: Routledge. ISBN 978113867482 / 9781138674837 [Book Section]

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Hilevaara, Katja and Orley, Emily. 2025. Flying with the bone mothers: the curious story of the girl with a bird in her mouth. In: Jessie Carson; Jodie Hawkes and Pete Phillips, eds. Mothers, Mothering, Land and Nature. Bradford, Ontario: Demeter Press. [Book Section] (Forthcoming)

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Hilevaara, Katja; Orley, Emily; Chard, Jo; Henry, Susannah and Roche, Gilly. 2024. 'Holding the Line And Then Crossing It'. In: Midlands Conference in Critical Thought (MCCT): Gentle Gestures Stream. Nottingham Trent University, United Kingdom 5 - 6 April 2024. [Conference or Workshop Item]

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Hurrell, Christopher. 2019. Clip 10. "The Ivy which had hid" lab excerpt: breathing into metaphor. [Film/Video] (Submitted)

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Hurrell, Christopher. 2019. Clip 11. "I thus neglecting worldly ends" Lab excerpt: mid-line breaths and 'lifting-on' enjambments.. [Film/Video] (Submitted)

Hurrell, Christopher. 2019. Clip 12. "Now he was the ivy.." Practice Excerpt: Identifying the T/D nexus. [Audio] (Submitted)

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Hurrell, Christopher. 2019. Clip 13. "If by your art" Practice Lab: Sounding the dissonant bass notes.. [Film/Video] (Submitted)

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Hurrell, Christopher. 2019. Clip 14. "If by your art" Practice lab - Sounding the secondary sound cluster. [Film/Video] (Submitted)

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Hurrell, Christopher. 2019. Clip 15. "If by your art" Practice Lab: "Oh I have suffered". [Film/Video] (Submitted)

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Hurrell, Christopher. 2019. Clip 16. "If by your art" Practice lab: Embodying the sounds in interpretation. [Film/Video] (Submitted)

Hurrell, Christopher. 2018. Clip 17. "A Solemn Air" - Identifying the 'pinch'd' sound cluster. [Audio]

Hurrell, Christopher. 2018. Clip 18. "A Solemn Air" - Final Reading. [Audio]

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Hurrell, Christopher. 2019. Clip 19. "I must eat my dinner" - Practice Lab: Sounding out Caliban. [Film/Video] (Submitted)

Hurrell, Christopher. 2019. Clip 20. "Full Fathom Five" Practice laboratory: arrangement for solo voice and digital looping. [Audio] (Submitted)

Hurrell, Christopher. 2019. Clip 21. "Come Unto These Yellow Sands" - Practice Lab. Testing the tune of 'Full Fathom Five'. [Audio] (Submitted)

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Hurrell, Christopher. 2019. Clip 22. "Solemn music" - Practice Lab: testing juxtaposition with "Ye Elves" and "A Solemn Ayre". [Film/Video] (Submitted)

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Hurrell, Christopher. 2019. Clip 23. "Where the bee sucks.." - Practice Lab: testing different interpretative approaches.. [Audio] (Submitted)

Hurrell, Christopher. 2019. Clip 24. "Now my charmes..." Practice laboratory: sounding out the epilogue. [Audio] (Submitted)

Hurrell, Christopher. 2018. Clip 25. "Hear My Soul Speak" - Performance. [Film/Video] (Submitted)

Hurrell, Christopher. 2019. Clip 26. "Mi-Ti-Gab" vocal sound circuit. Soundscape track from "Hear My Soul Speak". [Audio] (Submitted)

Hurrell, Christopher. 2019. Clip 27. Sonic Analysis Practice Laboratory - "Miranda". [Film/Video] (Submitted)

Hurrell, Christopher. 2019. Clip 4. "Ye Elves of Hills" - Example #1. [Audio]

Hurrell, Christopher. 2019. Clip 5. "Ye Elves of Hills" Example #2. [Audio] (Submitted)

Hurrell, Christopher. 2019. Clip 6. "Ye Elves of Hills" - Example #3. [Audio] (Submitted)

Hurrell, Christopher. 2019. Clip 7. "Ye Elves of Hills" - Example #4. [Audio]

Hurrell, Christopher. 2019. Clip 8. 'Ye Elves of Hills' Example #5. [Audio]

Hurrell, Christopher. 2019. Clip 9. "To Trash For O'er topping" - Testing various breath points. [Audio] (Submitted)

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Hurrell, Christopher. 2019. “Hear My Soul Speak” – Finding Prospero in the Verbal Music of Shakespeare’s The Tempest. Doctoral thesis, Goldsmiths, University of London [Thesis]

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IgboConference, Igbo Conference and Okagbue, Osita. 2018. Playing With Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre. Osita Okagbue. [Film/Video]

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Iwaki, Kyoko. 2017. Nuclear Catastrophes and the Theatre in Tokyo, 1945-2016. Doctoral thesis, Goldsmiths, University of London [Thesis]

Karantonis, Pamela. 2024. A Bran Nue Dae? Decolonising the Musical Theatre Curriculum. In: Robert J. Gordon and Olaf Jubin, eds. The Oxford Handbook of the Global Stage Musical. Oxford: Oxford University Press, pp. 863-892. ISBN 9780190909734 [Book Section]

Karantonis, Pamela. 2015. ‘Punk’s dead, Michael’: Artifice, independence and authenticity in Leigh Bowery’s self-fashioned post-punk performative. Punk & Post Punk, 4(2-3), pp. 205-222. ISSN 2044-1983 [Article]

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Karantonis, Pamela. 2021. Remediating the female voice in extremis(m): The Human Voice (1966) in The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions. In: Serena Facci and Michela Garda, eds. The Female Voice in the Twentieth Century Material, Symbolic and Aesthetic Dimensions. (7) Abingdon: Routledge, pp. 172-192. ISBN 9780367418557 [Book Section]

Karantonis, Pamela. 2008. Staged Photography and the Performance of Autofacture: Cross-Genre Impersonation in Cindy Sherman’s Self-Portraits. The International Journal of the Arts in Society: Annual Review, 3(2), pp. 37-44. ISSN 1833-1866 [Article]

Karantonis, Pamela. 2015. "Transcribing Vocality: Voice at the Border of Music After Modernism". In: Ben MacPherson; Amanda Smallbone and Konstantinos Thomaidis, eds. Voice Studies: Critical Approaches to Process, Performance and Experience. Abingdon, United Kingdom: Routledge, pp. 162-176. ISBN 978-1-13880-9352 [Book Section]

Kendrick, Lynne. 2010. Acting to Actuality The impact of the ludic on performer training. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kilito, Abdelfattah; Finburgh Delijani, Clare and Warner, Marina. 2021. Abdelfattah Kilito, Archeologies: Twelve Miniatures, translated by Clare Finburgh Delijani and Marina Warner. The White Review, [Article]

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Kilroy, Eleanor. 2024. Performing the Perfect on Instagram: Applied Theatrical Interventions with Young Women. Doctoral thesis, Goldsmiths, University of London [Thesis]

Klein, Stacy and Shevtsova, Maria. 2021. Covid Conversations 4: Stacy Klein. New Theatre Quarterly, 37(4), pp. 299-322. ISSN 0266-464X [Article]

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LaMontagne-Schenck, Benjamin. 2022. 'Pretending' to do Research: a transformational actor-researcher’s heuristic collaboration with character via costume and makeup. Doctoral thesis, Goldsmiths, University of London [Thesis]

LeCompte, Elizabeth; Valk, Kate; Fliakos, Ari and Shevtsova, Maria. 2013. A Conversation on The Wooster Group's Hamlet. New Theatre Quarterly, 29(2), pp. 121-131. ISSN 0266-464X [Article]

LeCompte, Elizabeth; Valk, Kate and Shevtsova, Maria. 2013. A Conversation on The Wooster Group's Troilus and Cressida with the RSC. New Theatre Quarterly, 29(3), pp. 233-246. ISSN 0266-464X [Article]

LeCompte, Elizabeth; Valk, Kate and Shevtsova, Maria. 2021. Covid Conversations 3: Elizabeth LeCompte and Kate Valk. New Theatre Quarterly, 37(3), pp. 205-222. ISSN 0266-464X [Article]

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Lee, Charles Richard Stuart. 2008. Cameron Mackintosh and the McDonaldization of Musical Theatre Marketing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lee, Fu-Ping. 2007. Transcending the Individual Sphere: the work of Jerzy Grotowski. Doctoral thesis, Goldsmiths, University of London [Thesis]

Levitas, Ben. 2008. The Abbey Opens: A First Night Revisited. In: S. E. Wilmer, ed. National Theatres in a Changing Europe. Basingstoke: Palgrave Macmillan, pp. 73-83. ISBN 978-0-230-52109-4 [Book Section]

Levitas, Ben. 2016. The Abbey and the Idea of a Theatre. In: Nicholas Grene and Chris Morash, eds. The Oxford Handbook of Modern Irish Theatre. Oxford: Oxford University Press, pp. 41-57. ISBN 9780198706137 [Book Section]

Levitas, Ben. 2022. '”All that pride and that humility”: W. B. Yeats and Lady Gregory'. In: 63rd Yeats International Summer School. Sligo, Ireland 28 July - 5 August 2022. [Conference or Workshop Item]

Levitas, Ben. 2019. '“Bridge of Glass”: Modernist Legacies in Druid’s Epic Forms'. In: Modernist Legacies and Futures: Modernist Studies Inaugural Conference. National University of Ireland (NUI), Galway, United Kingdom 17 - 18 May 2019. [Conference or Workshop Item]

Levitas, Ben. 2010. The Censoring of The Ginger Man, London and Dublin 1959, or, the “nipple nuttiness” of J. P. Donleavy. La recepció del teatre contemporani, XV, pp. 179-194. ISSN 1135-4178 [Article]

Levitas, Ben. 2006. Censorship and Self-Censure in the Plays of J. M. Synge. Princeton University Library Chronicle, 68(1-2(1-2), pp. 253-276. ISSN 00328456 [Article]

Levitas, Ben. 2011. Censorship and Self-Censure in the Plays of Synge. In: Patrick Lonergan, ed. Synge and His Influences: Centenary Essays from the Synge Summer School. Dublin: Carysfort Press, pp. 33-54. ISBN 978-1-904505-50-1 [Book Section]

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Levitas, Ben. 2018. 'The Dancer and the Heart's Desire: W. B. Yeats and the Theatre of Modernity'. The Yeats Journal of Korea, 56, pp. 111-128. ISSN 1226-4946 [Article]

Levitas, Ben. 2024. The Healer and the Witch: Performative Transitions in the Theatre of Friel and Carr. In: Gregory Castle, ed. The Revival in Irish Literature and Culture. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

Levitas, Ben. 2022. The Importance of Being Earnest (1895) by Oscar Wilde. In: Shaun Richards, ed. Fifty Key Irish Plays. Abingdon: Routledge, pp. 16-20. ISBN 9781032066493 [Book Section]

Levitas, Ben. 2009. J. M. Synge: European encounters. In: P. J. Matthews, ed. Cambridge Companion to J. M. Synge. Cambridge: Cambridge University Press, pp. 77-91. ISBN 978-0-521-11010-5 [Book Section]

Levitas, Ben. 2004. Mirror Up to Nurture: J. M. Synge and His Critics. Modern Drama, 47(4)(4), pp. 572-584. ISSN 00267694 [Article]

Levitas, Ben. 2009. The Playboy of the Western World. In: John P. Harrington, ed. Modern and Contemporary Irish Drama. London: Norton, pp. 468-472. ISBN 978-0-393-93243-0 [Book Section]

Levitas, Ben. 2003. Plumbing the Depths: Irish Realism and the Working Class from Shaw to O'Casey. Irish University Review, 33(1)(1), pp. 133-149. ISSN 00211427 [Article]

Levitas, Ben. 2011. Reading and the Irish Revival, 1891-1922. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book: Volume 5: The Irish Book in English 1891-2000. 5 Oxford: Oxford University Press, pp. 43-69. ISBN 978-0-19-924911-4 [Book Section]

Levitas, Ben. 2016. A Temper of Misgiving: W. B. Yeats and the Ireland of Synge’s Time. In: Senia Pašeta, ed. Uncertain Futures: Essays About the Irish Past for Roy Foster. Oxford: Oxford University Press, pp. 110-122. ISBN 9780198748274 [Book Section]

Levitas, Ben. 2017. The Theatre of Modernity. In: Vincent Sherry, ed. The Cambridge History of Modernism. Cambridge: Cambridge University Press, pp. 350-370. ISBN 9781107034693 [Book Section]

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Levitas, Ben. 2002. The Theatre of Nation: Irish Drama and Cultural Nationalism 1890-1916. Clarendon Press. ISBN 9780199253432 [Book]

Levitas, Ben. 2019. 'W, B. Yeats and the Daughters of Herodias: Ireland, Performative Theatre and the Age of Catastrophe'. In: Yeats and India: International Conference. Jawaharlal Nehru University, New Dehli, India 21 - 22 February 2019. [Conference or Workshop Item]

London, John. 1998. Algunos montajes de Calderón en el Tercer Reich. In: Manfred Tietz, ed. Texto e imagen en Calderón: undécimo coloquio anglogermano sobre Calderón: St Andrews, Escocia, 17-20 de julio de 1996. 8 Stuttgart: Franz Steiner, pp. 143-157. ISBN 3515072152 [Book Section]

London, John. 2013. Aspectes del teatre a Mallorca durant la Guerra. In: Jordi Larios, ed. La cara fosca de la cultura catalana: la coŀlaboració amb el feixisme. Palma, Spain: Lleonard Muntaner, pp. 305-326. ISBN 9788415592754 [Book Section]

London, John. 2009. Catalan Theater without Catalan? Plays and Performances: 1939-1945. Catalan Review, 23, pp. 191-209. ISSN 0213-5949 [Article]

London, John. 1990. Claves de La verdad sospechosa, Juan Ruiz de Alarcón. Madrid: Ciclo Editorial. [Book]

London, John. 2007. Contemporary Catalan Drama in English: Some Aspirations and Limitations. Contemporary Theatre Review, 17 (3)(3), pp. 453-462. ISSN 10267166 [Article]

London, John. 2010. Contextos de Joan Brossa: l'acció, la imatge i la paraula. Barcelona: Universitat de Barcelona. [Book]

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London, John. 2010. Contextos de Joan Brossa: l'acció, la imatge i la paraula. Barcelona: Universitat de Barcelona. ISBN 978-84-475-3428-9 [Book]

London, John. 2001. La Signature culturelle pendant le fascisme: Mussolini, Hitler et Franco. Perspectives, 8, pp. 95-107. ISSN 1172-0360 [Article]

London, John. 2003. La imaginació i la realitat al teatre de Joan Brossa = Imagination and reality in the theatre of Joan Brossa. In: No named Editor, ed. La Revolta Poètica De Joan Brossa. Barcelona: Generalitat de Catalunya, Departament de Cultura/Krtu, pp. 198-207. ISBN 9788439360087 [Book Section]

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London, John. 2005. La nova Europa [Playtext]. Valencia: Tres i Quatre. ISBN 8475027091 [Book]

London, John. 2004. Le Théâtre pendant l'Holocauste: théâtre interdit, théâtre clandestin ou théâtre de propagande nazie?: questions et directions de recherche. Revue d'Histoire du Théâtre(221-22), pp. 41-57. ISSN 12912530 [Article]

London, John. 1997. Reception and Renewal in Modern Spanish Theatre: 1939-1963. London: Modern Humanities Research Association. ISBN 978-0901286833 [Book]

London, John. 2010. Text, Lies, and Linguistic Rape: Rewriting Theatre History in the Light of Dramatic Translations. La recepció del teatre contemporani, 15, pp. 195-218. ISSN 1135-4178 [Article]

London, John. 1999. The uncertainty of Fascist aesthetics: political ideology and historical reality. Renaissance and Modern Studies, 42, pp. 49-63. ISSN 0486 3720 [Article]

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London, John and George. 2007. Spanish Film, Theatre and Literature in the Twentieth Century. University of Wales Press. ISBN 0708319343 [Book]

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Louzioti, Dafni. 2024. The Dissimulation Game: Power play and choice in the performer-audience exchange as modelled on Capoeira Angola. Doctoral thesis, Goldsmiths, University of London [Thesis]

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López Yánez, María Gabriela. 2020. Sounds of collective memories: A decolonial counter-representation of Afro-Ecuadorian Marimba Esmeraldeña and Bomba del Chota. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Magic, Me and Mayo, Sue. 2015. Speak as You Find flyer. [Printed Ephemera]

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Mark, Storor and Anna, Ledgard. 2015. The Barometer of My Heart. In: "The Barometer of My Heart", Sir Ludwig Guttmann Health & Wellbeing Centre, United Kingdom, 15 September - 4 October 2015. [Performance]

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Marshall, Susan. 2021. Insubordinate Costume. Doctoral thesis, Goldsmiths, University of London [Thesis]

Mayo, Sue. 2008. Artist in Collaboration. UNDEFINED. [Performance]

Mayo, Sue. 2016. DECORUM: Project Description. [Project]

Mayo, Sue. 2016. I live in it/Programme. [Printed Ephemera]

Mayo, Sue. 2015. ''A Marvelous Experiment': Exploring ideas of temporary Community in intergenerational Performance Projects in East London'. In: New Tides Platform, Unoiversity of Malta. Unioiversity of Malta, Malta 14-16 September 2015. [Conference or Workshop Item]

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Mayo, Sue. 2015. 'A Marvelous Experiment: Intergenerational practice'. In: New Tides Platform, Unoiversity of Malta. University of Malta, Malta 14-16 September 2015. [Conference or Workshop Item]

Mayo, Sue. 2015. Pinning Butterflies Friday Edit 1. [Film/Video]

Mayo, Sue. 2016. Rooms with a View participant feedback. Documentation. [Report]

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Mayo, Sue. 2015. Rooms with a view banner design. [Image]

Mayo, Sue. 2015. Speak As you find Audience Feedback excel. [Dataset]

Mayo, Sue. 2015. Speak as You find programme notes. [Printed Ephemera]

Mayo, Sue. 2015. Speak as you find table host feedback. Project Report. [Report]

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Mayo, Sue. 2014. Stories without numbers | Sue Mayo | TEDxSWPS. [Film/Video]

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Mayo, Sue. 2018. Why use the arts in intergenerational practice?. [Film/Video]

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Mayo, Sue. 2020. The gratitude enquiry: investigating reciprocity in three community projects. In: Tim Prenti and Nicola Abrahams, eds. The Applied Theatre Reader (2nd Edition). Abingdon: Routledge, pp. 175-180. ISBN 9780367376291 [Book Section]

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Mayo, Sue. 2016. 'The spaces in between: Relationships in participatory work'. In: TaPRA 2016. University of Bristol, United Kingdom 5th-7th Sepetember 2016. [Conference or Workshop Item]

Mayo, Sue and Blue Lowry, Chuck. 2018. Decorum Southend Participant feedback. [Film/Video]

Mayo, Sue and Low, Katherine. 2014. 'Never flying solo:The Collaborative, Ordinary Heroes'. In: Theatre & Performance Reserach Association (TaPRA) annual conference. Royal Holloway, United Kingdom September 4-6th 2014. [Conference or Workshop Item]

Mayo, Sue and Lowry, Chuck Blue. 2018. DECORUM: ACCEPT/REJECT. [Film/Video]

Mayo, Sue and Lowry, Chuck Blue. 2018. Decorum: web page with links to three short films. [Film/Video]

Mayo, Sue and Lowry, Chuck Blue. 2012. The Gratitude Enquiry documentaries. [Digital]

Mayo, Sue and Lowry, Chuck Blue. 2017. The Gratitude Enquiry. [Film/Video]

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Mayo, Sue and Magic, Me. 2016. I live in it/Gratitude Enquiry invitation. [Printed Ephemera]

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Mayo, Sue and Magic, Me. 2015. Rooms with a View/Love East London Flyer. [Printed Ephemera]

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Mayo, Sue; McAvinchey, Caoimhe and Langford, Susan. 2013. Wild Wild Women: Ten Years of Intergenerational Arts Practice at The Women’s Library led by Magic Me in collaboration with Mulberry School for Girls and local, older women. 2004 – 2013. Project Report. Magic Me, London. [Report]

Mayo, Sue; O’Dair, Charlotte and McAvinchey, Caoimhe M.. 2012. Detail and Daring : Research into the art and the craft of intergenerational work. In: "Weekend at Wilton's", London, United Kingdom. [Performance]

Mazzilli, Mary. 2013. Defining Cold Theatre. In: , ed. Form unbound. Chengdu: Sichuan University Press. ISBN 978-7561466919 [Book Section]

Mazzilli, Mary. 2015. Desiring the Bodies of Ruan Lingyu and Linda Lin Dai. In: Mary Mazzilli; Brian Bergen-Aurand and Hee Wai-Siam, eds. Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Los Angeles: Bridge21 Publications. ISBN 978-1626430105 [Book Section]

Mazzilli, Mary. 2012. East-Asian Cinema 1900 to present days. In: , ed. Cultural Sociology of the Middle East, Asia, and Africa. Thousand Oaks, California: Sage Publications. ISBN 978-1412981767 [Book Section]

Mazzilli, Mary. 2012. “Gao Xingjian ‘leng juchang’ zhong de kuaguo jingshen: dui Gao xingjian bufen juzuo de zhexue fenxi”. (Gao Xingjian’s cold theatre and the exploration of the spiritual: an analysis of Gao Xingjian’s theatre work). In: , ed. Xiaoyao ru niao: Gaoxingjian zuopin yanjiu –zuozhe. Taiwan: Lianjing chubanshiye Gufen Youxian Gongsi. [Book Section]

Mazzilli, Mary. 2015. Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre. London: Bloomsbury Methuen Drama. ISBN 978-1472591609 [Book]

Mazzilli, Mary. 2015. Gender in Gao Xingjian’s Between Life and Death: The Notion of Originary Self and the Use of Tripartition. Frontiers of Literary Studies in China, 9(3), pp. 369-394. ISSN 1673-7318 [Article]

Mazzilli, Mary. 2011. “Theoretical studies of China: Comparative literature, the debate on postmodernism in China and the quest for a ‘transnational’ intellectual.”. KJCLL Korea Journal of Chinese Language and Literature, 1, [Article]

McAvinchey, Caoimhe M.. 2006. Possible Fictions: An Investigation of Performance Interventions with Women in Prison.. In: "Possible Fictions: An Investigation of Performance Interventions with Women in Prison.", HMP Highpoint North, HMP and YOI Bullwood Hall (England) and Presdio Nelson Hungria and Penetenciaria Talavera Bruce (Brazil), 9/1/2002 - 12/8/2006. [Performance]

McAvinchey, Caoimhe M.; Hale, R. and Platun, Jan. 2006. handheld. In: "handheld", HMP Hydebank Prison, Belfast Nothern Ireland, 9/1/2006 - 11/1/2007. [Performance]

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McAvinchey, Caoimhe and Mayo, Sue. 2016. Rooms with a View: Disrupting and Developing Narratives of Community through Intergenerational practice.. Project Report. Magic Me, London. [Report]

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McFadden, Rebecca. 2012. Performance Beyond Borders in Twentieth-First Century Prague: Topography of a New Theatre-Making Context. Doctoral thesis, Goldsmiths, University of London [Thesis]

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McPhee, Molly. 2022. ‘Don’t level up or down - remove barriers’. Arts Professional, [Article]

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McPhee, Molly. 2019. 'I don't know why she's crying': Contagion and Criminality in Clean Break's Dream Pill and Little on the inside. In: Fintan Walsh, ed. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. London: Bloomsbury Academic, pp. 121-135. ISBN 9781350085985 [Book Section]

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McPhee, Molly. 2023. The Letter Cloth: Sensory Modes of the Epistolary in Prison Theatre Practice. Humanities, 12, 139. ISSN 2076-0787 [Article]

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McPhee, Molly. 2020. Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014). Ambiances: Environnement sensible, architecture et espace urbain, 6, ISSN 2266-839X [Article]

McPhee, Molly. 2018. Miasmatic Performance: Women and resilience in carceral climates. Performance Research, 23(3), pp. 100-111. ISSN 1352-8165 [Article]

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McPhee, Molly. 2016. Stigma: the Work of the Straightener. In: Vikki McInnes, ed. Erewhon. Melbourne: NETS Victoria, pp. 7-9. ISBN 9780980297775 [Book Section]

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McPhee, Molly. 2020. Theatre as Collective Casework: Clean Break Theatre Company's Charged (2010). In: Caoimhe McAvinchey, ed. Applied Theatre: Women and the Criminal Justice System. London: Bloomsbury, pp. 143-161. ISBN 9781474262552 [Book Section]

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Misopolinou, Anna. 2004. Grotowski: Ecstasy and Initiation in Performance. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Morash, Karen. 2018. An Investigation into How Engagement with the Context and Processes of Collaborative Devising Affects the Praxis of the Playwright: A Practice-as-Research PhD. Doctoral thesis, Goldsmiths, University of London [Thesis]

Morosetti, Tiziana. 2024. Appropriating the Victorian Past in African-American Theatre. In: Kene Igweonu, ed. Routledge Handbook of African Theatre and Performance. London-New York: Routledge, pp. 365-377. ISBN 9781032008400 [Book Section]

Morosetti, Tiziana. 2024. Between Representation and Agency: Black Artists in the UK, 1900-1950. In: Claire Cochraine; Lynette Goddard; Catherine Hindson and Trish Reid, eds. The Routledge Companion to Twentieth Century British Theatre and Performance - Volume One: 1900–1950. Abingdon: Routledge. ISBN 9780367487898 [Book Section]

Morosetti, Tiziana. 2022. Completing the Mosaic: Sara Baartman and the Archive. In: Rachel Bryant-Davies and Erin Johnson-Williams, eds. Intersectional Encounters in the Nineteenth-Century Archive: New Essays on Power and Discourse. London: Bloomsbury, pp. 171-186. ISBN 9781350200333 [Book Section]

Morosetti, Tiziana. 2016. Constructing the Zulus: The “African” Body and Its Narrative. In: Tiziana Morosetti, ed. Staging the Other in Nineteenth-Century British Drama. Oxford: Peter Lang, pp. 79-101. ISBN 9783034319287 [Book Section]

Morosetti, Tiziana. 2023. 'Critical Readings of Femi Osofisan’s ‘Adaptations’ of the Classics'. In: Globalizing the Greek Classics: Femi Osofisan’s Re-readings of Ancient Greek Tragedy. Memorial University of Newfoundland, Canada 9 November 2023. [Conference or Workshop Item]

Morosetti, Tiziana. 2021. 'Dal Medio Oriente all’America: Linguaggi dell’“Africa” sul palcoscenico inglese fra Sette e Ottocento'. In: La teatromania nell’Europa del Settecento. Rome La Sapienza (online), Italy 15 - 16 and 22 - 23 April 2021. [Conference or Workshop Item]

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Morosetti, Tiziana. 2017. ‘Etc. Etc.’: Replicating the ‘Exotic’ Body on the Nineteenth-Century British Stage. 19: Interdisciplinary Studies in the Long Nineteenth Century, 24, ISSN 1755-1560 [Article]

Morosetti, Tiziana. 2015. From Byron to Byron: Mazeppa and the Tartars in Nineteenth-Century British Theatre. Nineteenth Century Theatre and Film, 42(2), pp. 228-245. ISSN 1748-3727 [Article]

Morosetti, Tiziana. 2018. Introduction. In: Tiziana Morosetti, ed. Africa on the Contemporary London Stage. Cham, Switzerland: Palgrave Macmillan, pp. 1-15. ISBN 9783319945071 [Book Section]

Morosetti, Tiziana. 2016. Introduction. In: Tiziana Morosetti, ed. Staging the Other in Nineteenth-Century British Drama. Oxford: Peter Lang, pp. 1-15. ISBN 9783034319287 [Book Section]

Morosetti, Tiziana. 2009. Introduzione al teatro nigeriano di lingua inglese. Rome: Edizioni Associate. ISBN 9788826705125 [Book]

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Morosetti, Tiziana. 2022. '“On Abyssinian Princes and Cannibal Queens”: Linguistic and Visual Representations of “Africanness” on the British Stage, 1850s-60'. In: The London Stage and the Nineteenth-Century World IV. New College, University of Oxford, United Kingdom 6 - 8 April 2022. [Conference or Workshop Item]

Morosetti, Tiziana. 2018. ‘On One of Those Sunday Nights’: 50 Years of Africa at the Royal Court Theatre. In: Tiziana Morosetti, ed. Africa on the Contemporary London Stage. Cham, Switzerland: Palgrave Macmillan, pp. 67-86. ISBN 9783319945071 [Book Section]

Morosetti, Tiziana. 2017. 'On Sozaboy’s Darkness: Ken Saro-Wiwa and the Biafra War'. In: The 6th Annual International Igbo Conference: Legacies of Biafra. SOAS University of London, United Kingdom 21 - 22 April 2017. [Conference or Workshop Item]

Morosetti, Tiziana. 2016. On the Island of Poetry: Literary Awards and the Canonization of African Creativity. In: Ivor Agyeman-Duah and Lucy Newlyn, eds. May Their Shadows Never Shrink: Wole Soyinka and the Oxford Professorship of Poetry. Banbury: Ayebia Clarke, pp. 49-66. ISBN 9780992843670 [Book Section]

Morosetti, Tiziana. 2020. Quaderni del '900. [Professional Activity]

Morosetti, Tiziana. 2022. 'Reimagining the Victorian Past in African and in Black Diasporic Theatre'. In: Centre for Comparative Literature Postcolonial Theatre Series. Goldsmiths, University of London, United Kingdom 19 May 2022. [Conference or Workshop Item]

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Morosetti, Tiziana. 2015. Review: The Fishermen by Chigozie Obioma. The Conversation, [Article]

Morosetti, Tiziana. 2019. 'Sara Baartman and the Archive'. In: The Nineteenth Century Archive as a Discourse of Power. Durham University, Centre for Nineteenth-Century Studies, United Kingdom. [Conference or Workshop Item]

Morosetti, Tiziana. 2017. 'Triggering Thriller(s): Eddie Iroh’s 48 Guns for the General'. In: 6th African Popular Cultures Workshop: Biafra 50 years on. University of Sussex, United Kingdom 17 May 2017. [Conference or Workshop Item]

Morosetti, Tiziana and Okagbue, Osita. 2021. Introduction. In: Tiziana Morosetti and Osita Okagbue, eds. The Palgrave Handbook of Theatre and Race. Cham, Switzerland: Palgrave Macmillan, pp. 1-17. ISBN 9783030439569 [Book Section]

Newberry, Rachael. 2018. 'Gourmand or Glutton?' Thackeray's Vanity Fair and Representations of the Corpulent in a Climate of Want. In: Manisha Basu and Anastasia Ulanowicz, eds. The Aesthetics and Politics of Global Hunger. USA: Palgrave Macmillan, pp. 157-174. ISBN 978-3-319-47484-7 [Book Section]

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Newberry, Rachael. 2020. “The Last Rolo”: Love, Conflict and War in Anthony Neilson’s Penetrator. In: William Boles, ed. After In-Yer-Face Theatre. Remnants of a Theatrical Revolution. USA: Palgrave Macmillian, pp. 57-70. ISBN 978-3-030-39426-4 [Book Section]

Newberry, Rachael. 2023. “Waiting in the Wings”: The Economics and Ethereality of Theatrical Space in Angela Carter's Nights at the Circus. In: Graham Wolfe, ed. The Routledge Companion to Theatre-Fiction. Abingdon: Routledge, pp. 377-389. ISBN 9781032069906 [Book Section]

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O'Shaughnessy, Christopher. 2024. Finding Spirituality: a critical revaluation of English drama since 1935 through the medium of the dramatic text.. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Okagbue, Osita. 2007. African Theatres and Performance. Routledge. ISBN 978-0-415-30453-5 [Book]

Okagbue, Osita. 2012. African Theatres and Performances. London and New York: Routledge. ISBN 978-0415540858 [Book]

Okagbue, Osita. 2006. African theatre entries. In: , ed. Continuum Companion to Twentieth Century Theatre. Continuum. ISBN 978-1847140012 [Book Section]

Okagbue, Osita. 1997. Bode Sowande. In: , ed. African Writers Volume 2. New York: Charles Scribner’s Sons. ISBN 978-0684197722 [Book Section]

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Okagbue, Osita. 2009. Culture and Identity in African and Caribbean Theatre. London: Adonis & Abbey Publishers. ISBN 978-1-905068-60-9 [Book]

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Okagbue, Osita. 2008. Deviants and Outcasts: Power and Politics in Hausa Bori Performances. New Theatre Quarterly, 24(3), pp. 270-280. ISSN 0266-464X [Article]

Okagbue, Osita. 2002. A Drama of their Lives: Theatre-for-development in Africa. Contemporary Theatre Review, 12(1-2), pp. 79-92. ISSN 10486801 [Article]

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Okagbue, Osita. 2019. Dust of the Zulu: Ngoma Aesthetics after Apartheid. By Louise Meintjes, with photographs by T. J. Lemon. Durham, NC and London: Duke University Press, 2017. Pp. xiv + 338 + 142 illus. $94.95 Hb; $26.95 Pb. Theatre Research International, 44(1), pp. 108-109. ISSN 0307-8833 [Article]

Okagbue, Osita. 2001. Exile and Home: Africa in Caribbean Theatre. In: D. Okafor, ed. Meditations on African Literature. Greenwood Press, pp. 149-157. ISBN 0313298661 [Book Section]

Okagbue, Osita. 2006. HIV/AIDS Prevention and Theatre: Devising a Culturally Appropriate Theatre-for-Development for Africa. African Renaissance, 3(4), pp. 149-162. ISSN 1744-2532 [Article]

Okagbue, Osita. 2008. Images and Memories of Home: African Video Movies in the Diaspora. African Performance Review, 2(1), pp. 43-57. ISSN 1753-5964 [Article]

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Okagbue, Osita. 2021. In the Prison of their Skins: Performing Race in Caribbean Theatre. In: Tiziana Morosetti and Osita Okagbue, eds. The Palgrave Handbook of Theatre and Race. Cham, Switzerland: Palgrave Macmillan, pp. 239-254. ISBN 9783030439569 [Book Section]

Okagbue, Osita. 1997. J. P. Clark. In: , ed. African Writers Volume 1. New York: Charles Scribner's Sons. ISBN 978-0684196510 [Book Section]

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Okagbue, Osita. 2015. The Kwagh-hir Theater: A Weapon for Social Action. By Iyorwuese Hagher. Lanham, MD: University Press of America, 2014. Pp. xxx + 256. \$80 Hb; \$34.99 Pb. Theatre Research International, 40(2), pp. 224-225. ISSN 0307-8833 [Article]

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Okagbue, Osita. 2019. Playing with Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre. African Performance Review, 11(1), pp. 25-40. ISSN 1750-4848 [Article]

Okagbue, Osita. 1998. 'Process or Product: Theories and Practices of Theatre-for-Development in Africa. In: , ed. African Theatre for Development. Exeter: Intellect. ISBN 978-1871516777 [Book Section]

Okagbue, Osita. 2014. Progenies of Idemili: Ogonna Agu and I. In: Charles Nwadigwe; Molinta Enendu and Canice Nwosu, eds. Metaphors and Climax: Reminiscences in Honour of Ogonna Agu. London: Adonis & Abbey Publishers Ltd, viii-xiii. ISBN 9781909112469 [Book Section]

Okagbue, Osita. 2009. Progress and Utopia in Bode Sowande's Babylon Trilogy. African Performance Review, 3(1), pp. 100-112. ISSN 1753-5964 [Article]

Okagbue, Osita. 1997. 'The Strange and the Familiar: Interculturalism in African and Caribbean Theatre. Theatre Research International, 22(2), pp. 120-129. ISSN 0307-8833 [Article]

Okagbue, Osita. 2004. Surviving the Crossing: Theatre in the African Diaspora. In: Martin Banham, ed. A History of Theatre in Africa. Cambridge: Cambridge University Press, pp. 430-447. ISBN 0521808138 [Book Section]

Okagbue, Osita. 2007. Through Other Eyes and Voices: Women in Koteba and Mmonwu Performances. African Performance Review, 1(2-3), pp. 114-129. ISSN 1753-5964 [Article]

Okagbue, Osita. 1997. 'When the Dead Return: Play and Seriousness in African Masked Performances'. South African Theatre Journal, 11(1), pp. 89-108. ISSN 1013-7548 [Article]

Okagbue, Osita and Kasule, Samuel. 2021. Theatre and Performance in East Africa. Abingdon: Routledge. ISBN 9780367740894 [Book]

Adeyemi, Sola; Omoera, Osaku and Binebai, Benedict, eds. 2012. A gazelle of the Savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria : theatre, culture, literature, art. Rochester: Alpha Crownes Publishers. ISBN 9780956683731 [Edited Book]

Orley, Emily and Hilevaara, Katja. 2022. A Four and a Half Minute Manifesto for the Creative Critical. [Digital]

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Orley, Emily and Hilevaara, Katja. 2022. 'Theoretical objects, inventiveness and creative-critical writing: Searching for the spaces of inventiveness in between'. In: Theoretical objects, inventiveness and creative-critical writing: Searching for the spaces of inventiveness in between. University of Glasgow, United Kingdom July 2022. [Conference or Workshop Item]

Osborne, Deirdre. 2013. '‘All is not how it appears to the naked eye’: Creative Agency and Staging Blackness in Contemporary British and Australian Dramatic Literature'. In: Perspectives from ‘Other’ Cultures Translating Culture’. Goldsmiths, University of London, United Kingdom 20-22 September. [Conference or Workshop Item]

Osborne, Deirdre. 2007. Angela Y. Davis. In: , ed. Encyclopedia of African American Women Writers. Westport, Connecticut: Greenwood Press, pp. 145-148. ISBN 978-0313334290 [Book Section]

Osborne, Deirdre. 2017. 'Becoming and Un-becoming: Securing ‘selves’ in the memoir-fiction of Maxine Beneba Clarke'. In: Caribbean In/Securities and Creativity: Diasporic Dialogues. The British Library, London, United Kingdom 25 June 2017. [Conference or Workshop Item]

Osborne, Deirdre. 2015. '‘Being alone together’ (Pinney 2006): Ego-histoire and Black British Writers’ Adoption Aesthetics'. In: Northeast Modern Languages Association Annual Conference. Toronto, Canada. [Conference or Workshop Item]

Osborne, Deirdre. 2016. 'Beyond Mary Prince: Black Women in Dialogue'. In: What’s Happening in Black British History? : V. Institute of Historical Research, University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2018. 'Billy Blue and “Billy Skywonkie”: representing intra-colonial blackness and inter-raciality in nineteenth-century Australia'. In: Settler Social Identities: Rational Recreation in the Long Nineteenth Century. University College Dublin, Ireland 25 July 2018. [Conference or Workshop Item]

Osborne, Deirdre. 2016. ‘Black British Comedy: Desmond’s and the Changing Face of Television’. In: J Kamm and B Neumann, eds. British TV Comedies. London and New York: Palgrave Macmillan, pp. 236-258. ISBN 9781137552945 [Book Section]

Osborne, Deirdre. 2011. Black British Drama. In: , ed. A History of British Drama: Developments, Interpretations. Trier: Wissenschaftlicher Verlag. [Book Section]

Osborne, Deirdre. 2011. ‘Black British Drama: debbie tucker green and Kwame Kwei-Armah’. In: Sibylle Baumbach; Birgit Neumann and Ansgar Nunning, eds. A History of British Drama: Developments, Interpretations. Trier, Germany: Wissenschaftlicher Verlag Trier, pp. 10-20. ISBN ? [Book Section]

Osborne, Deirdre. 2020. Black British Writing: Benjamin Zephaniah’s Didactic Poetics. In: Guido Rings and Sebastian Rassinger, eds. The Cambridge Handbook of Intercultural Communication. Cambridge: Cambridge University Press, pp. 412-431. ISBN 9781108555067 [Book Section]

Osborne, Deirdre. 2004. 'BlackOUT – acts of ventriloquism and authenticity in representing indigenous women from Katie Langloh Parker to Leah Purcell'. In: Playing Australia Annual American Association for Australian Literary Studies. New York, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2007. 'Blackness and (Un)Belonging in Britain'. In: Hybrid Cultures, Nervous States: Insecurity and Anxiety in Britain and Germany in a (Post)Colonial World. University of Muenster, Germany. [Conference or Workshop Item]

Osborne, Deirdre. 2004. 'The Body of Experience: Women Behind Bars in Contemporary British Drama'. In: Interventionist Theatre. University of Leeds, United Kingdom. [Conference or Workshop Item]

Preview

Osborne, Deirdre. 2010. The Body of Text Meets the Body as Text: Staging (I)dentity in the Work of SuAndi and Lemn Sissay. In: Anne Karhio; Sean Crosson and Charles I. Armstrong, eds. Crisis and Contemporary Poetry. Basingstoke: Palgrave Macmillan, pp. 230-247. ISBN 9780230247246 [Book Section]

Osborne, Deirdre. 2007. 'The Body of Text Meets the Body as Text: the Monodramas of SuAndi and Lemn Sissay'. In: Renewals: Refiguring University English in the 21st Century, Royal Holloway. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2004. 'Bringing up baby: food, nurture and childrearing at home and abroad'. In: Cooking Culture: Food and Consumption in the Nineteenth Century Institute of English Studies. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2011. British Asian Theatre by Dominic Hingorani. Contemporary Theatre Review, 21(4), pp. 536-537. ISSN 1048-6801 [Article]

Osborne, Deirdre. 2006. 'Chair: “Promiscuous Dramaturgies”'. In: Ravenhill Ten Years On Goldsmiths. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2020. "Civis Romana sum”: Bernardine Evaristo’s The Emperor’s Babe and the Emancipatory Poetics of (Multi-) Cultural Citizenship. In: Jean Wyatt and Sheldon George, eds. Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form. Abingdon: Routledge. ISBN 9780367189280 [Book Section]

Osborne, Deirdre. 1998. 'Conceiving the Nation: Representations of Colonial M(other)hood in Fin-de-siecle Australian Literature'. In: Colonial (Dis)continuities Legacies of Empire in Modern Literature. Worchester College of Higher Education Paper, United Kingdom. [Conference or Workshop Item]

Preview

Osborne, Deirdre. 2008. Conceiving the Nation: Visions and Versions of Colonial Pre-natality. In: Ellen Bayuk Rosenman and Claudia C. Klaver, eds. Other Mothers: Beyond the Maternal Ideal. Ohio: Ohio State University Press, pp. 202-226. ISBN 978-0-8142-0286-9 [Book Section]

Osborne, Deirdre. 2003. 'Conceiving the Nation: representations of late-nineteenth-century women and pregnancy in George Egerton and Barbara Baynton'. In: Cartographies of Corporeality ACLA Conference. San Marco, California, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2005. Contemporary Black and Asian Women Playwrights in Britain by Gabriele Griffin Poetry Off the Page: Twentieth-Century British Women Poets in Performance by Laura Severin. Wasafiri, 44, p. 71. [Article]

Osborne, Deirdre. 2014. A Conversation with Bonnie Greer. Wasafiri, 29(3), pp. 16-21. ISSN 0269-0055 [Article]

Osborne, Deirdre. 2000. '“Coursing into the Mainstream: Recent Black British Fiction and its Critical Reception”'. In: The Black Gaze. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 1999. 'Curricula in Women’s Prisons'. In: Curricula in Women’s Prisons. Hillcroft College, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2013. Determination, Dedication, Dynamism: An Interview with Diane Abbott. Women: A Cultural Review, 24(2-3), pp. 169-178. ISSN 0957-4042 [Article]

Osborne, Deirdre. 2010. '“Diasporic Voices and Aesthetic Choices: Contemporary Black British Women Dramatists’ Experiential and Linguistic Innovations”'. In: Contemporary Women’s Writing: New Texts, Approaches and Technologies Third Biennial Conference of the Contemporary Women’s Writing Network. San Diego State University, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2018. 'Didactic Poetics : Critical, Creative, Consequentialist'. In: Race and Poetics and Poetry in the UK: Legacies of Colonialism. Queen's College, University of Cambridge, United Kingdom 26 October 2018. [Conference or Workshop Item]

Osborne, Deirdre. 2004. Dogside Story Patricia Grace. Sable: Black Literary Mag, 5, p. 113. [Article]

Osborne, Deirdre. 2018. 'Ego-histoire and Adoption Aesthetics'. In: Formations: Thinking Kinship through Adoption. Association for Studies in Adoption and Culture (ASAC), Seventh Biennial Conference, Oakland, Marriott Center Hotel, California, United States 19 October 2018. [Conference or Workshop Item]

Osborne, Deirdre. 2014. 'Embodiment and Embedding: the MA in Black British Writing; Through a Pedagogy of Blackness'. In: Black British Women’s Writing: Tracing the Tradition and New Directions, Black British Women’s Writing Network. University of Brighton, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2008. Fair trade?: debbie tucker green and sex tourism. Wasfiri, 53, pp. 81-82. [Article]

Osborne, Deirdre. 2010. '‘“Felt queer all the morning and had to lie down”: (pre)maternal and (pre)natal aesthetics in George Egerton and Barbara Baynton’s short stories’'. In: Celebrating Women’s Writing Lucy Cavendish College. University of Cambridge, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2011. Feminist Stages and Subaltern Sightlines. Contemporary Women’s Writing, 5(3), pp. 252-256. ISSN 1754-1476 [Article]

Osborne, Deirdre. 2019. ‘From Institutional Exclusion to Institutionalisation: “Decolonising” Literary Curricula’. Wasafiri, 34(4), pp. 128-132. ISSN 0269-0055 [Article]

Osborne, Deirdre. 2009. '“The Frontline and the Front Room: Representing Black British Domestic Space in Contemporary Writing”'. In: Diaspora Cities: Urban, Mobility and Dwelling Department of Geography and The City Centre, Queen Mary. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 1999. 'Gender Relations, Drama and the Prison Space'. In: Whose Theatre is it Anyway? Performance, Politics and Community. University of Wolverhampton, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2001. 'Gender and Gaols: Some Critical Reflections upon Educational Praxis'. In: The Politics of Gender and Education: third international conference Institute of Education. , University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2016. Genre and its ‘Diss-contents’: Twenty-First-Century Black British Writing on Page and Stage. In: Katy Shaw, ed. Teaching 21st Century Genres. London: Palgrave Macmillan, pp. 67-88. ISBN 9781137553898 [Book Section]

Osborne, Deirdre. 2014. 'Genre and its “Diss”contents: Teaching Twenty-First Century Black British Writing on Page and Stage'. In: Genre in Twenty-First Century Teaching, Higher Education Academy conference. University of Brighton, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2020. ‘”Hearing Voices” and Performing the Mind in debbie tucker green’s Dramatic-Poetics’. In: Siân Adiseshiah and Jacqueline Bolton, eds. debbie tucker green: Critical Perspectives. Cham, Switzerland: Palgrave Macmillan, pp. 233-255. ISBN 9783030345808 [Book Section]

Osborne, Deirdre. 2019. '‘Hearing and Sounding Voices: In the “silence of ink and paper”’(Mills, 2009)'. In: In Pursuit of Sound: An Inter-disciplinary Symposium. University of Cambridge, United Kingdom 1-2 October 2019. [Conference or Workshop Item]

Osborne, Deirdre. 2011. How Do We Get the Whole Story?: Contra-dictions and Counter-Narratives in debbie tucker green’s Dramatic Poetics. In: Merle Tonnies and Christina Flotmann, eds. Narrative in Drama. 18 Trier, Germany: Wissenschaftlicher Verlag Trier, ?-?. ISBN 978-3-86821-315-7 [Book Section]

Osborne, Deirdre. 2005. '“ ‘I ain’t British though / Yes you are. You’re as English as I am’: Staging Indigenous Identities in contemporary Black British Drama.”'. In: International Conference for Englishness Studies University College. Winchester, United Kingdom. [Conference or Workshop Item]

Preview

Osborne, Deirdre. 2011. “I ain’t British though / Yes you are. You’re as English as I am”: Staging Belonging and Unbelonging in Black British Drama. In: Ulrike Lindner; Mark Mohring; Mark Stein and Silke Stroh, eds. Hybrid Cultures, Nervous States: Britain and Germany in a (Post)Colonial World. (129) Amsterdam, New York: Rodopi, pp. 203-227. ISBN 978-90-420-3228-6 [Book Section]

Osborne, Deirdre. 2006. `I do not know about politics or government...I am a housewife': The Female Secret Agent and the Male War Machine in Occupied France (1942-5). Women a Cultural Review, 17 (1)(1), pp. 42-64. ISSN 09574042 [Article]

Osborne, Deirdre. 1998. 'Ida B. Wells and Angela Davis: Black ‘New’ Women'. In: Consumption, Fantasy, Desire and Success. University of Liverpool, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2000. 'Ida B. Wells: A Black New Woman currently out-of-print'. In: Feminist Forerunners: The New Woman and the International Periodical Press. Manchester University, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 1998. '“Imperial Housekeeping: Domestic Revisions in the Australian Colonial Context”'. In: First New Woman Conference: Gendering the Fin-de-Siecle Institute of English Studies,. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2006. In Celebration: Profile on Dona Daley. Sable: Black Literary Mag, 5, pp. 56-59. [Article]

Osborne, Deirdre. 2012. Introduction to Hidden Gems Volume II. In: Deirdre Osborne, ed. Hidden Gems Volume II. London: Oberon Books, pp. 11-19. ISBN 9781849431484 [Book Section]

Osborne, Deirdre. 2009. Introduction: Longevity and Critical Legitimacy: the So-Called Literary Tradition vs. the Actual Cultural Network. Women: A Cultural Review, 20(3), pp. 239-249. ISSN 0957-4042 [Article]

Osborne, Deirdre. 2016. ‘Introduction’. In: Deirdre Osborne, ed. Cambridge Companion to British Black and Asian Literature (1945-2010). Cambridge and New York: Cambridge University Press, pp. 1-20. ISBN 9781107139244. 9781316504802 [Book Section]

Osborne, Deirdre. 2006. Judging a book by its cover: reading, race and the search for identity in Fix Up by Kwame Kwei-Armah. In: , ed. Teaching Contemporary Literature and Culture Vol. 2. Trier: Wissenschaftlicher Verlag, pp. 13-29. [Book Section]

Osborne, Deirdre. 2007. “ ‘Know Whence you Came’: Dramatic Art and Black British Identity”. New Theatre Quarterly, 23(3), pp. 253-263. ISSN 0266-464X [Article]

Osborne, Deirdre. 2005. Kwame Kwei-Armah’s Elmina’s Kitchen. Wasafiri, 46, p. 76. [Article]

Osborne, Deirdre. 2014. 'Landmark Poetics: Cultural Capital and the Capital'. In: Capitals, American Comparative Literature Association annual conference. New York University, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2019. '‘Landmark Poetics’'. In: Infrastructural Reading: Forms, Flows, Fragments. City, University of London, United Kingdom 4 June 2019. [Conference or Workshop Item]

Osborne, Deirdre. 2009. Lemn Sissay. In: R. Victoria Arana, ed. Dictionary of Literary Biography: Twenty-First-Century “Black” British Writers. 26 Sumter, South Carolina: Gale Research Company, pp. 261-271. ISBN 978-0-7876-8165-4 [Book Section]

Osborne, Deirdre. 2008. Lemn Sissay’s Life’s Source: An Interview and Commentary. In: Deirdre Osborne, ed. Hidden Gems: Contemporary Black British Plays. London: Oberon Books, pp. 318-326. ISBN 1-84002-843-0 [Book Section]

Osborne, Deirdre. 1999. '“A Literary Perspective on Australian Motherhood in the 1890s” Victorian Crime and Society University of London, Chair “Women in Prisons”'. In: Gender and Commonwealth Institute of Commonwealth Studies. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2018. Lorraine Hansberry (1930-1965). In: David Palmer, ed. Visions of Tragedy in Modern American Drama. London: Bloomsbury Academic, pp. 115-123. ISBN 9781474276924 [Book Section]

Osborne, Deirdre. 2019. The Magnitude of Mothertext. In: Rahila Gupta, ed. Don’t Wake Me: The Ballad of Nihal Armstrong. London: Oberon Books, pp. 7-34. ISBN 9781786827685 [Book Section]

Osborne, Deirdre. 2015. 'Male Authors and their Female Spies in Novels of Occupied France'. In: Spying on Spies: Popular Representations of Spies and Espionage. University of Warwick Business School at The Shard, London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2009. '“Mixed Messages: Representing Mixed Heritages in Contemporary British Literature”'. In: Race in the Modern World: An International Conference on Race Discourses and Contemporary Identities Goldsmiths. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2019. ‘Mixed Messages’. Women: A Cultural Review, 30(3), pp. 373-377. ISSN 0957-4042 [Article]

Osborne, Deirdre. 2017. Mothertext: Restoring the Mixed Matrilineal Routes to Heritage. In: S SuAndi, ed. The Story of M and Selected Poems. London: Oberon Books, pp. 10-27. ISBN 9781786821157 [Book Section]

Osborne, Deirdre. 2007. Not 'In-Yer-Face' But What Lies Beneath: Experiential and Aesthetic Inroads in the Drama of debbie tucker green and Dona Daley. In: R. Victoria Arana, ed. Black British Aesthetics Today. Newcastle: Cambridge Scholars Publishing, pp. 222-242. ISBN 978-1-8471-8116-9 [Book Section]

Osborne, Deirdre. 2004. 'Not so lonely anymore: contemporary Black British writers and the legacy of Sam Selvon'. In: Literary London Institute of English Studies. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2006. '“Not ‘in-yer-face’ but what lies beneath: experiential and aesthetic inroads in the drama of debbie tucker green and Dona Daley”'. In: “Black” British Aesthetics Today: The Howard University Symposium Howard University. Washington D.C., United States. [Conference or Workshop Item]

Osborne, Deirdre. 2009. 'One body, Many voices: Upon ‘Getting the Whole Story’ in the Monodramas of debbie tucker green and Mojisola Adebayo'. In: Fractured Narratives: Pinter Postmodernism and the Postcolonial World Pinter Centre, Goldsmiths. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2007. '“ ‘Our Mothers, Ourselves’: Staging (I)dentity politics in SuAndi’s The Story of M and Lemn Sissay’s Something Dark”'. In: Tenth Nordic Conference for English Studies. University of Bergen, Contemporary Poetry Panel, Northern Mariana Islands. [Conference or Workshop Item]

Osborne, Deirdre. 2010. '“The Page is the Stage: An Exploration of debbie tucker green’s Dramatic Poetics”'. In: Transformations of Narrative in the Postcolonial Era. Pinter Centre, Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2007. '“Passing the Baton in Athletic Poetics: debbie tucker green's Linguistic Legacy”'. In: Association for Theatre in Higher Education Annual Conference. New Orleans, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2009. 'Race in the Modern World: An International Conference on Race Discourses and Contemporary Identities'. In: Race in the Modern World: An International Conference on Race Discourses and Contemporary Identities. Goldsmiths, University of London and the Stephen Lawrence Trust, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 1997. “A Recent Look at Black Women Playwrights”. In: , ed. Six Plays by Black and Asian Women Writers. London: Aurora Metro, pp. 15-20. ISBN 978-0951587720 [Book Section]

Osborne, Deirdre. 2015. Resisting the Standard and Displaying her Colours: debbie tucker green at British Drama’s Vanguard. In: Mary F. Brewer; Lynette Goddard and Deirdre Osborne, eds. Modern and Contemporary Black British Drama. London: Palgrave Macmillan, pp. 161-177. ISBN 9780230303195 [Book Section]

Osborne, Deirdre. 2020. 'Routes: a Critical Commentary'. In: Dan Reballato, ed. The Cambridge Companion to Contemporary Playwriting. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

Osborne, Deirdre. 2011. Roy Williams. In: Martin Middeke; Peter Paul Schnierer and Aleks Sierz, eds. The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Books, pp. 487-509. ISBN 978-1-4081-2278-5 [Book Section]

Osborne, Deirdre. 2001. 'Secret Subversions: the Female Spy in life, Film and Literature (France 1940-45)'. In: Memory, Gender and War. University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2002. 'Secrets and Lies: Women Spies and their counterfeits in 1940s Occupied France'. In: Retrieving the 1940s. University of Leeds, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2010. '“Set in Stone”'. In: Poetry and Voice: A Creative and Critical Conference. University of Chichester, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2011. “Set in Stone”: Lemn Sissay and SuAndi’s Landmark Poetics. In: Arturo Cass and Cordelia Grobner, eds. Performing Poetry: Race, Place and Gender in the Poetry Performance. 24 Amsterdam and New York: Rodopi, pp. 197-217. ISBN 978-90-420-3329-0 [Book Section]

Osborne, Deirdre. 2013. Skin Deep, a Self-Revealing Act: Monologue, Monodrama, and Mixedness in the Work of SuAndi and Mojisola Adebayo. Journal of Contemporary Drama in English, 1(1), pp. 54-69. ISSN 2195-0164 [Article]

Osborne, Deirdre. 2008. Staging Black Feminisms by Lynette Goddard. Contemporary Theatre Review, 18(1), pp. 123-124. ISSN 1048-6801 [Article]

Osborne, Deirdre. 2007. Staging Indigenous Identities in contemporary Black British Drama. In: , ed. Englishness, Differences and Identity. International Institute for the Study of Englishness, pp. 55-61. ISBN 978-0955124402 [Book Section]

Osborne, Deirdre. 2004. 'The State of the Nation – Contemporary Black British Drama and the Staging of the UK'. In: Staging Displacement, Exile and Diaspora German Society for Contemporary Theatre and Drama in English. Bamberg, Germany. [Conference or Workshop Item]

Osborne, Deirdre. 2006. The State of the Nation: Contemporary Black British Theatre and the Staging of the UK. In: Dimple Godiwala, ed. Alternatives Within the Mainstream: British Black and Asian Theatres. Cambridge Scholars Press, pp. 82-100. ISBN 1904303668 [Book Section]

Osborne, Deirdre. 2011. '“Trading Places: New Definitions of ‘Here’ and ‘There’ in Diasporic Drama”.'. In: 6th International Caribbean Women’s Writing Conference: Comparative Critical Conversations.. The Centre for Caribbean Studies, Goldsmiths, University of London., United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2010. 'Women, Creativity and Dissidence: A Three-day Workshop with Nawal el Saadawi'. In: Women, Creativity and Dissidence: A Three-day Workshop with Nawal el Saadawi. SABLE LitMag and Goldsmiths, University of London., United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2006. Writing Black Back: An Overview of Black Theatre and Performance in Britain. In: Dimple Godiwala, ed. Alternatives Within the Mainstream: British Black and Asian Theatres. Cambridge Scholars Press, pp. 61-82. ISBN 1904303668 [Book Section]

Osborne, Deirdre. 2006. Writing Black Back: An Overview of Black Theatre and Performance in Britain. Studies in Theatre Performance, 26(1), pp. 13-31. ISSN 1468-2761 [Article]

Osborne, Deirdre. 2017. 'You think remembering me is enough. It’s not” (from ‘At the Grave of the Unknown African, Henbury Parish Church’): The Landmark Poetics of Fred D’Aguiar and Dorothea Smartt'. In: The Complete Works Diversity in UK Poetry Conference. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2010. debbie tucker green e Dona Daley: duas dramaturgas britânicas negras do novo milênio (debbie tucker green and Dona Daley: Two Neo-millennial Black British Women Playwrights). ANTARES Letras e Humanidades, 4, pp. 25-56. ISSN 1984-4921 [Article]

Osborne, Deirdre. 2017. 'hang' by debbie tucker green. In: , ed. The Literary Encyclopaedia. London: The Literary Dictionary Company Ltd. ISBN 1747-678X [Book Section]

Osborne, Deirdre; Brandt, Godfrey and Stein, Mark. 2008. 'On Whose Terms?: Critical Negotiations in Black British Literature and the Arts'. In: On Whose Terms?: Critical Negotiations in Black British Literature and the Arts. Goldsmiths College, University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre and Hassan, Leila. 2019. ‘Complex Coalitions: Sex, Gender, Race and Class’. In: Paul Field; Robin Bunce; Leila Hassan and Margaret Peacock, eds. Here to Stay, Here to Fight: Race Today Anthology. London: Pluto Press, pp. 253-260. ISBN 9780745339757 [Book Section]

Osborne, Deirdre; Marcus, Laura; Parsons, Deborah; Richardson, Angelique and Willis, Chris. 1998. 'First New Woman Conference: Gendering the Fin-de-Siecle'. In: First New Woman Conference: Gendering the Fin-de-Siecle. Institute of English Studies,University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre and Neumann, Birgit. 2018. 'On Whose Terms?: Ten Years On... (in Critical Negotiations in Black British Literature and the Arts)'. In: On Whose Terms?: Ten Years On... (in Critical Negotiations in Black British Literature and the Arts). Goldsmiths, University of London, United Kingdom 22 - 23 March 2018. [Conference or Workshop Item]

Adeyemi, Sola, ed. 2006. Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth: Bayreuth African Studies Series, 258 p., 8 p. of plates. ISBN 9783927510951 [Edited Book]

Papadelli, Vasiliki. 2013. Towards a Movement Practice of Attunement: An Incorporation of Elements from Song of the Goat Theatre and Contact Improvisation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Preview

Patey-Ferguson, Phoebe. 2019. The London International Festival of Theatre (LIFT) in Context, 1947-2016. Doctoral thesis, Goldsmiths, University of London [Thesis]

Peyton Jones, Jeremy. 2013. Composing music for The Zero Hour. In: Andrew Quick, ed. Theatricalising Cinema: imitating the dog's The Zero Hour and 6 Degrees Below the Horizon. Lancaster: Live at LICA, n/a-n/a. ISBN 978-1-86220-308-2 [Book Section]

Peyton Jones, Jeremy. 2013. Soundtrack for The Zero Hour. [Audio]

Preview

Porubcansky, Anna. 2011. Social Performing Groups and the Building of Community: Odin Teatret, Gardzienice, and Song of the Goat Theatre. Doctoral thesis, Goldsmiths, University of London [Thesis]

Punchdrunk and Barrett, Felix. 2013. The Drowned Man: A Hollywood Fable. In: "The Drowned Man: A Hollywood Fable", 31 London Street, London, United Kingdom, 20 June 2013 - 6 July 2014. [Performance]

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Rees, Sian. 2018. Theatricalizing Dissent: An Examination of the Methodology and Efficacy of Performance in Contemporary Political Protest. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Reid, Alexa. 2016. Little House. In: "Little House", National Portrait Gallery, Washington, DC, United States, 1 May 2016. [Show/Exhibition]

Reid, Alexa. 2019. Little House 2. In: "Little House 2", National Portrait Gallery, Washington, DC, United States, 3 May 2019. [Show/Exhibition]

Reid, Alexa. 2023. On Becoming Place; acts of meditation and metamorphosis. In: "SLQS: Roan/m", MOMA Machynlleth, United Kingdom, 22 April -10 June 2023. [Show/Exhibition]

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Reid, Alexa. 2021. 'The Potent Object Laboratory'. In: The Potent Object Laboratory. Zoom, Italy 25 May 2021, 27 May 2021 and 3 June 2021. [Conference or Workshop Item]

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Reid, Alexa. 2014. The Wake of the Caliph. In: "The Wake of the Caliph", Horniman Museum and Gardens, United Kingdom, 12 - 13 July 2014. [Performance]

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Reid, Margaret. 2011. Melodrama: Metropolis: Modernity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Reynolds, Michael. 2014. The Theatrical Vision of Count Harry Kessler and its Impact on the Strauss-Hofmannsthal Partnership. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Rogers, Bradley. 2022. The Emergence of the Integrated Musical: Otto Harbach, Oratorical Theory, and the Cinema. Theatre Survey, ISSN 0040-5574 [Article]

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Rogers, Bradley. 2022. Lawrence Welk: Champagne Music, Ovaltine Politics. Journal of Popular Music Studies, 34(1), pp. 141-166. ISSN 1524-2226 [Article]

Rogers, Bradley. 2024. The Monkees and the Manufactured Musical. In: , ed. The Oxford Handbook of the Television Musical. Oxford: Oxford University Press. [Book Section] (Forthcoming)

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Rosario, Catherine. 2015. Black Rams and Extravagant Strangers: Shakespeare’s Othello and its Rewritings, from Nineteenth-Century Burlesque to Post-Colonial Tragedy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Rotie, Marie-Gabrielle. 2022. 'Becoming Animal'. In: Becoming Animal. London, United Kingdom October 2022. [Conference or Workshop Item]

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Rotie, Marie-Gabrielle. 2023. 'Becoming Nothing: Butoh and the use of Poetic Textual Scores or Eating the darkness, in the mud of the self'. In: Performing Scores / Scoring Performance. Manchester School of Art, Manchester Metropolitan University, United Kingdom 11 - 12 July 2023. [Conference or Workshop Item]

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Rotie, Marie-Gabrielle. 2015. Forest for little man: Homage to Tarkovsky 2015 /Marie-Gabrielle Rotie. In: "Forest for Little Man: Homage to Tarkovksy", Trinity Laban, United Kingdom, 2015. [Performance]

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Rotie, Marie-Gabrielle. 2019. In Sutherlands Footsteps. [Digital] (Forthcoming)

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Rotie, Marie-Gabrielle. 2024. Marie-Gabrielle Rotie: Blodeuwedd: she's neither owls nor flowers. In: "Blodeuwedd: she's neither owls nor flowers", London, United Kingdom, October 2024. [Performance]

Rotie, Marie-Gabrielle. 2023. Movement Choreography for Nosferatu (creation period 2023 with UK release 2025). Focus Features, New York, United States. [Other] (Forthcoming)

Rotie, Marie-Gabrielle. 2022. Movement Choreography for The Northman (2020/2021). New Regency, Perfect World Pictures, Regency Enterprises, Square Peg, Focus Features. [Other]

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Rotie, Marie-Gabrielle. 2011 - ongoing Movement Direction Portfolio. [Project]

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Rotie, Marie-Gabrielle. 2023. Movement Direction/ Research: The Witcher: Series 3, Episode 5, The Art of the Illusion. Netflix, Los Gatos, United States. [Other]

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Rotie, Marie-Gabrielle. 2021. Mujokan. In: "Mujokan", Kew Gardens London, United Kingdom, October 2021. [Performance]

Rotie, Marie-Gabrielle. 2010. Mythic. In: "Mythic", Laban, London, United Kingdom, 2010-2012. [Performance]

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Rotie, Marie-Gabrielle. 2010. Mythic: Solo. In: "Mythic", London, United Kingdom. [Performance]

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Rotie, Marie-Gabrielle. 2022. 'States of Possession'. In: Research Workshop: States of Possession. London, United Kingdom September 2022. [Conference or Workshop Item]

Rotie, Marie-Gabrielle and Arróniz Lacunza, Sandra. 2013. Voices and Silences (Pamplona 7 July 2008). Pamplona, Spain 2011-2013. [Performance]

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Rotie, Marie-Gabrielle and Ikeuchi, Keiko. 2022. The Garden 2014 to 2023. [Image] (Forthcoming)

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Rotie, Marie-Gabrielle and Parkin, Nick. 2021. Artefact 4: Tokyo Remix Ashmolean Museum in Oxford. In: "Artefact 4: Tokyo Remix", Ashmolean Museum, United Kingdom, 5 November 2021. [Performance]

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Rotie, Marie-Gabrielle and Parkin, Nick. 2018. 'Encounters with Landscape Research Labs Series: Pembrokeshire'. In: Encounters with Landscape: Research Lab Series: Pembrokeshire. Pembrokeshire, United Kingdom 2015 to 2023. [Conference or Workshop Item]

Rotie, Marie-Gabrielle and Parkin, Nick. 2020. Parys Mountain: Alchemy of Landscape. [Digital]

Rowe, Cami. 2017. Challenging the Characterizations of Military Service: A Critical Comparison of British and American Counter-Recruitment Efforts. In: Sara Brady and Lindsey Mantoan, eds. Performance in a Militarized Culture. Abingdon: Routledge, pp. 204-221. ISBN 9781138740808 [Book Section]

Rowe, Cami. 2016. Iraq Veterans Against the War: "That Whole Gender Paradigm". In: Simona Sharoni; Julia Welland; Linda Steiner and Jennifer Pedersen, eds. Handbook on Gender and War. Cheltenham: Elgar Press. ISBN 978 1 84980 891 0 [Book Section]

Rowe, Cami. 2017. Performance and Politics Fifty Years After ‘Society of the Spectacle’. E-International Relations, [Article]

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Rowe, Cami. 2013. The Politics of Protest and US Foreign Policy: Performative Construction of the War on Terror. London: Routledge. ISBN 978-0-415-52390-5 [Book]

Rowe, Cami. 2015. 'Seems He A Dove?' The Scripted and Unscripted Masquerades of Conscientious Objection. In: Christine Sylvester, ed. Masquerades of War. New York: Routledge, pp. 21-42. ISBN 9781138810693 [Book Section]

Rowe, Cami. 2015. 'Seems he a dove?': Masquerades of Conscientious Objection. In: , ed. Masquerades of War. London: Routledge, pp. 21-42. ISBN 978-1138810693 [Book Section]

Saner, Göze. 2018. An Actor’s Attempt at Sisyphus’ Stone: Memory, Performance, and Archetype. In: Katja Hilevaara and Emily Orley, eds. Creative Critic: Writing as/about Practice. Oxon: Routledge. ISBN 9781138674837 [Book Section]

Saner, Göze. 2006. And I raised my hand glorious. In: "Studio Theatre, Royal Holloway", University of London, United Kingdom. [Performance]

Saner, Göze. 2005. '‘Archetypal Action in Training: An Exercise in Focus’'. In: Research Day, Department of Drama and Theatre, Royal Holloway. University of London, United Kingdom. [Conference or Workshop Item]

Saner, Göze. 2005. '‘The Archetype of Acting, Acting Archetypes: Greek and Roman Pantomime Today’'. In: New Perspectives on Ancient Pantomime, APGRD Symposium. Oxford University, United Kingdom. [Conference or Workshop Item]

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Saner, Göze. 2018. Attempts. [Film/Video]

Saner, Göze. 2009. '‘Attuning the Eyes to the Dark: In Search of an Archetypal Mode of Agency in Performance’'. In: Research Seminars on the Theory, Practice and History of Performance, Goldsmiths, University of London. London, United Kingdom. [Conference or Workshop Item]

Saner, Göze. 2017. Containers of Practice: Would you step into my shell? In: Bruce Barton; Annette Aarlander; Melanie Dreyer-Lude and Ben Spatz, eds. Performance as Research: Knowledge, Methods, Impact. Oxon: Routledge. ISBN 9781138068711 [Book Section]

Saner, Göze. 2015. Drifting as a Migrant Woman. Walk21 Conference Magazine, [Article]

Saner, Göze. 2018. Echoes. [Project]

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Saner, Göze. 2020. Exercising Freedom: An Arendtian clown training utopia. Performance Research: A Journal of the Performing Arts, 25(8), pp. 146-154. [Article]

Saner, Göze. 2014. Göçmen Adımlar / Migrant Steps. In: "Göçmen Adımlar / Migrant Steps", North London Community House, United Kingdom. [Performance]

Saner, Göze. 2005. Hear Me. In: "New Perspectives on Ancient Pantomime, APGRD Symposium", Oxford University, United Kingdom. [Performance]

Saner, Göze. 2006. '‘Iconography in Training and Performance: A Work-Demonstration’'. In: The Body’ in the Reception of Ancient Drama, 6th Annual Postgraduate Symposium, Oxford University and Royal Holloway. University of London, United Kingdom. [Conference or Workshop Item]

Saner, Göze. 2011. '‘Memory, Performance and Archetype: Sisyphus’ Stone’'. In: Camilllo 2.0 PSi-17 Conference. Utrecht, Netherlands. [Conference or Workshop Item]

Saner, Göze. 2014. Migrant Steps / Göçmen Adımlar. [Project]

Saner, Göze. 2017. Orozco Lourdes and Parker-Starbuck Jennifer, ed. Performing Animality: Animals in Performance Practices Basingstoke; New York: Palgrave, 2015. 225 p. £55.00. ISBN: 978-1-137-37312-0. [Review]. New Theatre Quarterly, 33(2), p. 195. ISSN 0266-464X [Article]

Saner, Göze. 2006. Potrei aver ucciso tutti. In: "Open Night, Scuola Sperimentale dell’Attore", Pordenone, Italy, 12/9/06 - 20/8/06. [Performance]

Saner, Göze. 2009. '‘Remembering the Archetype: Mask and the Subtle Body in Ancient Pantomime and Commedia dell’Arte’'. In: 33rd Comparative Drama Conference, Loyola Marymount University. California, United States. [Conference or Workshop Item]

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Saner, Göze. 2009. the truth about the tyrant. In: "Grotowski: After-Alongside-Around-Ahead Symposium", University of Kent at Canterbury, United Kingdom. [Performance]

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Saner, Göze. 2010. what happened to the tyrant. In: "what happened to the tyrant", Camden People's Theatre, London, United Kingdom. [Performance]

Saner, Göze and Dedeoğlu, Saniye. 2017. Turkish/Kurdish Women’s Migrant Steps in London: Public Walks/Personal Returns. In: Gülçin Erdi Lelandais and Yıldırım Şentürk, eds. Identity, Justice and Resistance in the Neoliberal City. London: Palgrave, pp. 171-196. ISBN 9781349843602 [Book Section]

Saner, Göze and Erdogan, Alev. 2014. Göçmen Adımlar / Migrant Steps: Walking and Socially Engaged Performance. [Film/Video]

Saner, Göze and Hilevaara, Katja. 2009. the world rests on a tortoise. In: "Let’s Murder the Moonshine: 100 Years of Futurism", Goldsmiths, University of London, United Kingdom. [Performance]

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Saner, Göze; Hodge, Alison and Dineen, Molly. 2014. You Looking at Me. In: "You Looking at Me", Shoreditch Town Hall, United Kingdom. [Performance]

Saner, Göze; Kokkali, Alexia; Walker, Liz and Roberts, Brian. 2015. Training Grounds: Answer the Questions 'What are your/the tools of training?'. Theatre, Dance and Performance Training, 6(3), [Article]

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Saner, Göze and Robinson, Scott. 2019. Designing Performer Training: Digital Encounters with Things and People. Theatre, Dance and Performance Training, 10(2), pp. 250-269. ISSN 1944-3927 [Article]

Saner, Göze and Robinson, Scott. 2014. Jacques et Jerzy. [Film/Video]

Saner, Göze and Robinson, Scott. 2016. Sharing Training. [Project] (Submitted)

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Saner, Göze and Yeni, Naz. 2018. Migrant Steps: Interview with Göze Saner. Book 2.0, 8(1-2), pp. 125-135. ISSN 2042-8022 [Article]

Saner, Göze; Zaroulia, Marilena and Clements, Rachel. 2014. Performing Animal: A Dialogue. Backpages, Contemporary Theatre Review, 24(4), [Article]

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Saskia, Olde Wolbers and Reid, Alexa. 2014. Yes, these Eyes are the Windows - scenographic fine detail. In: "Yes, these Eyes are the Windows", 87 Hackford Rd, Lonodon, United Kingdom, 3 May - 22 June 2014. [Show/Exhibition]

Sellars, Peter and Shevtsova, Maria. 2021. Covid Conversations 1: Peter Sellars. New Theatre Quarterly, 37(1), pp. 1-19. ISSN 0266-464X [Article]

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Seubert, Florian J. 2023. Dramatherapy-informed facilitation in opera outreach for adults with learning disabilities. Dramatherapy, 44(2-3), pp. 145-158. ISSN 0263-0672 [Article]

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Seubert, Florian J. 2022. Music Theatre without Voice: Facilitating and directing diverse participation for opera, musical, and pantomime. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Seubert, Florian J. 2022. ‘Sanitise your hands with rainbows!’ Encouraging self-representation in times of crisis: inclusive reflections on Covid-19, together with women with learning disabilities from East London. Research in Drama Education: The Journal of Applied Theatre and Performance, 27(4), pp. 443-457. ISSN 1356-9783 [Article]

Shapiro, Rachel. 2013. Theatre and Integration Politics in France 1999-2011. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Sheinberg, David. 2017. Audiobooks as Artworks : A Framework for Analysis & Appreciation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Shevtsova, Maria. 2023. The 2023 Theatre Olympics in Budapest. New Theatre Quarterly, 39(4), pp. 377-386. ISSN 0266-464X [Article]

Shevtsova, Maria. 2015. Alive, Kicking – and Kicking Back: Russia's Golden Mask Festival 2015. New Theatre Quarterly, 31(3), pp. 232-240. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. 'Alternative Dramaturgies?'. In: Alternative Dramaturgies of the New Millennium. Tangier, Morocco. [Conference or Workshop Item]

Shevtsova, Maria. 2002. Appropriating Pierre Bourdieu's champs and habitus for a sociology of stage productions. Contemporary Theatre Review, 12(3), pp. 35-66. ISSN 10267166 [Article]

Shevtsova, Maria. 2022. Artistic Processes and Characteristics: Key Problems of the Sociology of the Theatre. In Dialogue with Pierre Bourdieu. In: Ilaria Riccioni, ed. Theatre(s) and Public Sphere in a Global and Digital Society: Theoretical Explorations, Volume 1. Leiden: Brill, pp. 1-15. ISBN 9789004526549 [Book Section]

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Shevtsova, Maria. 2010. BITE at the Barbican. New Theatre Quarterly, 26(3), pp. 293-296. ISSN 0266-464x [Article]

Shevtsova, Maria. 2016. The Baltic House Theatre Festival, St Petersburg: Twenty-Five Years On. New Theatre Quarterly, 32(1), pp. 61-67. ISSN 0266-464X [Article]

Shevtsova, Maria. 2011. A Bite of BITE at the Barbican. New Theatre Quarterly, 27(3), pp. 283-285. ISSN 0266-464X [Article]

Shevtsova, Maria. 2017. 'Contemporary Intercultural Theatre'. In: 4th International Festival of Turko-speaking Theatres. Ufa National Theatre, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2009. Cross-cultural Fields: Korean Shakespeare Productions in Global Context. In: Lee Hyon-u, ed. Glocalizing Shakespeare in Korea and Beyond. Seoul: Dongin Publishing, pp. 157-178. ISBN 9788955064131 [Book Section]

Shevtsova, Maria. 2013. 'The Dance Hybrids of Sidi Larbi Cherkaoui'. In: Tanz Kongress. Düsseldorf, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2011. Deborah Warner Directs Hedda Gabler: Mercurial Pistols. In: Erika Fischer-Lichte; Barbara Gronau and Christel Weiler, eds. Global Ibsen: Performing Multiple Modernities. New York: Routledge, pp. 102-113. ISBN 9780415877138 [Book Section]

Shevtsova, Maria. 2018. Dialogue between Maria Shevtsova and Aleksander Chepurov on the Fiftieth Anniversary of the Artistic Work of Valery Fokin at the Aleksandrinsky Theatre, St Petersburg – in Russian. [Digital]

Shevtsova, Maria. 2011. 'Directors Invent 'Theatricality': Focus on Vsevolod Meyerhold and Ariane Mnouchkine'. In: The Grotowski Institute Summer Seminars. Wroclaw, Poland. [Conference or Workshop Item]

Shevtsova, Maria. 2010. 'Elementy i zasady'. Didaskalia, pp. 58-67. [Article]

Shevtsova, Maria. 2014. 'Getting a Grip in the Theatre Houses of Europe'. In: Whither Political Theatre?. St John's College, University of Cambridge. [Conference or Workshop Item]

Shevtsova, Maria. 2011. The Gyula Shakespeare Festival 2011. New Theatre Quarterly, 27(4), pp. 386-394. ISSN 0266-464X [Article]

Shevtsova, Maria. 2019. Innovative Practices: Stanislavsky Directs Chekhov and Gorky. In: Amy Skinner, ed. Russian Theatre in Practice. London: Bloomsbury. ISBN 9781474284431 [Book Section]

Shevtsova, Maria. 2015. 'Interdisciplinary Approaches and the Sociology of Theatre Practices'. In: Thinking the Theatre – New Theatrology and Performance Studies. Turin, Italy. [Conference or Workshop Item]

Shevtsova, Maria. 2017. Interdisciplinary Approaches and the Sociology of Theatre Practices. Culture Teatrali, 26, pp. 70-79. ISSN 1825-8220 [Article]

Shevtsova, Maria. 2019. 'Interdisciplinary Performance Practices and Interdisciplinary Analysis'. In: Santiago a Mil International Theatre Festival. Santiago, Chile 16-17 January 2019. [Conference or Workshop Item]

Shevtsova, Maria. 2018. Interview on Stanislavsky's Context for Essential Drama. [Professional Activity]

Shevtsova, Maria. 2009. Lev Dodin Directs Grossman, O'Neill and Shakespeare. New Theatre Quarterly, 25(2), pp. 137-147. ISSN 0266-464x [Article]

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Shevtsova, Maria. 2004. Lev Dodin and the Maly Drama Theatre: Process to Performance. Routledge. ISBN 9780415334624 [Book]

Shevtsova, Maria. 2015. 'Living Archives and Politics: The Case of Recent Russian Theatre'. In: Memory and Theatre: Performance the Archive. International Centre for Performance Studies, Tangier, Morocco. [Conference or Workshop Item]

Shevtsova, Maria. 2015. Living Archives and Politics: The Case of Recent Russian Theatre. In: Khalid Amine and Jaouad Radouani, eds. Memory and Theatre: Performing the Archive. Proceedings of the 11th Annual Performing Tangier International Conference. Tangier: Faculties of Letters and Humanities, Abdelmalek Essaadi University, pp. 31-45. ISBN 978-9954-36-338-6 [Book Section]

Shevtsova, Maria. 2013. The Maly Drama Theatre of St Petersburg, Chekhov and Uncle Vanya. International Association of Theatre Critics (Hong Kong) (online journal), [Article]

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Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Anatoli Vassiliev, 'Studio Theatre, Laboratory Theatre'. New Theatre Quarterly, 25(4), pp. 324-332. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Maria Shevtsova in Conversation with Ann-Christen Rommen, Experiencing the Movement. New Theatre Quarterly, 23(1), pp. 58-66. ISSN 0266-464x [Article]

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Shevtsova, Maria. 2010. Maria Shevtsova in Conversation with Anna Zubrzycki and Grzegorz Bral, 'Song of the Goat Theatre: Finding Flow and Connection'. New Theatre Quarterly, 26(3), pp. 248-260. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Maria Shevtsova in Conversation with Eugenio Barba, Reinventing Theatre. New Theatre Quarterly, 23(2), pp. 99-114. ISSN 0266-464x [Article]

Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Jatinder Verma, 'The Generations of the Diaspora and Multiculturalism in Britain'. New Theatre Quarterly, 25(3), pp. 203-223. ISSN 0266-464x [Article]

Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Lev Dodin at Goldsmiths (conducted in Russian). In: , ed. Puteshestviye bzs kontsa: Dialogi s Mirom [Journey Without End: Dialogues with the World]. St Petersburg: Baltic Seasons, pp. 270-282. ISBN n/a [Book Section]

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Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Thomas Richards and Mario Biagini, 'With and After Grotowski'. New Theatre Quarterly, 25(4), pp. 336-359. ISSN 0266-464x [Article]

Shevtsova, Maria. 2013. 'Meyerholdian Dimensions in the Work of Contemporary Directors'. In: Vsevolod Meyerhold's Theatre Practices. Wroclaw, Poland. [Conference or Workshop Item]

Shevtsova, Maria. 2021. Moscow’s Golden Mask Festival: The Russian Case (Online, 2021). New Theatre Quarterly, 37(4), pp. 376-388. ISSN 0266-464X [Article]

Shevtsova, Maria. 2007. Multiculturalism, Theatre and the Politics of Liberation: The Melbourne Workers Theatre and the Turkish Community. In: Glen D'Cruz, ed. Class Act: Melbourne Workers Theatre 1987–2007. Victoria: The Vulgar Press, pp. 88-103. ISBN 978-0-9775047-3-2 [Book Section]

Shevtsova, Maria. 2010. Multimedia and Performance: Decoration and Invention. In: Jerzy Limon and Agnieszka Zukowska, eds. Theatrical Blends: Art in the Theatre/Theatre in the Art. Gdansk: Theatrum Gedanense Foundation, pp. 97-109. ISBN 978-83-7453-989-0 [Book Section]

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Shevtsova, Maria. 2023. “Music, singing, word, action”: the Opera-Dramatic Studio 1935–1938. Stanislavski Studies, 11(1), pp. 3-17. ISSN 2056-7790 [Article]

Shevtsova, Maria. 2013. Notes on 'Noteworthy' Productions at the Berlin Theatertreffen, 2013. New Theatre Quarterly, 29(3), pp. 294-301. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. Odin at Fifty. New Theatre Quarterly, 30(3), p. 298. ISSN 0266-464X [Article]

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Shevtsova, Maria. 2011. On Double Edge Theatre. Stacy Klein in Conversation with Maria Shevtsova. New Theatre Quarterly, 27(1), pp. 41-59. ISSN 0266-464X [Article]

Shevtsova, Maria. 2012. An Overview of Theatertreffen in Berlin, 2012. Critical Stages: The IATC Webjounral/Scénes Critiques: Revue web de l'AICT(7), [Article]

Shevtsova, Maria. 2017. 'Performances With No End in Sight'. In: Belgrade International Festival of Theatre. University of the Arts, Belgrade, Serbia. [Conference or Workshop Item]

Shevtsova, Maria. 2008. Peter Brook. In: John Russell Brown, ed. The Routledge Companion to Directors' Shakespeare. London and New York: Routledge, pp. 16-36. ISBN 978-0-415-57767-0 [Book Section]

Shevtsova, Maria. 2017. 'Peter Brook: Method and Style'. In: Public Lecture: Peter Brook: Method and Style. Electrotheatre, Moscow, Russian Federation. [Conference or Workshop Item]

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Shevtsova, Maria. 2016. Political Theatre in Europe: East to West, 2007–2014. New Theatre Quarterly, 32(2), pp. 142-156. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. 'Politics and Dance'. In: Tanz Über Gräben: The Rite of Spring, 1913-2013. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2013. Postdramatic, Non-aesthetic, and Other Signs of the Times. In: Jerzy Limon and Agnieszka Zukowska, eds. An Atomizing Theatre. Gdansk: wydawnictwo slowo/obraz terytoria, pp. 143-148. ISBN 978-83-931104-3-8 [Book Section]

Shevtsova, Maria. 2013. 'Postdramatic, Non-theatre, and Other Signs of the Times'. In: Interdisciplinary Conference of the Shakespeare Festival, Gdansk. Gdansk. [Conference or Workshop Item]

Shevtsova, Maria. 2017. President of the Jury of the 2017 Belgrade International Festival of Theatre (BITEF). [Professional Activity]

Shevtsova, Maria. 2018. 'Problematics and Methodology of the Sociology of the Theatre – delivered in Russian'. In: Social-Economic Problems of Culture and Ar. Union of Theatre Professionals, Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2011. Pytor Semak. In: John Russell Brown, ed. The Routledge Companion to Actors' Shakespeare. London and New York: Routledge, pp. 215-226. ISBN 978-0-415-48301-8 [Book Section]

Shevtsova, Maria. 2012. Reasons for Joy and Reflection: Engaging with Shakespeare at the Craiova Festival. New Theatre Quarterly, 28(4), pp. 352-362. ISSN 0266-464X [Article]

Shevtsova, Maria. 2019. Rediscovering Stanislavsky. Cambridge: Cambridge University Press. ISBN 9781139151092 [Book]

Shevtsova, Maria. 2012. 'Researching Directors'. In: Public Lecture at Rose Bruford College of Theatre and Performance. Sidcup. [Conference or Workshop Item]

Shevtsova, Maria. 2017. Revolutions Remembered: the Golden Mask Festival in Moscow 2017. New Theatre Quarterly, 33(3), pp. 288-298. ISSN 0266-464X [Article]

Shevtsova, Maria. 2016. Robert Wilson. In: John Russell Brown and Stephen Di Benedetto, eds. Designers' Shakespeare. London and New York: Routledge, pp. 118-136. ISBN 9780415525077 [Book Section]

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Shevtsova, Maria. 2007. Robert Wilson. Routledge. ISBN 978-0-415-33881-3 [Book]

Shevtsova, Maria. 2018. Robert Wilson (Second Edition). Abingdon: Routledge. ISBN 9781138599420 [Book]

Shevtsova, Maria. 2007. Robert Wilson Directs 'When We Dead Awaken', 'The Lady From The Sea' and 'Peer Gynt'. Ibsen Studies, 7(1), pp. 84-104. ISSN 1502-1866 [Article]

Shevtsova, Maria. 2021. Robert Wilson's Sonosphere. In: Ann Shanahan, ed. Meredith Monk, Richard Foreman, Robert Wilson: Landscapes of Consciousness. London: Bloomsbury Methuen. [Book Section]

Shevtsova, Maria. 2008. Robert Wilson’s Theatre as Visual Art. In: Chen Yongguo, ed. Visual Culture Studies: A Reader. Beijing: Beijing University Press, pp. 288-302. [Book Section]

Shevtsova, Maria. 2013. 'Russian Plays and Novels in Contemporary German Theatre (in Russian)'. In: Conference for Directors and Theatre Critics at the Baltic House International Theatre Fesitval. St Petersburg, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2002. The Russian Presence in Paris 1988–2000. In: David Bradby and Maria M. Delgado, eds. The Paris Jigsaw: Internationalism and the City's Stages. Manchester: Manchester University Press, pp. 186-197. ISBN 0719061849 [Book Section]

Shevtsova, Maria. 2013. 'Russian Theatre Seen Through the Eyes of Foreign Critics (in Russian)'. In: Conference for Theatre Critics and Directors of the Golden Mask Theatre Festival. Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2014. The Seagull Directed by Oskaras Korsunovas. Critical Stages: The IATC Webjournal/Scénes Critiques: Revue de l'AICT, [Article]

Shevtsova, Maria. 2014. Shakespeare in Gyula: Report on the Gyula Shakespeare Festival 2014. New Theatre Quarterly, 30(4), pp. 397-402. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. Shakespeare in Summer: Report on the Gyula Shakespeare Festival, 2013. New Theatre Quarterly, 29(4), pp. 394-398. ISSN 0266-464X [Article]

Shevtsova, Maria. 2019. ‘Small Forms’ and Large: the Russian Case at the Golden Mask, 2019. New Theatre Quarterly, 35(3), pp. 275-285. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. Social Practice. In: Bryan Reynolds, ed. Performance Studies: Key Words, Concepts and Theories. London: Palgrave Macmillan, pp. 297-303. ISBN 9780230247307 [Book Section]

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Shevtsova, Maria. 2009. Sociology of Theatre and Performance. Verona: QuiEdit. ISBN 9788864640136 [Book]

Shevtsova, Maria. 2017. 'Stanislavski et Lev Dodin: à la recherche d’un acteur (co-) créateur (Stanislavsky and Lev Dodin: Searching for an Actor (Co-) Creator) – delivered in French'. In: Journees sur la pedagogie de l’acteur. Conservatoire National Supérieur d’Art Dramatique, Paris, France. [Conference or Workshop Item]

Shevtsova, Maria. 2012. 'Stanislavsky to Grotowski and Teatr ZAR'. In: The Actor is Dead. Long Live the Actor. Novi Sad, Serbia. [Conference or Workshop Item]

Shevtsova, Maria. 2014. Stanislavsky to Grotowski: Actor to Performer/Doer. New Theatre Quarterly, 30(4), pp. 333-340. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. 'Stanislavsky's Ghost in Britain (in Russian)'. In: Stanislavsky and World Theatre in Celebration of Stanislavsky's Jubilee (150 Years Since His Birth). Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2018. ‘Stanislavsky: Founder of Modern Acting’, broadcast on the programme ‘The Forum’ for BBC Radio 4. [Broadcast]

Shevtsova, Maria. 2017. ‘Stanislavsky: Founder of Modern Acting’, broadcast on the programme ‘The Forum’ for BBC World Service. [Broadcast]

Shevtsova, Maria. 2013. Teatr ZAR's Journey of the Spirit. New Theatre Quarterly, 29(2), pp. 170-184. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. 'Teatr ZAR's Research Expeditions'. In: Research Seminar at the International Resarch Center 'Interweaving Performance Cultures' at the Freie Universität. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2023. Teatr ZAR's Song Theatre as Spiritual Knowledge. In: Torsten Jost; Erika Fischer-Lichte; Milos Kosic and Astrid Schenka, eds. Performance Cultures and Epistemic Cultures, Volume 1: (Re)Generating Knowledges in Performance. Abingdon: Routledge, pp. 202-218. ISBN 9781032445694 [Book Section]

Shevtsova, Maria. 2013. The Tempest: Declan Donnellan and Oskaras Korsunovas Look Backwards into the Abyss of Time. In: Anna Cetera, ed. Szekspiromania Andrzeja Zurowskiego: ksiega dedykowana pamieci. Warsaw: University of Warsaw Press, pp. 182-191. ISBN 9788323510741 [Book Section]

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Shevtsova, Maria. 1993. Theatre and Cultural Interaction. Sydney: Sydney Association for Studies in Society and Culture. ISBN 0949405086 [Book]

Shevtsova, Maria. 2006. The Theatre of Genet in Sociological Perspective. In: Clare Finburgh; Carl Lavery and Maria Shevtsova, eds. Jean Genet: Performance and Politics. London: Palgrave Macmillan, pp. 44-54. ISBN 9781403994806 [Book Section]

Shevtsova, Maria. 2017. 'Theatres of Long Duration – delivered in Russian'. In: 6th International Cultural Forum of St Petersburg ‘Revolutionary Tendencies in Theatre Aesthetics’. St Petersburg, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2016. 'Theatres of War: Contemporary Scenes'. In: Festival Wroclaw Cultural Capital of Europe. Wroclaw, Poland. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Theatrical Newspeak'. In: The Interdisciplinary Conference of the Shakespeare Festival, Gdansk. Gdansk. [Conference or Workshop Item]

Shevtsova, Maria. 2012. 'This Step Before the Next One: Teatr ZAR'. In: Research Seminar at the International Research Center 'Interweaving Performance Cultures', Freie Universität. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'To Be or Not To Be: That May Well Be the Question'. In: Academic Conference of the Gyula International Shakespeare Festival. Gyula, Hungary. [Conference or Workshop Item]

Shevtsova, Maria. 2016. 'Trends in Contemporary European Theatre'. In: Theatre and Theatre Research at the Beginning of the Twenty-first Century: Searches, Problems, Trends. Theatre School of Konstantin Raikin, Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2009. The Valery Fokin Festival at the Alexandrinsky Theatre, St Petersburg. New Theatre Quarterly, 25(1), pp. 44-51. ISSN 0266-464x [Article]

Shevtsova, Maria. 2018. 'Valery Fokin's European Theatre'. In: 7th International Cultural Forum of St Petersburg. St Petersburg, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2014. 'When is an Agent not an Agent?'. In: Politics of the Applied: Theatre and Art as Intervention/Theater und Kunst als Intervention'. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2011. White and Black Magic: Robert Wilson's 'Einstein on the Beach' and 'The Black Rider'. In: Gerald Siegmund and Petra Bolte-Picker, eds. Subjekt: Theater. Beiträge zur analytischen Theatralität: Festschrift für Helga Finter zum 65. Geburtstag. Frankfurt am Main: Peter Lang, pp. 245-257. ISBN 978-3-631-60680-3 [Book Section]

Shevtsova, Maria. 2014. 'Whose Shakespeare is Contemporary?'. In: Academic Conference of the Gyula International Shakespeare Festival. Gyula, Hungary. [Conference or Workshop Item]

Shevtsova, Maria; Finburgh, Clare and Lavery, Carl, eds. 2006. Jean Genet: Performance and Politics. London: Palgrave Macmillan. ISBN 9781403994806 [Edited Book]

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Shevtsova, Maria and Innes, Christopher. 2013. The Cambridge Introduction to Theatre Directing. Cambridge: Cambridge University Press. ISBN 9780521606226 [Book]

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Shevtsova, Maria and Innes, Christopher. 2009. Directors/Directing: Conversations on Theatre. Cambridge: Cambridge University Press. ISBN 9780521888431 [Book]

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Shevtsova, Maria and Mitter, Shomit. 2005. Fifty Key Theatre Directors. Oxon: Routledge. ISBN 9780415187312 [Book]

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Sigal, Sarah. 2013. The Role of the Writer and Authorship in New Collaborative Performance-Making in the United Kingdom from 2001-2010. Doctoral thesis, Goldsmiths, University of London [Thesis]

Sirera, Rodolph. 2010. Continuity. Translated by John London from the Catalan of Rodolf Sirera. Commissioned by the Sala Beckett, Barcelona. [Book]

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Smart, Roger. 2018. Towards the Potential Space: Addressing the influences that hamper and occlude an actor’s potency and their remediation through psychophysical approaches to learning. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Song, Jong Hyuk. 2019. In Search of the Performer’s Way: The Work of Jerzy Grotowski from the Perspective of Daoism. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Sotimirin, Olatunji Samson. 2020. Music in selected play productions of Wole Soyinka and Femi Osofisan. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stanger, Arabella. 2013. The Choreography of Space: Merce Cunningham and William Forsythe in Context. Doctoral thesis, Goldsmiths, University of London [Thesis]

Stone, Emily. 2014. The Actor's Voice as a Creative Role in Solo Performance of Playwright Neil Labute’s Medea Redux. Masters thesis, Goldsmiths, University of London [Thesis]

The Quick and the Dead. 2008. Angustias: After Lorca. In: "Angustias: After Lorca", St. Andrews Church, Young Vic Theatre, London, United Kingdom. [Performance]

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Tsai, Chi-chang. 2004. The Transplantation of Theatre-in-Education from Britain to Taiwan. Doctoral thesis, Goldsmiths, University of London [Thesis]

Twitchin, Mischa. 2023. Addressing ‘the Cultural Level of an Average European’ (Kafka). European Journal of Theatre and Performance(5), pp. 146-177. ISSN 2664-1860 [Article]

Twitchin, Mischa. 2018. Aging Without Age. [Film/Video]

Twitchin, Mischa. 2013. Anachronism. Materials #2 [The Theatre Issue! (150 pages)], 2, [Article]

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Twitchin, Mischa. 2020. Angels in Poland. Contemporary Theatre Review, 30(4), pp. 584-588. ISSN 1048-6801 [Article]

Twitchin, Mischa. 2015. 'Animating Masks'. In: TaPRA Interim Conference on Foucault. Kings College, University of Lonodn, United Kingdom 4th July, 2015. [Conference or Workshop Item]

Twitchin, Mischa. 2015. 'Animating Phantasms: Pensive Phantoms'. In: Present's Disjunctive Unity conference. Haus der Kulturen der Welt, Berlin, Germany 26-28th November, 2015. [Conference or Workshop Item]

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Twitchin, Mischa. 2023. Baffling Dramaturgy: Between the Obvious and the Obtuse. In: Harry Robert Wilson and Will Daddario, eds. Rethinking Roland Barthes Through Performance: A Desire for Neutral Dramaturgy. London: Bloomsbury Academic, pp. 157-170. ISBN 9781350330849 [Book Section]

Twitchin, Mischa. 2024. 'Between "object lessons" and "omissions"'. In: Doing and Undoing with Anthropology: EASA Biennial Conference. University of Barcelona, Spain 23-26 July 2024. [Conference or Workshop Item]

Twitchin, Mischa. 2020. Between 'Counter-movement' (Ingold) and 'Living with Ghosts' (Demos). In: Agnieszka Piotrowska, ed. Creative Practice research in the Age of Neoliberal Hopelessness. Edinburgh: Edinburgh University Press, pp. 288-303. ISBN 9781474463560 [Book Section]

Twitchin, Mischa. 2016. '"Between Documentation and Living Archive: What Becomes of the Avant-Garde?"'. In: Konteksty Festival. Wroclaw-Sokolowsko, Poland 30 June - 1 July 2016. [Conference or Workshop Item]

Twitchin, Mischa. 2017. 'Between Phantom and Phantasm'. In: Performance Philosophy Conference. Academy of Sciences and Academy of Performing Arts, Prague, Czech Republic 22-26 June 2017. [Conference or Workshop Item]

Twitchin, Mischa. 2018. 'Between Truth and the Inexplicable'. In: Theatre and Memory Wars. Vytautus Magnus University, Kaunas, Lithuania 26-28 April 2018. [Conference or Workshop Item]

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Twitchin, Mischa. 2023. Between a “Poetical Phrase” and Being “Led into Error” in "The Interpretation of Dreams". Widok. Teorie i Praktyki Kultury Wizualnej / View. Theories and Practices of Visual Culture, 35, ISSN 2300-200X [Article]

Twitchin, Mischa. 2015. '"Between the Rubbish Dump and Eternity"'. In: Today is Tadeusz Kantor. Whitechapel Gallery, London, United Kingdom. [Conference or Workshop Item]

Twitchin, Mischa. 2022. Beyond Satire: Friedl, Red Peter, and "the cultural level of the average European". In: Krist Gruijthuijsen, ed. On Peter Friedl. Cologne: Verlag der Buchhandlung Walther König, pp. 235-250. ISBN 9783753301679 [Book Section]

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Twitchin, Mischa. 2020. Cologne, 25.1.20. [Film/Video]

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Twitchin, Mischa. 2019. Concerning "the Eurocentric African Problem" (Meschac Gaba). Open Cultural Studies, 3(1), pp. 276-285. ISSN 2451-3474 [Article]

Twitchin, Mischa. 2023. 'Concerning the "wisdom" of dramaturgy'. In: "Dimensions of Dramaturgy", 6th EASTAP Conference. University of Aarhus, Denmark 14-18 June 2023. [Conference or Workshop Item]

Twitchin, Mischa. 2019. 'Considering Square Circles'. In: London Theatre Seminar. University of London, United Kingdom 28 March 2019. [Conference or Workshop Item]

Twitchin, Mischa. 2018. The Critical Attitude (English version). [Film/Video]

Twitchin, Mischa. 2018. The Critical Attitude (Polish version). [Film/Video]

Twitchin, Mischa. 2016. Dahlem Dorf, Chapter 1. [Film/Video]

Twitchin, Mischa. 2016. Dahlem Dorf, Chapter 2. [Film/Video]

Twitchin, Mischa. 2016. Dahlem Dorf, Chapter 3. [Film/Video]

Twitchin, Mischa. 2016. Dahlem Dorf, Chapter 4. [Film/Video]

Twitchin, Mischa. 2016. Dahlem Dorf, Chapter 5. [Film/Video]

Twitchin, Mischa. 2016. Dahlem Dorf, Prologue. [Film/Video]

Twitchin, Mischa. 2020. A Dice Thrower. In: Laura Cull Ó Maoilearca and Alice Lagaay, eds. The Routledge Companion to Performance Philosophy. Routledge, pp. 326-329. ISBN 9781138495623 [Book Section]

Twitchin, Mischa. 2017. 'Digital Catoptrics'. In: Re-Performing Symposium. Institute of Advanced Studies, UCL, United Kingdom 18 June 2017. [Conference or Workshop Item]

Twitchin, Mischa. 2022. 'Disturbing things'. In: Museums as Spaces of Cultural Translation and Transfer Conference. Tartu University, Estonia 10-11 May 2022. [Conference or Workshop Item]

Twitchin, Mischa. 2022. 'Do we remember?'. In: Online Launch of Memory Studies 15(3). Institute of Art History and Visual Culture, Tallinn, Estonia 29 September 2022. [Conference or Workshop Item]

Twitchin, Mischa. 2023. 'Do we still remember?' (Warsaw, June 2022). Contemporary Theatre Review, 33(1-2), pp. 162-165. ISSN 1048-6801 [Article]

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Twitchin, Mischa. 2019. Dr Faustroll's Pataphysical Ethnography in Dresden. [Film/Video]

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Twitchin, Mischa. 2019. Dr Faustroll's Pataphysical Ethnography in Dresden 2. [Film/Video]

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Twitchin, Mischa. 2019. Dr Faustroll's Pataphysical Ethnography in Dresden 3. [Film/Video]

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Twitchin, Mischa. 2024. Drawing a Line. Widok/View: Theories and Practices of Visual Culture(38), ISSN 2300-200X [Article]

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Twitchin, Mischa. 2023. Enduring Touch. Performance Research, 27(2), pp. 72-80. ISSN 1352-8165 [Article]

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Twitchin, Mischa. 2018. Estonia, May-June 1939. [Film/Video]

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Twitchin, Mischa. 2018. The Estonian Theatre Festival, Tartu 2018: A 'Tale of the Century’. European Stages, 12, [Article]

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Twitchin, Mischa. 2024. 'Exposed memory'. In: Subtle Transitions. Prague City University and Charles University Prague, Czech Republic 5 April 2024. [Conference or Workshop Item]

Twitchin, Mischa. 2017. 'Exposing ‘People’'. In: TaPRA. University of Salford, Manchester, United Kingdom 30 August-1 September 2017. [Conference or Workshop Item]

Twitchin, Mischa. 2017. From "Ignorance". [Film/Video]

Twitchin, Mischa. 2016. '"Future Pasts"'. In: Africa Research Day conference. London, United Kingdom 25 May 2016. [Conference or Workshop Item]

Twitchin, Mischa. 2021. 'Giving a local habitation to the dead'. In: Colloque International de Lomé: Sépultures, deuils et incarnations. Université de Lomé, Togo 1 – 3 February 2021. [Conference or Workshop Item]

Twitchin, Mischa. 2016. How to Explain Pictures to a Dead Hare? Art School (Exhibition Catalogue), pp. 197-207. ISSN 0-6110000015-4-611-15 [Article]

Twitchin, Mischa. 2016. The Human Face (English version). [Film/Video]

Twitchin, Mischa. 2018. The Human Face 2. [Film/Video]

Twitchin, Mischa. 2013. In Search of an Audience. Theatrama, 1, pp. 13-18. [Article]

Twitchin, Mischa. 2017. 'In and Out of the Dark'. In: Theatricality and the Arts Symposium. Lancaster University, United Kingdom 23-24 September 2017. [Conference or Workshop Item]

Twitchin, Mischa. 2019. In and Out of the Dark: Exposing the ‘immersive’ theatrically. Performance Research, 24(4), pp. 142-148. ISSN 1352-8165 [Article]

Twitchin, Mischa. 2018. '"In the name of your image" (Senghor)'. In: Memory and Performance in African-Atlantic Futures conference. University of Leeds, United Kingdom 31 August-1 September, 2018. [Conference or Workshop Item]

Twitchin, Mischa. 2018. 'Indifference or irony?'. In: TaPRA annual conference. University of Aberystwyth, United Kingdom 5-7 September 2018. [Conference or Workshop Item]

Twitchin, Mischa. 2008. “The Invisible Theatre of Antonin Artaud”. Liminalities: A Journal of Performance Studies, 4(3), ISSN 1557-2935 [Article]

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Twitchin, Mischa. 2018. Kantor after Duchamp. In: M. Kobialka and N. Zarzecka, eds. Tadeusz Kantor's Memory: Other Pasts, Other Futures. TAPAC: Theatre and Performance Across Cultures (London, UK) and the Grotowski Institute (Wrocław, Poland).: Polish Theatre Perspectives (PTP). ISBN 978-1-910203-06-4 [Book Section]

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Twitchin, Mischa. 2023. Kantor’s encounters with a rhinoceros: ‘Costumology’ between material and metaphor. Studies in Costume & Performance, 8(1), pp. 11-34. ISSN 2052-4013 [Article]

Twitchin, Mischa. 2023. 'Keeping the Magic Alive': Some Arcane Speculations. In: Alice Lagaay; Anke Haarmann; Tom Bieling; Torben Körschkes; Petja Ivanova; Frieder Bohaumilitzky and Barbro Scholz, eds. Specology. Hamburg: adocs, pp. 48-52. ISBN 9783943253719 [Book Section]

Twitchin, Mischa. 2016. Le Corps, lien d'utopies (French version). [Film/Video]

Twitchin, Mischa. 2016. Le Visage Humain (French version). [Film/Video]

Twitchin, Mischa. 2022. Lehmann's Voice(s). Communications of the International Brecht Society, [Article]

Twitchin, Mischa. 2018. Letters from Europe. Performance Research, 23(4-5), pp. 453-455. ISSN 1352-8165 [Article]

Twitchin, Mischa. 2017. Loving Memory: Anamnesis and Hypomnesis. Performance Research, 22(1), pp. 136-140. ISSN 1352-8165 [Article]

Twitchin, Mischa. 2016. '"Loving Memory: Anamnesis and Hypomnesis"'. In: Cambridge Interdisciplinary Performance Network seminar. Cambridge, United Kingdom 9 May 2016. [Conference or Workshop Item]

Twitchin, Mischa. 2014. Loving memory (English version). [Film/Video]

Twitchin, Mischa. 2014. Loving memory (French version). [Film/Video]

Twitchin, Mischa. 2012. “Making Sense of ‘Seeing’”. Frakcija Performing Arts Journal, 62-63, pp. 166-177. ISSN 1331-0100 [Article]

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Twitchin, Mischa. 2020. Merthyr Tydfil, 24.12.19. [Film/Video]

Twitchin, Mischa. 2017. '‘The Mirror and the Corpse…’: Some Reflections on the Phantasm of the Subject'. In: Narratology and Its Discontents Conference. Academy of Dramatic Arts, University of Zagreb, Croatia 6th-8th April 2017. [Conference or Workshop Item]

Twitchin, Mischa. 2020. 'Mnemotechnics and the Discrete Voice'. In: Memory for the Future: Thinking with Bernard Stiegler. University of Leiden, Netherlands 3 – 4 December 2020. [Conference or Workshop Item]

Twitchin, Mischa. 2024. Mnemotechnics, Echo and the Discrete Voice. In: Bart Buseyne; Georgios Tsagdis and Paul Willemarck, eds. Bernard Stiegler: Memories of the Future. London: Bloomsbury Academic, pp. 205-215. ISBN 9781350410442 [Book Section]

Twitchin, Mischa. 2017. 'Modelling International Relations: Ethnographic Museums and the ‘Authority’ of Objects'. In: European Workshops in International Studies. University of Cardiff, United Kingdom 7-10 June 2017. [Conference or Workshop Item]

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Twitchin, Mischa. 2020. Modernism, medium and memory. In: Thirthankar Chakraborthy and Juan Luis Vazquez, eds. Samuel Beckett as World Literature. Bloomsbury, pp. 87-99. ISBN 978-1-5013-5880-7 [Book Section]

Twitchin, Mischa. 2016. Métro: Trocadéro. [Film/Video]

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Twitchin, Mischa. 2018. "Not all art is magic, nor is all magic art." (A Museum of World Culture 5: Wyatt MacGaffey.). [Film/Video]

Twitchin, Mischa. 2016. '"'Object Lessons' at the British Museum's Africa Galleries"'. In: European Association of Social Anthropologists Conference. Milan, Italy 20-23 July 2016. [Conference or Workshop Item]

Twitchin, Mischa. 2017. 'Of What Stuff Are European Dreams Made On?'. In: Anthropology of Race and Ethnicity Symposium (an EASA Network). Free University of Berlin, Germany 17-19 July 2017. [Conference or Workshop Item]

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Twitchin, Mischa. 2018. On "an ethnography of relation" (a Museum of World Culture 3). [Film/Video]

Twitchin, Mischa. 2018. 'On 'drawing unexpected analogies' (Attia); or on 'living with ghosts' (Demos)'. In: Creative Practice: Research in the Age of Neoliberal Hopelessness. University of Bedfordshire, United Kingdom 10-12 May 2018. [Conference or Workshop Item]

Twitchin, Mischa. 2018. 'On 'the eye that listens' (Claudel)'. In: Art, Materiality and Representation. SOAS and the British Museum, United Kingdom 1-3 June 2018. [Conference or Workshop Item]

Twitchin, Mischa. 2018. On Judging (English version). [Film/Video]

Twitchin, Mischa. 2018. On Judging (Polish version). [Film/Video]

Twitchin, Mischa. 2023. 'On Relationality and Repair: Museums in the Time of Restitution'. In: Memory Studies Association Annual Conference. Newcastle, United Kingdom 3-7 July 2023. [Conference or Workshop Item]

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Twitchin, Mischa. 2022. On Repair: Between Cosmopolitics and Decoloniality. Performance Research, 26(6), pp. 54-61. ISSN 1352-8165 [Article]

Twitchin, Mischa. 2015. 'On Shunt'. In: Conference on Troupes, Collectifs, Compagnies. La Comedie de Valence, France 1st-3rd April, 2015. [Conference or Workshop Item]

Twitchin, Mischa. 2017. 'On Some ‘Documents of Euro-African Contact’ (MacGregor)'. In: Afroeuropeans: Black Cultures and Identities in Europe Conference. University of Tampere, Finland 6-8 July 2017. [Conference or Workshop Item]

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Twitchin, Mischa. 2014. On the "Difference between preaching an ideal and giving artistic form to the historical tension inherent in it". In: Will Daddario and Karoline Gritzner, eds. Adorno and Performance. London: Palgrave Macmillan, pp. 67-82. ISBN 978-1-137-42987-2 [Book Section]

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Twitchin, Mischa. 2024. 'On the 'reflexivity of forms of experience' (Foucault)'. In: 'Private Collection' in Family Film Project Festival 2024. Porto, Portugal 15-19 October 2024. [Conference or Workshop Item]

Twitchin, Mischa. 2016. On the Contexts Festival of Ephemeral Art (Sokolowsko) [Review]. The Theatre Times, [Article]

Twitchin, Mischa. 2007. “On the Dreamwork of Hearing”. Liminalities: A Journal of Performance Studies, 3(3), ISSN 1557-2935 [Article]

Twitchin, Mischa. 2020. 'On the Memory of Ethnography'. In: Ethnographic Returns. University of Gothenburg, Sweden 30 June 2020. [Conference or Workshop Item]

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Twitchin, Mischa. 2022. 'On the Subject of Chance Remarks'. In: Performances in the Contemporary. Institute of Philosophy, University of Porto, Portugal 12 December 2022. [Conference or Workshop Item]

Twitchin, Mischa. 2024. On the Subject of Chance Remarks: Practising Patience. In: Ne Barros and Eugenia Vilela, eds. Performances no Contemporaneo II. Porto, Portugal: Faculdade de Letras da Universidade de Porto, pp. 171-176. ISBN 9789899082779 [Book Section]

Twitchin, Mischa. 2020. 'On the ‘heritage’ of objects: between racism and restitution'. In: RAI Conference 2020: Anthropology and Geography - Dialogues Past, Present and Future. London, United Kingdom 15 – 17 September 2020. [Conference or Workshop Item]

Twitchin, Mischa. 2013. On ‘Man and Machine’ at the 2013 Malta Festival, Poznań [Review]. Contemporary Theatre Review, 23(4), pp. 614-616. ISSN 1048-6801 [Article]

Twitchin, Mischa. 2017. 'On ‘observing oneself as an instrument of observation’ (Levi-Strauss)'. In: First Colleex Workshop on Ethnographic Experimentation (an EASA Network). Institute of Social Sciences, University of Lisbon, Portugal 13-15 July 2017. [Conference or Workshop Item]

Twitchin, Mischa. 2013. “On ‘the live effigy of man emerging out of the shadows...’”. In: Carole Guidicelli, ed. Über-Marionettes and mannequins: Craig, Kantor and their contemporary legacies. Lavérune: Institut Internationale de la Marionette/ L’Entretemps, pp. 273-291. ISBN 978-2-35539-169-9 [Book Section]

Twitchin, Mischa. 2018. 'On “a discourse related to the historical dynamics of its time” (Araeen).'. In: Re-imagining the Museum in the Global Contemporary, annual ICOM-ICME conference. National Museum. Tartu, Estonia 9-12.10.2018. [Conference or Workshop Item]

Twitchin, Mischa. 2016. '"Pedagogic Materials: Tylor and Godard"'. In: Show and Tell Symposium, Materials in Practice Study Group. Conference, United Kingdom. [Conference or Workshop Item]

Twitchin, Mischa. 2019. 'Performance, Parable, and Paradox'. In: Memory Studies Association Third Annual Conference. Complutense University, Madrid, Spain 25-28 June 2019. [Conference or Workshop Item]

Twitchin, Mischa. 2017. Performance? Art? (English version). [Film/Video]

Twitchin, Mischa. 2017. Performance? Art? (Polish version). [Film/Video]

Twitchin, Mischa. 2014. Performing European Memories: Trauma, Ethics, Politics by Milija Gluhovic [Review]. Contemporary Theatre Review, 24(3), pp. 404-405. ISSN 1048-6801 [Article]

Twitchin, Mischa. 2015. 'Performing Presence: Interpreting Catastrophe'. In: ITI Greece Conference on the Twenty-First Century Performer. Hellenic Centre of the ITI , Athens, Greece. [Conference or Workshop Item]

Twitchin, Mischa. 2020. "Perspective(s)". [Art Object]

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Twitchin, Mischa. 2018. "Phantom Africa" (Museum of World Cultures 2). [Film/Video]

Twitchin, Mischa. 2016. Phantom Europe 1: Return to the Postcolony. [Film/Video]

Twitchin, Mischa. 2016. Phantom Europe 2: Living with Ghosts. [Film/Video]

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Twitchin, Mischa. 2019. Philosophical Phantasms: ‘the Platonic Differential’ and ‘Zarathustra’s Laughter'. In: Tony Fisher and Kélina Gotman, eds. Foucault's Theatres. Manchester: Manchester University Press, pp. 110-118. ISBN 9781526135704 [Book Section]

Twitchin, Mischa. 2024. Philosophical Problems and Stochastic Parrots: Between Aphorism and Algorithm. In: Mischa Twitchin, ed. Wittgenstein and Performance. Lanham, Maryland: Rowman and Littlefield, pp. 219-233. ISBN 9781538175095 [Book Section]

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Twitchin, Mischa. 2024. 'Photographic Memories'. In: Vestiges of Memory. University for the Creative Arts, Canterbury, United Kingdom 18-19 July 2024. [Conference or Workshop Item]

Twitchin, Mischa. 2019. Poem Films: “…not only in your theatre but also in the world” (Brecht). In: "Contexts: International Festival of Ephemeral Art", Sokolowsko, Poland, 25-29 July 2019. [Show/Exhibition]

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Twitchin, Mischa. 2018. Portrayal of Past and Present in One (Brecht). [Film/Video]

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Twitchin, Mischa. 2018. Portrayal of Past and Present in One (Polish version). [Film/Video]

Twitchin, Mischa. 2015. "The Post-Traumatic Theatre of Grotowski and Kantor: History and the Holocaust in Akropolis and Dead Class" by Magda Romanska; and "Tadeusz Kantor Today", eds. Katarzyna Fazan, Anna Burzynska, and Marta Brys. [Review]. Theatre Research International, 40(3), pp. 341-342. ISSN 0307-8833 [Article]

Twitchin, Mischa. 2011. "Puppet: An Essay on Uncanny Life" by Kenneth Gross [Review]. Puppet Notebook, 19, p. 23. ISSN 1745-1086 [Article]

Twitchin, Mischa. 2015. Re-Enchantment. FIMFA Festival 15th Anniversary Programme (Lisbon), p. 7. [Article]

Twitchin, Mischa. 2017. Reading Brecht in Nanterre. [Film/Video]

Twitchin, Mischa. 2017. Reading Brecht in Nanterre 2: Performance? Art? (German version). [Film/Video]

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Twitchin, Mischa. 2018. Reading Brecht in Nanterre 6: The Theatre of Dreams (German version).. [Film/Video]

Twitchin, Mischa. 2018. Reading Brecht in Nanterre: On Judging (German version). [Film/Video]

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Twitchin, Mischa. 2018. Reading Brecht in Nanterre: Portrayal of Past and Present in One (German version). [Film/Video]

Twitchin, Mischa. 2017. Reading Brecht in Nanterre: Showing Shown (German version). [Film/Video]

Twitchin, Mischa. 2018. Reading Brecht in Nanterre: The Critical Attitude (German version). [Film/Video]

Twitchin, Mischa. 2017. Reading Brecht: Polish-German (1). [Film/Video]

Twitchin, Mischa. 2019. 'Red Peter and Josephine'. In: Shared Memory(ies): Second EASTAP Conference. School of Arts and Humanities, University of Lisbon, Portugal 23 -25 September 2019. [Conference or Workshop Item]

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Twitchin, Mischa. 2022. Refracting Implication: The question of silence in (A)pollonia. Memory Studies, 15(3), pp. 579-594. ISSN 1750-6980 [Article]

Twitchin, Mischa. 2020. 'Refracting Implication: the Uses of Silence'. In: Prisms of Silence. Estonian Academy of Arts, Tallinn, Estonia 21-22 February 2020. [Conference or Workshop Item]

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Twitchin, Mischa. 2023. 'Remembering (in) the absence of memorials'. In: Memories of the Shoah. Universita Ca'Foscari, Venice, Italy 11-12 May 2023. [Conference or Workshop Item]

Twitchin, Mischa. 2020. Review of "Necroperformance: Cultural Reconstructions of the War Body" by Dorota Sajewska (trans. Simon Wloch). Contemporary Theatre Review, 30(3), pp. 411-413. ISSN 1048-6801 [Article]

Twitchin, Mischa. 2022. Review of "No More Masterpieces: Modern Art After Artaud" by Lucy Bradnock. Contemporary Theatre Review, 31(4), pp. 510-511. ISSN 1048-6801 [Article]

Twitchin, Mischa. 2022. Review of "Theatremachine: Tadeusz Kantor in Context", eds. Magda Romanska and Kathleen Cioffi. Theatre Journal, 74(2), pp. 262-263. ISSN 0192-2882 [Article]

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Twitchin, Mischa. 2020. Review of 'The Polish Theatre of the Holocaust' by Grzegorz Niziolek. Contemporary Theatre Review, 30(4), pp. 568-570. ISSN 1048-6801 [Article]

Twitchin, Mischa. 2017. Showing Shown (English version). [Film/Video]

Twitchin, Mischa. 2017. Showing Shown (Polish version). [Film/Video]

Twitchin, Mischa. 2019. Shunt: A performance collective. In: Teresa Brayshaw; Anna Fenemore and Noel Witts, eds. The Twenty-first Century Performance Reader. Abingdon, UK: Routledge, pp. 468-473. ISBN 9781138785342 [Book Section]

Twitchin, Mischa. 2008. “Shunt”, an article on Shunt and the ‘avant-garde’. Théâtre/Public, 191, pp. 51-53. ISSN 0335-2927 [Article]

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Twitchin, Mischa. 2024. 'The Site of Shadows'. In: Masterclass, Family Film Project. Porto, Portugal 15-19 October 2024. [Conference or Workshop Item]

Twitchin, Mischa. 2017. Sites of Research or ‘no layers of the onion’: Phantom Europe. O A R: The Oxford Artistic and Practice Based Research Platform, 1, ISSN 2399-5092 [Article]

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Twitchin, Mischa. 2019. Skipping Between Text and Performance: Some Questions of "Realism". Interdisciplinary Description of Complex Systems - INDECS, 17(2-A), pp. 265-271. ISSN 1334-4684 [Article]

Twitchin, Mischa. 2020. Sokolowsko. In: "Konteksty Festival 10", Sokolowsko, Poland, 23 – 26 July 2020. [Show/Exhibition]

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Twitchin, Mischa. 2019. Sokolowsko, 28.07.2019. [Film/Video]

Twitchin, Mischa. 2023. 'The Space Between'. In: Theatre in Exile. Slovak Theatre Institute, Bratislava, Slovakia 18-19 May 2023. [Conference or Workshop Item]

Twitchin, Mischa. 2024. A Spectre is Haunting Europe... Contemporary Theatre Review, 34(1), pp. 101-106. ISSN 1048-6801 [Article]

Twitchin, Mischa. 2022. 'Sprechen Sie Loewe?'. In: Peter Friedl: Report 1964–2022. KW Institute for Contemporary Art, Berlin, Germany 23 February 2022. [Conference or Workshop Item]

Twitchin, Mischa. 2024. 'Staging the gaze in museum ethnography'. In: Anthropology and Education - Royal Anthropological Institute 2024 Conference. Senate House, University of London, United Kingdom 25-28 June 2024. [Conference or Workshop Item]

Twitchin, Mischa. 2024. 'Suffocating Meaning'. In: Antonin Artaud: New Critical Reflections. Kingston University, United Kingdom 30-31 July 2024. [Conference or Workshop Item]

Twitchin, Mischa. 2024. '"Taking the piss" (or the "scandal of realism")'. In: "Theatre and Political Correctness" (International Association of Theatre Critics Annual Conference). Novi Sad, Serbia 26-29 May 2024. [Conference or Workshop Item]

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Twitchin, Mischa. 2019. Tartu, 14.9.2019. [Film/Video]

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Twitchin, Mischa. 2019. Tartu, 15.09.2019. [Film/Video]

Twitchin, Mischa. 2021. 'Terezin - Photographic Memories'. In: Memory Studies Association Fifth Annual Conference. Warsaw, Poland 5-9 July 2021. [Conference or Workshop Item]

Twitchin, Mischa. 2019. 'Terezin - contemporaries'. In: Arts Working Group of the Memory Studies Association Seminar. Goldsmiths, University of London, United Kingdom 13-14 December 2019. [Conference or Workshop Item]

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Twitchin, Mischa. 2019. Terezin 1. [Film/Video]

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Twitchin, Mischa. 2019. Terezin 2. [Film/Video]

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Twitchin, Mischa. 2019. Terezin 3. [Film/Video]

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Twitchin, Mischa. 2019. Tervuren 2(ii). [Film/Video]

Twitchin, Mischa. 2018. 'Theatre 'between returns to diversity' and 'memory laws''. In: Decentering the vision(s) of Europe, EASTAP Conference. Theatre de la Cite, Paris, France 25-27 October, 2018. [Conference or Workshop Item]

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Twitchin, Mischa. 2016. The Theatre of Death - the Uncanny in Mimesis: Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor. London: Palgrave Macmillan. ISBN 9781137478719 [Book]

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Twitchin, Mischa. 2018. The Theatre of Dreams (Polish version). [Film/Video]

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Twitchin, Mischa. 2018. The Theatre of Dreams. [Film/Video]

Twitchin, Mischa. 2023. 'There is nothing like a dead man to demand existence' (Antonin Artaud). In: Sharon Coleclough; Bethan Michael-Fox and Renske Visser, eds. Difficult Death, Dying and the Dead in Media and Culture. Cham, Switzerland: Palgrave Macmillan, pp. 175-188. ISBN 9783031407314 [Book Section]

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Twitchin, Mischa. 2019. This Artwork is Having a Rest. Performance Research, 24(6), pp. 6-15. ISSN 1352-8165 [Article]

Twitchin, Mischa. 2016. '"This Craze for Explicitation..."'. In: Samuel Beckett and World Literature Conference. Canterbury, Kent, United Kingdom 4-5 May 2016. [Conference or Workshop Item]

Twitchin, Mischa. 2019. '"Time crystals"'. In: Global Traces Conference: Art Practice, Ethnography, Contested Heritage. University of Oslo, Norway 7-8 February 2019. [Conference or Workshop Item]

Twitchin, Mischa. 2023. 'Translation, memory, and an “aesthetics of care”'. In: Post-Socialist and Comparative Memory Studies (PoSoCoMeS) Conference. University of Tallinn, Estonia 20 - 23 September 2023. [Conference or Workshop Item]

Twitchin, Mischa. 2016. The Utopian Body (English version). [Film/Video]

Twitchin, Mischa. 2016. A View from the 2015 Malta Festival (Poznan) [Review]. Contemporary Theatre Review, 26(2), pp. 278-280. ISSN 1048-6801 [Article]

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Twitchin, Mischa. 2019. 'The Voice of Things'. In: Arte e Antropologia: Oggetti fuori posto, oggetti che parlano. Antonio Pasqualino International Museum of Marionettes, Palermo, Italy 15-16 October 2019. [Conference or Workshop Item]

Twitchin, Mischa. 2019. The Voice of Things. Antropologia Museale(43), pp. 7-11. ISSN 1971-4815 [Article]

Twitchin, Mischa. 2023. The Warsaw Ghetto. [Film/Video]

Twitchin, Mischa. 2016. "We Have Somehow to Believe That Culture Will Save Us." (Interview with David Lan). Yearbook German ITI, pp. 63-67. [Article]

Twitchin, Mischa. 2016. '"We went with this text to Stuttgart"'. In: European Theatre Persepctives Conference. Wroclaw, Poland 7-9 Nov 2016. [Conference or Workshop Item]

Twitchin, Mischa. 2018. What chance failure? In: Tony Fisher and Eve Katsouraki, eds. Beyond Failure: New Essays on the Cultural History of Failure in Theatre and Performance. London: Routledge, pp. 37-54. ISBN 9780815370994 [Book Section]

Twitchin, Mischa. 2016. '"What gets differentiated - or repeated - in an 'ontology of performance'?"'. In: Performance Philosophy "Repetitions" Conference. Ljubljana, Slovenia 21-24 Sept 2016. [Conference or Workshop Item]

Twitchin, Mischa. 2015. 'What is 'Living' in Archives?'. In: Kantorbury, Kantorbury. University of Kent, United Kingdom 18-19th September, 2015. [Conference or Workshop Item]

Twitchin, Mischa. 2012. “What kind of play is it?”. Puppet Notebook (Journal of British UNIMA), 22, pp. 24-25. ISSN 1745-1086 [Article]

Twitchin, Mischa. 2017. 'What's Wrong with Participation?'. In: The Avant-Garde: Aesthetic Strategies and Participatory Art. Cricoteka, Krakow, Poland 8-10.12.2017. [Conference or Workshop Item]

Twitchin, Mischa. 2023. 'What’s Hamlet to us? (Or us to Hecuba?)'. In: "Acting, Reacting, Enacting. Theory and Practice in Performing Arts." ANTS Conference 2023. Latvian Academy of Culture Theatre House, Latvia 3-4 November 2023. [Conference or Workshop Item]

Twitchin, Mischa. 2024. Wittgenstein and Performance: Introduction. In: Mischa Twitchin, ed. Wittgenstein and Performance. Lanham, Maryland: Rowman & Littlefield, pp. 1-4. ISBN 9781538175095 [Book Section]

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Twitchin, Mischa. 2021. ‘A blank page ... ’ or ‘Ten years since language left ... ’ (Artaud). Performance Research, 26(5), pp. 160-164. ISSN 1352-8165 [Article]

Twitchin, Mischa. 2022. '"A kind of warning to the West" - Vaclav Havel today'. In: Kosovo Theatre Showcase, 2022, panel: Theatre Beyond Our Own Backyard. Prishtina, Kosovo 25 - 30 October 2022. [Conference or Workshop Item]

Twitchin, Mischa. 2017. '“The ‘missing people’: philosophical masks and Afro-European encounters”'. In: Africa of the Past: Africa of the Future Conference. SOAS, United Kingdom 5th-6th May 2017. [Conference or Workshop Item]

Twitchin, Mischa. 2018. 'A "museum of world cultures": the writing of a phantasm'. In: EASA 2018 Conference. Stockholm, Sweden 14-17 August 2018. [Conference or Workshop Item]

Twitchin, Mischa. 2022. '"...striking on stone clocks" (Mandelstam)'. In: Why Remember? Peace, Conflict and Culture Conference. Sarajevo, Bosnia and Herzegovina 6-8 July 2022. [Conference or Workshop Item]

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Twitchin, Mischa. 2018. "A world after its own image". [Film/Video]

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Twitchin, Mischa. 2018. A "world in their own image" (a Museum of World Cultures 4). [Film/Video]

Twitchin, Mischa and Gruszczynski, Piotr. 2024. Tragedy and the Gender of Sacrifice: On "The Difference between Poetry and Rhetoric". In: Ramona Mosse and Anna Street, eds. Genre Transgressions: Dialogues on Tragedy and Comedy. Abingdon: Routledge, pp. 199-222. ISBN 9780367218300 [Book Section]

Twitchin, Mischa and Lavery, Carl. 2019. On Animism: Introduction. Performance Research, 24(6), pp. 1-5. ISSN 1352-8165 [Article]

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White, Christine A.. 1998. British Theatre Scenography: The Reification of Spectacle. Doctoral thesis, Goldsmiths, University of London [Thesis]

Wilson, Robert and Shevtsova, Maria. 2022. Covid Conversations 5: Robert Wilson. New Theatre Quarterly, 38(1), pp. 1-26. ISSN 0266-464X [Article]

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Xiang, Yunlin. 2020. Can the Conventions of Indigenous Kunqu Opera Training be Useful for the Contemporary Actor?. Other thesis, Goldsmiths, University of London [Thesis]

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Young, Michèle Anne Odette. 2008. Power Relationships and Open Source Theatre. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Zavarei, Saba. 2023. Bodies Out of Place: Performance, Space, Gender and Transgression in Contemporary Iran. Doctoral thesis, Goldsmiths, University of London [Thesis]

This list was generated on Tue Nov 19 02:56:25 2024 GMT.

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Items where Division is "Theatre and Performance (TAP)"

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